January 1971

Total Page:16

File Type:pdf, Size:1020Kb

January 1971 Chroniule Conuert on The Air presents The world's great music in a 2-hour radio concert featuring Arthur Fiedler and the Boston Pops Orchestra every Wednesday evening following the Stock Market Report ~ 94.5 FM STEREO 100,000 watts of the world's greatest music in high fidelity stereophonic sound. THE KlEF PROGRAM GUJDE Published monthly by KLEF (Entertainment Communications, Inc.), 2929 Buffalo Speedway, Houston, Texas, 77006. WILLIAM B. BERKEY, VICE PRESIDENT AND GENERAL MANAGER HERB McFARLAND, PROGR~M DIRECTOR Yearly subscription-$7.50 Single copy-$.75 When you change your address, please let us know. Send, or give us by phone, your old address and zip code number as well as the new address. The Program Guide is mailed as Third Class Matter, and will not be forwarded unless you agree with the Post Office Department to pay the extra postage. If you will let us know of any change of address by the tenth of the month your service will be uninterrupted. For information on advertising space and rates in the Program Guide, call or write Radio Station KLEF, at 662-5533, area code 713. ONE MOMENT, PlEASE. Felicitations on a New Year and a New their advertising dollar in Beethoven and Program Guide! We much appreciate your his friends. Ultimately, their investment heartwarming support and loyally in the is in you; and any burden of gratitude passing year, and pledge our continuing which you may feel must be no less to energetic promotion of the world's great­ them than to us! They are your benefac­ est music in the year ahead l tors, and are entitled to your support. Any time is a good time to say "Thank Its a noble system, the Revolutionaries You" and again we say it to you who notwithstanding, and its benefits are form the strong and fervent core of those enormous. Virtue shall be rewarded: with in the communily who love fine things. your support and that of our sponsors, we We would remind you that the music you will continue to offer you a steady diet enjoy so much is made possible only by of the greatest manna the musical gods those merchants and other business in­ can devise! terests who are willing to invest part of a new creative, innovative, budget conscious, up to date, group of specialists in sales promotion & advertising. " we never close'' Korshak • Chinchar • Strickler • Inc. 668-2544 KLEF PROG G KLEF program listings are detailed in the following order: composer, soloist; orchestra; conductor; record label and number in parenthesis; "Genesis" Suite- CBC Sym, Craft length of time to the nearest minute. 1 (Col 694) 5. Capital letters indicate major keys and GRIEG: Piano Concerto - Arrau; lower case letters indicate minor keys FRIDAY Concertgebouw Orch Dohnanyi in the music titles. (Ex.; A is A-major, 1 a is A-minor.) 