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STORM Report the STORM Report Is a Compilation of Up-And-Coming Bands and Explores the Increasingly Popular Trend Artists Who Are Worth Watching
Hungry Like The Wolf: Artists as Restauranteurs SYML Maggie Rogers Sam Bruno Angus & Julia Stone Fox Stevenson and more THE STORM ISSUE NO. 49 REPORT NOVEMBER/DECEMBER 2017 TABLE OF CONTENTS 4 EYE OF THE STORM Hungry Like The Wolf: Artists as Restauranteurs 5 STORM TRACKER Post Malone, Ty Dolla $ign, St. Vincent, and Courtney Barnett 6 STORM FORECAST What to look forward to this month. Holiday Season, Award Season, Rainy Day Gaming and more 7 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. 19 SOURCES & FOOTNOTES On the Cover: Marshmello. Photo courtesy of management. ABOUT A LETTER THE STORM FROM THE REPORT EDITOR STORM = STRATEGIC TRACKING OF RELEVANT MEDIA It’s almost Thanksgiving in the US, and so this special edition of the STORM report The STORM Report is a compilation of up-and-coming bands and explores the increasingly popular trend artists who are worth watching. Only those showing the most of artists and food with our featured promising potential for future commercial success make it onto our article “Hungry Like the Wolf: Artists as monthly list. Restauranteurs.” From Sammy Hagar’s Cabo Wabo to Jimmy Buffet’s Margaritaville to How do we know? Justin Timberlake’s Southern Hospitality, artists are leveraging their brand equity to Through correspondence with industry insiders and our own ravenous create extensions that are not only lucrative, media consumption, we spend our month gathering names of artists but also delicious! Featured on this month’s who are “bubbling under”. We then extensively vet this information, cover is one of our favorite STORM alumni, analyzing an artist’s print & digital media coverage, social media Marshmello (STORM #39), whose very growth, sales chart statistics, and various other checks and balances to name sounds like it would go well with ensure that our list represents the cream of the crop. -
America's Changing Mirror: How Popular Music Reflects Public
AMERICA’S CHANGING MIRROR: HOW POPULAR MUSIC REFLECTS PUBLIC OPINION DURING WARTIME by Christina Tomlinson Campbell University Faculty Mentor Jaclyn Stanke Campbell University Entertainment is always a national asset. Invaluable in times of peace, it is indispensable in wartime. All those who are working in the entertainment industry are building and maintaining national morale both on the battlefront and on the home front. 1 Franklin D. Roosevelt, June 12, 1943 Whether or not we admit it, societies change in wartime. It is safe to say that after every war in America’s history, society undergoes large changes or embraces new mores, depending on the extent to which war has affected the nation. Some of the “smaller wars” in our history, like the Mexican-American War or the Spanish-American War, have left little traces of change that scarcely venture beyond some territorial adjustments and honorable mentions in our textbooks. Other wars have had profound effects in their aftermath or began as a result of a 1 Telegram to the National Conference of the Entertainment Industry for War Activities, quoted in John Bush Jones, The Songs that Fought the War: Popular Music and the Home Front, 1939-1945 (Lebanon, NH: University Press of New England, 2006), 31. catastrophic event: World War I, World War II, Vietnam, and the current wars in the Middle East. These major conflicts create changes in society that are experienced in the long term, whether expressed in new legislation, changed social customs, or new ways of thinking about government. While some of these large social shifts may be easy to spot, such as the GI Bill or the baby boom phenomenon in the 1940s and 1950s, it is also interesting to consider the changed ways of thinking in modern societies as a result of war and the degree to which information is filtered. -
Los Angeles Vacation Planner: How to Eat Your Way Around LA In
