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John Zorn Artax David Cross Gourds + More J Discorder
John zorn artax david cross gourds + more J DiSCORDER Arrax by Natalie Vermeer p. 13 David Cross by Chris Eng p. 14 Gourds by Val Cormier p.l 5 John Zorn by Nou Dadoun p. 16 Hip Hop Migration by Shawn Condon p. 19 Parallela Tuesdays by Steve DiPo p.20 Colin the Mole by Tobias V p.21 Music Sucks p& Over My Shoulder p.7 Riff Raff p.8 RadioFree Press p.9 Road Worn and Weary p.9 Bucking Fullshit p.10 Panarticon p.10 Under Review p^2 Real Live Action p24 Charts pJ27 On the Dial p.28 Kickaround p.29 Datebook p!30 Yeah, it's pink. Pink and blue.You got a problem with that? Andrea Nunes made it and she drew it all pretty, so if you have a problem with that then you just come on over and we'll show you some more of her artwork until you agree that it kicks ass, sucka. © "DiSCORDER" 2002 by the Student Radio Society of the Un versify of British Columbia. All rights reserved. Circulation 17,500. Subscriptions, payable in advance to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN ilsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money ordei payable to DiSCORDER Magazine, DEADLINES: Copy deadline for the December issue is Noven ber 13th. Ad space is available until November 27th and can be booked by calling Steve at 604.822 3017 ext. 3. Our rates are available upon request. -
Volume CXXII, Number 16, April 8, 2005
LAWRENCE UNIVERSITY'S STUDENT NEWSPAPER SINCE 1884 The Law rentian FRIDAY • APRIL 8, 2 0 05 ■ VOL CXXXIII, N O . 16 • W W W .LAW RENTIAN.COM Physics majors prepare Meet the newLawrentian Choirs to perform Stravinsky, KATURESfor blast off / Page 3 OP/EDeditorial board / Page 5 A&E Bernstein at PAC / Page 6 Burrows to do douMe duly at LUDid you have a say in Emily Gonzalez "including doing cognitive research on Associate News Editor how the mind works and talking with the smoking ban? students and colleagues about how Responsible Regulation was unavailable the mind works. " Meghan McCallum This coming summer, Lawrence According to Cohen, by combining Features Editor to comment. University will welcome a new member of the titles of provost and dean of the Students on campus also reacted to - the administrative and academic staff. On the smoking ordinance. After a petition faculty, Lawrence wanted to "re- After a long battle between smokers, March 29, 2005, it was formally for the referendum had enough signa enhance" the position. Though the two non-smokers, and all those in between, announced by President Jill Beck that tures to hold a vote, LUCC President Pete positions are very large and include the smoking referendum held on Tuesday David Burrows will take the position of Snyder decided to make an effort to help the requirements as chief academic concluded that, starting July 1, Appleton new provost and dean of the faculty. Lawrence community members get their officer of the university and principal will have Wisconsin's strictest smoking Burrows, currently dean of the college voices heard. -
Pilot Program in Danger Program by Marc Zienkiewicz RRC and the WFC, Which May Be Cause Wins Yves Ed River College May for Concern on the Col- N Lege's Part
OPEN LATE EVERY DAY BUY MOVIES SELL MUSIC CA$H TRADE GAMES MOVIE FOR YOUR DVDsts6 BUY - SELL - TRADE - RENT CA$H CHOOSE FROM OVER FOR YOUR CDs DVDs & GAMES 9000 OPEN LATE EVERY DAY Ti)t2tJ1 t131if J for I WI and IMPORTS - RARITIES DVDs Virg r'il g - one do Ci' l.c)t sona, ... .. 