6:00A.M. (Phil WS 9122) 33. Key to abbreviations: SCHUBERT: German Dances - Stuttgart INSTRUMENTS Chamber Orch, Muenchinger bas. bassoon News. WERNER: Suite inC ("January") c. cello from "The Musical Instrumental Calen­ (Lon 15035) II. cl. clarinet dar" - Vienna Chamber Orch, dbl-bs. double-bass 11:00 A.M. eh. eng I ish horn Seipenbusch (MHS 886-88) 7. fh. french horn LISZT: "Rigoletto Paraphrase"- Cherkass~ fl. flute p. (Mer 90520) 7. PURCELL: Hornpipe (Trans. Wood) - g. guitar Ensemble, Birbaum (Mer 90404) 6. lute HAYDN: Symphony #Jo- Vienna Chamber I. ROZSA: Three Hungarian Sketches - o. oboe Orch, Maerzendorfer (Orph 202) 12. organ RCA Italiano Orch1 Rozsa (RCA 2802)17. or. VIVALDI: Violin Concerto, Op.41 #8- p. piano Ayo; I Musici (Phil 2-940) 8. IVES: Violin Sonata #4 ('"Children's Day tr. trumpet va. viola TCHAIKOVSKY: Waltzes- Orch, at the Camp Meeting")- Szigeti, v.; v. violin Kostelanetz (Col 6824). Bogas, p. (Mer 90442) 10. VOCALISTS RAMEAU: Concert en Sextuor #5 - sop. soprano con. contralto 7:00A.M. Toulouse Chamber Orch, Auriacombe m-sop. mezzo-soprano (MG 4) 9. ten. tenor News. BACH: Cello Suite #2- Maurice GRAINGER: "Country Gardens" & "The bar. baritone bs. bass Gendron (Phil WS 3-010) 20. Immovable Do" - Eastman Rochester RECORD LABELS SEVEN ARTS CALENDAR. Orch, Fennell (Mer 18060). Angel Ang MOLTER: Clarinet Concerto in A - AngSer Angel-Seraphim Art Artia Stalder; Cologne Chamber Orch, NOON AudFi Audio Fidelity Mueller-Bruehl (Schwenn 2012) 12. BG Bach Guild CHOPIN: Nocturne, Op.9,#2 (Arr. News. RIMSKY-KORSAKOV: Symphony Bar Baroque Bos Boston Harris) - Philadelphia Orch, #2 ("An tar") - Detroit Sym, Paray Cam Cambridge Ormandy (Col 7506) 5. (Mer 18017) 27. Cap Capitol ADAM: Selections from Act II of "Le FALLA: "Nights in the Gardens of Spain" Car Carsan Col Columbia Diable a Quatre" Ballet- London Sym, - En tremont, p.; Phi lade I ph ia Orch 1 Com Command Bonynge (Lon 6454). Ormondy (Col 6629) 23. CRI Composers Recordings, Inc. ConD Concert Disc 8:00A.M. P.M. ConS Connoisseur Society I :00 CP Counterpoint/Esoteric Cross Crossroads News. BONONCINI:''Polifemo" Over­ BEETHOVEN: Military March in D­ Dec Decca ture- New Philharmonic Orch, DGG Deutsche Grammophon Berlin Philharmonic Wind Instrument Ep Epic Leppard (Phil 900-235) 3. Group, Priem-Bengrath (DGG Elec Electrola R.STRAUSS: Horn Concerto#!- Tuckwell; 139045) 7. Ev Everest London Sym, Kertesz (Lon 6519) 16. HERTEL: Trumpet Concerto in D - Zickler; EA Experiences Anonymes GC Golden Crest RESPIGHI-ROSSINI: "La Boutique Mainz Chamber Orch, Kehr HeI Heliodor Fantasque" Ballet - Lamoureux Orch, (Turn 34090) 15. Lon london Benzi (Mer 90386) 27. Lyr Lyrichord KUBELIK: Four Forms for Strings - Mer Mercury English Chamber Orch 1 Kubelik Mon Monitor 9:00A.M. (DGG 139443) 22. MHS Musical Heritage Society DELIBES: "Le Roi s'Amuse" Incidental MG Music Guild Nsch Nonesuch HANDEL: Flute Sonata, Op.1,#2- Music - Royal Philharmonic, Beecham Ol l'Oiseau lyre Rampal, fl.; Veyron-Lacroix, Hps. (Ang Ser 60084). Pari Parliament (Ep 153) 8. Phil Philips PhiiWS World Series FRANCK: Symphony in d - Suisse Romande 2:00P.M. P-3 Project 3 Orch, Ansermet (Lon 6222) 40. Pro Protone Anon.: English Country Dances & Morris News. PERGOLESI: "L 'Oiimpiade" RCA RCA Victor SFM Society for Forgotten Music Dances (Arr. Schulze) - Soloists; Overture - New Philharmonic Orch1 SFr Societe Francaise duSon Telemann Society, Schulze (Vox 50114Q. Leppard (Phil 90Q-235) 7. Som Somerset MOZART: Symphonie Concertonte, K. Tele Telefunken Turn Turnabout 10:00 A.M. 297b - Soloists; Soar Chamber Orch, Ura Urania Ristenpart (Nsch 71068) 32. Van Vanguard News. SCHOENBERG: Prelude to the SIBELIUS: "The Swan of Tuonela" from West Westminster "Legends of Lemminkoinen"- Berlin Ansermet (Lon 6603) II • Chamber Orch, Muenchinger Philharmonic, Korojon (DGG 138974)8, SAINT -SAENS: "The S v.an" from "The (Lon 15035}. Carnival of the Animals" - First Piano 3:00P.M. Quartet (Dec 710047) 3. KODALY: Selections from "Hory Janos"­ 7:00A.M. OFFENBACH: "La Vie Porisienne" Berlin Radio Sym, Fricsay (Hel 25069). Fontosie - RTF Orch, Coriven News. G.CASSADO: "Requiebros" - (Von 242) 6. 