DOCSLIB.ORG

C9ntemporary-Minded College Planned Here

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
C9ntemporary-Minded College Planned Here · TODA,Y, EDITORIALLY TODAY. INSIDE • bperimental College e Studer.t Legislature e Theater Review e CU Film Series • Beards ntt e Viewing The Deaca * An All A_merican Newspaper ·-------------- -----·--··-------·--····.. ·------\----·----* ---- --- --· -·-·----- ... ---·---------------·----·---------- VOLUME LDI -----------------·-*__ c ___________ Wake Forest University, Winston-Salem, North carollua, Monday, Dec. 4, 1967 * * * NUMBER 1Z C9ntemporary-Minded College Planned Here An Expe1·imental College with 30 cours­ has clas~s meeting for two hours a es and an enrollment of approximately Her plan was endorsed by the Legisla­ week, either from 7 p. m. to 9 p. m. ture Nov. 15. Vice-president Jerry Baker 400 stooents is expected to begin here 'l'uesday, Wednesday, Thursday, (}r Sun­ next semester. _ and curriculwn committee chairman ~ay, and from 2 ·p. m. to 4 p. m. Satur­ Chuck Alexander have helped Miss The college will feature a curriculum oay or Sunday. 1\iurdoch in contacting prospective pro­ of CO'Illtemporary and controversial sfll· fessors. dies, such racial prejudice and medi­ Classroom use will be limited, Miss as Murdoch said. Most of the sessions will cal ethics, and instructional courses, Definite course descriptions with in· such as ty·ping, judo, and art. ~e in ~omen's dorn1itory parlors, and structors will be released soon, Miss tratermty and residence house lounges. l\f:urdoch said. Registration will be dur· Benefits of the new college will be "an ing regular University registration in escape from the qpr race," more semi· Class enrollment will be limited to six to fifteen students, except in several in· February. CARLOS MONTOYA nar courses, and an expanded curriculum structional courses, such as typing. Already several professors have agreed World Famous Guitarist with emphasis on contemporary affairs, its director said this weekend. Miss Murdach, who has been consider­ to teach. Among ·these are Dr. Perceival ing the Experimental College for over Perry and Dr. Richard Sears, team Carlos Montoya New Idea a year, has the backing of the Legisla­ teaching in a cour~ on International The Experimental College idea is a ture, the Men's Residence Council, and Political Power Today: How to Prevent re~atively new one, with only a few tl:e Women's Government Association. (COntinued on Page 5) 1"'o Give Concert universi-ties in the country having such programs. Among them are the Uni­ versity of Southern California at Berke­ 'fhursday Night ley, San F-rancisco State, Brown, Prince­ Anonymous Friend Gives ton, and Dartmouth. Oarlos Montoya, flamenco guitarist, .The only Experimental College in the will appear in a College Union concert South at present is at the University of $100,000 For Stadium in Wai:t Chapel11hursday at 8:15 p. m. North Carolina at Chapel Hill. Montoya has 'won fame through per­ The program here will be open also Former Gov. Ter-ry Sanfard, chairman for ·construction and attempting to raise fomJances in Europe, the Orient, the to students at Salem, Winston-Salem of a campaign to raise $72 rni:l1ion for the vemainder. Officials s·aid: Saturday United States and Canada. State, and the School of the Arts. the University, announced Saturday that that Vhey still need to raise at least He is also known for his numerous re­ Students will -receive no credit for the a $100,000 gift had been made fbr the $350,000 to fully fina-nce the 31,000-seat cor·dings. Montoya is the most re-corded eight-week caurses, although director university's new football stadium. facility. fl-amenco artist in history. Norma Murdoch plans to ask the Uni­ Sanford said llhe donor asked to re­ '"The gift comes at a good time," He has been praised particularly far versity to incorporate the Experimental main anonymous. Sanford did, however, Sanford said, "and I t-hink it will make his adv;mced technique, his flair for College into the regular cu,rriculum next credit Bert Bennett of Winston-Salem -PHOTO BY McNEil.&. year on a pass-fail basis. it e-asier to raise other funds we need. A PASSIONATE EMBRACE ... is portrayed vividly by Ted Boushy and Linda creative innova,tion and his varied re­ wi·~lh doing muoh of t.he work involved in Certainly ail of us connected with the ' pertoire. obtaining -the gitft. Bennett is chairman Jones in the University Theater's current production of John Osborne's "Look Tuition Free stadium drive and with the overall Back in Anger." The play opened last week and will run Thursday through Satw­ Montoya creates as he plays. All his of a drive to raise funds for the sta­ campaign for Wake Forest are grate­ numbers are his! own compositions, bas­ Miss Murdoch, a junior legislature of dium. Its coot has been estimated