Brian Friel and the Conflict in Northern Ireland: How the Troubles Have Shaped the Playwright and Informed His Plays
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Irish History Links
Irish History topics pulled together by Dan Callaghan NC AOH Historian in 2014 Athenry Castle; http://www.irelandseye.com/aarticles/travel/attractions/castles/Galway/athenry.shtm Brehon Laws of Ireland; http://www.libraryireland.com/Brehon-Laws/Contents.php February 1, in ancient Celtic times, it was the beginning of Spring and later became the feast day for St. Bridget; http://www.chalicecentre.net/imbolc.htm May 1, Begins the Celtic celebration of Beltane, May Day; http://wicca.com/celtic/akasha/beltane.htm. ------------------------------------------------------------------------------------ February 14, 269, St. Valentine, buried in Dublin; http://homepage.eircom.net/~seanjmurphy/irhismys/valentine.htm March 17, 461, St. Patrick dies, many different reports as to the actual date exist; http://www.newadvent.org/cathen/11554a.htm Dec. 7, 521, St. Columcille is born, http://prayerfoundation.org/favoritemonks/favorite_monks_columcille_columba.htm January 23, 540 A.D., St. Ciarán, started Clonmacnoise Monastery; http://www.newadvent.org/cathen/04065a.htm May 16, 578, Feast Day of St. Brendan; http://parish.saintbrendan.org/church/story.php June 9th, 597, St. Columcille, dies at Iona; http://www.irishcultureandcustoms.com/ASaints/Columcille.html Nov. 23, 615, Irish born St. Columbanus dies, www.newadvent.org/cathen/04137a.htm July 8, 689, St. Killian is put to death; http://allsaintsbrookline.org/celtic_saints/killian.html October 13, 1012, Irish Monk and Bishop St. Colman dies; http://www.stcolman.com/ Nov. 14, 1180, first Irish born Bishop of Dublin, St. Laurence O'Toole, dies, www.newadvent.org/cathen/09091b.htm June 7, 1584, Arch Bishop Dermot O'Hurley is hung by the British for being Catholic; http://www.exclassics.com/foxe/dermot.htm 1600 Sept. -
The Dublin Gate Theatre Archive, 1928 - 1979
Charles Deering McCormick Library of Special Collections Northwestern University Libraries Dublin Gate Theatre Archive The Dublin Gate Theatre Archive, 1928 - 1979 History: The Dublin Gate Theatre was founded by Hilton Edwards (1903-1982) and Micheál MacLiammóir (1899-1978), two Englishmen who had met touring in Ireland with Anew McMaster's acting company. Edwards was a singer and established Shakespearian actor, and MacLiammóir, actually born Alfred Michael Willmore, had been a noted child actor, then a graphic artist, student of Gaelic, and enthusiast of Celtic culture. Taking their company’s name from Peter Godfrey’s Gate Theatre Studio in London, the young actors' goal was to produce and re-interpret world drama in Dublin, classic and contemporary, providing a new kind of theatre in addition to the established Abbey and its purely Irish plays. Beginning in 1928 in the Peacock Theatre for two seasons, and then in the theatre of the eighteenth century Rotunda Buildings, the two founders, with Edwards as actor, producer and lighting expert, and MacLiammóir as star, costume and scenery designer, along with their supporting board of directors, gave Dublin, and other cities when touring, a long and eclectic list of plays. The Dublin Gate Theatre produced, with their imaginative and innovative style, over 400 different works from Sophocles, Shakespeare, Congreve, Chekhov, Ibsen, O’Neill, Wilde, Shaw, Yeats and many others. They also introduced plays from younger Irish playwrights such as Denis Johnston, Mary Manning, Maura Laverty, Brian Friel, Fr. Desmond Forristal and Micheál MacLiammóir himself. Until his death early in 1978, the year of the Gate’s 50th Anniversary, MacLiammóir wrote, as well as acted and designed for the Gate, plays, revues and three one-man shows, and translated and adapted those of other authors. -
The Evolution of Personal Pledging for the Freemen of Norwich, 1365-1441