1 4 REISSUES IN THE VILLAGE 477-5566 IN THE VILLAGE 475-0077 CORYDON AT DALY) 253-6200 CORYDON (AT DAM 253-6200 E CREDr RIVER 0 COLLEGE'S RNEWSPAPER December 1, 2003 RRC tech Pilot program in danger program by Marc Zienkiewicz RRC and the WFC, which may be cause wins Yves ed River College may for concern on the col- n lege's part. have to scrap its aviation Landry anagement program, "There's nothing to R go back on to say 'You says a member of the pro- gram's advisory committee. didn't deliver this part award Dennis Giguere, vice-presi- or that part,' and I dent of the Manitoba Aviation think that may be by Justin Pokrant Council, says problems with troubling Red River," the program are raising ques- said Giguere. "The ed River College's tions about its future viability. drums are beating that civil/CAD technology The program recently made the decision has prob- Rco-operative education headlines due to a 50 per cent ably been made that program has been honoured tuition hike that has parents this is to be the last with the 2003 Yves Landry and students outraged. year for the program." Foundation award for out- "It's all over the industry The advisory com- standing technical co-opera- right now," Giguere said mittee recently tive education program at a regarding talk of the program's approached the WFC college or university level. -
Charles Peterson …And Everett True Is 481
Dwarves Photos: Charles Peterson …and Everett True is 481. 19 years on from his first Seattle jolly on the Sub Pop account, Plan B’s publisher-at-large jets back to the Pacific Northwest to meet some old friends, exorcise some ghosts and find out what happened after grunge left town. How did we get here? Where are we going? And did the Postal Service really sell that many records? Words: Everett True Transcripts: Natalie Walker “Heavy metal is objectionable. I don’t even know comedy genius, the funniest man I’ve encountered like, ‘I have no idea what you’re doing’. But he where that [comparison] comes from. People will in the Puget Sound8. He cracks me up. No one found trusted the four of us enough to let us go into the say that Motörhead is a metal band and I totally me attractive until I changed my name. The name studio for a weekend and record with Jack. It was disagree, and I disagree that AC/DC is a metal band. slides into meaninglessness. What is the Everett True essentially a demo that became our first single.” To me, those are rock bands. There’s a lot of Chuck brand in 2008? What does Sub Pop stand for, more Berry in Motörhead. It’s really loud and distorted and than 20 years after its inception? Could Sub Pop It’s in the focus. The first time I encountered Sub amplified but it’s there – especially in the earlier have existed without Everett True? Could Everett Pop, I had 24 hours to write up my first cover feature stuff. -
The Vanderbilt Hustler Students Check out the CD Collection at Cool Tunes for a Cool Cause Held Yesterday
www.vanderbilthustler.com WEDNESDAY THE VOICE OF APRIL 12, 2006 VANDERBILT 118th YEAR SINCE 1888 No. 36 TThehe VVanderbiltanderbilt HHustlerustler ACFEE CD profits go to charity Committee releases AcFee allocations Homecoming Committee New groups receiving funds receives substantially less Group ’06-’07 Allocation money for ‘06-’07. Alliance for Cultural Diversity in Research $750 BY SEAN SEELINGER Alternative Winter Break $500 HUSTLER EDITORINCHIEF Brazilian Student Organization $3,000 Seventeen student organizations received AcFee funding for the fi rst Caribbean Student Organization $500 time this year while only two groups Cricket Club $500 lost funding. Emerging Green Builders $200 Aft er several weeks of interviews English Graduate Student Association $500 and deliberations the Student Fi- Kelly Hocutt / The Vanderbilt Hustler Students check out the CD collection at Cool Tunes for a Cool Cause held yesterday. WRVU and Vanderbilt Student Com- nance Committee released its al- FUTURE $500 munications raised $572 for a Mississippi elementary to replace items that were destroyed during Hurricane Katrina. locations of $1.33 million worth of Iranian Students Association $500 Student Activity Fee funds. JUNTOS $100 Engineers without Borders lost funding for failing to use the $500 Korean Students & Scholars Association $500 STUDENT LIFE they were given last year, said senior LOOP $500 Mary Ellen Neighbors, Student Fi- Make-A-Wish $500 nance Committee Chair. Phi Alpha Delta Pre-Law Society $500 Global Health Council lost fund- Senior survey has ing because they told the committee R.E.A.L.I.T.Y $125 that they planned to increase their Rhythm & Roots Performance Company $1,000 involvement in political activism, Scholars Bowl $1,500 Neighbors said. -