at ful for the gift." day nights. See review page 5. ed on tthe Spani~h gypsy tradiltion. Macon, Ga., said the new college would $3.6 minion but it is expected to be University President James Ralph Although he never plays one of his be tuition-free, except for specialized in­ nea·rer $4 million. structional courses, such as sewing and Scales said· the gift "is gratifying evi­ arrangements wi.thou,t some innovation, The University is borr-owing $2 millian dence of the resurgence of the foo-tball Montoya has had several of his pieces art, where nominal fees will be charged. Tentative plans call for a low tuition program and the faith of Wake Forest Cooper Says Details published in an effMt to preserve rome f-riends in the ~~tadium project." of his unique fl-amenco music. of approximately $5 a course to be In January, 1966 his "Suite Fla­ charged to non-University students. Yearns To Go Canstruotion on ·the stadium, which i;, menca," a compo:;d·tion :lior guitar and Miss Murdoch met with University located near the campus, began in June, Bog Down Legislature archestra, had its world premiere with Provost Ed'W'in G. Wilson Saturday to 196G, and will be com.ple,ted late in the the S.t. Louis Symphony. It has rereiv('d discuss tl!e Experimental College. Al­ To Calcutta On fummer of 1968. tt.ough she hopes to get support from By J. D. WILSON Conference to depressions in sidewalks. highly complimentary reviews. The s,tadium drive, which has been ASSOCIATE EDITOR Two of the major bills have dealt with The first flamenco guitarist -to perform Univer~ity officials, the new -college does plagued by lagging donations, was step­ not . h,3ve _to be approved by the Uni-. constitutional reform, one of which in· a· solo concert, Montoya has been ac­ .ped. tt;J tJhi;<; fall by a thr~point prog:ra1b The current session of the Legislatur~ Vt;!i'siif.' ~f-~right Grant called for a camplete revision. The other cbimed by many critics. The New York directed by Henry Ga-rrity, director ()f is more than hdlf over, but President Cooper hopes half its work isn't. bill proposed a -student referendum to Herald Tribune once called him " a mas­ She said the new concept of education Dr. Wilfred Buck Yearns Jr., profes­ alumni and1 development. make judicial elections non-partisan. ter performer; a unique, exciting sta-r." here wauld attempt to "supplement the Although appraximately 20 bills have sor of history at the University, has been The stepped-up drive included asking Born in Madrid, Montoy-a is a Spanish University curriculum, not competing or awamed a Fulbright Lectures·hip at been acted on by the lawmakers, Cooper · No Vote Yet gypsy. He became known -tJhrough out overlapping." those who ·had made pledges for three isn't satisfied. In an interview last week Jadavpur University in Ca-l,cutta, India. The judicial reform hlll, which was Spain at ifhe age of 14 for his perfor­ Most of the professors for the courses years to increase th-em to fou,r yea-rs. Cooper !:aid the Legislature is bogged cD.nvassing introduced to -the Legislature May 10, mances ·with the "Ouardos Flamencos" will come from the undergraduate facul­ During the nine-month term he will the 76 per cent of the alum, down with petty matters. lecture in Arn~rican history and will ni who had· mad·e no contribudons, and Other ailments of the floundering Leg­ has not been voted on by the student when flamenco music was at the height ty, although a few at Bowman Gray body yet, although a chapel vote was of its popularity. School of Medicine will participate. Sev­ help ·the university to start a Ph.D.. pro­ asking th-ose who had made a r-ift to the i! lature are financial lirnitatians, lack drive to make additional donations. expected in October. He accompanied dancers induding La eral of the instructors will be towns­ !fl'a:rn in American history. of power, time and manpower, accord­ Argentina, Vicente Escudero and Argen­ people, Miss Murdoch said. The basic purpos-e of the Fulbright One major problem of the whole sta­ ing to the President. Bill Overman, chairman of the Judicial tinita for several years before his debut program is to increase mutual under­ dium drive was the lack of large gi:fts. Board, spoke to the Legislature Sept. 27, Classes will meet once a week for The Legislature, which has met seven asking immediate action on the proposal. as a concert artist. standing between people of the United Prior to the $100,000 gift announced times, has considered matters ranging eight weeks. A tentative class schedule Overman agreed to talk with the Presi· States and the people of foreign coun­ Saturd·ay, the largest had' been $20,000. from the Sauratown Mountain Summit dent of the College Union to see if judi­ tries -throogh an ex:change of students, cial elections could be held with spring teachers, lecturers and res-earch schol­ aT'S.