Quidditas Volume 39 Article 6 2018 The Evolution of Personal Pledging for the Freemen of Norwich, 1365-1441 Ruth H. Frost University of British Columbia Okanagan Follow this and additional works at: https://scholarsarchive.byu.edu/rmmra Part of the Comparative Literature Commons, History Commons, Philosophy Commons, and the Renaissance Studies Commons Recommended Citation Frost, Ruth H. (2018) "The Evolution of Personal Pledging for the Freemen of Norwich, 1365-1441," Quidditas: Vol. 39 , Article 6. Available at: https://scholarsarchive.byu.edu/rmmra/vol39/iss1/6 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Quidditas by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Quidditas 39 94 The Evolution of Personal Pledging for the Freemen of Norwich, 1365-1441 Ruth H. Frost University of British Columbia Okanagan This paper examines the evolution of the personal pledging system used by newly admitted freemen, or citizens, of Norwich between 1365 and 1441. It argues that in the late fourteenth century new freemen chose their own sureties, and a large, diverse body of men acted as their pledges. The personal pledging system changed early in the fifteenth century, however, and from 1420 to 1441 civic office holders, particularly the sheriffs, served as the vast majority of pledges. This alteration to the pledging system coincided with changes to the structure and composition of Norwich’s government, and it paralleled a decrease in opportunities for the majority of Norwich’s freemen to participate in civic government.1 On September 14, 1365, thirteen men came before Norwich’s assembly and swore their oaths as new freemen of the city.2 They promised to pay entrance fees ranging from 13s. -
A Short History of Irish Memory in the Long Twentieth Century
Thomas Bartlett (ed.), The Cambridge History of Ireland Irish Memory in the Long Twentieth Century (Cambridge, 2018), vol. IV: 1800 to Present would later be developed by his disciple Maurice Halbwachs, who coined the term collective memory ('la memoire collective'). By calling attention to the social frameworks in which memory is framed ('les cadres sociaux de la 23 · memoire'), Halbwachs presented a sound theoretical model for understand ing how individual members of a society collectively remember their past. 3 A Short History of Irish Memory in The impression that modernisation had uprooted people from tradition and the Long Twentieth Century that mass society suffered from atomised impersonality gave birth to a vogue GUY BEINER for commemoration, which was seen as a fundamental act of communal soli darity, in that it projected an illusion of continuity with the past.4 Ireland, outside of Belfast, did not undergo industrialisation on a scale comparable with England, and yet Irish society was not spared the upheaval On the cusp of the twentieth century; Ireland was obsessed with memoriali of modernity. The Great Famine had decimated vernacular Gaelic culture sation. This condition reflected a transnational zeitgeist that was indicative of and resulted in massive emigration. An Irish variant of fin de siecle angst over a crisis of memory throughout Europe. The outcome of rapid modernisa degeneration fed on apprehensions that British rule would ultimately result tion, manifested through changes ushered in by such far-reaching processes in the loss of 'native' identity. The perceived threat to national culture, artic as industrialisation, urbanisation, commercialisation and migration, raised ulated in Douglas Hyde's manifesto on 'The Necessity for De-Anglicising fears that the rituals and customs through which the past had been habitually Ireland' (1892), stimulated a vigorous response in the form of the Irish Revival remembered in the countryside were destined to be swept away. -
The Path to Revolutionary Violence Within the Weather Underground and Provisional IRA
The Path to Revolutionary Violence within the Weather Underground and Provisional IRA Edward Moran HIS 492: Seminar in History December 17, 2019 Moran 1 The 1960’s was a decade defined by a spirit of activism and advocacy for change among oppressed populations worldwide. While the methods for enacting change varied across nations and peoples, early movements such as that for civil rights in America were often committed to peaceful modes of protest and passive resistance. However, the closing years of the decade and the dawn of the 1970’s saw the patterned global spread of increasingly militant tactics used in situations of political and social unrest. The Weather Underground Organization (WUO) in America and the Provisional Irish Republican Army (PIRA) in Ireland, two such paramilitaries, comprised young activists previously involved in the Students for a Democratic Society (SDS) and the Northern Irish Civil Rights Association (NICRA) respectively. What caused them to renounce the non-violent methods of the Students for a Democratic Society and the Northern Irish Civil Rights Association for the militant tactics of the Weather Underground and Irish Republican Army, respectively? An analysis of contemporary source materials, along with more recent scholarly works, reveals that violent state reactions to more passive forms of demonstration in the United States and Northern Ireland drove peaceful activists toward militancy. In the case of both the Weather Underground and the Provisional Irish Republican Army in the closing years of the 1960s and early years of the 1970s, the bulk of combatants were young people with previous experience in more peaceful campaigns for civil rights and social justice. -
