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Psychologist-Performer to Speak February 11
Next 'Messiah' Fiat Lux Sunday, 8:15 p.m. Jan. 14,1964 FIAT LUX Men's Gym Vol. 51, No. 12 ALFRED, NEW YORK, TUESDAY, DECEMBER 10, 1963 Phone 587-5402 Alfred Singers Perform Psychologist-Performer x Messiah' this Sunday The annual presentation of G. H. Handel's "The Messiah" will be performed by the Alfred University Singers Sunday, To Speak February 11 at 8:15 p.m., in the Men's Gymnasium. Herbert Berry, who has made Dr. Murray Banks, a psychologist-perform er from New York City will speak at Alfred sis on the chorus itself. Dr. Le University Feb. 11. He will be presented by the Student Nurses Association of New York several 'guest appearances at Al- Mon will conduct. fred, and had the tenor lead In The orchestra, which will ac- State—Area XI under the sponsorship of the Student Senate and Women's Student Gov- Dr. LeMon's opera "Donw, Down, company the chorus, is to be ernment. Dawn," will .supplement the (uni- augmented by six guest players Dr. Banks' topic is entitled versity singers. from the Eastman School of Mu- "What to do Until the Psychia- Among the players will be Jac- sic. Audrey Hardy, who played trist Comes". He has presented Quelin Gunthrie and Christina- last year, and Daniel Nimtz, a 'Amahl and the Night Visitors' Wright, sopranos, Elain Bremer, 1963 graduate, will be among this topic to other audience! contralto, and Michael Abelson, these performers. more than 5000 times. Consid" Will Be Presented Thursday ered 'by many to be one of the baBS. -
ST. JAMES THEATER (Originally Erlanger Theater), 246-256 West 44Th Street
Landmarks Preservation Commission December 15, 1987; Designation List 198 LP-1374 ST. JAMES THEATER (originally Erlanger Theater), 246-256 West 44th Street. Built 1926-27; architects, Warren & Wetmore. Landmark Site: Borough of Manhattan Tax Map Block 1015, Lot 54. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the St. James Theater (originally Erlanger Theater) and the proposed designation of the related Landmark Site (Item No. 70). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The St. James (built as the Erlanger) Theater survives today as one of the historic playhouses that symbolize American theater for both New York and the nation. Built in 1926-27, the St. James was designed by the prominent firm of Warren & Wetmore as the last Broadway theater erected for Abraham Erlanger. Abraham Erlanger had been a principal in the infamous Klaw & Erlanger Theatrical Syndicate, which had dominated the American theater industry for several decades on either side of the turn of the century. After the break-up of the Syndicate, Klaw and Erlanger went their separate ways, and each built theaters named for themselves. -
XXIV:5) Luchino Visconti, SENSO (1954, 123 Min.)