8:00P.M. Starker, c.; Pommers, p. (Ev 3222) 5. VERDI: "Di Tu Se Fedele" from "Un J.C.BACH: Sinfonia, Op.18,#3- Bolio Moschere"- J.Bjoerling, ten. News. ROSSINI: "The Barber of Seville" london Little Orch, Jones (Nsch (RCA 2570) 3. Overture- London Sym, Gamba 71165) 14. DVORAK: Symphony #7- London Sym, (Lon 6204) 7. MOUSSORGSKY: Hopok from "The Fair Kertesz (Lon 6402) 38. VAUGHAN WILLIAMS: 11 Serenode to at Sorochinsky" (Orch.Jones)­ DOWLAND: Donees- Elizabethan Music" -Soloists, London Sym, Boult Milstein, v .; Orch, Irving (Ang 36002)3 Consort of Viols, Nesbitt (MG 872). (Ang 36698} 13. SEVEN ARTS CALENDAR. BEETHOVEN: Piano Concerto #2 - TCHAIKOVSKY: Song Without Words, 4:00P.M. Fleisher; Cleveland Orch, Szell Op.2,#3 (Orch.Hurnick)- Czech (Ep 1137) 28. Chamber Orch, Vlach (Cross 2216- News. MENDELSSOHN: "The Hebrides" 0102) 4. Overture- London Sym, Moog 9:00P.M. BACH: Keyboard Concerto #4 in A - (Lon 6191) 10. Devetzi, P•i Moscow Chamber Orch, ELGAR: "Chanson de Motin", Op.l5,#1- VERDI: "La Donna e Mobile" from Borshai (Mer 90410) 14. PROKOFIEV: Selections from "The Love Royal Philharmonic, Weldon "Rigoletto" (Arr. Dragon) - Capitol Sym 1 (RCA 1377) 3. Dragon (Cap 8440) 3. for Three Oranges" - St. Lou is Sym, HANDEL: Concerto Grosso, Op.6,#8- BRAHMS: Symphony #j- Columbia Sym, Remoortel (Odsy 3216-0344), English Chamber Orch, Leppard Walter (Col 6389) 44. (Mer 9124) 14. MOZART: Selections from Serenade in 8:00A.M. RACHMANINOFF: Suite #1 ("Fantasy") B-Fiat, K. 361 - Musica Aeterna Wind (Trans. Harkness)- Hoiby, p.; Ensemble, Waldman (Dec 710150). News. GURIDI: Prelude to Act 2 of "EI Harkness Sym, Mester (Desto 6431) 19. Coserio" - Spanish Notional Orch, 10:00 P.M. Burgos (Lon 6424) 6. 5:00P.M. WALDTEUFEL: "Tres Jolie" -Vienna News. MONTEVERDI: 3 Madrigals­ State Opera Orch, Paulik (Von 150) 8. News. Anon.: "Pop Goes the Weasel" Camerata Lutetiensis (Nsch 73014} 6. WEBER: Menuetto & Trio- Walker, g.; (Arr.Coilliet)- Notional Sym, Mitchell SAINT-SAENS: Violin Concerto #3- Hecht!, fl.; Geise, va.(Turn 34171}5. (RCA 2704) 5. Campoli; London Sym, Gamba MOZART: Symphony #40- NY Philhar­ BORODIN: "Polovtsion Dances" from (Lon 6084} 26. monic, Bernstein (Col 7029) 28. "Prince Igor" - Chicago Sym, Ozawa WAGNER: Symphonic Synthesis of Act 3 (Ang 36034) 14. of "Parsifal" (Arr.Stokowski)- Houston SEVEN ARTS CALENDAR. Sym, Stokowski (Ev 3031) 17. 9:00A.M. CHABRIER: "Espana" (Trons.Chevillord)­ Aldo Ciccolini, p. (Ang 36627) 7. II :00 P.M. CAZZATI: Sonata for 5 Ports, Op.35 DVORAK: Slavonic Dance, Op.72,#8- ("La Bianchina")- Andre, tr.; Boston Sym, Leinsdorf (RCA 3017) 7. LARSSON: Little March - Stockholm Sym, Bologna Municipal Theatre Orch, Gotti BOZZA: Selections from the Sonatine for Westerberg (Lon 6430) 3. (MHS 893) 4. Bross - NY Bross Quintet (GC 4023). SCHUMANN: Romance, Op.28,#2- SHOSTAKOVICH: Polka & Galop from Artur Rubinstein, p.
