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FORWARD-LOOKING STATEMENTS

The presentation may contain forward-looking statements relating to the future performance of NeoClassics Films Ltd.. Forward-looking statements, specifically those concerning future performance and the achievement of operating profitability are subject to certain risks and uncertainties, and actual results may differ materially. These risks and uncertainties include the market acceptance of the Company's products and services; competition within the film and entertainment industry and the introduction of new entrants and/or products in the Company's markets; adverse changes in governmental regulations and policies affecting the film and entertainment industry; product development risks and risks of technological change; the risk of unanticipated expenses; and other risks and uncertainties all as described in the disclosure documents filed with securities regulatory authorities in accordance with applicable securities laws. Readers are cautioned that the foregoing list of factors is not exhaustive. Although the Company believes that the expectations conveyed by the forward-looking statements are reasonable based on information available to it on the date such forward-looking statements are made, no assurances can be given as to future results, levels of activity and achievements. All subsequent forward-looking statements, whether written or oral, attributable to the Company or persons acting on its behalf are expressly qualified in their entirety by these cautionary statements. The Company assumes no obligation to update forward-looking statements should circumstances or management's estimates or opinions change. Summary

. NEOCLASSICS FILMS LTD. was incorporated on November 2, 2007, under the laws of the Province of British Columbia.

. It maintains its main administrative offices in Vancouver and maintains its principal North American business offices adjacent to Pictures in Culver City through a wholly-owned U.S. subsidiary incorporated in Nevada.

. A wholly-owned U.K. subsidiary will later be incorporated and will maintain a business office in London to oversee international activities.

. Completed its third year of distribution operations in 2011, releasing 12 theatrical films in the U.S. to date. Growth of NeoClassics

 Acquired and released twelve feature-length films theatrically in the United States, on up to 100 screens in as many as 10 or more key markets.

 Distributed films in English as well as foreign languages including French, Flemish and Arabic, from a diverse group of international filmmakers from the , the U.K., Belgium, Canada, Jordan and Australia.

 Developed relationships for theatrical exhibition of NeoClassics’ pictures with key exhibitors of independent films such as Landmark Theatres.

 Successfully branded NEOCLASSICS as a viable distributor of high-quality independent specialty films with industry acceptance.

 Continued to build our seasoned professional team of some 10 executives and staff by creating new relationships with experienced bookers Emily Woodburne, MJ Peckos, as well as Ron Rodgers & Randy Slaughter of Mountain Pictures.

 Successfully transitioned from a development stage company to a revenue generating company, recognizing $565,000 annually from distribution operations in 2011.

 Reduced the net loss for 2011 to $89,000 from $773,000 in 2010.  Ended 2011 with its most successful theatrical release to date, THE HEDGEHOG, still in release, which grossed over $965,000 in North America from theatrical exhibition and is now in ancillary distribution.

Corporate Development and Distribution Activities Achievements and Milestones (Last 18 months)

 Released 6 feature films theatrically in the US since January , 2011. (four were deemed by management to be financially successful)

 Licensed a package of nine NEOCLASSICS theatrical titles to for internet exhibition on NetFlix’ subscription VOD service.

 Licensed two of its recent theatrical releases, THE HEDGEHOG and EMPIRE OF SILVER, to Entertainment, LLC, for exhibition on pay television in the U.S.

 Ramped up our NEOCLASSICS Home Entertainment division engaging experienced industry veteran Brian Brown to serve as its Head. Brown’s experience encompasses over 25 years in the U.S. home video market, where he oversaw distribution of a wide variety of U.S. and international titles in all facets of the market.

 Signed an exclusive output deal with Lions Gate Films, Inc. covering U.S. VOD of NEOCLASSICS’ theatrical and home video releases.

 Continued growth in the stature and good will of the Company as a distributor of high-quality independent films in the U.S.; strengthening our relationships with the top producers of independent films throughout Europe as well as with leading theater chains in the U.S. Product and Marketing Strategy

. NeoClassics licenses for distribution independently produced feature-length motion pictures intended for initial theatrical release as well as pictures intended for initial home video release.

. Such pictures are produced by filmmakers from around the world, with a focus on English language films from the United Kingdom, Australia, New Zealand, South Africa, India, the United States and Canada. Foreign language pictures from France, Spain, Germany and other countries are licensed and distributed with subtitles. NeoClassics presently has films from Australia, France, Belgium, Jordan, Canada and The United Kingdom.