Load more

Recommended publications
  • Aofm Dec 2013 Spanish Dance
    Artifact of the Month – January 2014 Early Spanish Dance in Canada One of the jobs of an historian is to take seemingly disparate pieces of information and assemble a story. Like other aspects of Canada’s history, our dance history is filled with international influences. Touring artists and immigration have been major factors in how dance in this country has been shaped. Our theatrical dance history in the first half of the twentieth century was deeply affected by the presence of ballet through Russian, British and European immigration, and also by tours made by Anna Pavlova, Mikhail Mordkin, the Ballets Russes, Kurt Jooss, and the Sadler’s Wells Ballet. Modern dance developed a greater presence in the 1930s with tours by Mary Wigman, a German Expressionist dancer, to cities such as Montreal, Toronto and Winnipeg. There are Canadians who studied Wigman’s technique at her schools in New York and Dresden in the 1930s and then created a lineage of her style in Canada. There are also Canadians who worked with American modern dance pioneers such as Ruth St. Denis, Ted Shawn, Doris Humphrey, Charles Weidman and Martha Graham. But there is another theatrical dance form that emerges in 1930s Canada and we are still gathering evidence to reveal the whole picture. Each year, we find new information that indicates the presence of flamenco and Spanish dance in Canada in the early twentieth century. I’m Amy Bowring, Director of Collections and Research at Dance Collection Danse. Welcome to a new edition of Artifact of the Month. Our featured artifact-of-the-month, a broadsheet from 1935, is among several artifacts that have taught us more about the earliest signs of Spanish dance in Canada.
    [Show full text]
  • FLAMENCO ‘A Half Life’
    FLAMENCO ‘A Half Life’ By Michael Moroch ‘ Miguel de Lucientes’ C 2012 MICHAEL MOROCH. All RIGHTS RESERVED Dedications To my son Michael, that he may know the joy of music throughout his life, my wife Johanna my mom Marian, Pete Seeger, Nancy, Ron, Carlos Montoya, Sabicas, Miguel de Cordoba, Arete, Lana, Joan, Marlene, Ellen, Phyllis, Susan, John, my wife Johanna, Toni, Silvia, And finally, to all those who have listened to me play Sections Dedication Index Introduction Why Flamenco Nancy American Cultural Program Miguel de Cordoba Marian’s Visit Tangiers, Morocco Teatro Calderon Gypsy Shoe Shine Boy Club Flamenco Tablao Flamenco Amor de Dios Playing Down Accompanying Singers and Dancers Glued Nails El Rastro Spanish Civil War When the Guardia Civil Sang Jose Rameriz III My Guitars Flamenco Guitarists Carlos Montoya/Manitas de Plata Sabicas/Paco de Lucia Nino Ricardo/Triguito Julio Vallejo/Peers of Paco de Lucia Don Pohren John Fulton Bullfighting The Matadors wore no hats Back to America Returning to Spain Antonia and Silvia Miscellaneous Thoughts La Ultima Lunch Time Rumbas La Liga El Guisante Pulpo Sangria Epilogue Recommended sources References Biography Introduction Flamenco ‘A Half Life’, is a collection of memories, vignettes, observations and experiences from my forty-five year involvement with flamenco guitar as well as flamenco’s impact upon my life. The title is reflective of my realization that I always remained halfway involved in the flamenco world, never really jumping in with both feet. Why it has taken me so many years to finally address my flamenco passion is probably due to my own laziness, procrastination and feeling that such personal experiences are difficult to share.