Filipino star Ma'am Sir is one of LA's best new restaurants | Fried Chicken Sandwich Studios Filipino star Ma'am Sir is one of LA's best new restaurants | Fried Chicken Sandwich Studios TRAVEL Presented By It may come as a bit of a shock that Los Angeles, a place often imagined for beach bodies and plastic surgery, would be the ultimate destination for a vacation based around eating, but life is full of surprises. You’ll hear stories about how LA has “finally” figured out our culinary scene in the last few years (thanks for the pity visit, Michelin!), but the fact is that the city has always had a killer food scene. This is a city where ex-Nobu busboys open their own Mexican sushi restaurants , a city that essentially jump-started the food truck revolution (thanks Roy Choi!). It's where you can turn a quiet corner corner and walk directly into the heart of a Guatemalan street food market, or find world’s-best-sushi contenders in the dusty corners of a strip mall. LA is stuffed top to bottom with incredible things to eat. It's also, you know, one of America's biggest and most vibrant cities. And one of the best ways to see LA at its best is through the lens of food -- something that makes LA one of the 20 Best Places for a Big Trip in 2020 . In this guide, we’re talking about the Los Angeles of 2020. We're not sending you to Rodeo Drive, the Walk of Fame, old-world LA legacy restaurants, or any of Wolfgang Puck’s Beverly Hills establishments. -
"EL BRUJO" FRENTE AL ESPEJO the WARLOCK FACING the MIRROR Dirigido Por/Directed by RAI GARCÍA
"EL BRUJO" FRENTE AL ESPEJO THE WARLOCK FACING THE MIRROR Dirigido por/Directed by RAI GARCÍA Productora/Production Company: CRONISTAR, S.L. Cimadevilla, 15 Esc. B 1º E. 33003 Oviedo. Tel.: +34 984 10 50 48. www.cronistar.com/ ; [email protected]/ Con la participación de/With the participation of: CAJASTUR, MARCA, AYTO. DE GIJÓN, RTPA. Director: RAI GARCÍA. Producción/Producer: NACHO FERNÁNDEZ TORRES. Guión/Screenplay: RAI GARCÍA. Fotografía/Photography: RAI GARCÍA. Música/Score: JESÚS DELGADO RODRÍGUEZ. Montaje/Editing: RAI GARCÍA. DOCUMENTAL/DOCUMENTARY Con/With:ENRIQUE CASTRO "QUINI", CRISTINA HOYOS. Largometraje/Feature Film. HD. Género/Genre: Documental / Documentary. Duración/Running time: 68 minutos. Estreno en España/Spain Release: 31/01/2013. Lugares de rodaje/Locations: Gijón, Asturias, Cantabria, Cataluña y Aragón. Premios/Awards: XVI Premios de la Asociación de Telespectadores y Radioyentes de Asturias 2013 Premio ATR de cine. Festivales/Festivals: 50 Festival Internacional de Cine de Gijón Sección Esbilla Asturiana. Web: www.quinilapelicula.com ; www.facebook.com/Quini.ElBrujofrentealespejo.Lapelicula ; www.cronistar.com Distribución nacional/Spain Distribution: CRONISTAR, S.L. Cimadevilla, 15 Esc. B 1º E. 33003 Oviedo. Tel.: +34 984 10 50 48. www.cronistar.com/ ; [email protected]/. RAIMUNDO GARCÍA FERNÁNDEZ/Filmografía/Filmography: Cortometrajes/Short films: 1977 - COPLAS DE DON GUZMÁN 1981 - EL BEATO RIPO ; UN JUEGO DE NIÑOS Largometrajes/Feature films: 0 - 1979 2005 - CUBA LIBRE 2013 - "EL BRUJO" FRENTE AL ESPEJO Enrique Castro “Quini” es una de las figuras más relevantes y queridas del futbol español. A sus innegables cualidades deportivas, que le valieron granjearse algunos de los títulos más codiciados en el mundo del futbol, hay que sumar sus valores humanos que le han convertido en uno de los nombres del futbol español que más cariño, admiración y respeto generan. -
Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr
HYTHM AND LUES From left top and clockwise: Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr. Mable John. Photos: © Fredrich Cantor; Courtesy of Swamp Dogg; © Fredrich Cantor; Mark Puryear, Smithsonian Institution; Courtesy of Stax Museum of American Soul Music Right side: The Dixie Cups® began performing rhythm and blues music in 1963; the group now includes original members Barbara A. Hawkins (right) and Rosa L. Hawkins (left), joined by Athelgra Neville. Photo by Richard Strauss, Smithsonian Institution Rhythm and Blues 53 Tell It Like It Is by Mark Puryear In 1964 The Dixie Cups®, a female vocal trio from New Orleans, crooned out a cheerful version of “Chapel of Love” and knocked the Beatles from their number one spot on the pop charts. A year later, the trio