. NeoClassics is initially focusing its efforts on films having a budget of $5 million or less, expanding this horizon over time as its distribution network is established and matures. Exceptions are occasionally made, such as L’Affaire Farewell, with a production cost of nearly 18 Million Euros, which was successfully released theatrically in 2010, in home video in 2011.

. NeoClassics distributes directly to theatres in the United States and will add distribution in the United Kingdom and Canada soon by joint ventures or direct distribution. In addition, NeoClassics acts as a foreign sales agent selling rights to distributors overseas.

. NeoClassics has entered into an output agreement for the of its slate with mini-major Films.

Product and Marketing Strategy (Continued) . NeoClassics’ ability to identify and reach a targeted market for its films is fundamental to its acquisition strategy. Each will have some key element or hook that will enable it to reach a specific targeted audience group: a particular director or filmmaker, cast, script, subject matter, or some other aspect. NeoClassics distributed 4 films theatrically in 2011, and plans to distribute 6 - 12 films theatrically annually.

. NeoClassics is releasing its U.S. theatrical product through its NeoClassics label, initially in 2 to 5 key urban markets, focusing on New York and Los Angeles. Broader releases will follow where appropriate on a platform basis. . The NeoClassics label is branded as quality independent fare appealing to an intelligent, urban audience to build a long-term following, creating demand for future releases. It also identifies NeoClassics as a viable player in film acquisitions, attracting quality product for future releases. . NeoClassics is developing a second label, Tigertail Flix, which will include youth-oriented films, , as well as horror and action adventure and a wide array of digital product for internet distribution.

Management

. NeoClassics’ management team represents a diverse group of talents with decades of combined experience with major companies in the entertainment industry. This seasoned group of professionals has a range of experience encompassing film production, acquisition, licensing and sales, distribution, legal, finance and accounting.

. Key members of our management team include:

Irwin Olian – Chief Executive Officer and Chairman Irwin Olian is a highly successful entrepreneur with a strong legal background, who has a broad range of experience in the entertainment industry and in finance. He has developed a business in recent years as a private investment banker and business consultant to a wide range of emerging companies, in fields ranging from biotechnology to high technology to mining. His activities have included arranging public and private financings, initial public offerings, mergers and acquisitions and other business consulting. His clients have included a number of successful NASDAQ companies.

Mr. Olian served as a Senior Business Affairs executive with International Creative Management, Inc. for two years. He also served as Senior Attorney for Warner Bros Inc. at Burbank Studios for five years, where he negotiated and drafted a wide variety of agreements relating to production, distribution and financing of Warner’s major theatrical motion pictures. Reporting to senior management, he negotiated many multiple picture and production-distribution agreements, and handled many acquisitions of independent films for domestic and foreign distribution.

Management

(Irwin Olian Continued)

Mr. Olian was founder and has served as CEO and Chairman of three successful junior mining exploration companies:

 Pan African Mining Corp.

 African Queen Mines Ltd.

 Sacre-Coeur Minerals, Ltd.

Pan African was acquired in 2008 for $157 million by a large Asian concern; African Queen and Sacre- Coeur are traded on the TSX Venture Exchange (Toronto).

Earlier he was co-founder and principal shareholder of NASDAQ listed North American Scientific, Inc. (a NASDAQ company) , a Los Angeles based manufacturer of radioisotope products for the medical industry, including seeds implanted for the treatment of prostrate cancer. Additionally he was instrumental in structuring and financing California-based BioSource International, Inc, a successful NASDAQ biotech company which was subsequently acquired.

Mr. Olian graduated with high honors from Princeton University with an A.B. in Economics and received his law degree from Harvard Law School.

Management

Frédéric Demey – Senior Vice-President of Distribution A French citizen now residing in Los Angeles, Frédéric Demey has 18 years’ experience in the , encompassing most aspects of filmmaking and film marketing. He has worked in finance, development & production, international sales & distribution and theatrical exhibition, on a variety of motion pictures with budgets ranging up to $60 million.

Prior to joining NeoCLassics, Mr. Demey was acting as international sales representative for a variety of feature film projects and documentaries on behalf of producers in Europe, Asia, Latin America and the U.S. He spearheaded the sales efforts of German public company Boll AG, whose films include In The Name Of The King, a $ 60 million action-adventure film starring Jason Statham, LeeLee Sobieski and Ray Liotta. He also organized film acquisitions and co-productions for Boll AG.

From 2002 to early 2005, Mr. Demey acted as consultant for Frankfurt-based media fund Boll Kino KG through his company OZO.

Frédéric is a founding shareholder of NeoClassics and his experience across the film industry will be invaluable to our distribution activities.

