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Aofm Dec 2013 Spanish Dance
Artifact of the Month – January 2014 Early Spanish Dance in Canada One of the jobs of an historian is to take seemingly disparate pieces of information and assemble a story. Like other aspects of Canada’s history, our dance history is filled with international influences. Touring artists and immigration have been major factors in how dance in this country has been shaped. Our theatrical dance history in the first half of the twentieth century was deeply affected by the presence of ballet through Russian, British and European immigration, and also by tours made by Anna Pavlova, Mikhail Mordkin, the Ballets Russes, Kurt Jooss, and the Sadler’s Wells Ballet. Modern dance developed a greater presence in the 1930s with tours by Mary Wigman, a German Expressionist dancer, to cities such as Montreal, Toronto and Winnipeg. There are Canadians who studied Wigman’s technique at her schools in New York and Dresden in the 1930s and then created a lineage of her style in Canada. There are also Canadians who worked with American modern dance pioneers such as Ruth St. Denis, Ted Shawn, Doris Humphrey, Charles Weidman and Martha Graham. But there is another theatrical dance form that emerges in 1930s Canada and we are still gathering evidence to reveal the whole picture. Each year, we find new information that indicates the presence of flamenco and Spanish dance in Canada in the early twentieth century. I’m Amy Bowring, Director of Collections and Research at Dance Collection Danse. Welcome to a new edition of Artifact of the Month. Our featured artifact-of-the-month, a broadsheet from 1935, is among several artifacts that have taught us more about the earliest signs of Spanish dance in Canada. -
Studies in History and Jurisprudence, Vol. 2 [1901]
The Online Library of Liberty A Project Of Liberty Fund, Inc. Viscount James Bryce, Studies in History and Jurisprudence, vol. 2 [1901] The Online Library Of Liberty This E-Book (PDF format) is published by Liberty Fund, Inc., a private, non-profit, educational foundation established in 1960 to encourage study of the ideal of a society of free and responsible individuals. 2010 was the 50th anniversary year of the founding of Liberty Fund. It is part of the Online Library of Liberty web site http://oll.libertyfund.org, which was established in 2004 in order to further the educational goals of Liberty Fund, Inc. To find out more about the author or title, to use the site's powerful search engine, to see other titles in other formats (HTML, facsimile PDF), or to make use of the hundreds of essays, educational aids, and study guides, please visit the OLL web site. This title is also part of the Portable Library of Liberty DVD which contains over 1,000 books and quotes about liberty and power, and is available free of charge upon request. The cuneiform inscription that appears in the logo and serves as a design element in all Liberty Fund books and web sites is the earliest-known written appearance of the word “freedom” (amagi), or “liberty.” It is taken from a clay document written about 2300 B.C. in the Sumerian city-state of Lagash, in present day Iraq. To find out more about Liberty Fund, Inc., or the Online Library of Liberty Project, please contact the Director at [email protected]. -
FLAMENCO ‘A Half Life’
FLAMENCO ‘A Half Life’ By Michael Moroch ‘ Miguel de Lucientes’ C 2012 MICHAEL MOROCH. All RIGHTS RESERVED Dedications To my son Michael, that he may know the joy of music throughout his life, my wife Johanna my mom Marian, Pete Seeger, Nancy, Ron, Carlos Montoya, Sabicas, Miguel de Cordoba, Arete, Lana, Joan, Marlene, Ellen, Phyllis, Susan, John, my wife Johanna, Toni, Silvia, And finally, to all those who have listened to me play Sections Dedication Index Introduction Why Flamenco Nancy American Cultural Program Miguel de Cordoba Marian’s Visit Tangiers, Morocco Teatro Calderon Gypsy Shoe Shine Boy Club Flamenco Tablao Flamenco Amor de Dios Playing Down Accompanying Singers and Dancers Glued Nails El Rastro Spanish Civil War When the Guardia Civil Sang Jose Rameriz III My Guitars Flamenco Guitarists Carlos Montoya/Manitas de Plata Sabicas/Paco de Lucia Nino Ricardo/Triguito Julio Vallejo/Peers of Paco de Lucia Don Pohren John Fulton Bullfighting The Matadors wore no hats Back to America Returning to Spain Antonia and Silvia Miscellaneous Thoughts La Ultima Lunch Time Rumbas La Liga El Guisante Pulpo Sangria Epilogue Recommended sources References Biography Introduction Flamenco ‘A Half Life’, is a collection of memories, vignettes, observations and experiences from my forty-five year involvement with flamenco guitar as well as flamenco’s impact upon my life. The title is reflective of my realization that I always remained halfway involved in the flamenco world, never really jumping in with both feet. Why it has taken me so many years to finally address my flamenco passion is probably due to my own laziness, procrastination and feeling that such personal experiences are difficult to share. -