    [Show full text]
  • Catalogue Produced on 11/04/2011 Si Buscas Música
    Catalogue produced on 11/04/2011 Si buscas música flamenca, video o DVD, por favor visita: flamencoSound.com Guitars .................................................................................................................................................................................. 2 Phone Number: (0034) 91 5427251 - We export Flamenco worldwide. Flamenco Guitar - mod.125 400.00 € 576.04 USD The guitar is a musical instrument with ancient roots that is used in a wide variety of musical styles. It typically has six strings, but four, seven, eight, ten, and twelve string guitars also exist. The modern guitar is descended from the Roman cithara brought by the Romans to Hispania around 40 AD, and further adapted and developed with the arrival of the four-string oud, brought by the Moors after their invasion of the Iberian peninsula during the 8th century AD.[3] Elsewhere in Europe, the indigenous six-string Scandinavian lut (lute), had gained in popularity in areas of Viking incursions across the continent. Often depicted in carvings c.800 AD, the Norse hero Gunther (also known as Gunnar), played a lute with his toes as he lay dying in a snake-pit, in the legend of Siegfried.[4] By 1200 AD, the four string "guitar" had evolved into two types: the guitarra morisca (Moorish guitar) which had a rounded back, wide fingerboard and several soundholes, and the guitarra latina (Latin guitar) which resembled the modern guitar with one soundhole and a narrower neck. During the Middle Ages, guitars with three, four, and five strings existed. The Guitarra Latina had curved sides and is thought to have come to Spain from elsewhere in Europe. The Guitarra Morisca, brought to Spain by the Moors, had an oval Phone Number: (0034) 91 5427251 - We export Flamenco worldwide.
    [Show full text]
  • AN INTERVIEW with JULIAN BREAM (Cont'd) Caught a Plane and Made It to the Concert That Same Day
    AN INTERVIEW WITH JULIAN BREAM (Cont'd) caught a plane and made it to the concert that same day. We arrived at McCormick Place at 2:00 p. m. but to our surprise the traffic was ridiculous. It was the last day of Chicago’s Annual Flower Show which was being held in the main audito- rium of McCormick Place. There were no park- ing facilities available. Mr. Bream tried to get out of the car in front of the exposition center, but despite his protests the police forced him back. And, waved us down South Shore Drive, a busy throughfare, In my panic to get off this highway, I had two near collisions with other cars. We finally found a parking spot about one mile from the Hall. The time is now 2:30-p. m. curtain time. At a fast pace we made it to McCormick Place, only to have to push our way through a crowd of at least 50,000 petunia lovers. We finally made it backstage at 2:50 p. m. Mr. Bream went on at 3:00 opening his concert with a comical remark about the inflexibility of the Chicago police force. During intermission: I went backstage to com- pliment Mr. Bream on his playing of the lute. Mr. Bream is self-taught on this instrument. During our later talks, Julian Bream, de- scribed his working schedule. He concertises 8 months of the year and the other 4 are spent teaching. He feels he is obligated to teach. The most outstanding features about Mr.
    [Show full text]
  • Network Notebook
    Network Notebook Summer Quarter 2017 (July - September) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.
    [Show full text]
  • The Incredible Carlos Montoya
    RECOR DED AT THE CONCERT THEW RI.J GRI1 A'J . ~ST GUITAR Th Inc e · Co lo THE INCREDIBLE CAR LOS MONTOYA LPM/LSP-2566 Pruduced by Jack A. Somer RECORDED llU HISTORIC row: •Hram,, DT0'1A'S CODCERT The difference between flamenco and classical guitar It was brought back to Spain and is now played by CAFE DE CHINITAS-This is the name of a cele- is that flamenco can come only from the heart. And Montoya in flamenco style, quite different from the Lrnted cafe in Malaga at the turn of the century, through the heart must flow at least some gypsy blood popular present-day Guafiras of Cuba. ( 3: 10) made famous by the Spanish poet Garcia Lorca. The -flamenco means gypsy. song is in the form of a petenera-a rhythm and song Up to the year 1945, flamenco guitarists worked RONDENA-The hPart of the real flamenco is the of tragic qualities. The lyric tells the story of two girls only in support of singers and dancers. Then Carlos cante 1undo, always deep and tragic. Rondeiia means: in the cafe who resort to hair pulling over a man. Montoya, already reputed to be the greatest flamenco from Ronda, one of the olc~st and most picturesque (2: 51) guitarist of his time, decided to present a full concert rowns in the sierr,t c,f the pr0vince of Malaga. This of the music. The success of this first recital opened IJ"usir· i:; the real cante fondo, so impossible to de- ZAPATEAO -The Zapateao is played for a virtuoso the way to a whole series of solo appearances in scribe.