Michael Kananack – Consultant, Sales and Acquisitions - (U.S.) With over 20 years experience, Michael Kananack has been in the film industry for most of his adult life. After studying filmmaking at NYU Film School he went on to work in production on over 25 features including Scent of a Woman and Godfather III. In 1992, he joined the international film sales company AKA Movies and began his career in selling films to the world marketplace at all the major markets.

Management

Phil Breen – Sr. Consultant Phil Breen is a seasoned executive with extensive experience in both business affairs and production. Mr. Breen’s most recent management position was Senior Vice-President of Business Affairs and Acquisitions for Triumph Films, a unit of making low budget movies, where he was responsible for all business aspects of the company’s operations for two and a half years.

Mr. Breen has spent three decades working in the motion picture industry both as a business/legal affairs executive and as a producer. Prior to joining Triumph Films, he developed and was executive producer on:

 The Natural (Tristar) starring Robert Redford  Sword Of The Valiant (Cannon Films) starring Sean Connery.

He has served as a Vice-President of Legal Affairs at in Los Angeles, and he spent seven years working for Carlo Ponti in London and in various business capacities where he gained international experience. With Carlo Ponti he also served as a producer, and his credits include:

 Massacre In Rome (Warner Bros./ Carlo Ponti) starring Richard Burton and Marcello Mastroianni  Best House In London (MGM) starring David Hemmings and Joanna Pettet,  Gawain And The Green Knight () starring Murray Head and Ciarren Madden.

Mr. Breen is a graduate of Harvard Law School and is a member of the Academy of Motion Picture Arts and Sciences.

Management

Jennifer Todhunter – Chief Financial Officer Jennifer has substantial audit, finance and accounting experience, encompassing financial and tax planning, preparation of tax returns, supervising and coordinating audits, and analyzing and preparing financial statements, reports and data. Her technology skills include proficiency with state of the art accounting software and spreadsheets.

She is now serving as Vice President, Finance of African Queen Mines Ltd. and Sacre-Coeur Minerals Ltd. as well as CFO of NeoClassics.

Jerry Pierce – Consultant Jerry Pierce was previously Senior Vice President, Technology, . He joined Universal in 1995 and established the New Technology Department for Universal Pictures in 2000. He was responsible for the technical launch of DVD for Universal and was responsible for Digital Cinema activities for Universal.

Peter Brooks – Consultant Peter Brooks is Executive Deputy Chairman of Genting Stanley plc, the UK's premier casino group, and is also non-executive Chairman of Enodis plc, a FTSE 250 company listed in London and one of the world's leading suppliers of commercial food service equipment. He was previously a leading M&A lawyer in the City of London, being formerly head of the corporate practice at one of the magic circle of London law firms, Clifford Chance LLP. He left to become the General Counsel of Deutsche Bank's investment banking business before moving on to pursue a corporate career.

Management

Jeffrey Hardy – Director of Marketing Jeffrey Hardy is a marketing and financial consultant who has provided consulting services to the entertainment industry through his firm, Big Horse Incorporated and under the trademarked name FilmProfit®. Mr. Hardy is the co-author of FilmProfit Software and author of FilmProfit Guide to Film Distribution Deals, and has lectured extensively before industry groups, including the California Film Commission.

He has acted as an expert witness for companies such as Walt Disney Co. and 20th Century Fox, among others, and provided expert knowledge for Fortune Magazine, The Philadelphia Inquirer and others.

NeoClassics Films Launches NeoClassics Home Entertainment Division (NHE)

. NHE is engaging in the distribution of product in all facets of the US Home Entertainment Market. . Supplier of a broad range of product mix, including independent and festival narrative and documentary films, television on DVD, children’s programs, educational films, special interest and others.

. Distribute product on a rental and sell-through basis through customary channels on traditional DVD format as well as newer BLU-RAY DISC™ formats. NHE will also become the focal point for NeoClassics’ digital distribution, VOD and non-theatrical distribution. It currently has an output deal with mini-major to distribute its products on all of the major cable and internet VOD platforms.

. NHE distributes mostl of NeoClassics’ theatrical product to the U.S. home video market, and plans on partnering with other theatrical and television distributors, independent producers and content owners.

. NHE is being managed for NeoClassics by experienced industry veteran Brian Brown, who formerly successfully managed the Home Entertainment divisions of and New Yorker Films.

. Manufacturing, marketing and sales for NHE are be based in Los Angeles and New York City.