released “Iko Iko,” a song first released in 1954 by James “Sugar Boy” Crawford as “Jock-A-Mo,” whose lyrics recount the meeting of two groups of Mardi Gras Indians. Since then, this song has been cov- ered by artists from the Grateful Dead to Cyndi Lauper, and continues to move new generations with its infectious New Orleans rhythms. The career of The Dixie Cups, and their direct and indirect roles in carrying rhythm and blues (R&B) into mainstream consciousness, speaks to the enduring pow- er of this music to transcend region and musical category and become a representative sound of the country. Musical Crossroads by Dwandalyn Reece The National Museum of African American History of musical genres, highlighting musical innovations, and Culture (NMAAHC) was established by an act of significant time periods and events along with Congress in 2003 making it the nineteenth museum historic performances to capture the music’s impact of the Smithsonian Institution. -
From Jazz Assembly Series to Hip
teacher resource guide assembly series from jazz to hip hop DJ Mike-Doelo featuring mark gross quartet and dj mike-doelo about the meet the in the spotlight performance artists An Interview with Mark Gross and DJ Mike-Doelo The Mark Gross Quartet and DJ Mike-Doelo will take you on Mark Gross, who leads his How did your professional training and experience inform to want to DJ. In the late 1980s, we moved to the west side a sonic journey exploring two of America’s greatest musical namesake quartet, has been the your performances? of Manhattan at a time when hip hop was maturing. Teddy innovations—jazz and hip hop—and the language, rhythms and Director of Jazz Instruction at Riley actually lived in my apartment building when he was cultural significance of the two art forms, including their close New Jersey Performing Arts Mark Gross: I started playing saxophone when I was 6 or 7 spearheading the whole new jack swing movement. I was connections. The performance will be interactive and feature Center (NJPAC) since 2015. years old. I initially learned to play by ear. Growing up in a there when hip hop grew up, watching music videos, and being a call-and-response dynamic between the audience and Gross is a dedicated and home where music was often played, mostly gospel music such inspired by it all. My inspiration came from the people living performers—like the ones found at a great hip hop concert or accomplished jazz saxophonist as Mahalia Jackson or Reverend C. L. Franklin, I was deeply and composing and performing all around me. -
Fast and Furious 5
UNIVERSAL PICTURES Presenta Una Produzione ORIGINAL FILM / ONE RACE FILMS Un Film di JUSTIN LIN VIN DIESEL PAUL WALKER JORDANA BREWSTER TYRESE GIBSON CHRIS “LUDACRIS” BRIDGES MATT SCHULZE SUNG KANG GAL GADOT TEGO CALDERÓN DON OMAR JOAQUIM DE ALMEIDA e DWAYNE JOHNSON Produttori Esecutivi AMANDA LEWIS SAMANTHA VINCENT JUSTIN LIN Prodotto da NEAL H. MORITZ VIN DIESEL MICHAEL FOTTRELL Basato Sui Personaggi Creati da GARY SCOTT THOMPSON Scritto da CHRIS MORGAN Regia di JUSTIN LIN VIN DIESEL e PAUL WALKER sono i protagonisti di Fast & Furious Five che vede riunite tutte le star dei capitoli precedenti di questo esplosivo franchise all’insegna della velocità! Insieme alla new entry DWAYNE JOHNSON, la serie che ha tenuto il mondo con il fiato sospeso, esplorerà nuove, incredibili avventure cariche di adrenalina. In Fast and Furious 5 troviamo l’ex poliziotto Brian O’Conner (Walker) fare coppia con l’ex detenuto Dom Toretto in circostanze decisamente inospitali e poco familiari: siamo in Brasile, nell’esotica Rio de Janeiro, nel versante opposto della legge. ELSA PATAKY si unisce a Johnson assieme al ritorno dei personaggi più amati, riuniti per il colpo definitivo: JORDANA BREWSTER, CHRIS ‘LUDACRIS’ BRIDGES, TYRESE GIBSON, SUNG KANG, GAL GADOT, MATT SCHULZE, TEGO CALDERON e DON OMAR. La serie che per dieci anni ha conquistato il pubblico con la sua squadra di piloti clandestini di Los Angeles, legati tra di loro da un codice basato sul senso della famiglia e del rispetto, invita i suoi fan alla più grande ed emozionante corsa che possano immaginare. Dopo aver emozionato con folli corse attraverso i circuiti di Miami, dopo aver rivelato la spregevole malavita di Tokio, dopo aver corso e sfrecciato attraverso i tunnel nascosti tra il confine Americano e Messicano, i nostri eroi tornano in azione. -