Recommended publications
  • © Huntington Theatre Company Boston, MA 02115 September 2002
    © Huntington Theatre Company Boston, MA 02115 September 2002 No portion of this Teacher Curriculum Guide may be reproduced without written permission from the Huntington Theatre Company’s Department of Education. Inquiries should be directed to: Donna Glick, Director of Education Huntington Theatre Company 264 Huntington Avenue Boston, MA 02115 Limelight Nicholas Martin Michael Maso Norma Jean Calderwood Managing Director Artistic Director literary and curriculum guide THE for teachers BLUE Demon K JA ESN Wri TR tten RKO and Directed by DA AN EDM L FRI Music by MICHAE Student Matinee Series TEACHER LITERARY AND CURRICULUM GUIDE The Blue Demon Book by Darko Tresnjak • Music by Michael Friedman Lyrics by Darko Tresnjak and Michael Friedman Based on an original concept by Darko Tresnjak STAFF TABLE OF CONTENTS This Teacher Literary and 2 The Story of The Blue Demon Curriculum Guide was prepared for 3 Darko Tresnjak the Huntington Theatre Company by 4 The Production History and Sources Steven Braddock, 5 A Tale from 1,001 Arabian Nights Artistic Director Gifford Family Theatre, 8 Did You Know...? Le Moyne College 8 Themes and Related Works 9 Audience Etiquette With contributions by 9 Background/Objectives Scott Edmiston, Literary Associate 10 Preparation 12 Mastery Assessment Donna Glick, Director of Education 14 Questions for After Performance Linda Murphy, 15 Open Response and Writing Associate Director of Education 16 For Further Exploration Marisa Jones, 17 Media Assessment Education and Community Associate 18 Lesson Plan/Vocabulary Words Lynne Marie Mattos, 20 Handout: Analyzing the Education Intern, Emerson College Fundamentals of Storytelling The Huntington's John Hancock Student Matinee Series is funded in part by a generous grant from the John Hancock Financial Services, Inc.
    [Show full text]
  • Guild Gmbh Guild -Historical Catalogue Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland Tel: +41 52 742 85 00 - E-Mail: [email protected] CD-No
    Guild GmbH Guild -Historical Catalogue Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Composer/Track Artists GHCD 2201 Parsifal Act 2 Richard Wagner The Metropolitan Opera 1938 - Flagstad, Melchior, Gabor, Leinsdorf GHCD 2202 Toscanini - Concert 14.10.1939 FRANZ SCHUBERT (1797-1828) Symphony No.8 in B minor, "Unfinished", D.759 NBC Symphony, Arturo Toscanini RICHARD STRAUSS (1864-1949) Don Juan - Tone Poem after Lenau, op. 20 FRANZ JOSEPH HAYDN (1732-1809) Symphony Concertante in B flat Major, op. 84 JOHANN SEBASTIAN BACH (1685-1750) Passacaglia and Fugue in C minor (Orchestrated by O. Respighi) GHCD Le Nozze di Figaro Mozart The Metropolitan Opera - Breisach with Pinza, Sayão, Baccaloni, Steber, Novotna 2203/4/5 GHCD 2206 Boris Godounov, Selections Moussorgsky Royal Opera, Covent Garden 1928 - Chaliapin, Bada, Borgioli GHCD Siegfried Richard Wagner The Metropolitan Opera 1937 - Melchior, Schorr, Thorborg, Flagstad, Habich, 2207/8/9 Laufkoetter, Bodanzky GHCD 2210 Mahler: Symphony No.2 Gustav Mahler - Symphony No.2 in C Minor „The Resurrection“ Concertgebouw Orchestra, Otto Klemperer - Conductor, Kathleen Ferrier, Jo Vincent, Amsterdam Toonkunstchoir - 1951 GHCD Toscanini - Concert 1938 & RALPH VAUGHAN WILLIAMS (1872-1958) Fantasia on a Theme by Thomas Tallis NBC Symphony, Arturo Toscanini 2211/12 1942 JOHANNES BRAHMS (1833-1897) Symphony No. 3 in F Major, op. 90 GUISEPPE MARTUCCI (1856-1909) Notturno, Novelletta; PETER IILYICH TCHAIKOVSKY (1840- 1893) Romeo and Juliet
    [Show full text]
  • Le Opere Europee 1800-1899 Michele Girardi (In Fieri, 20 Gennaio 2019)
    Le opere europee 1800-1899 Michele Girardi (in fieri, 20 gennaio 2019) 1800 (2) Paris Les deux journées 16.I Nicholas Bouilly Luigi Cherubini Théâtre Feydeau melodramma, 3 Paris Le calife de Bagdad Charles Guillaume 16.IX Adrien Boïeldieu OC opera, 1 Etienne 1801 (1) Wien Die Geschöpfe des Prometheus Ludvig van 28.III Salvatore Viganò Hofburgtheater ballo eroico 2p Beethoven 1802 (2) Venezia Le metamorfosi di Pasquale, o 16.I T. San Moisé sia Tutto è illusione nel mondo Giuseppe Foppa Gaspare Spontini farsa giocosa per musica, 1 Venezia Werter e Carlotta Giulio Domenico primavera Vincenzo Pucitta T. San Moisé opera, 1 Camagna 1803 (1) 4.X Paris Anacréon, ou L’amour fugitif R. Mendouze Luigi Cherubini O opéra-ballet 1804 (3) Joseph Marie Paris La petite maison Armand Michel 12.V Gaspare Spontini OC (Feydeau) opéra-comique, 3 Dieulafoy e