. Commencing in 2012, NHE now anticipates acquiring direct-to-DVD titles from producers for US distribution. NeoClassics Establishes New Service Distribution Division THE NEW TRUE INDEPENDENT U.S. THEATRICAL - U.S. HOME ENTERTAINMENT DISTRIBUTION - U.S. AND INTERNATIONAL SALES FILM FINANCING - FILM DISTRIBUTION SERVICES

NeoClassics Films invites producers to our turnkey solution to distribute your films Theatrically in the US, in Home Entertainment and all ancillary rights streams.

SERVICES INCLUDE:

SUPERVISION OF TECHNICAL DELIVERY CREATIVE ELEMENTS INCLUDING TRAILER,POSTER, POSTCARDS CREATE A FESTIVAL STRATEGY COORDINATE WITH PR AGENCIES TO OVERSEE FEATURES AND REVIEWS BOOKING OF THEATRES PRINT TRAFFICING TRAILER PLACEMENT MEDIA SPEND STRATEGY AND DESIGN THEATRE CHAIN SETTLEMENT AND COLLECTION GRASSROOTS MARKETING INTERNET PR PROVIDE DVD BOX DESIGN AND RENTAL AND RETAIL PLACEMENT AND DISTRIBUTION. VOD AND DIGITAL DEAL WITH MAJOR STUDIOS. ANCILLARY SALES NeoClassics’ 2012 Theatrical Release: FETIH 1453 U.S. Release, April 2012

Most Expensive and Lavish Turkish Film of All Time Earns The Highest Western European and Turkish Grosses of All Time (7 million admissions).

In 1453, the Byzantine capital of Constantinople is surrounded by Ottoman Turks. The city is but a shadow of its former glory due to the empire's ever receding coffers, while the Ottoman Empire continues to grow rich. After years of tolerating the existance of Byzantium, the ambitious sultan, Mehmet II launches his campaign to end the Byzantine Empire and take Constantinople for the Ottomans, resulting in arguably the greatest siege of that age.

Director: Faruk Aksoy Producer: Faruk Aksoy-Servet Aksoy-Ayşe Germen Co-producers: Elif Aksoy -Faruk Metin-Hamit Keleş Screenplay: Atilla Engin Director of Photography: Mirsad Herovic-Hasan Gergin Music: Benjamin Wallfisch Art Director: Servet Aksoy Cast: Sultan Mehmet Han - Devrim Evin, Hasan of Ulubat - İbrahim Çelikkol, Era - Dilek Serbest Guistiniani the Knight - Cengiz Coşkun NeoClassics’ 2011 Theatrical Releases: Empire of Silver

U.S. Release, June 2011 - Now available on DVD

Winner: Best Director - Shanghai Film Festival 2009

China, 1899. In a land of exquisite beauty and timeless tradition a hedonistic young man known as ‘Third Master’ is the heir to a banking empire he cares little about. However, after his brother’s wife is kidnapped he reluctantly submits to the pressure of his title as well as his overbearing father, Lord Kang. Lord Kang is determined to prepare his son for financial leadership by molding Third Master into his own image.

The ruthless businessman’s unethical practices do not sit well with Third Master, who sees the salvation of his country in the redistribution of its massive silver cache. The tense relationship is further complicated by Third Master’s undying love for his beautiful young stepmother, his first and only love stolen from him by his own father. The fate of the country and it’s most powerful family now lies with one idealistic young man torn between the needs of the people, the greed of his father, and the undying love of woman.

Director: Christina Yao Producer: Peggy Chaio Director of Cinematography: Anthony Pun Cast: Jennifer Tilly, Hao Lei, Aaron Kwok,Tielin Zhang NeoClassics’ 2011 Theatrical Releases: The Hedgehog

U.S. Release, August 2011 - Now available on DVD

Critics’ Choice for 2011. Achieved a North American Box Office of $935,000 to date. Winner, 2010 Seattle International Film Festival and 2010 COLCOA Film Festival

Freely inspired by best-selling book, The Elegance of the Hedgehog, by Muriel Barbery, THE HEDGEHOG is the timely story of Paloma, a young girl bent on ending it all before she becomes an adult. Chronicling the hypocrisy she sees in her parents and others with her father’s High-8 camera, Paloma (Garance Le Guillermic) begins to learn about life from the grumpy building concierge, Renée Michel (FRENCH TWIST’s Josiane Balasko).

When Paloma’s camera reveals an extensive secret library in Renée’s back room, and that the usually gruff matron reads Tolstoy to her cat, Paloma begins to understand that there are allies to be found beneath the prickliest of exteriors. As the unlikely friendship deepens, Paloma’s own coming of age becomes a much less pessimistic prospect.