Violence and the Sacred in Northern Ireland
VIOLENCE AND THE SACRED IN NORTHERN IRELAND Duncan Morrow University of Ulster at Jordanstown For 25 years Northern Ireland has been a society characterized not so much by violence as by an endemic fear of violence. At a purely statistical level the risk of death as a result of political violence in Belfast was always between three and ten times less than the risk of murder in major cities of the United States. Likewise, the risk of death as the result of traffic accidents in Northern Ireland has been, on average, twice as high as the risk of death by political killing (Belfast Telegraph, 23 January 1994). Nevertheless, the tidal flow of fear about political violence, sometimes higher and sometimes lower but always present, has been the consistent fundamental backdrop to public, and often private, life. This preeminence of fear is triggered by past and present circumstances and is projected onto the vision of the future. The experience that disorder is ever close at hand has resulted in an endemic insecurity which gives rise to the increasingly conscious desire for a new order, for scapegoats and for resolution. For a considerable period of time, Northern Ireland has actively sought and made scapegoats but such actions have been ineffective in bringing about the desired resolution to the crisis. They have led instead to a continuous mimetic crisis of both temporal and spatial dimensions. To have lived in Northern Ireland is to have lived in that unresolved crisis. Liberal democracy has provided the universal transcendence of Northern Ireland's political models. Northern Ireland is physically and spiritually close to the heartland of liberal democracy: it is geographically bound by Britain and Ireland, economically linked to Western Europe, and historically tied to emigration to the United States, Canada, and the South Pacific. -
Irish Renaissance (Chapter Seven of Other Renaissances: a New Approach to World Literature) Kathleen A
Digital Commons @ George Fox University Faculty Publications - Department of English Department of English 2006 Irish Renaissance (Chapter Seven of Other Renaissances: A New Approach to World Literature) Kathleen A. Heininge George Fox University, [email protected] Follow this and additional works at: https://digitalcommons.georgefox.edu/eng_fac Part of the European History Commons Recommended Citation Heininge, Kathleen A., "Irish Renaissance (Chapter Seven of Other Renaissances: A New Approach to World Literature)" (2006). Faculty Publications - Department of English. 70. https://digitalcommons.georgefox.edu/eng_fac/70 This Article is brought to you for free and open access by the Department of English at Digital Commons @ George Fox University. It has been accepted for inclusion in Faculty Publications - Department of English by an authorized administrator of Digital Commons @ George Fox University. For more information, please contact [email protected]. CHAPTER 7 Irish Renaissance Kathleen Heininge ritics have several names for the movement that took place in Ireland at the turn of the twentieth century. Each name seems to Csuggest a different interpretation of the events at that time, and each interpretation, in turn, reflects a different idea of Ireland’s relation- ship with the rest of the world. The Irish Revival, a term most often used to discuss the literary movement, implies that the greatness of a people can be resuscitated after it has been nearly lost, and is thus a term in keeping with a nationalist agenda. The Celtic Twilight, a term coined by W. B. Yeats, is a more sentimental and mystical rendering that suggests the illu- mination and reinterpretation of a previously underappreciated culture, and is a term in keeping with the transition from a romanticized concept of tradition to a modernist consciousness. -
EU Settlement Scheme Extended to the People of Northern Ireland: What Does It Mean for Me?