N. Gersin Dneprovskaja rušalka (L’ondina St Petersburg 17 Ferdinand Kauer Catterino Cavos Bol’šoj Kamenny T. del Dnepr) opera magico-buffa, 3 Victor-Joseph Étienne de Jouy e Paris Milton 12.XI Joseph Marie Gaspare Spontini OC (Favart) fait historique, 1 Armand Michel Dieulafo 1805 (2) Paris Julie, ou Le pot de fleurs 12.III Antoine Gabriel Jars Gaspare Spontini OC (Favart) comédie en prose, mêlée de chants, 1 Wien Fidelio Joseph von Ludvig van 20. I X Theater an der Wien opera, 3 (I vers.) Sonnleithner Beethoven 1806 (2) Paris Les deux aveugles de Tolède 28.I Benoît Marsollier Joseph Méhul OC opera, 1 Joseph von 29 Wien Fidelio Theater an der Wien opera, 3 (IIa vers.) Sonnleithner 2 1807 (3) Mosca Илья-Богатырь (Il’ja il prode) 12.I Ivan Krïlov Catterino Cavos Bol’šoj grande opera magico-buffa, 4 Paris Joseph 17.II Alexandre Duval Joseph Méhul OC drame en prose mêlé de chants, 3 Paris La Vestale 15.XII V.
    [Show full text]
  • Prof. Costas A. Courcoubetis Department of Informatics Athens University of Economics and Business
    Prof. Costas A. Courcoubetis Department of Informatics www.aueb.gr/users/courcou Athens University of Economics and Business Short Biography Costas Courcoubetis was born in Athens. He obtained his Electrical and Mechanical engineering diploma from NTUA (1977), the M.S. (1980) and Ph.D (1982) from the EECS department at the University of California, Berkeley. From 1982 until 1990 he was Member of Technical Staff in the Mathematics Research Center at Bell Laboratories, Murray Hill, NJ, and from 1990 until 1999 he was Professor in the Computer Science Department at the University of Crete at Heraklion. While in Crete he was Head of the Telecommunications and Networks Laboratory at the Institute of Computer Science of FORTH, and Director of the Network Management Center of the University of Crete. Since 1999 he is Professor at the Computer Science Department of the Athens University of Economics and Business and Director of the Economics and Theory of Systems Laboratory. In the past he was Visiting Lecturer at the University of California, Berkeley and Adjunct Professor at Columbia University and IMAG, Grenoble. His networking group while at ICS FORTH provided the initial funding and the technical staff of FORTHnet, a major Greek ISP, a spinoff of FORTH’s wide area network. Research Interests His current research interests focus on the economics of communication networks, grid and cloud computing, demand-response systems for smart grids, the performance and pricing of broadband networks and of the Internet, by combining tools from operations research, applied probability and computer science. He is also involved in regulation issues for telecommunications and the Internet, the design of auctions, and network cost models.
    [Show full text]
  • Iberia De Isaac Albéniz: Estudio De Sus Interpretaciones a Través De “El Puerto” En Los Registros Sonoros
    Tesis doctoral Iberia de Isaac Albéniz: Estudio de sus interpretaciones a través de “El Puerto” en los registros sonoros por María de Lourdes Rebollo García Director: Dr. Francesc Cortès i Mir Programa de Doctorado en Historia del Arte y Musicología Departament d'Art i de Musicologia Facultat de Filosofia i Llletres Universitat Autònoma de Barcelona Mayo 2015 Tesis doctoral Iberia de Isaac Albéniz: Estudio de sus interpretaciones a través de “El Puerto” en los registros sonoros Autora: María de Lourdes Rebollo García Director: Dr. Francesc Cortès i Mir Programa de Doctorado en Historia del Arte y Musicología Departament d'Art i de Musicologia Facultat de Filosofia i Llletres Universitat Autònoma de Barcelona Mayo 2015 A Adrián y Ana Victoria, mis tesoros 4 AGRADECIMIENTOS En primer lugar quiero expresar mi más sincero agradecimiento al doctor Francesc Cortès i Mir por aceptar ser el director de esta tesis, por orientarme en la investigación, y por sus observaciones y correcciones puntuales a este texto. Pero sobre todo, por sus valiosos consejos y sugerencias siempre de manera cordial y abierta que me motivaron a llevar a buen fin esta investigación. Agradezco al doctor Joaquim Rabaseda i Matas su orientación y asesoría al inicio de este trabajo, y a la doctora Montserrat Claveria su apoyo en la tramitación de mi ingreso al doctorado. La realización de mis estudios de doctorado en la Universitat Autònoma de Barcelona fue posible gracias al apoyo de una beca concedida por el Programa de Becas para Estudios en el Extranjero del Fondo Nacional para la Cultura y las Artes (FONCA) en México.