Director: Mona Achache Producer: Anne Dominque Toussaint Cast: Josiane Balasko, Togo Igawa, Ariane Ascaride, Garance Le Guillermic, Anne Brochet The Hedgehog – Box Office Summary

Screens Weekend Weekdays Total Week Per Screen Average Cume

8/19/11 to 8/25/11 Week 1 6 39,276 24,455 63,731 10,622 63,731 8/26/11 to 9/01/11 Week 2 (*) 12 32,239 24,079 56,318 4,693 120,049 9/02/11 to 9/08/11 Week 3 16 66,529 42,159 108,688 6,793 228,737 09/09/11 to 9/15/11 Week 4 18 53,010 24,221 77,231 4,291 305,968 09/16/11 to 09/22/11 Week 5 20 51,965 20,929 72,894 3,645 378,862 9/23/11 to 9/29/11 Week 6 22 45,626 19,641 65,267 2,967 444,129 9/30/11 to 10/06/11 Week 7 26 48,138 22,315 70,453 2,710 514,582 10/07/11 to 10/13/11 Week 8 30 43,610 29,406 73,016 2,434 587,598 10/14/11 to 10/20/11 Week 9 40 53,651 28,389 82,040 2,051 669,638 10/21/11 to 10/27/11 Week 10 35 41,271 20,269 61,540 1,758 731,178 10/28/11 to 11/03/11 Week 11 22 21,630 10,974 32,604 1,482 763,782 11/04/11 to 11/10/11 Week 12 15 11,843 5,419 17,262 1,151 781,044 11/11/11 to 11/17/11 Week 13 15 10,927 6,127 17,054 1,137 798,098 11/18/11 to 11/24/11 Week 14 11 11,614 5,725 17,339 1,576 815,437 11/25/11 to 12/01/11 Week 15 9 11,798 3,832 15,630 1,737 831,067 12/2/11 to 12/08/11 Week 16 7 7,030 3,529 10,559 1,508 841,626 12/09/11 to 12/15/11 Week 17 5 7,162 2,679 9,841 1,968 851,467 12/16/11 to 12/22/11 Week 18 4 3,064 1,750 4,814 1,204 856,281 12/23/11 to 12/29/11 Week 19 2 1,989 1,834 3,823 1,912 860,104 12/30/11 to 01/05/12 Week 20 2 1,989 1,700 3,689 1,845 863,793 01/06/12 to 01/12/12 Week 21 1 1,455 715 2,170 2,170 865,963 01/13/12 to 01/19/12 Week 22 2 1,300 369 1,669 835 867,632 01/20/12 to 01/26/12 Week 23 4 2,430 2,221 4,651 1,163 872,283 01/27/12 to 02/02/12 Week 24 2 1,046 697 1,743 871 874,026 02/03/12 to 02/09/12 Week 25 2 1,526 822 2,347 1,174 876,374 02/10/12 to 02/16/12 Week 26 1 717 386 1,103 1,103 877,477 02/17/12 to 02/23/12 Week 27 1 262 - 262 262 877,739 02/24/12 to 03/01/12 Week 28 1 367 - 367 367 878,106 03/02/12 to 03/08/12 Week 29 1 408 - 408 408 878,513 03/09/12 to 03/15/12 Week 30 1 221 - 221 221 878,735 03/16/12 to 03/22/12 Week 31 2 1,457 257 1,714 857 880,449 03/23/12 to 03/29/12 Week 32 2 693 122 815 408 881,264 03/30/12 to 04/05/12 Week 33 2 353 - 353 176 881,617 05/11/12 to 05/17/12 Week 34 1 306 - 306 306 881,923

Total US Box office as of May 31 2012 881,923

Total Canadian Box Office as of May 31 2012 85,645

Total North American Box Office as of May 31 2012 967,568 (*) Hurricane Irene. NYC theatres closed NeoClassics’ 2011 Theatrical Release: The Over the Hill Band

U.S. Release , February 2011 - Now available on DVD

THE OVER THE HILL BAND is the latest picture by the producers of the 2008 Cannes Critics’ Week winner MOSCOW, BELGIUM.

THE OVER THE HILL BAND is the story of a seventy year old woman (Marilou Mermans) who used to sing in a girls band when she was much, much younger. After the death of her husband, she decides to go on stage again. She asks her rebel son – down and out R&B musician Sid (Jan Van Looveren) - to help her start a new band with two girlfriends from the old days.

