January 1971
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© Huntington Theatre Company Boston, MA 02115 September 2002
© Huntington Theatre Company Boston, MA 02115 September 2002 No portion of this Teacher Curriculum Guide may be reproduced without written permission from the Huntington Theatre Company’s Department of Education. Inquiries should be directed to: Donna Glick, Director of Education Huntington Theatre Company 264 Huntington Avenue Boston, MA 02115 Limelight Nicholas Martin Michael Maso Norma Jean Calderwood Managing Director Artistic Director literary and curriculum guide THE for teachers BLUE Demon K JA ESN Wri TR tten RKO and Directed by DA AN EDM L FRI Music by MICHAE Student Matinee Series TEACHER LITERARY AND CURRICULUM GUIDE The Blue Demon Book by Darko Tresnjak • Music by Michael Friedman Lyrics by Darko Tresnjak and Michael Friedman Based on an original concept by Darko Tresnjak STAFF TABLE OF CONTENTS This Teacher Literary and 2 The Story of The Blue Demon Curriculum Guide was prepared for 3 Darko Tresnjak the Huntington Theatre Company by 4 The Production History and Sources Steven Braddock, 5 A Tale from 1,001 Arabian Nights Artistic Director Gifford Family Theatre, 8 Did You Know...? Le Moyne College 8 Themes and Related Works 9 Audience Etiquette With contributions by 9 Background/Objectives Scott Edmiston, Literary Associate 10 Preparation 12 Mastery Assessment Donna Glick, Director of Education 14 Questions for After Performance Linda Murphy, 15 Open Response and Writing Associate Director of Education 16 For Further Exploration Marisa Jones, 17 Media Assessment Education and Community Associate 18 Lesson Plan/Vocabulary Words Lynne Marie Mattos, 20 Handout: Analyzing the Education Intern, Emerson College Fundamentals of Storytelling The Huntington's John Hancock Student Matinee Series is funded in part by a generous grant from the John Hancock Financial Services, Inc. -
Guild Gmbh Guild -Historical Catalogue Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland Tel: +41 52 742 85 00 - E-Mail: [email protected] CD-No
Guild GmbH Guild -Historical Catalogue Bärenholzstrasse 8, 8537 Nussbaumen/TG, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Composer/Track Artists GHCD 2201 Parsifal Act 2 Richard Wagner The Metropolitan Opera 1938 - Flagstad, Melchior, Gabor, Leinsdorf GHCD 2202 Toscanini - Concert 14.10.1939 FRANZ SCHUBERT (1797-1828) Symphony No.8 in B minor, "Unfinished", D.759 NBC Symphony, Arturo Toscanini RICHARD STRAUSS (1864-1949) Don Juan - Tone Poem after Lenau, op. 20 FRANZ JOSEPH HAYDN (1732-1809) Symphony Concertante in B flat Major, op. 84 JOHANN SEBASTIAN BACH (1685-1750) Passacaglia and Fugue in C minor (Orchestrated by O. Respighi) GHCD Le Nozze di Figaro Mozart The Metropolitan Opera - Breisach with Pinza, Sayão, Baccaloni, Steber, Novotna 2203/4/5 GHCD 2206 Boris Godounov, Selections Moussorgsky Royal Opera, Covent Garden 1928 - Chaliapin, Bada, Borgioli GHCD Siegfried Richard Wagner The Metropolitan Opera 1937 - Melchior, Schorr, Thorborg, Flagstad, Habich, 2207/8/9 Laufkoetter, Bodanzky GHCD 2210 Mahler: Symphony No.2 Gustav Mahler - Symphony No.2 in C Minor „The Resurrection“ Concertgebouw Orchestra, Otto Klemperer - Conductor, Kathleen Ferrier, Jo Vincent, Amsterdam Toonkunstchoir - 1951 GHCD Toscanini - Concert 1938 & RALPH VAUGHAN WILLIAMS (1872-1958) Fantasia on a Theme by Thomas Tallis NBC Symphony, Arturo Toscanini 2211/12 1942 JOHANNES BRAHMS (1833-1897) Symphony No. 3 in F Major, op. 90 GUISEPPE MARTUCCI (1856-1909) Notturno, Novelletta; PETER IILYICH TCHAIKOVSKY (1840- 1893) Romeo and Juliet -
Le Opere Europee 1800-1899 Michele Girardi (In Fieri, 20 Gennaio 2019)