    [Show full text]
  • Sabicas, Concertista Internacional De Guitarra Flamenca
    También estamos en DIALNET, RILM, MIAR SABICAS, CONCERTISTA INTERNACIONAL DE GUITARRA FLAMENCA NORBERTO TORRES Profesor invitado Máster Interuniversitario “Investigación y Análisis del flamenco”, Universidad de Cádiz. Resumen El siguiente texto constituye los apuntes que tomamos para impartir una conferencia en Bilbao en mayo 2012 dentro del Ciclo BBK Flamenco, con motivo del centenario del nacimiento del concertista de guitarra flamenca Agustín Castellón Campos “Sabicas” (Pamplona, 1912-Nueva York, 1990). Parcialmente publicados hasta la fecha, los hemos reunidos íntegramente ahora. Destacan la relevancia de Sabicas como pionero en el oficio de concertista internacional de guitarra flamenca, dando cuenta de su amplia discografía y repercusiones entre los guitarristas, sus aportaciones técnicas a la guitarra flamenca, su impacto en el joven Paco de Lucía, su papel de divulgador de la guitarra flamenca de concierto. Palabras clave: Sabicas, guitarra flamenca, guitarra flamenca de concierto, Paco de Lucía Abstract The following text constitutes the notes we took to give a conference in Bilbao in May 2012 within the cycle BBK Flamenco, on the occasion of the centenary of the birth of flamenco guitar concert player Agustín Castellón “Sabicas” (Pamplona, 1912-New York, 1990). Partially published to date, we have put them together in full now. They highlight the relevance of Sabicas as a pioneer in the profession of international flamenco guitar concert artist, accounting for his extensive discography and repercussions among guitarists, his technical contributions to flamenco guitar, his impact on the young Paco de Lucía, his role as a popularizer of the flamenco concert guitar. Keywords: Sabicas, flamenco guitar, flamenco concert guitar, Paco de Lucia Fecha de recepción: 04/06/2020 Fecha de publicación: 01/07/2020 SINFONÍA VIRTUAL · EDICIÓN 39 · Verano 2020 1 ISSN 1886-9505 –www.sinfoniavirtual.com Sabicas, concertista internacional de guitarra flamenca I.
    [Show full text]
  • Concert Recording 2012-10-02
    University of Arkansas, Fayetteville ScholarWorks@UARK Concert Recordings Music 10-2-2012 Concert recording 2012-10-02 Ronald Radford Follow this and additional works at: https://scholarworks.uark.edu/musccr Part of the Music Performance Commons Citation Radford, R. (2012). Concert recording 2012-10-02. Concert Recordings. Retrieved from https://scholarworks.uark.edu/musccr/8 This Music Performance is brought to you for free and open access by the Music at ScholarWorks@UARK. It has been accepted for inclusion in Concert Recordings by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected]. RONALD RADFORD, Flamenco Guitarist University of Arkansas Music Department This brilliant American Flamenco virtuoso has evoked Presents standing ovations on four continents. He has been acclaimed in Mexico City for performances, "equal to those on any Flamenco stage in Madrid, Seville or Andalusia." His Carnegie Recital Hall and Kennedy Center concerts were enthusiastically received, but perhaps the highest tribute comes from Madrid: "He has duende, the Spanish equivalent of soul!" A protege of the legendary Carlos Montoya, Radford lived and traveled in Spain where he immersed himself in the musical wisdom of the Gypsy Flamenco guitar masters, in addition to classical studies with Andres Segovia. He is the only individual to be awarded a Fulbright Scholarship in Flamenco. His international tours have taken him to fifteen countries from Australia to Switzerland and from Canada to Panama. He toured for the U.S. State Department as a musical ambassador in Mexico, Guatemala and other Latin American countries. He is currently on tour to colleges and concert series across the United States, and his exciting CD, Viva Flamenco! and new DVD Live Your Passion! are available worldwide.