Sid would rather drown in the North Sea than sharing the stage with mommy dearest, but in the end he agrees. On one condition: it has to be his music...

Winner, “Best of Fest”, Palm Springs Film Festival

Director: Geoffrey Enthoven Producers: Dries Phlypo, Jean-Claude van Rijckeghem Written by: Jean-Claude van Rijckeghem & Chris Craps Director of Photography: Gerd Schelfhout

Cast: Marilou Mermans and Jan Van Looveren are joined by Lucas Vanden Eynde, Lut Tomsin, Lea Couzin, Barbara Sarafian, Greg Timmermans, Jurgen Delnaet and François Beukelaars in supporting roles. NeoClassics’ 2011 Theatrical Release: Cleveland vs. Wall Street

U.S Release , April 2011 - Now available on DVD

Official Selection, Directors Fortnight Cannes 2010

January 11th 2009, Cleveland, Ohio: lawyer Josh Cohen and his partners summon before the court 21 banks they deem responsible for the foreclosures that have devastated their city. But the Wall Street banks fight back. They use every means possible to impede the proceedings thus leaving the city of Cleveland on the hook for the aftermath of these foreclosures: more policing, more crime, more deficit.

CLEVELAND VS. WALL STREET tells the story of a trial that should have happened. Instead, a trial is conducted for cinema but the stories, protagonists, and unscripted testimonies are very real, shedding new light on the human cost and on the mechanics that led to the biggest financial meltdown since the Great Depression.

Director: JEAN STÉPHANE BRON Producers: ROBERT BONER (Switzerland) & Philippe Martin (France) Written by: SIMON JACQUET Director of Cinematography: JULIEN HIRSCH NeoClassics’ 2010 Theatrical Release: L’Affaire Farewell U.S. Release, July 2010 Now available on DVD and BluRay

French thriller, L’AFFAIRE FAREWELL is a Era spy epic with production cost of 18 Million Euros from Pathe International.

In 1981, Colonel Grigoriev of the KGB (real name - Vladimir Vetrov), disenchanted with what the Communist ideal has become under Brezhnev, decides he is going to change the world…

Discreetly, he makes contact with a French engineer working for Thomson in Moscow and little by little passes on documents to him - mainly concerning the United States - containing information which would constitute the most important Cold War operation known to date.

During a period of two years, French President, François Mitterrand, was to personally vet the documents supplied by this source in Moscow, to whom the French Secret Service gave the codename « Farewell ».

Director: Christian Carion Produced by: Christophe Rossignon, Bertrand Faivre, Philip Boeffard Screen writer: Eric Raynaud

Cast: Willem Dafoe, Alexandra Maria Lara, Guillaume Canet, NeoClassics’ 2010 Theatrical Releases: The Misfortunates U.S. Release, April 2010 - Now available on DVD

Belgium’s Official Entry to the Academy Awards’ Foreign Language Category

On the verge of having his first child, aspiring writer Gunther (Valentijn Dhaenens) recalls his crazy adolescence, living with his grandmother (Gilda De Bal) and watching his bombastic father (Koen De Graeve) and loutish uncles stumble through one beer-soaked misadventure after another.

Wouter Hendrickx, Johan Heldenbergh and Bert Haelvoet round out the cast of this bawdy but bittersweet dramedy based Dimitri Verhulst's semiautobiographical novel.

Awards: Winner - Special Mention, ART CINEMA AWARD jury, Cannes 2009 Director’s Fortnight Winner – Best Picture, Best Screenplay, Best Cinematography,2009 Hamptons Film Festival Director: Felix Van Groeningen Producer: Dirk Impens (Academy Award nominated producer) Screenwriters: Christophe Dirickx & Felix van Groeningen

Cast: Koen De Graeve, Johan Heldenbergh, Wouter Hendrickx, Bert Haelvoet, Valentijn Dhaenens, Kenneth Vanbaeden, Gilda De Bal, Pauline Grossen, Natali Broods, Sara De Bosschere,Jos Geens NeoClassics’ 2009 Releases: Moscow, Belgium

U.S. Release – February 2009 - Now Available on DVD

Moscow Belgium is a moving drama about Matty and her chance at love, when love is something she believes should be done and finished off decades ago.