Le opere europee 1800-1899 Michele Girardi (in fieri, 20 gennaio 2019) 1800 (2) Paris Les deux journées 16.I Nicholas Bouilly Luigi Cherubini Théâtre Feydeau melodramma, 3 Paris Le calife de Bagdad Charles Guillaume 16.IX Adrien Boïeldieu OC opera, 1 Etienne 1801 (1) Wien Die Geschöpfe des Prometheus Ludvig van 28.III Salvatore Viganò Hofburgtheater ballo eroico 2p Beethoven 1802 (2) Venezia Le metamorfosi di Pasquale, o 16.I T. San Moisé sia Tutto è illusione nel mondo Giuseppe Foppa Gaspare Spontini farsa giocosa per musica, 1 Venezia Werter e Carlotta Giulio Domenico primavera Vincenzo Pucitta T. San Moisé opera, 1 Camagna 1803 (1) 4.X Paris Anacréon, ou L’amour fugitif R. Mendouze Luigi Cherubini O opéra-ballet 1804 (3) Joseph Marie Paris La petite maison Armand Michel 12.V Gaspare Spontini OC (Feydeau) opéra-comique, 3 Dieulafoy e N. Gersin Dneprovskaja rušalka (L’ondina St Petersburg 17 Ferdinand Kauer Catterino Cavos Bol’šoj Kamenny T. del Dnepr) opera magico-buffa, 3 Victor-Joseph Étienne de Jouy e Paris Milton 12.XI Joseph Marie Gaspare Spontini OC (Favart) fait historique, 1 Armand Michel Dieulafo 1805 (2) Paris Julie, ou Le pot de fleurs 12.III Antoine Gabriel Jars Gaspare Spontini OC (Favart) comédie en prose, mêlée de chants, 1 Wien Fidelio Joseph von Ludvig van 20. I X Theater an der Wien opera, 3 (I vers.) Sonnleithner Beethoven 1806 (2) Paris Les deux aveugles de Tolède 28.I Benoît Marsollier Joseph Méhul OC opera, 1 Joseph von 29 Wien Fidelio Theater an der Wien opera, 3 (IIa vers.) Sonnleithner 2 1807 (3) Mosca Илья-Богатырь (Il’ja il prode) 12.I Ivan Krïlov Catterino Cavos Bol’šoj grande opera magico-buffa, 4 Paris Joseph 17.II Alexandre Duval Joseph Méhul OC drame en prose mêlé de chants, 3 Paris La Vestale 15.XII V. -
Prof. Costas A. Courcoubetis Department of Informatics Athens University of Economics and Business
Prof. Costas A. Courcoubetis Department of Informatics www.aueb.gr/users/courcou Athens University of Economics and Business Short Biography Costas Courcoubetis was born in Athens. He obtained his Electrical and Mechanical engineering diploma from NTUA (1977), the M.S. (1980) and Ph.D (1982) from the EECS department at the University of California, Berkeley. From 1982 until 1990 he was Member of Technical Staff in the Mathematics Research Center at Bell Laboratories, Murray Hill, NJ, and from 1990 until 1999 he was Professor in the Computer Science Department at the University of Crete at Heraklion. While in Crete he was Head of the Telecommunications and Networks Laboratory at the Institute of Computer Science of FORTH, and Director of the Network Management Center of the University of Crete. Since 1999 he is Professor at the Computer Science Department of the Athens University of Economics and Business and Director of the Economics and Theory of Systems Laboratory. In the past he was Visiting Lecturer at the University of California, Berkeley and Adjunct Professor at Columbia University and IMAG, Grenoble. His networking group while at ICS FORTH provided the initial funding and the technical staff of FORTHnet, a major Greek ISP, a spinoff of FORTH’s wide area network. Research Interests His current research interests focus on the economics of communication networks, grid and cloud computing, demand-response systems for smart grids, the performance and pricing of broadband networks and of the Internet, by combining tools from operations research, applied probability and computer science. He is also involved in regulation issues for telecommunications and the Internet, the design of auctions, and network cost models. -
Iberia De Isaac Albéniz: Estudio De Sus Interpretaciones a Través De “El Puerto” En Los Registros Sonoros