EU Settlement Scheme extended to the people of Northern Ireland: what does it mean for me? June 2020 Introduction This briefing sets out a change in immigration rules being introduced from 24 August 2020. The change is a response to representations made by a number of organisations and individuals on how the current arrangements do not meet the identity and birth right provisions of the Belfast (Good Friday) Agreement. The issue was the subject of a legal challenge by Jake and Emma De Souza that has now been resolved. The new rules only apply for a limited period. The joint committee of the Commission and Irish Human Rights and Equality Commission published a report setting out a longer-term solution produced by Alison Harvey. Alison has also produced this briefing. I want to thank Alison for so ably meeting the challenge of producing an accessible document while doing justice to the complexities of the amended immigration rules. The briefing also sets out where else to get help and I hope it will be helpful to those individuals looking to resolve family reunification arrangements who are covered by the rules. Les Allamby Chief Commissioner Northern Ireland Human Rights Commission 2 What has happened? On 14 May 2002 the government published Statement of Changes CP 232 to the Immigration Rules. This changes the rules with effect from 24 August 2020 so that from that date the “family members” of the “people of Northern Ireland” can apply under the EU settlement scheme set out in Appendix EU to the Rules. The EU settlement scheme was originally devised for EEA nationals and their family members living in the UK before the end of transition period following Brexit to be able to continue living in UK indefinitely when the transition period ends, and in some instances for others family members to join them. -
Dancing at Lughnasa
Dancing at Lughnasa Faber & Faber, 2011 // Brian Friel // Dancing at Lughnasa // 2011 // 0571288960, 9780571288960 // 80 pages // It is 1936 and harvest time in County Donegal. In a house just outside the village of Ballybeg live the five Mundy sisters, barely making ends meet, their ages ranging from twenty-six up to forty. The two male members of the household are brother Jack, a missionary priest, repatriated from Africa by his superiors after 25 years, and the seven-year-old child of the youngest sister. In depicting two days in the life of this menage, Brian Friel evokes not simply the interior landscape of a group of human beings trapped in their domestic situation, but the wider landscape, interior and exterior, Christian and pagan, of which they are a part. file download hecocam.pdf Brian Friel: Collected Plays - Volume 2 // This second collection of Brian Friel's work contains: The Freedom of the City (1973) Volunteers (1975) Living Quarters (1977) Aristocrats (1979) (March) Faith Healer (1979 // Drama // The Freedom of the City; Volunteers; Living Quarters; Aristocrats; Faith Healer; Translations // Jul 7, 2016 // ISBN:9780571331857 // Brian Friel // 123 pages Dancing at Lughnasa download English drama // The Freedom of the City // "Set in Londonderry in 1970, this gripping drama is by the acclaimed author of Faith Healer and Translations, explores the ongoing Irish "troubles" that plague the country to // 1974 // A Play in Two Acts // Brian Friel // 82 pages // ISBN:0573609152 Dancing English drama // Living Quarters // Brian Friel // 91 pages // ISBN:0573619107 // Jan 1, 1978 Henrik Ibsen's Hedda Gabler // 2009 // Drama // In a New Version // 80 pages // THE STORY: Hedda Gabler returns, dissatisfied, from a long honeymoon. -
Volume 1 TOGHCHÁIN ÁITIÚLA, 1999 LOCAL ELECTIONS, 1999
TOGHCHÁIN ÁITIÚLA, 1999 LOCAL ELECTIONS, 1999 Volume 1 TOGHCHÁIN ÁITIÚLA, 1999 LOCAL ELECTIONS, 1999 Volume 1 DUBLIN PUBLISHED BY THE STATIONERY OFFICE To be purchased through any bookseller, or directly from the GOVERNMENT PUBLICATIONS SALE OFFICE, SUN ALLIANCE HOUSE, MOLESWORTH STREET, DUBLIN 2 £12.00 €15.24 © Copyright Government of Ireland 2000 ISBN 0-7076-6434-9 P. 33331/E Gr. 30-01 7/00 3,000 Brunswick Press Ltd. ii CLÁR CONTENTS Page Foreword........................................................................................................................................................................ v Introduction .................................................................................................................................................................... vii LOCAL AUTHORITIES County Councils Carlow...................................................................................................................................................................... 