Law and Order
THE HAMLYN LECTURES Thirty-seventh series Law and Order Ralf Dahrendorf K.B.E., F.B.A. STEVENS Law and Order by Ralf Dahrendorf K.B.E., F.B.A. Professor of Social Science in the University of Constance; formerly Director of the London School of Economics In this book, based on his 1985 Hamlyn Lectures, Professor Ralf Dahrendorf considers the fundamental questions posed for the social order of free countries by the decline in respect for the law. Taking as his point of departure the terrors of our streets and the riots in our football grounds, Professor Dahrendorf discusses the implication for social order and liberty of such issues as unemployment, the cracks in the party system and the growing disorientation of the young. There are four major themes in the book— • The Road to Anomia—crime statistics are but the most dramatic symptoms of a loosening of social ties and norms. • Seeking Rousseau, Finding Hobbes—a widespread dream of goodness has resulted in the dismantling of some of the institutions designed to protect us from badness. • The Struggle for the Social Contract—underlying social changes have led from the class struggle to conflicts about the boundaries of society. • Society and Liberty—most reactions to the new condition involve threats to liberty—we need to reassert the links between law, order and liberty. Professor Dahrendorf has had a most distinguished career, both in his native Germany and in the United Kingdom. In Law and Order he offers a lively and stimulating analysis of a topic of vital importance in the life of every citizen. -
THE FUTURE of IDEAS This Work Is Licensed Under a Creative Commons Attribution-Noncommercial License (US/V3.0)
less_0375505784_4p_fm_r1.qxd 9/21/01 13:49 Page i THE FUTURE OF IDEAS This work is licensed under a Creative Commons Attribution-Noncommercial License (US/v3.0). Noncommercial uses are thus permitted without any further permission from the copyright owner. Permissions beyond the scope of this license are administered by Random House. Information on how to request permission may be found at: http://www.randomhouse.com/about/ permissions.html The book maybe downloaded in electronic form (freely) at: http://the-future-of-ideas.com For more permission about Creative Commons licenses, go to: http://creativecommons.org less_0375505784_4p_fm_r1.qxd 9/21/01 13:49 Page iii the future of ideas THE FATE OF THE COMMONS IN A CONNECTED WORLD /// Lawrence Lessig f RANDOM HOUSE New York less_0375505784_4p_fm_r1.qxd 9/21/01 13:49 Page iv Copyright © 2001 Lawrence Lessig All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Random House and colophon are registered trademarks of Random House, Inc. library of congress cataloging-in-publication data Lessig, Lawrence. The future of ideas : the fate of the commons in a connected world / Lawrence Lessig. p. cm. Includes index. ISBN 0-375-50578-4 1. Intellectual property. 2. Copyright and electronic data processing. 3. Internet—Law and legislation. 4. Information society. I. Title. K1401 .L47 2001 346.04'8'0285—dc21 2001031968 Random House website address: www.atrandom.com Printed in the United States of America on acid-free paper 24689753 First Edition Book design by Jo Anne Metsch less_0375505784_4p_fm_r1.qxd 9/21/01 13:49 Page v To Bettina, my teacher of the most important lesson. -
NP 2013.Docx
LISTE INTERNATIONALE DES NOMS PROTÉGÉS (également disponible sur notre Site Internet : www.IFHAonline.org) INTERNATIONAL LIST OF PROTECTED NAMES (also available on our Web site : www.IFHAonline.org) Fédération Internationale des Autorités Hippiques de Courses au Galop International Federation of Horseracing Authorities 15/04/13 46 place Abel Gance, 92100 Boulogne, France Tel : + 33 1 49 10 20 15 ; Fax : + 33 1 47 61 93 32 E-mail : [email protected] Internet : www.IFHAonline.org La liste des Noms Protégés comprend les noms : The list of Protected Names includes the names of : F Avant 1996, des chevaux qui ont une renommée F Prior 1996, the horses who are internationally internationale, soit comme principaux renowned, either as main stallions and reproducteurs ou comme champions en courses broodmares or as champions in racing (flat or (en plat et en obstacles), jump) F de 1996 à 2004, des gagnants des neuf grandes F from 1996 to 2004, the winners of the nine épreuves internationales suivantes : following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (Amérique du Sud/South America) Japan Cup, Melbourne Cup (Asie/Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Queen Elizabeth II Stakes (Europe/Europa) Breeders’ Cup Classic, Breeders’ Cup Turf (Amérique du Nord/North America) F à partir de 2005, des gagnants des onze grandes F since 2005, the winners of the eleven famous épreuves internationales suivantes : following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (Amérique du Sud/South America) Cox Plate (2005), Melbourne Cup (à partir de 2006 / from 2006 onwards), Dubai World Cup, Hong Kong Cup, Japan Cup (Asie/Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Irish Champion (Europe/Europa) Breeders’ Cup Classic, Breeders’ Cup Turf (Amérique du Nord/North America) F des principaux reproducteurs, inscrits à la F the main stallions and broodmares, registered demande du Comité International des Stud on request of the International Stud Book Books. -
Catalogue Produced on 11/04/2011 Si Buscas Música
Catalogue produced on 11/04/2011 Si buscas música flamenca, video o DVD, por favor visita: flamencoSound.com Guitars .................................................................................................................................................................................. 2 Phone Number: (0034) 91 5427251 - We export Flamenco worldwide. Flamenco Guitar - mod.125 400.00 € 576.04 USD The guitar is a musical instrument with ancient roots that is used in a wide variety of musical styles. It typically has six strings, but four, seven, eight, ten, and twelve string guitars also exist. The modern guitar is descended from the Roman cithara brought by the Romans to Hispania around 40 AD, and further adapted and developed with the arrival of the four-string oud, brought by the Moors after their invasion of the Iberian peninsula during the 8th century AD.[3] Elsewhere in Europe, the indigenous six-string Scandinavian lut (lute), had gained in popularity in areas of Viking incursions across the continent. Often depicted in carvings c.800 AD, the Norse hero Gunther (also known as Gunnar), played a lute with his toes as he lay dying in a snake-pit, in the legend of Siegfried.[4] By 1200 AD, the four string "guitar" had evolved into two types: the guitarra morisca (Moorish guitar) which had a rounded back, wide fingerboard and several soundholes, and the guitarra latina (Latin guitar) which resembled the modern guitar with one soundhole and a narrower neck. During the Middle Ages, guitars with three, four, and five strings existed. The Guitarra Latina had curved sides and is thought to have come to Spain from elsewhere in Europe. The Guitarra Morisca, brought to Spain by the Moors, had an oval Phone Number: (0034) 91 5427251 - We export Flamenco worldwide. -
AN INTERVIEW with JULIAN BREAM (Cont'd) Caught a Plane and Made It to the Concert That Same Day
AN INTERVIEW WITH JULIAN BREAM (Cont'd) caught a plane and made it to the concert that same day. We arrived at McCormick Place at 2:00 p. m. but to our surprise the traffic was ridiculous. It was the last day of Chicago’s Annual Flower Show which was being held in the main audito- rium of McCormick Place. There were no park- ing facilities available. Mr. Bream tried to get out of the car in front of the exposition center, but despite his protests the police forced him back. And, waved us down South Shore Drive, a busy throughfare, In my panic to get off this highway, I had two near collisions with other cars. We finally found a parking spot about one mile from the Hall. The time is now 2:30-p. m. curtain time. At a fast pace we made it to McCormick Place, only to have to push our way through a crowd of at least 50,000 petunia lovers. We finally made it backstage at 2:50 p. m. Mr. Bream went on at 3:00 opening his concert with a comical remark about the inflexibility of the Chicago police force. During intermission: I went backstage to com- pliment Mr. Bream on his playing of the lute. Mr. Bream is self-taught on this instrument. During our later talks, Julian Bream, de- scribed his working schedule. He concertises 8 months of the year and the other 4 are spent teaching. He feels he is obligated to teach. The most outstanding features about Mr. -
Network Notebook
Network Notebook Summer Quarter 2017 (July - September) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
Prof. Costas A. Courcoubetis Department of Informatics Athens University of Economics and Business