July/August 2011
July-August 2011 AMERICAN www.bikeleague.org League of American Bicyclists Working for a Bicycle-Friendly America ENFORCEMENT:ENFORCEMENT: THETHE FINALFINAL FRONTIERFRONTIER p. 10 CARRBORO IS BANANAS 16 FOR BICYCLING BICYCLE FRIENDLY SYNERGY 24 Groups working together make great strides toward bicycle-friendliness whatwhat doesdoes everyevery cyclistcyclist needneed inin theirtheir seatseat pack?pack? PATCH KIT MULTI-TOOL TIRE LEVER LEAGUE OF AMERICAN BICYCLISTS MEMBERSHIP CARD SPARE TUBE A League membership card is an essential tool for every bicyclist. Join today and become a card-carrying advocate. LEAGUE MEMBERSHIP APPLICATION Yes , I want to help the League of American Bicyclists build a bicycle-friendly America! Name Phone Address City State Zip E-mail Membership Levels $25 Student/Youth $40 Individual $60 Family $70 Advocate $90 Advocate Family $120 Silver Spoke (includes roadside assistance) $250 Supporter $500 Sustainer $1,200 Life Membership $1,750 Life Family $50 Bike Shop/Dealer Payment plans are available for life memberships. For more information, contact us or visit our Web site. Payment Information Enclosed is a check made payable to the League of American Bicyclists. Please charge my Visa Mastercard AmEx Card number Expiration date Signature For more on club memberships, dealer memberships, and instructor certification, visit www.bikeleague.org. RETURN TO: League of American Bicyclists 1612 K St. NW Suite 510 Washington, DC 20006 Tel: 202-822-1333 Fax: 202-822-1334 [email protected] www.bikeleague.org contentJULY-AUG -
Rap Vocality and the Construction of Identity
RAP VOCALITY AND THE CONSTRUCTION OF IDENTITY by Alyssa S. Woods A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Theory) in The University of Michigan 2009 Doctoral Committee: Associate Professor Nadine M. Hubbs, Chair Professor Marion A. Guck Professor Andrew W. Mead Assistant Professor Lori Brooks Assistant Professor Charles H. Garrett © Alyssa S. Woods __________________________________________ 2009 Acknowledgements This project would not have been possible without the support and encouragement of many people. I would like to thank my advisor, Nadine Hubbs, for guiding me through this process. Her support and mentorship has been invaluable. I would also like to thank my committee members; Charles Garrett, Lori Brooks, and particularly Marion Guck and Andrew Mead for supporting me throughout my entire doctoral degree. I would like to thank my colleagues at the University of Michigan for their friendship and encouragement, particularly Rene Daley, Daniel Stevens, Phil Duker, and Steve Reale. I would like to thank Lori Burns, Murray Dineen, Roxanne Prevost, and John Armstrong for their continued support throughout the years. I owe my sincerest gratitude to my friends who assisted with editorial comments: Karen Huang and Rajiv Bhola. I would also like to thank Lisa Miller for her assistance with musical examples. Thank you to my friends and family in Ottawa who have been a stronghold for me, both during my time in Michigan, as well as upon my return to Ottawa. And finally, I would like to thank my husband Rob for his patience, advice, and encouragement. I would not have completed this without you. -
Record of the Week
Smiling Dancing Everything Is Free All You Need Is Positivity ISSUE 491 / 16 AUGUST 2012 TOP 5 MUST-READ ARTICLES record of the week TuneCore founders Jeff } Settle Down multiple broadsheet features. The superb Price and Peter Wells exit video directed by longterm collaborator the company. (Billboard) No Doubt Sophie Muller is a global priority at Polydor/Interscope MTV and playlisted at 4Music, The Box, } Google to de-emphasize No Doubt return after a decade with Chartshow TV, and a ‘record of the week’ websites of repeat copyright a radio smash that is every bit the on VH1. Over their five albums together offenders. (FT) comeback fans had hoped for. We’re No Doubt have