Indigo FM Playlist 9.0 600 Songs, 1.5 Days, 4.76 GB
Page 1 of 11 Indigo FM Playlist 9.0 600 songs, 1.5 days, 4.76 GB Name Time Album Artist 1 Trak 3:34 A A 2 Tell It Like It Is 3:08 Soul Box Aaron Neville 3 She Likes Rock 'n' Roll 3:53 Black Ice AC/DC 4 What Do You Do For Money Honey 3:35 Bonfire (Back in Black- Remastered) AC/DC 5 I Want Your Love 3:30 All Day Venus Adalita 6 Someone Like You 3:17 Adrian Duffy and the Mayo Bothers 7 Push Those Keys 3:06 Adrian Duffy and the Mayo Bothers 8 Pretty Pictures 3:34 triple j Unearthed Aela Kae 9 Dulcimer Stomp/The Other Side 4:59 Pump Aerosmith 10 Mali Cuba 5:38 Afrocubismo AfroCubism 11 Guantanamera 4:05 Afrocubismo AfroCubism 12 Weighing The Promises 3:06 You Go Your Way, I'll Go Mine Ainslie Wills 13 Just for me 3:50 Al Green 14 Don't Wanna Fight 3:53 Sound & Color Alabama Shakes 15 Ouagadougou Boogie 4:38 Abundance Alasdair Fraser 16 The Kelburn Brewer 4:59 Abundance Alasdair Fraser 17 Imagining My Man 5:51 Party Aldous Harding 18 Horizon 4:10 Party Aldous Harding 19 The Rifle 2:44 Word-Issue 46-Dec 2006 Alela Diane 20 Let's Go Out 3:11 triple j Unearthed Alex Lahey 21 You Don't Think You Like People Like Me 3:47 triple j Unearthed Alex Lahey 22 Already Home 3:32 triple j Unearthed Alex the Astronaut 23 Rockstar City 3:32 triple j Unearthed Alex the Astronaut 24 Tidal Wave 3:47 triple j Unearthed Alexander Biggs 25 On The Move To Chakino 3:19 On The Move To Chakino Alexander Tafintsev 26 Blood 4:33 Ab-Ep Ali Barter 27 Hypercolour 3:29 Ab-Ep Ali Barter 28 School's Out 3:31 The Definitive Alice Cooper Alice Cooper 29 Department Of Youth 3:20 -
84865569.Pdf (467.8Kb)
Kritikertoppen En kvantitativ studie Matias Helgheim Masteroppgave i medievitenskap Institutt for informasjons- og medievitenskap Universitetet i Bergen 1 Forord En takk må rettes til veileder Peter Larsen for god rådgivning og mange konstruktive veiledningsøkter. Takk også til Dagsavisen ved Geir Rakvaag, som har bidratt med data, informasjon og generell hjelp med det som er selve grunnlaget for oppgaven: Kritikertoppen- listene. Ellers er jeg takknemlig for alle som har kommet med kommentarer og tips underveis, på lesesalen og ellers. Det har vært en lærerik prosess. Matias Helgheim 21.05.2011 2 Innholdsliste Introduksjon..........................................................................................................................................4 Problemstilling.....................................................................................................................................6 Bakgrunn..............................................................................................................................................7 Om Kritikertoppen ..........................................................................................................................7 Musikkritikkfeltet............................................................................................................................8 Kjønn , musikk og medier..............................................................................................................10 Etnisitet, musikk og medier...........................................................................................................11 -
ET 61 (Classifiche 2003)