February 14, 2012 (XXIV:5) Luchino Visconti, SENSO (1954, 123 min.) Directed by Luchino Visconti Story by Luchino Visconti and Suso Cecchi D'Amicom based on the novella by Camillo Boito Screenplay by Suso Cecchi D'Amico and Luchino Visconti English language dialog by Tennessee Williams and Paul Bowles Cinematography by G.R. Aldo and Robert Krasker, Giuseppe Rotunno Film Editing by Mario Serandrei Production Design by Ottavio Scotti Set Decoration by Gino Brosio Costume Design by Marcel Escoffier and Piero Tosi Jean Renoir… supervisor: French dubbed version Alida Valli…La contessa Livia Serpieri Farley Granger…Il tenente Franz Mahler the Marshes, 1948 La Terra Trema, 1948 La Chartreuse de Heinz Moog…Il conte Serpieri Parme, 1947 Couleur de Venise. Rina Morelli… Laura, la governante Christian Marquand…Un ufficiale boemo ROBERT KRASKER (August 13, 1913, Perth, Western Australia, Sergio Fantoni... Luca Australia – August 16, 1981, London, England) won a best Tino Bianchi...Il capitano Meucci cinematography Oscar for The Third Man (1949). He has 41 Ernst Nadherny…Il comandante della piazza di Verona cinematographer credits, some of which are 1980 Cry Wolf, 1965 Tonio Selwart…Il colonello Kleist The Heroes of Telemark, 1965 The Collector, 1964 The Fall of Marcella Mariani…Clara, la prostituta the Roman Empire, 1963 The Ballad of the Running Man, 1962 Massimo Girotti…Il marchese Roberto Ussoni Billy Budd, 1961 El Cid, 1961 Romanoff and Juliet, 1960 Concrete Jungle, 1958 The Doctor's Dilemma, 1958 The Quiet LUCHINO VISCONTI (November 2, 1906, -
Dissertação Maicon Alexandre Timm De Oliveira.Pdf
UNIVERSIDADE FEDERAL DE PELOTAS Instituto de Ciências Humanas Programa de Pós-Graduação em História – Mestrado DISSERTAÇÃO Do céu A Estrela do Norte, do inferno Os Carrascos Também Morrem: A ideologia estadunidense no cinema hollywoodiano (1943) MAICON ALEXANDRE TIMM DE OLIVEIRA Pelotas, 2018 MAICON ALEXANDRE TIMM DE OLIVEIRA Do céu A Estrela do Norte, do inferno Os Carrascos Também Morrem: A ideologia estadunidense no cinema hollywoodiano (1943) Dissertação apresentada ao Programa de Pós-Graduação em História da Universidade Federal de Pelotas, como requisito parcial à obtenção do Título de Mestre em História. Orientadora: Profª. Dra. Daniele Gallindo Gonçalves Silva Pelotas, 2018 Maicon Alexandre Timm de Oliveira Do céu A Estrela do Norte, do inferno Os Carrascos Também Morrem: A ideologia estadunidense no cinema hollywoodiano (1943) Dissertação aprovada, como requisito parcial, para a obtenção do grau de Mestre em História, Programa de Pós-Graduação em História, Instituto de Ciências Humanas, Universidade Federal de Pelotas. Data da defesa: 26 de março de 2018. Banca Examinadora: Prof.ª Dr.ª Daniele Gallindo Gonçalves Silva (Orientadora) Doutora em Germanistk/Ältere Deustsche Literatur Prof.º Dr.º Vinícius César Dreger de Araújo Doutor em História Social pela Universidade de São Paulo Prof.º Dr.º Guilherme Carvalho da Rosa Doutor em Comunicação Social pela Pontíficia Universidade Católica do Rio Grande do Sul Prof.º Dr.º Aristeu Elisandro Machado Lopes Doutor em História pela Universidade Federal do Rio Grande do Sul Dedico este trabalho -
SERGEI RACHMANINOFF Wednesday Evening, January 28, 1942 •