    [Show full text]
  • Orient : Quelles Sont Les Origines Des Mille Et Une Nuits Et Des Mille Et Un Jours Et Leurs Adaptations Musicales ?
    Orient : Quelles sont les origines des Mille et une Nuits et des Mille et un Jours et leurs adaptations musicales ? Bibliothèque de l’Institut du monde arabe – notre réponse du 01/02/2021 Dessin d’illustration des Mille et une Nuits© Sani ol-Molk (1814-1866), domaine public, via Wikimedia Commons Qui n’a pas déjà entendu parler des contes des Mille et une Nuits ? Pourtant, si ce titre évoque le Moyen-Orient et ses mystères, qui en connaît réellement l’origine ? Et si les amateurs d’art connaissent les illustrations de ce texte par les plus grands dessinateurs et graveurs du XIXème siècle (Gustave Doré, Foulquier, Castelli, Bertall…), quelles en ont été les adaptations musicales ? Les Mille et une nuits, un recueil de contes aux multiples origines Les Mille et une Nuits, est un recueil anonyme de contes populaires d’origine persane, indienne et arabe. Issus de la tradition populaire orale, ils ont été sans cesse repris, transformés, enrichis de nouveaux récits au fil des siècles. En 1704, l’historien français Antoine Galland en propose une traduction. Ce recueil est constitué de nombreux contes enchâssés et de personnages mis en miroir les uns par rapport aux autres. Le plus ancien manuscrit date du IXe siècle : du fait de ces enchâssements, il est difficile de retracer les origines de ces contes et les témoignages sont contradictoires. Les scènes du recueil ont majoritairement lieu dans des villes arabes et les personnages sont presque exclusivement musulmans, vivants très souvent sous le califat abbasside. Le passage des anciennes à de nouvelles Mille et Une Nuits au xve siècle par Jean-Claude Garcin,Médiévales [On-line], printemps 2013.
    [Show full text]
  • Programmation Travelling Du 13 Au 26 Fevrier 2017
    PROGRAMMATION VACANCES DE FEVRIER 2017 Le cinéma Quai des images participe pour sa 2ème année au festival Travelling et met à l'honneur 2 cinéastes : Nabil AYOUCH et Faouzi BENSAÏDI. Jeudi 16 février à 19h : une séance avec la cinémathèque de Bretagne autour du cinéaste amateur : Miche Body, en présence de Jean François Delsaux / Tarif 4,00 € Des animations et une sélection de films Jeune Public Mardi 14 février, en partenariat avec la médiathèque de Loudéac, Ciné Lectures / Tarif 3.50 €: 10h30 : Les Contes de la mer, à partir de 3 ans 14h : Le Voleur de Bagdad, à partir de 6 ans Jeudi 16 février de 14h à 16h : Atelier "Réaliser son documentaire", dès 6 ans animé par l'Uffej Bretagne autour du film "Quand j'avais 6 ans j'ai tué un dragon"... Tarif : 3.50 € Mardi 21 février : 2 compétions de Courts métrages Jeune Public /Tarif : 3.50 € : 10h30 : compétition Eléphant d'or 1, à partir de 3 ans 14h : compétition Eléphant d'or 2, à partir de 7 ans Les enfants éliront leur meilleur film, et les films " coups de cœur" seront reprogrammés sur la semaine du 22 février. Pour les animations, inscription : 02 96 66 03 40 Autres films Jeune Public Azur et Asmar, dès 5 ans Zaïna, cavalière de l'atlas, 9 ans, vf GIRAFADA, dès 10 ans, vostf FOCUS REALISATEURS Nabil AYOUCH Ali Zaoua, prince de la rue de Nabil Ayouch France / Maroc / Belgique, 2000, 1h40, VOSTFR Whatever Lola Wants de Nabil Ayouch France / Canada, 2007, 1h55, VOSTFR Ali, Kwita, Omar et Boubker sont des enfants des rues de Casablanca.