1 === ELEPHANT TALK === rivista musicale elettronica <http://www.burioni.it/forum/ridi/et/ethome.htm> diretta da Riccardo Ridi <mailto:[email protected]> -------------------------------------------------- Anno X Numero 61 (12 Febbraio 2004) -------------------------------------------------- INDICE - LA METACLASSIFICA 2003 DI ET / a cura di Riccardo Ridi - LE CLASSIFICHE 2003 DEI REDATTORI E DEI LETTORI DI ET / a cura di Riccardo Ridi - LE CLASSIFICHE 2003 DELLE ALTRE RIVISTE / a cura di Riccardo Ridi con la collaborazione di Marco Misuri - RIASCOLTANDO "THICK AS A BRICK" / di Michele Santoro -------------------------------------------------- - LA METACLASSIFICA 2003 DI ET / a cura di Riccardo Ridi Include gli album votati da almeno 4 degli 11 lettori e redattori che hanno inviato le proprie preferenze. 1. Robert Wyatt CUCKOOLAND (8 voti) 2. The White Stripes ELEPHANT (6 voti: 1. - 2. - 3. - 3. - 7. - 49.) 3. Radiohead HAIL TO THE THIEF (6 voti: 3. - 4. - 5. - 9. - 21. - 33.) 4. OutKast THE LOVE BELOW (5 voti: 1. - 2. - 7. - 13. - 14.) 5. Eels SHOOTENANNY! (5 voti: 6. - 9. - 12. - 16. - 17.) 6. Grandaddy SUMDAY (4 voti: 1. - 4. - 8. - 14. ) 7. Blur THINK TANK (4 voti: 2. - 3. - 7. - 43.) 8. I Am Kloot I AM KLOOT (4 voti: 6. - 8. - 8. - 34.) 9. David Sylvian BLEMISH (4 voti: 10. - 14. - 15. - 28.) 10. The Thrills SO MUCH FOR THE CITY (4 voti: 13. -18. - 25. - 60.) L'album dell'anno pare proprio sia ELEPHANT dei White Stripes, primo per tre riviste (Mojo, NME e Q), secondo per ET e ben piazzato anche in quasi tutte le altre classifiche. Lettori e redattori di ET incoronano pero' Robert Wyatt al primo posto, citando anche la sua raccolta semiretrospettiva SOLAR FLARES BURN FOR YOU. -
Projecting the Nation: Constructions of Scotland in Film Since 1979
Projecting the Nation: Constructions of Scotland in Film Since 1979 Emily Torricelli PhD University of York Theatre, Film and Television January 2016 Abstract This thesis examines questions of the continued significance of national cinemas and identities, focussing on the case of Scottish cinema. As a small, devolved nation with relative autonomy from the United Kingdom, Scotland presents an interesting case for how films are labelled with a national identity, as Scottish films can also often be understood in a British, European, and even global context. Rather than attempting to construct a working model of Scottish cinema based on representation or production context, I ask how films have been constructed as Scottish. I approach the concepts of Scotland and Scottish film as sets of meanings that are subject to change over time and in different contexts. This facilitates a perspective which asks in what ways Scotland and Scottishness is constructed in film. I examine how multiple identities are balanced in the filmic construction of Scotland first by considering how Scottish films—both those made in and which are about Scotland—from the early 1980s to the present construct Scottish identities. I will consider the way these films explored ‘traditional’ Scottish identities in the 1980s, Scottish masculinity in the 1990s, and Scottish identities based on ethnicity and gender in the 2000s and 2010s. Second, I look at how these films are received as Scottish by examining reviews and other press materials to determine how the Scottishness -
Transnationalism and New Scottish Cinema Simon Brown, Kingston
“Anywhere but Scotland?” Transnationalism and New Scottish Cinema1 Simon Brown, Kingston University Fifteen years on from the moment that Danny Boyle’s Trainspotting (1996) fulfilled the promise of his earlier Shallow Grave (1994) and helped to launch what has become known as New Scottish Cinema, the critical debates which have accompanied its development find themselves at a crossroads. Prompted in part by the New Scottish Cinema symposium, which took place in Ireland in 2005 and looked back over 20 years of Scottish film, key writers have begun to critically assess the arguments which have circulated and to refashion the debate for the future. Initial models focussing upon the influences of first American and then European cinema have proved themselves to be inflexible in locating New Scottish Cinema within a global cinema marketplace, and furthermore have privileged a certain type of film, influenced by European art cinema traditions, as being representative of Scottish cinema to the exclusion of other more commercial projects. Not only is this ironic considering the inherently commercial nature of both Trainspotting and Shallow Grave, but also it had led to a vision of Scottish film which