SERGEI RACHMANINOFF Wednesday Evening, January 28, 1942 • The F. & M. Schaefer Brewing Co., New York 2 <:: -' "-- THE BROOKLYN INSTITUTE OF ARTS AND SCIENCES COMPRISING THB BROOKLYN MUSBUM, THB BROOKLYN CHILDRBN S MUSBUM, THB BROOKLYN BOTANIC GARDBN, AND THB INSTITUTE AT THS ACADEMY OP MUSIC EDWARD C. BLuM, Chairman of the Board JAMBS G . M c DoNALD, President PSRMANSNT MEMBERSHIP, $2500 LIFB MBMBBRSHIP, $500 CONTRIBUTING MBMBBRSHIP1 $100 PBR YSAR SUSTAINING MEMBERSHIP, $25 PSR YBAR THE INSTITUTE AT THE ACADEMY OF MUSIC 30 LAPAYBTTII AVBNUB-BROOKLYN-STSRLING 3-6700 ADRIAN VAN SINDBRSN, Chairman, {jovernin§ Committee JuLIUS BLooM, .Associate Director ANNUAL MBMBSRSHIP, $10. MBMBBRSHIP PRIVILBGSS INCLUDB FREB ADMISSION TO MORB THAN TWO HUNDRBD EVBNTS: LECTURES, RECITALS, PRO GRAMS FOR YOUNG PBOPLB, MOTION PICTURBS, FIBLD TRIPS, BTC. MBMBBRSHIP MAY BB TAKBN OUT ANY 11MB DURING THB YBAR. THE BROOKLYN ACADEMY OF MUSIC 30 LAPAYBTTB AVBNUB-BROOKLYN-STBRLING 3-6700 WILLIAM T. HuNTBR, Ch11irman, Buildin§ Committee HaRBERT T. SWIN, ?11anagi11g Superi11tendent THB OPERA HOUSB1 MUSIC HALL, AND BALLROOM OP THB ACADBMY OP MUSIC ARB AVAILABLE FOR CONCBRTS, PLAYS, LBCTURBS, DANCBS, AND OTHBR BVBNTS. INQUIRB: MANAGING SUPBRINTBNDBNT. PUBLICATION AND ADVERTISING OFFICES CONCERT PROGRAM MAGAZINES SIGMUND GoTTLOBBR, Publisher 30 Lafayette Ave., Brooklyn, STerling 3-6700 258 Fifth Ave., Manhattan, CAledonia 5-6690 WALTBR H . MoRIN, Production 711anagu FRaDA Roves, .Advertising Director PUBLISH BRS OF STADIUM CONCERTS REVIEW BERKSHIRE SYMPHONIC fESTIVAL PROGRAM -
11 Gemuden 65-76
Brecht in Hollywood Hangmen Also Die and the Anti-Nazi Film Gerd Gemünden Die beste Schule für Dialektik ist die Emigration. Die schärfsten Dialektiker sind die Flüchtlinge. —Bertolt Brecht, Flüchtlingsgespräche (, :) [The best school for dialectics is emigration. The refugees are the sharpest dialectic thinkers.] I Bertolt Brecht arrived in San Pedro, California, on July and de- parted from the United States on November , one day after his HUAC hearing in Washington, DC. Often referred to as an exile in paradise, Brecht’s stay in this country proved to be one of the most difficult times of his life. It also turned out to be one of Brecht’s most prolific periods, leading to an out- pouring of poetry and prose, and to the writing of many plays which, when first performed upon his return to Germany, established his world fame. From the very beginning of his stay, Brecht also wrote scripts, outlines, and treat- ments—more than in all (Gersch :–)—which he hoped to sell to the Hollywood film industry. Yet apart from his ill-fated collaboration with Fritz Lang, Hangmen Also Die (), none of them ever made it onto the screen. Most literary critics have considered Brecht’s scripts and film stories as insignificant, and very much inferior to the plays and poems written during his years of exile. Brecht himself set the tone for this interpretation, calling these writings bread-and-butter jobs to which he subjected himself, all the while scolding the industry for which they were written. We all know the fa- mous verses about the market where lies are sold, and about the stench of greed and misery that suffocates the city of angels. -
THE OTHER SIDE of the WIND Is Orson Welles’S Vision Fulfilled
Presents THE OTHER SIDE OF THE WIND Directed by ORSON WELLES Produced by FRANK MARSHALL AND FILIP JAN RYMSZA Running Time: 2:02 Publicity Contacts: Chris Regan [email protected] | 323-459-0183 Christine Richardson [email protected] | 917-968-5878 Katia Jacoby [email protected] | +31 629 725 871 1 SHORT SYNOPSIS Surrounded by fans and skeptics, grizzled director J.J. "Jake" Hannaford (a revelatory John Huston) returns from years abroad in Europe to a changed Hollywood, where he attempts to make his comeback: a career summation that can only be the work of cinema's most adventurous filmmaker, Orson Welles. FULL SYNOPSIS In 1970, legendary director Orson Welles (CITIZEN KANE) began filming what would ultimately be his final cinematic opus with a cast of Hollywood luminaries