    [Show full text]
  • Composer, Pianist, Woman
    Rena Kyriakou (1917-1994): Composer, Pianist, Woman Athina Fytika Ionian University (Corfu) [email protected] The career of Greek pianist and composer, Rena Kyriakou (1917-1994), exemplifies the obstacles placed before foreign-trained women musicians who aspired to be taken seriously as composers in twentieth-century Greece. By all accounts Kyriakou was a remarkable musician who demonstrated an early talent for both composing and playing the piano. Nevertheless, by her late twenties she decided to forego her promising future as a composer and instead limit herself to the career of a performing virtuoso. The pivotal moment seems to have been the poor reception of her First Piano Concert, which she premiered in Athens in 1943.1 Considering all her efforts to become a composer and all she had achieved toward that end, her decision to stop composing after the 1943 concerto performance demands closer scrutiny. Clearly, one must be careful when attributing motivations to any historical figure. Nonetheless, in Kyriakou’s case considerable evidence suggests that prevailing social and aesthetic prejudices against women and certain kinds of foreign influence, expressed by a hostile critical press, led her to her reluctant decision to abandon composition. Kyriakou’s musical talents were apparent from an early age. In 1923, at age six, she performed her premier recital at the Athens Parnassos Hall, drawing the infatuation of the Greek press. She also attracted the intense interest of Elena Venizelou, wife of the Greek prime minister, who sponsored Kyriakou’s subsequent studies in Europe. This initially involved a 1925 visit to Paris, where, despite having no formal musical training, she was permitted to present her own compositions to Vincent d’Indy and Albert Roussel, both of whom praised the eight-year- old’s innate talent.2 Kyriakou continued her youthful studies in Vienna with Paul Weingarten (piano) and Richard Stöhr (composition), eventually returning to Paris to enter the Paris Conservatoire in 1930, at age thirteen.
    [Show full text]
  • Programmation Vacances De Fevrier 2017
    PROGRAMMATION VACANCES DE FEVRIER 2017 Le cinéma Quai des images participe pour sa 2ème année au festival Travelling et propose, différentes animations et une sélection de films pour le Jeune Public Des animations et une sélection de films Jeune Public Mardi 14 février, en partenariat avec la médiathèque de Loudéac, Ciné Lectures / Tarif 3.50 €: 10h30 : Les Contes de la mer, à partir de 3 ans 14h : Le Voleur de Bagdad, à partir de 6 ans Jeudi 16 février de 14h à 16h : Atelier "Réaliser son documentaire", dès 6 ans animé par l'Uffej Bretagne autour du film "Quand j'avais 6 ans j'ai tué un dragon"... Tarif : 3.50 € Mardi 21 février : 2 compétions de Courts métrages Jeune Public Tarif : 3.50 € : 10h30 : compétition Eléphant d'or 1, à partir de 3 ans 14h : compétition Eléphant d'or 2, à partir de 7 ans Les enfants éliront leur meilleur film, et les films " coups de cœur" seront reprogrammés sur la semaine du 22 février. Pour les animations, inscription : 02 96 66 03 40 Autres films Jeune Public Azur et Asmar, dès 5 ans Zaïna, cavalière de l'atlas, 9 ans, vf GIRAFADA, dès 10 ans, vostf SELECTION JEUNE PUBLIC Les contes de la mer Le voleur de Bagdad de M. Powel, L. Berger, T. Whelan Animation, 2014, 45min, VF Royaume-Uni, 1940, 1h20, VF A partir de 3 ans A partir de 5 ans Ahmad, le calife de Bagdad, est dépossédé de son trône par son grand Le petit bateau en papier rouge de Aleksandra Zareba, Allemagne, 13’ vizir, le magicien Jaffar.
    [Show full text]
  • Brilliant Minds Wiki Spring 2016 Contents
    Brilliant Minds Wiki Spring 2016 Contents 1 Rigveda 1 1.1 Text .................................................... 1 1.1.1 Organization ........................................... 2 1.1.2 Recensions ............................................ 2 1.1.3 Rishis ............................................... 3 1.1.4 Manuscripts ............................................ 3 1.1.5 Analytics ............................................. 3 1.2 Contents .................................................. 4 1.2.1 Rigveda Brahmanas ........................................ 5 1.2.2 Rigveda Aranyakas and Upanishads ............................... 5 1.3 Dating and historical context ....................................... 5 1.4 Medieval Hindu scholarship ........................................ 7 1.5 Contemporary Hinduism ......................................... 7 1.5.1 Atheism, Monotheism, Monism, Polytheism debate ....................... 7 1.5.2 Mistranslations, misinterpretations debate ............................ 8 1.5.3 “Indigenous Aryans” debate .................................... 8 1.5.4 Arya Samaj and Aurobindo movements .............................. 8 1.6 Translations ................................................ 8 1.7 See also .................................................. 8 1.8 Notes ................................................... 8 1.9 References ................................................. 9 1.10 Bibliography ................................................ 12 1.11 External links ..............................................