Tesis doctoral Iberia de Isaac Albéniz: Estudio de sus interpretaciones a través de “El Puerto” en los registros sonoros por María de Lourdes Rebollo García Director: Dr. Francesc Cortès i Mir Programa de Doctorado en Historia del Arte y Musicología Departament d'Art i de Musicologia Facultat de Filosofia i Llletres Universitat Autònoma de Barcelona Mayo 2015 Tesis doctoral Iberia de Isaac Albéniz: Estudio de sus interpretaciones a través de “El Puerto” en los registros sonoros Autora: María de Lourdes Rebollo García Director: Dr. Francesc Cortès i Mir Programa de Doctorado en Historia del Arte y Musicología Departament d'Art i de Musicologia Facultat de Filosofia i Llletres Universitat Autònoma de Barcelona Mayo 2015 A Adrián y Ana Victoria, mis tesoros 4 AGRADECIMIENTOS En primer lugar quiero expresar mi más sincero agradecimiento al doctor Francesc Cortès i Mir por aceptar ser el director de esta tesis, por orientarme en la investigación, y por sus observaciones y correcciones puntuales a este texto. Pero sobre todo, por sus valiosos consejos y sugerencias siempre de manera cordial y abierta que me motivaron a llevar a buen fin esta investigación. Agradezco al doctor Joaquim Rabaseda i Matas su orientación y asesoría al inicio de este trabajo, y a la doctora Montserrat Claveria su apoyo en la tramitación de mi ingreso al doctorado. La realización de mis estudios de doctorado en la Universitat Autònoma de Barcelona fue posible gracias al apoyo de una beca concedida por el Programa de Becas para Estudios en el Extranjero del Fondo Nacional para la Cultura y las Artes (FONCA) en México. -
Orient : Quelles Sont Les Origines Des Mille Et Une Nuits Et Des Mille Et Un Jours Et Leurs Adaptations Musicales ?
Orient : Quelles sont les origines des Mille et une Nuits et des Mille et un Jours et leurs adaptations musicales ? Bibliothèque de l’Institut du monde arabe – notre réponse du 01/02/2021 Dessin d’illustration des Mille et une Nuits© Sani ol-Molk (1814-1866), domaine public, via Wikimedia Commons Qui n’a pas déjà entendu parler des contes des Mille et une Nuits ? Pourtant, si ce titre évoque le Moyen-Orient et ses mystères, qui en connaît réellement l’origine ? Et si les amateurs d’art connaissent les illustrations de ce texte par les plus grands dessinateurs et graveurs du XIXème siècle (Gustave Doré, Foulquier, Castelli, Bertall…), quelles en ont été les adaptations musicales ? Les Mille et une nuits, un recueil de contes aux multiples origines Les Mille et une Nuits, est un recueil anonyme de contes populaires d’origine persane, indienne et arabe. Issus de la tradition populaire orale, ils ont été sans cesse repris, transformés, enrichis de nouveaux récits au fil des siècles. En 1704, l’historien français Antoine Galland en propose une traduction. Ce recueil est constitué de nombreux contes enchâssés et de personnages mis en miroir les uns par rapport aux autres. Le plus ancien manuscrit date du IXe siècle : du fait de ces enchâssements, il est difficile de retracer les origines de ces contes et les témoignages sont contradictoires. Les scènes du recueil ont majoritairement lieu dans des villes arabes et les personnages sont presque exclusivement musulmans, vivants très souvent sous le califat abbasside. Le passage des anciennes à de nouvelles Mille et Une Nuits au xve siècle par Jean-Claude Garcin,Médiévales [On-line], printemps 2013. -
Programmation Travelling Du 13 Au 26 Fevrier 2017
PROGRAMMATION VACANCES DE FEVRIER 2017 Le cinéma Quai des images participe pour sa 2ème année au festival Travelling et met à l'honneur 2 cinéastes : Nabil AYOUCH et Faouzi BENSAÏDI. Jeudi 16 février à 19h : une séance avec la cinémathèque de Bretagne autour du cinéaste amateur : Miche Body, en présence de Jean François Delsaux / Tarif 4,00 € Des animations et une sélection de films Jeune Public Mardi 14 février, en partenariat avec la médiathèque de Loudéac, Ciné Lectures / Tarif 3.50 €: 10h30 : Les Contes de la mer, à partir de 3 ans 14h : Le Voleur de Bagdad, à partir de 6 ans Jeudi 16 février de 14h à 16h : Atelier "Réaliser son documentaire", dès 6 ans animé par l'Uffej Bretagne autour du film "Quand j'avais 6 ans j'ai tué un dragon"... Tarif : 3.50 € Mardi 21 février : 2 compétions de Courts métrages Jeune Public /Tarif : 3.50 € : 10h30 : compétition Eléphant d'or 1, à partir de 3 ans 14h : compétition Eléphant d'or 2, à partir de 7 ans Les enfants éliront leur meilleur film, et les films " coups de cœur" seront reprogrammés sur la semaine du 22 février. Pour les animations, inscription : 02 96 66 03 40 Autres films Jeune Public Azur et Asmar, dès 5 ans Zaïna, cavalière de l'atlas, 9 ans, vf GIRAFADA, dès 10 ans, vostf FOCUS REALISATEURS Nabil AYOUCH Ali Zaoua, prince de la rue de Nabil Ayouch France / Maroc / Belgique, 2000, 1h40, VOSTFR Whatever Lola Wants de Nabil Ayouch France / Canada, 2007, 1h55, VOSTFR Ali, Kwita, Omar et Boubker sont des enfants des rues de Casablanca. -
Composer, Pianist, Woman
Rena Kyriakou (1917-1994): Composer, Pianist, Woman Athina Fytika Ionian University (Corfu) [email protected] The career of Greek pianist and composer, Rena Kyriakou (1917-1994), exemplifies the obstacles placed before foreign-trained women musicians who aspired to be taken seriously as composers in twentieth-century Greece. By all accounts Kyriakou was a remarkable musician who demonstrated an early talent for both composing and playing the piano. Nevertheless, by her late twenties she decided to forego her promising future as a composer and instead limit herself to the career of a performing virtuoso. The pivotal moment seems to have been the poor reception of her First Piano Concert, which she premiered in Athens in 1943.1 Considering all her efforts to become a composer and all she had achieved toward that end, her decision to stop composing after the 1943 concerto performance demands closer scrutiny. Clearly, one must be careful when attributing motivations to any historical figure. Nonetheless, in Kyriakou’s case considerable evidence suggests that prevailing social and aesthetic prejudices against women and certain kinds of foreign influence, expressed by a hostile critical press, led her to her reluctant decision to abandon composition. Kyriakou’s musical talents were apparent from an early age. In 1923, at age six, she performed her premier recital at the Athens Parnassos Hall, drawing the infatuation of the Greek press. She also attracted the intense interest of Elena Venizelou, wife of the Greek prime minister, who sponsored Kyriakou’s subsequent studies in Europe. This initially involved a 1925 visit to Paris, where, despite having no formal musical training, she was permitted to present her own compositions to Vincent d’Indy and Albert Roussel, both of whom praised the eight-year- old’s innate talent.2 Kyriakou continued her youthful studies in Vienna with Paul Weingarten (piano) and Richard Stöhr (composition), eventually returning to Paris to enter the Paris Conservatoire in 1930, at age thirteen. -
Programmation Vacances De Fevrier 2017
PROGRAMMATION VACANCES DE FEVRIER 2017 Le cinéma Quai des images participe pour sa 2ème année au festival Travelling et propose, différentes animations et une sélection de films pour le Jeune Public Des animations et une sélection de films Jeune Public Mardi 14 février, en partenariat avec la médiathèque de Loudéac, Ciné Lectures / Tarif 3.50 €: 10h30 : Les Contes de la mer, à partir de 3 ans 14h : Le Voleur de Bagdad, à partir de 6 ans Jeudi 16 février de 14h à 16h : Atelier "Réaliser son documentaire", dès 6 ans animé par l'Uffej Bretagne autour du film "Quand j'avais 6 ans j'ai tué un dragon"... Tarif : 3.50 € Mardi 21 février : 2 compétions de Courts métrages Jeune Public Tarif : 3.50 € : 10h30 : compétition Eléphant d'or 1, à partir de 3 ans 14h : compétition Eléphant d'or 2, à partir de 7 ans Les enfants éliront leur meilleur film, et les films " coups de cœur" seront reprogrammés sur la semaine du 22 février. Pour les animations, inscription : 02 96 66 03 40 Autres films Jeune Public Azur et Asmar, dès 5 ans Zaïna, cavalière de l'atlas, 9 ans, vf GIRAFADA, dès 10 ans, vostf SELECTION JEUNE PUBLIC Les contes de la mer Le voleur de Bagdad de M. Powel, L. Berger, T. Whelan Animation, 2014, 45min, VF Royaume-Uni, 1940, 1h20, VF A partir de 3 ans A partir de 5 ans Ahmad, le calife de Bagdad, est dépossédé de son trône par son grand Le petit bateau en papier rouge de Aleksandra Zareba, Allemagne, 13’ vizir, le magicien Jaffar. -