Prof. Costas A. Courcoubetis Department of Informatics www.aueb.gr/users/courcou Athens University of Economics and Business Short Biography Costas Courcoubetis was born in Athens. He obtained his Electrical and Mechanical engineering diploma from NTUA (1977), the M.S. (1980) and Ph.D (1982) from the EECS department at the University of California, Berkeley. From 1982 until 1990 he was Member of Technical Staff in the Mathematics Research Center at Bell Laboratories, Murray Hill, NJ, and from 1990 until 1999 he was Professor in the Computer Science Department at the University of Crete at Heraklion. While in Crete he was Head of the Telecommunications and Networks Laboratory at the Institute of Computer Science of FORTH, and Director of the Network Management Center of the University of Crete. Since 1999 he is Professor at the Computer Science Department of the Athens University of Economics and Business and Director of the Economics and Theory of Systems Laboratory. In the past he was Visiting Lecturer at the University of California, Berkeley and Adjunct Professor at Columbia University and IMAG, Grenoble. His networking group while at ICS FORTH provided the initial funding and the technical staff of FORTHnet, a major Greek ISP, a spinoff of FORTH’s wide area network. Research Interests His current research interests focus on the economics of communication networks, grid and cloud computing, demand-response systems for smart grids, the performance and pricing of broadband networks and of the Internet, by combining tools from operations research, applied probability and computer science. He is also involved in regulation issues for telecommunications and the Internet, the design of auctions, and network cost models. -
Con Safos --A Chicano's Journey Through Life in California 247
CON SAFOS --A CHICANO'S JOURNEY THROUGH LIFE IN CALIFORNIA 247 Sports Illustrated muffs it! Joe Batiste of Sacramento Junior College 1n the early 1980's, on a weekday afternoon, a friend and I were talking sports in the cocktail lounge of the downtown Holiday Inn, San Jose, Calif. The only other customer was a very large sun-tanned fe llow in a blue suit, who was drinking whiskey and chasing it with beer like he wanted to drown himself. y friend was telling me about Bruce Jenner whom he had seen compete in M track and field some years earlier. He was very impressed with Mr. Jenner. I was championing the talents of Rafer Johnson. About a half hour into our discussion, the barkeep brought us a beer we had not ordered. Soon the sun tanned fellow was standing behind us, his arms resting on our shoulders, and drunkenly saying, "Neither one of those guys could carry Joe Batiste's jockstrap." "Who in the hell is Joe Batiste?" I asked, curious because I have followed track and field from the time I was in the eighth grade and Bob Mathias won the 1948 Olympic decathlon championship. "Look at these guys, Hal!" he yelled at the barkeep, obviously another native Arizonan, "They never heard of Joe Batiste, star of the Tucson High School Badgers! " Joe Batiste He began telling us about this fantastic track and Sacramento Junior College's field athlete who had come out of Arizona back in the One Man Track Team late 30's and competed for Sacramento Junior College. -
Iberia De Isaac Albéniz: Estudio De Sus Interpretaciones a Través De “El Puerto” En Los Registros Sonoros
Tesis doctoral Iberia de Isaac Albéniz: Estudio de sus interpretaciones a través de “El Puerto” en los registros sonoros por María de Lourdes Rebollo García Director: Dr. Francesc Cortès i Mir Programa de Doctorado en Historia del Arte y Musicología Departament d'Art i de Musicologia Facultat de Filosofia i Llletres Universitat Autònoma de Barcelona Mayo 2015 Tesis doctoral Iberia de Isaac Albéniz: Estudio de sus interpretaciones a través de “El Puerto” en los registros sonoros Autora: María de Lourdes Rebollo García Director: Dr. Francesc Cortès i Mir Programa de Doctorado en Historia del Arte y Musicología Departament d'Art i de Musicologia Facultat de Filosofia i Llletres Universitat Autònoma de Barcelona Mayo 2015 A Adrián y Ana Victoria, mis tesoros 4 AGRADECIMIENTOS En primer lugar quiero expresar mi más sincero agradecimiento al doctor Francesc Cortès i Mir por aceptar ser el director de esta tesis, por orientarme en la investigación, y por sus observaciones y correcciones puntuales a este texto. Pero sobre todo, por sus valiosos consejos y sugerencias siempre de manera cordial y abierta que me motivaron a llevar a buen fin esta investigación. Agradezco al doctor Joaquim Rabaseda i Matas su orientación y asesoría al inicio de este trabajo, y a la doctora Montserrat Claveria su apoyo en la tramitación de mi ingreso al doctorado. La realización de mis estudios de doctorado en la Universitat Autònoma de Barcelona fue posible gracias al apoyo de una beca concedida por el Programa de Becas para Estudios en el Extranjero del Fondo Nacional para la Cultura y las Artes (FONCA) en México.