    [Show full text]
  • WNIB Program Schedule February 1971
    PROGRAM SCHEDULE I 97.1 fm February, 1971 I annou e 1111111 r I lectro Ill ... a new, limited production line of receivers, amplifiers, and tuners, featuring measurably superior performance, consistently high quality and utmost reliability. L I L Beverly Near North Morton Grove Oak Park 2035 W. 95 th 48 E. Oak 5700 W. Dempster 7045 W. North 779-6SOO 337-4150 967-6690 383-7006 TUESDAY, WEDNESDAY, FRIDAY & SATURDAY 10 AM 6 PM; MONDAY & THURSDAY 10 AM - 9 PM Ogdon, p (Ser S 60170) PROKOFIEFF Mephisto Waltz from PROGRAM SCHEDULE "Lermentov" - Moscow Radio Orch/Gennadi Rozhdestvensky (Mel/Ang SR 40075) I 97.1 fm February, 1971 7 PM NEW CLASSICAL RECORDINGS 8 PM SCHUBERT "Der Kampf", D, 594 (1817) (Schill.er); "Der Knabe in der Wiege",D. 579b (1817) {Ottcnwalt); "Auf der Riesenkoppe", D. 6.U (1818) (Koerner); "An den Mond in einer Hcrbstnacht", D. 614 (1818) {Schreiber); "Grab­ WNIB Program Schedule is published by Radio Station WNIB, 25 East Chestnut, licd fucr die Mutter", D. 616 (1818) (Anonymous) Chicago, Illinois 60611. Phone: 337-5252. Subscription rates: one year $5. 00; - Dietrich Fischer-Dieskau, ht; Gerald Moore, two years $9. 00; three years $12. 00. p (DGG 2720 006) BEETHOVEN String Quartet #5 in A, Op. 18#5 - Guarneri Quartet (RCA VCS 6195) FRONT COVER: "Portrait of Else Sohn-Rethe.!" (1873) by Carl Rudolf Sohn; 9 PM DU PUY "Youth and Folly" Overture- BACK COVER: "Portrait of the Painter Wilhelm Steinhausen" (1869) by Hans Swiss Italian Radio Orch/Armin Jordan (Swiss Thoma. Both paintings are from the exhibition, "German Painting of the 19th Composers CTS 32) Century", to be presented at the Art Institute of Chicago from February 27lli MENDELSSOHN Organ Sonata #6 in d through March 28th, 1971.
    [Show full text]
  • December 1971
    • • Wl m zn 1 First City takes great pride in its totally wide travel, cultural and h4fstorical tours, new concept in banking. The First Citian and exclusive investment and estate Program, built around the First Citian management seminars. In addition/ they Income Certificate, features an exclusive receive special First Citians invitations to combination of benefits never before symphony concerts, theatre presentations offered by a bank. and evenings of gourmet dining. First Citians receive interest on their Join First Citians and wear our ~~Symbol savings paid monthly, like income, while of Pride." enjoying social activities such as world First City National Bank now pays the highest interest rate allowed by law on all savings instruments: Regular Savings .......... 4% % Investor Savings . 5% Savings Time Certificates 6months ..... 5% 1 year ........ 5%% 2years .. .' .... 5%% M19mber F.O,LC. Call today for our new brochure ... 229-6616 - or write itians 1001 Main Street, Houston, Texas 77002. providing the vitd ·nK between hPJ and the fine arts. SOUTHWEST ART GAllERY MAGAZINE concerns itself with art news and events here in the Southwest. SOUTHWEST ART GAllERY MAGAZINE communicates between _the museums, galleries, and the public. If Southwest Art Gallery Magazine is for you, use this coupon to enter your subscription. Dear Subscription Department: Please enter my subscription for one year at $10.00. Name····-···-···---··------------····------·--······---------·---------·······-------------·-··-···----·-··· Address···············--·-····-------··--------·······------------------·--···········-····················- City ..................................State ••••••••••••••••••••••••••••••••. Zip-~---··········--·-····----- 0 Payment Enclosed 0 Bill Me Above rates apply to U.S., A.P.O., and F .P.O. addresses only. Canada add $1.00 per year. THE BEST ASKOURH 94.5 FM STEREO 100,000 watts of the world's greatest music in high fidelity stereophonic sound.
    [Show full text]