Brilliant Minds Wiki Spring 2016 Contents
Brilliant Minds Wiki Spring 2016 Contents 1 Rigveda 1 1.1 Text .................................................... 1 1.1.1 Organization ........................................... 2 1.1.2 Recensions ............................................ 2 1.1.3 Rishis ............................................... 3 1.1.4 Manuscripts ............................................ 3 1.1.5 Analytics ............................................. 3 1.2 Contents .................................................. 4 1.2.1 Rigveda Brahmanas ........................................ 5 1.2.2 Rigveda Aranyakas and Upanishads ............................... 5 1.3 Dating and historical context ....................................... 5 1.4 Medieval Hindu scholarship ........................................ 7 1.5 Contemporary Hinduism ......................................... 7 1.5.1 Atheism, Monotheism, Monism, Polytheism debate ....................... 7 1.5.2 Mistranslations, misinterpretations debate ............................ 8 1.5.3 “Indigenous Aryans” debate .................................... 8 1.5.4 Arya Samaj and Aurobindo movements .............................. 8 1.6 Translations ................................................ 8 1.7 See also .................................................. 8 1.8 Notes ................................................... 8 1.9 References ................................................. 9 1.10 Bibliography ................................................ 12 1.11 External links .............................................. -
WNIB Program Schedule February 1971
PROGRAM SCHEDULE I 97.1 fm February, 1971 I annou e 1111111 r I lectro Ill ... a new, limited production line of receivers, amplifiers, and tuners, featuring measurably superior performance, consistently high quality and utmost reliability. L I L Beverly Near North Morton Grove Oak Park 2035 W. 95 th 48 E. Oak 5700 W. Dempster 7045 W. North 779-6SOO 337-4150 967-6690 383-7006 TUESDAY, WEDNESDAY, FRIDAY & SATURDAY 10 AM 6 PM; MONDAY & THURSDAY 10 AM - 9 PM Ogdon, p (Ser S 60170) PROKOFIEFF Mephisto Waltz from PROGRAM SCHEDULE "Lermentov" - Moscow Radio Orch/Gennadi Rozhdestvensky (Mel/Ang SR 40075) I 97.1 fm February, 1971 7 PM NEW CLASSICAL RECORDINGS 8 PM SCHUBERT "Der Kampf", D, 594 (1817) (Schill.er); "Der Knabe in der Wiege",D. 579b (1817) {Ottcnwalt); "Auf der Riesenkoppe", D. 6.U (1818) (Koerner); "An den Mond in einer Hcrbstnacht", D. 614 (1818) {Schreiber); "Grab WNIB Program Schedule is published by Radio Station WNIB, 25 East Chestnut, licd fucr die Mutter", D. 616 (1818) (Anonymous) Chicago, Illinois 60611. Phone: 337-5252. Subscription rates: one year $5. 00; - Dietrich Fischer-Dieskau, ht; Gerald Moore, two years $9. 00; three years $12. 00. p (DGG 2720 006) BEETHOVEN String Quartet #5 in A, Op. 18#5 - Guarneri Quartet (RCA VCS 6195) FRONT COVER: "Portrait of Else Sohn-Rethe.!" (1873) by Carl Rudolf Sohn; 9 PM DU PUY "Youth and Folly" Overture- BACK COVER: "Portrait of the Painter Wilhelm Steinhausen" (1869) by Hans Swiss Italian Radio Orch/Armin Jordan (Swiss Thoma. Both paintings are from the exhibition, "German Painting of the 19th Composers CTS 32) Century", to be presented at the Art Institute of Chicago from February 27lli MENDELSSOHN Organ Sonata #6 in d through March 28th, 1971. -
December 1971
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