“Sarafian's sympathetic portrayal of a woman facing a mid-life crisis and unable quite to believe that she has been given a second chance sustains this engaging movie, as do Ruben Impens' cinematography -- much of it shot at night -- and the rich accordion score”. – The Hollywood Reporter

Moscow, Belgium: Top 10 foreign-language films of 2009, LA Times. Producer: Jean-Claude Van Rijckeghem also the writer of Moscow, Belgium has a number of films that he has both written and producer, namely A Perfect Match. Director: Christophe Van Rompaey winner of 12 various film festival awards including such festivals as Brussels International Film Festival and WorldFest Houston. The most recent win being Semaine de la critique in Cannes with “Moscow, Belgium”. Cast: Barbara Sarafian(8 ½ Women, CQ) , Jurgen Delnaet(Witse: De regel van drie TV SERIES), Johan Heldenbergh(Witse: Het Onbekenende lijk TV SERIES), and Anemone Valcke a burgeoning new star. NeoClassics’ 2009 Releases: Captain Abu Raed

U.S Release, July 2009 - Now available on DVD Jordan’s Official Entry for the 2009 Academy Awards' Foreign Language Category

Captain Abu Raed is a universal story of friendship, inspiration and heroism set in contemporary Jordan. The first dramatic independent feature film to come out of Jordan in the last 50 years.

Abu Raed is an aging airport janitor who has always yearned of seeing the world but has never been able to afford to travel. One day a group of children in his poor neighborhood assume he is a pilot and beg him to share stories of the world outside of Amman, Jordan. Through imaginary tales a friendship forms and he finds the grim realities of the children's home life. He takes it upon himself to make a difference.

Director/Writer: Jordanian-born writer/director Amin Matalqa

Producers: David Pritchard, Aida Matalqa, Isam Salfiti, Nadine Toukan, Kenneth Kokin Cast: Nadim Sawalha - Abu Raed, Rana Sultan - Nour, Hussein Al-Sous, Udey Al-Qiddissi, Ghandi Saber, Dina Ra’ad-Yaghnam Awards include: • Dramatic World Cinema Audience Award - 2008 • Heartland Truly Moving Picture Award – 2008 • Best Actor (Nadim Sawalha) and Best Actress (Rana Sultan) Awards – 2008 Newport Beach Film Festival • Best Director Golden Space Needle Award (Amin Matalqa) - 2008 Seattle International Film Festival • Best Narrative Feature World Cinema - 2008 Maui Film Festival • Best Actor (Nadim Sawalha) Award - 2007 Dubai International Film Festival NeoClassics’ 2009 Releases: St. Trinian’s U.S Release – October 2009 – Now available on DVD through Sony Home Entertainment

From Britian’s renowned Ealing Studios, St. Trinian’s is a hilarious story about young girls living in a school of Anarchy. There they learn the skills of mischief and disaster but in the end they get taught about sisterhood and family: • “Chaos reigns supreme at St Trinian's, where webcams hide in teddy bears, dog collars and hockey sticks, the chemistry lab is full of vodka and anger management classes teach shooting the heads of yellow duck targets.” - Urban Cinefile • The film has a lot of energy and the caper is engaging. The ends all tie up and a good time is had by all.

St Trinian’s is the third highest grossing independent film of all time at the UK Box-Office, taking in excess of USD 25 million. Producers and Directors: Oliver Park, nominated for the BAFTA award, and Barnaby Thompson, nominated for an Oscar, co-directed this light-hearted film. They have also worked together on “The Importance of Being Ernest,” “Fade to Black,” and the upcoming “Dorian Gray.”

All Star Cast: Oscar Best Actor Winner 2011, Colin Firth (The King’s Speech), Rupert Everett (My Best Friend’s Wedding, Stardust), Pride and Prejudice, Mamma Mia), Gemma Arterton (Quantum Solace, Prince of Persia), Lena Headey (300, Brothers Grimm, The Sarah Connors Chronicles), Tululah Riley (Pride and Prejudice) and Russell Brand (Arthur and Forgetting Sarah Marshall) NeoClassics Films Ltd. has negotiated a deal with Sony Pictures Worldwide Acquisitions Group to handle US video and TV for St. Trinians. NeoClassics’ 2009 Releases: Surviving Crooked Lake

U.S Release, July 2009 - Now available on DVD

In this sensual, intense, indie feature drama, a quartet of teenage girls embark on a canoe-and-camping trip with a slightly older male guide in the endless wilderness of the Canadian Shield. His younger sister Steph – who is desperately afraid of the water – is one of the campers. Once the group is underway, romantic tensions erupt and disaster strikes, forcing the girls to face a grueling and desperate trip back to civilization.

Shot in tight close-ups with a fluid camera that sees the landscape first as an embodiment of desire and second as a distortion of reality, Surviving Crooked Lake crackles with suspense and intrigue.