including John Huston, Peter Bogdanovich, Susan Strasberg and Welles’s partner during his later years, Oja Kodar. Beset by financial issues, the production ultimately stretched years and gained notoriety, never to be completed or released. More than a thousand reels of film negatives languished in a Paris vault until March of 2017, when producers Frank Marshall (who served as Welles’s production manager during his initial shooting) and Filip Jan Rymsza spearheaded efforts to have the film completed after over 40 years. Featuring a new score by Oscar-winning composer Michel Legrand and reassembled by a technical team including Oscar-winning editor Bob Murawski, THE OTHER SIDE OF THE WIND is Orson Welles’s vision fulfilled. It tells the story of grizzled director J.J. “Jake” Hannaford (Huston), who returns to Los Angeles after years in self-exile in Europe with plans to complete work on his own innovative comeback movie. -
Germans As Nazi Stereotypes in American Cinema
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1998 The Enduring Villain: Germans as Nazi Stereotypes in American Cinema Christine Lokotsch Aube College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, and the Film and Media Studies Commons Recommended Citation Aube, Christine Lokotsch, "The Enduring Villain: Germans as Nazi Stereotypes in American Cinema" (1998). Dissertations, Theses, and Masters Projects. Paper 1539626154. https://dx.doi.org/doi:10.21220/s2-qfxe-y652 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. THE ENDURING VILLAIN: GERMANS AS NAZI STEREOTYPES IN AMERICAN CINEMA A Thesis Presented to The Faculty of the Department of American Studies The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Christine Lokotsch Aube 1998 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Author Approved, December 1908 Arthi Christy Bums nnifer /Taylor ii To my parents and my husband, without whom none of this would have been possible. TABLE OF CONTENTS \ ACKNOWLEDGEMENTS v ABSTRACT vi INTRODUCTION 2 CHAPTER I. HOLLYWOOD’S STEREOTYPICAL GERMAN THROUGH WORLD WAR II 10 CHAPTER II. NAZI STEREOTYPES IN ALFRED HITCHCOCK’S MOVIES 38 CHAPTER III. -
Un Ejemplo Del Exilio Alemán a Los Estados Unidos 1933-1945
UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE FILOLOGÍA Departamento de Filología Alemana TESIS DOCTORAL Filmografía antinazi de Fritz Lang: un ejemplo del exilio alemán a los Estados Unidos 1933-1945 TESIS DOCTORAL MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR María del Carmen Deltoro Lenguazco Directora: Ana María Pérez López Madrid, 2002 ISBN: 978-84-8466-304-1 © María del Carmen Deltoro Lenguazco, 1994 FILMOGRAFíA ANTINAZI DE FRITZ LANG: UN EJEMPLO DEL EXILIO ALEMAN A LOS ESTADOS UNIDOS <HOLLYWOOD) 1933-45 María del Carmen Deltoro Lenguazco Trabajo presentado en la Universidad Complutense de Madrid para la obtención del grado de Doctor Dirigido por la Dra. Ana Pérez, Profesora del Departamento de Filología Alemana de la Universidad Complutense de Madrid Ponente: Dr. Leopoldo Mateo, Profesor del Departamento de Filología Inglesa de la Universidad Complutense de Madrid Madrid, 18 de marzo de 1994 A la memoria de mispadres INDICE Agradecimientos II Introducción III Capítulo 1. Alemania años treinta 1 1. 1. Circunstancias políticas, históricas y culturales en Alemania 2 durante los años 1920-1940 1.2. La cultura de Weimar 23 1.3. El cinc alemán de los años 20 y 30. Metrópolis (1926) 37 1.4. El Nacionalsocialismo y el cine alemán 53 1.4.1. Der Triwnph des Willens (1935) 56 1.4.2. Sieg ini Wes:en (1941) 59 Notas 64 Capítulo 2. El exilio a los Estados Unidos 77 2.1. Emigración y exilio a los Estados Unidos 78 2.2. El exilio alemán a los Estados Unidos de 1933 a 1941 85 2.2.1. Características ocupacionales 87 2.2.2. -