is more European than Scottish; more international than national. Recent scholars have begun to address New Scottish Cinema through the concept of transnationalism and it is the aim of this article to consider transnationalism as a way forward for critical debates about New Scottish Cinema through a case study of two films, both shot in the same location, one of which has been widely discussed and fits the more traditional critical model, Ken Loach’s Sweet Sixteen (2002), and the other of which has been largely ignored and is much more mainstream in its ambitions and economic context, Dear Frankie (2005). -
Anglistentag 2010 Saarbrücken
Anglistentag 2010 Saarbrücken Anglistentag 2010 Saarbrücken Proceedings edited by Joachim Frenk Lena Steveker Wissenschaftlicher Verlag Trier Anglistentag 2010 Saarbrücken Proceedings ed. by Joachim Frenk, Lena Steveker Trier: WVT Wissenschaftlicher Verlag Trier, 2011 (Proceedings of the Conference of the German Association of University Teachers of English; Vol. 32) ISBN 978-3-86821-332-4 Umschlaggestaltung: Brigitta Disseldorf © WVT Wissenschaftlicher Verlag Trier, 2011 ISBN 978-3-86821-332-4 Alle Rechte vorbehalten Nachdruck oder Vervielfältigung nur mit ausdrücklicher Genehmigung des Verlags Gedruckt auf alterungsbeständigem und säurefreiem Papier Printed in Germany WVT Wissenschaftlicher Verlag Trier Bergstraße 27, 54295 Trier Postfach 4005, 54230 Trier Tel.: (0651) 41503 / 9943344, Fax: 41504 Internet: http://www.wvttrier.de e-mail: [email protected] Proceedings of the Conference of the German Association of University Teachers of English Volume XXXII Contents Joachim Frenk and Lena Steveker (Saarbrücken) Preface XI Forum: Anglistik und Mediengesellschaft Eckart Voigts-Virchow und Nicola Glaubitz (Siegen) Einleitung 3 Julika Griem (Darmstadt) Überlegungen für eine Anglistik in der Mediengesellschaft: Verfahren, Praxen und Geltungsansprüche 9 Gudula Moritz (Mainz) Anglistik und Mediengesellschaft 13 Nicola Glaubitz (Siegen) Für eine Diskursivierung der Kultur 15 Regula Hohl Trillini (Basel) Don't Worry, Be Trendy: Shakespeares Rezeption als ermutigender Modellfall 19 Eckart Voigts-Virchow (Siegen) Performative Hermeneutik durch mediendiversifizierte -
Ben Lee: Catch My Disease
BEN LEE: CATCH MY DISEASE A FILM BY AMIEL COURTIN-WILSON 2012 / Australia / English / Documentary 86 min / HD / 1.78 "...fun, frenzied, colorful doc Ben Lee: Catch My Disease..." WORLD SALES CONTACT 173 RICHARDSON STREET, BROOKLYN, NY 11222 +1.718.312.8210 WWW.VISITFILMS.COM PRODUCTION CONTACT: GHOST PICTURES 6/400 ST KILDA ROAD, ST KILDA, 3182 AUSTRALIA www.ghostfilm.net RICHARD LOWENSTEIN, [email protected] SYNOPSIS Logline: A playful yet profoundly intimate portrait of singer-songwriter Ben Lee, and a fascinating portrayal of celebrity. Short Synopsis: Charming, intelligent and iconoclastic, Ben Lee is an Australian singer-songwriter whose creative growth since his early adolescence has undergone almost relentless media scrutiny. This is a playful yet deeply intimate portrait of Lee, exploring his meteoric rise to pop stardom and the issues of celebrity and spirituality that arise when launched into the spotlight. Ex-girlfriend Claire Danes and long-time friends Jason Schwartzman, Michelle Williams, Mike D, Zooey Deschanel and Winona Ryder give insight to Lee’s almost impenetrable public persona, as well as to his private hopes and insecurities. Long Synopsis: One of Australian music’s most notorious self-styled icons, Ben Lee once said he had made the greatest Australian album of all time. Signed by a record company at 14 and having released seven solo albums in the sixteen years since, Ben Lee is loved by fans worldwide, while also famous for being, in the words of one of his peers, a ‘precocious little c…’. Ben Lee: Catch My Disease examines Ben Lee’s life as a unique Australian artist – from his angst ridden days as a punk fuelled thirteen year old, to his starring role in a feature film, to the recording of his sixth album in the United States.