Surviving Crooked Lake makes for an elemental example of the cinematic survival story, in the tradition of Deliverance and Open Water.

Slamdance Film Festival Hit – Recipient of the Kodak Vision Award for Best Cinematography

Producers: Nicholas D. Tabarrok, Jaty Tam and Matthew Miller. Written and Directed by: Sascha Drews, Matthew Miller and Ezra Krybus

Cast: youthful newcomers headed by talented Stephannie Richardson of Toronto. NeoClassics’ 2008 Release: The Black Balloon U.S Release – December 2008 - Now available on DVD

The Black Balloon is a funny and ultimately heart-warming story about fitting in, discovering love and accepting your family. “Easily one of the finest Australian films of recent years. A story that’s funny, heart-breaking and packed with dramatic energy” - Lyndon Barber, Limelight The Black Balloon Winner - Crystal Bear - Best Feature Film, in its category at The Berlin International Film Festival. Winner - L’Oréal Paris 2008 Australian Film Institute (AFI) Award for Best Film Producer: Tristram Miall is one of Australia's most highly regarded and multi- award winning producers. Director: Ellisa Down, AFI Award winner for Best Direction and Best Original Screenplay for The Black Balloon. Cast: Rhys Wakefield, Gemma Ward, Luke Ford, Erik Thompson and Golden Globe winner Toni Collette. Synopsis: It's not easy being Thomas Mollison. He's turning 16, and his autistic brother Charlie embarrasses him. So do his wacky parents. When his pregnant Mother (Collette) is confined to bed rest, he is put in charge of Charlie (Ford) and with the help of his new girlfriend Jackie (Gemma Ward), Thomas faces his biggest challenge yet. A heart-warming comedy that touches upon serious themes and values.

AFI Award for Best Supporting Actress AFI Award for Best Supporting Actor Luke Ford. The Black Balloon Toni Collette. The Black Balloon The Business of Film Distribution

The primary markets, both domestic and overseas, for feature-length dramatic films are:

. Theatrical . Home Video (DVD) . Pay / Cable Television . Free Television . Non-Theatrical Sources (Airlines, Military, Hospitals) . Internet Sources and Other New Media The Business of Film Distribution Theatrical

. Theatrical exhibition is the traditional market most people think of in relation to motion pictures.

. The distributor is remitted a percentage of the box office from the theatre owner. The distributor then begins to deduct expenses such as distribution fees, cost of ads, prints of the film, any cash advances made to the producer, overheads, taxes, and association fees (spent to gain ratings, etc.) to arrive at the producer’s take.

. NeoClassics receives 35% - 45% of gross box office receipts from theatrical exhibitors.

. NeoClassics anticipates releasing most of its films on 10-50 screens initially, expanding thereafter as warranted. Larger initial releases will be undertaken where appropriate.

The Business of Film Distribution NeoClassics' Distribution Fee Schedule

. Domestic Theatrical 30% . Domestic Pay Television 35% . Domestic Free Television 35% . International Theatrical, Pay and Free Television (Indirect) 25% . International Theatrical, Pay and Free Television (Direct) 40% . World-wide Home Video and DVD 35% . World-wide Non-Theatrical, Internet and other New Media 50% . World-wide Merchandising 50% . World-wide Music Recording as a Percentage of Retail Gross Receipts . (Reducible by certain third party participations) 5% . World-wide Music Publishing (After Deduction of 20% publisher’s Administration Fee and Publisher’s Expenses.) 50%

Each film acquisition involves a separate negotiation of terms, with the result that the fees may vary from the above schedule.

Capitalization

Common Shares Issued and Outstanding: 24,297,742

Management Controls: 60%

Current Financing: $ 2.0 Million in Equity by Private Placement of Common Stock

NeoClassics’ Financing to Date: $5.6 Million

Contacts

NeoClassics Films Ltd. Suite 1450 – 650 W. Georgia Street Vancouver, B.C. V6B 4N8 Canada Tel: ( 604) 899-0150 : (213) 300-3200 Fax: (604) 899-0200 [email protected]

Contact: Irwin A. Olian - CEO Email: [email protected] Website: www.neoclassicsfilms.com

NeoClassics Los Angeles Offices: 3710 S. Robertson Blvd. Suite 230 Culver City, CA 90232 Phone: (310) 559-9200 Fax: (310) 559-9267

European Corporate Communications: Carrie Howes Phone: London: +44 (0) 7780 602 788 Phone: Germany: +49 (0) 1722 1234 47 [email protected]