Questa Edizione Del Festival È Dedicata a Norma Giacchero, Collaboratrice Di Federico Fellini, Che Portava La Serenità Sui Suoi Set
XXXIX Mostra Internazionale del Cinema Libero Cineteca del Comune di Bologna Questa edizione del festival è dedicata a Norma Giacchero, collaboratrice di Federico Fellini, che portava la serenità sui suoi set. This year’s festival is dedicated to Norma Giacchero, collaborator of Federico Fellini’s, who used to bring peace to his sets. IL CINEMA RITROVATO 2010 XXIV edizione le proiezioni e gli incontri presso il Cinema university badge or senior citizen card) Lumière sono tradotti in simultanea in italiano 30 Euros for Amici della Cineteca Con il contributo di / With the financial support of: e inglese Comune di Bologna - Settore Cultura e Morning or afternoon screenings Rapporti con l’Università All evening screenings in Piazza Maggiore and 6 Euros Ministero per i Beni e le Attività Culturali - at the Cinema Arlecchino are subtitled into 4 Euros for FICC Members, University Students Direzione Generale per il Cinema Italian and English. and Senior Citizens Regione Emilia-Romagna - Assessorato alla Simultaneous interpreting into Italian and 3 Euros for Amici della Cineteca Cultura English is provided for all screenings at the Fondazione Cassa di Risparmio di Bologna Cinema Lumière Amici della Cineteca membership is available Programma MEDIA+ dell’Unione Europea at 25 Euros and includes a free catalogue, one Modalità di accesso of Cineteca di Bologna latest publications and Con la collaborazione di / In association with: Abbonamento settimanale: accesso a tutte le 20% discount on Cineteca publications CSC - Cineteca Nazionale proiezioni al Cinema Lumière e al Cinema L’Immagine Ritrovata Arlecchino e il catalogo in omaggio Evening screenings in the Piazza Maggiore Fondazione Teatro Comunale di Bologna Euro 60 intero are free. -
4828 Congressional Record-House House of Representatives
4828 CONGRESSIONAL RECORD-HOUSE MARCH 19 TO BE MAJOR Thy purpose and key our desires to Thy holy will. Impress Capt. Benjamin Bowering, Coast Artillery Corps, from us that a benevolent heart is more rewarding than self March 9, 1934. interest and allow not dreary selfishness to be the prison of TO BE CAPTAIN our souls. Almighty God, lead us just now to consecrate First Lt. Charles Theodore Skow, Air Corps, from March ourselves at the altar of our country. O clothe us with the 9, 1934. spirit of dedication that crowned and made memorable our forefathers in the establishment of the cause of good and TO BE FIRST LIEUTENANTS righteous government in a new land and in a new world. In Second Lt. John Jordan Morrow, Air Corps, from March the name of the world's Savior. Amen. 9, 1934. Second Lt. Mercer Christie Walter, Field Artillery, from The Journal of the proceedings of Saturday, March 17, March 10, 1934. was read and approved. Second Lt. Theodore John Dayharsh, Coast Artillery THE COTTON BILL Corps, from March 10, 1934. The SPEAKER. Under the special order of the House agreed to on last Saturday, the unfinished business is the CONFIRMATIONS bill H.R. 8402, to };)lace the cotton industry on a sound com Executive nominations confirmed by the Senate March 19 mercial basis, to prevent unfair competition and practices (legislative day of Mar. 15), 1934 in putting cotton into the channels of interstate and foreign commerce, to provide funds for paying additional benefits PUBLIC HEALTH SERVICE under the Agricultural Adjustment Act, and for other TO BE MEDICAL DIRECTORS purposes.