sold over 45 million hooked, and we’re not alone. The Mark albums and notched up 10 Grammy Universal could sell all EMI } ‘Spike’ Stent produced Settle Down is nominations, winning twice. With the bar if regulators rip ‘the heart picking up an exceptional reaction from set high on Settle Down, the return of out of the deal’ (HypeBot) the media, with Kiss playlisting, and the purveyors of hits such as It’s My Life, getting its first spin on Radio1 on Friday Hella Good and Don’t Speak, will act UK albums chart shows } as Annie Mac’s ‘Special Delivery’. A as a massive dose of adrenalin for pop lowest one week sales in major press campaign is confirmed for junkies around the world. Video. history. (NME) release with covers on a host of fashion Released: September 16 (album; Push and Shove and music magazines, as well as September 24) } 64% of US under 18s use YouTube as primary music CONTENTS source, Nielsen reports. -
His First Album Went Platinum and His Songs for Other Superstars Reached
THE WA MAKEYS HYOUE FEEL uccess—at any age—comes with itsS trials: the comparisons, the doubts (both self-inflicted and otherwise), the rumors, the expectations. After penning No. 1 hits for Mario and Beyoncé, starring in the $61 million box office hit Stomp The Yard and releasing his platinum- selling debut, In My Own Words, Ne-Yo has had his fair share of all of the above. “I didn’t take it very serious,” says the 24-year-old singer, referring right away to a magazine article headline that labeled him a sex addict. “I could think of worse things to be addicted to. I wasn’t really trippin’ until my mom called me on it His first album went platinum and people really started thinking I had and his songs for other a problem. So I was like, ‘Yo, read the UN HALL; VNER; article. Don’t just read the headline.’” superstars reached the top of Ne-Yo says he understands there’s hat the charts. Back for seconds, really nothing you can do. “Take the and whole gay rumor, for example. If I come WORDS RASHA NE-YO wants you to know why PHOTOGRAPHY MAGNUS UNNAR; out and go, ‘No, I am not gay! How dare FASHION EDITOR ALEX SLAVYCZ; GROOMER YUKA WASHIZU; PHOTO ASSISTANT LISA RO they do this to me? Blah, blah, blah...,’ THIS page: CARDIGAN WESC; he is, simply, the best singing T-SHIRT AMERICAN APPAREL; BEANIE D&G; SUNGLASSES DIOR HOMME; they go, ‘Oh, he’s getting defensive. It OPPOSITE page: T-SHIRT 10 DEEP; TRENCH COAT must be true!’ And if I say, ‘You know songwriter of his generation.. -
American Brandstand 2005
AMERICAN BRANDSTAND 2005 INTRODUCTION American Brandstand is a research project from Agenda Inc., a brand strategy agency based in San Francisco and Paris. Since 2003 American Brandstand has been a report on the brands that appear in the lyrics of the top 20 songs in the Billboard chart. Agenda Inc. offers consulting services to brands and companies which operate in an accelerated media-saturated marketplace; with a particular focus on luxury brands. Our bespoke services are entirely tailored to the needs of each client. Our clients – past and present - include: Cadillac, Condé Nast, Dom Pérignon, Juicy Couture, Lexus, LVMH , Mini Cooper, MTV and Sony. Find out more about Agenda Inc: http://www.agendainc.com/carlos.pdf If you have any questions about who we are or what we do, email us anytime – [email protected] Download American Brandstand PDFs 2005 http://www.agendainc.com/ brandstand05.pdf 2004 http://www.agendainc.com/ brandstand04.pdf 2003 http://www.agendainc.com/ brandstand03.pdf THE YEAR IN BRANDSTAND 2005 was the year in which hip-hop moved even more squarely into the mainstream - Kanye West made the cover of Time in August, and Snoop Dogg played croquet in the pages of Vanity Fair… In the Brandstand, it was the year that Missy Elliott’s Jell-o made the boys say hello, the year in which Mariah tottered back with a bottle of Bacardi, and the year in which the widest possible range of brands were showcased in the Billboard chart; from George Foreman Grills, to Froot Loops, to Listerine… AGENDA INC. | www.agendainc.com Hip-hop is rapidly becoming synonymous with youth culture – in a rapidly growing number of global markets.