3 Cavan....................................................................................................................................................................... 8 Clare ........................................................................................................................................................................ 12 Cork (Northern Division) .......................................................................................................................................... 19 Cork (Southern Division)......................................................................................................................................... -
25 Sept –12 Oct 2014 2-012 2- 01
25 Sept –12 Oct 2014 2-012 2- 01 Principal Funder buy tickets online www.dublintheatrefestival.com Grant Aided by phone +353 1 677 8899 in person Dublin Theatre Festival Box Office, 44 East Essex Street, Temple Bar, Dublin 2 Tickets are also available at Follow us on Twitter and most Dublin Theatre Festival Facebook for news, ticket venues (see page 73). competitions and special Presenting Partner Official Accommodation Provider Official Media Partner – offers throughout the festival. 21 July @DubTheatreFest Priority booking opens DublinTheatreFestival for Friends of the Festival. Official Broadcasting Partner Official Radio Partner Festival Champion 12 August Booking opens to the general public online, by phone and in person. – Official Vehicle Partner Opening hours Mon – Fri 10am – 6pm Sat 10am – 5pm (Sept 20 – Oct 11 only) Sun 12pm – 3pm (Sept 28 – Oct 12 only) www.dublintheatrefestival.com www.dublintheatrefestival.com welcome02 contents In order of opening 02-03 performance Hello. We have been working hard for give an indication of how vibrant its A flourishing city should offer those 04 Hamlet, Schaubühne Berlin 24 Ganesh Versus the Third Reich, 40 Jack Charles V The Crown, months to bring together the most contemporary theatre scene is. There who live, work and visit it meaningful Bord Gáis Energy Theatre Back to Back Theatre ILBIJERRI Theatre Company exciting, engaging and diverse is another Australian production in cultural experiences and I want our OReilly Theatre, Belvedere Samuel Beckett Theatre productions for this 55th festival our ever popular Family Season, festival to be a key ingredient in what 06 Vardo, ANU Productions Oonagh Young Gallery Adishatz / Adieu, 42 Book Burning, programme. -
Papers of Gemma Hussey P179 Ucd Archives
PAPERS OF GEMMA HUSSEY P179 UCD ARCHIVES [email protected] www.ucd.ie/archives T + 353 1 716 7555 © 2016 University College Dublin. All rights reserved ii CONTENTS CONTEXT Biographical History iv Archival History vi CONTENT AND STRUCTURE Scope and Content vii System of Arrangement ix CONDITIONS OF ACCESS AND USE Access xi Language xi Finding Aid xi DESCRIPTION CONTROL Archivist’s Note xi ALLIED MATERIALS Allied Collections in UCD Archives xi Published Material xi iii CONTEXT Biographical History Gemma Hussey nee Moran was born on 11 November 1938. She grew up in Bray, Co. Wicklow and was educated at the local Loreto school and by the Sacred Heart nuns in Mount Anville, Goatstown, Co. Dublin. She obtained an arts degree from University College Dublin and went on to run a successful language school along with her business partner Maureen Concannon from 1963 to 1974. She is married to Dermot (Derry) Hussey and has one son and two daughters. Gemma Hussey has a strong interest in arts and culture and in 1974 she was appointed to the board of the Abbey Theatre serving as a director until 1978. As a director Gemma Hussey was involved in the development of policy for the theatre as well as attending performances and reviewing scripts submitted by playwrights. In 1977 she became one of the directors of TEAM, (the Irish Theatre in Education Group) an initiative that emerged from the Young Abbey in September 1975 and founded by Joe Dowling. It was aimed at bringing theatre and theatre performance into the lives of children and young adults.