    [Show full text]
  • Carlos Montoya Flamenco Guitarist
    THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Carlos Montoya Flamenco Guitarist SATURDAY EVENING, NOVEMBER 9, 1985, AT 8:00 HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Zapateao The Zapateao is played for a dance consisting of increasingly difficult heel and toe variations. Petenera A tragic, emotional song from around Scvilla, with the essence of Flamenco. Nana del Gitanito (The Little Gypsy's Lullaby) There is, of course, nothing unusual about a lullaby, but this one is unique because Senor Montoya has created a Flamenco lullaby. Solea-Cana Solea is the mother of Flamenco from which many other songs have grown, and La Caiia is an ancient song related to the Solea. Together, they are a prime example of the traditional Flamenco. Chufla An improvised gypsy rhythm that you would hear in a "Gitano"-stylejam session. Rondena This very deep Gypsy song from Levantc is in a very old, different tone scale, tuning the third and sixth strings one half-tone lower. Pause Potpourri A light medley of folk airs from the Canary Islands, old Castille, and the "Gaita Gallega," or bagpipes, of Galicia. Tarantas The pure "Cantc Jondo" from the region of Levantc. Its origins are lost in the early Gypsy migrations. Guajira This dates back to the colonization of Cuba and is a rhythm with the syncopation of the Caribbean played in Flamenco style. Forty-third Concert of the 107th Season Special Concert Seguiriya y Buleria This is pure "Cantejondo," often played and sung by the Gypsies among themselves after the outsiders have gone. It ends with the exciting rhythm of Buleria.
    [Show full text]
  • Flamenco Guitar: History, Style, and Context
    City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY Graduate Center 2003 Flamenco Guitar: History, Style, and Context Peter L. Manuel CUNY Graduate Center How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_pubs/89 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] .rtists; a )resence 2 Flamencoguitar: history sfle, status bility of rd Rock PETER MANUEL ling, are ring the y (ree6) Flamencoguitar constitutesan instrumental idiom of remarkablerichness ;uitar in and contemporaryvitality.As a musicaltradition, its statusis unique in that age,and while its origins lie in folk music and its practitionersarticulate little in the ruments way of a standardizedtheory, it embodiesa degreeof technicalvirtuosity : Fender and sophisticationcomparable to that of a classicalart form. Flamencocan baroque be seenas comprising s ong (cante), dance (baile), and guitar playrng(toque) . st visible The statusof guitar music within this framework is ambiguousand contra- k historY dictory. Flamenco,in its origins, basic structure, and traditional aesthetic the form orientation, is primarily vocal music, to which guitar accompanimentis a growing secondary(and occasionallyeven dispensable) addition. Nevertheless,the )ecomea guitar hascome to play an increasinglyprominentrole in accompaniment, and flamenco solo guitar has emergedas an independentidiom
    [Show full text]
  • Pittsburgh Concert Programs at Carnegie Library of Pittsburgh
    Use Command F (⌘F) or CTRL + F to search this document ORGANIZATION DATE YEAR PROGRAM VENUE LOCATION John H. Mellor 11/27/1855 1855 Soiree by the pupils of Mrs. Ernest Piano warerooMs Music of John H. Mellor DepartMent: Pittsburgh Music Archive, #41 Protestant Episcopal Church of 12/29/1856 1856 Concert of Sacred Music Lafayette Hall Music East Liberty DepartMent: Pittsburgh Music Archive, #46 St. Andrew’s Church 1858 1858 Festival Concert by choral society at St. St. Andrew’s Music Andrew’s Church Church DepartMent: Pittsburgh Music Archive, #46 Lafayette Hall 2/9/1858 1858 Soiree Musicale in Lafayette Hall Lafayette Hall Music DepartMent: Pittsburgh Music Archive, #46 2/21/1859 1859 Mlle. PiccoloMini Music DepartMent: Pittsburgh Music Archive, #46 Grand Concert 186- 1860 The Grand Vocal & InstruMental concert of unknown Music the world-faMed Vienna Lady Orchestra DepartMent: Pittsburgh Concert PrograMs, v. 4 Presbyterian Church, East 5/20/186- 1860 Concert in the Presbyterian Church, East Presbyterian Churc Music Liberty Liberty, Charles C. Mellor, conductor h, East Liberty DepartMent: Pittsburgh Music Archive, #41 St. Peter’s Church 6/18/1860 1860 Oratorios - benefit perforMance for St. Peter’s Church Music purchase of organ for St. Mark’s Church in on Grant Street DepartMent: East BirMinghaM Pittsburgh Music Archive, #46 Returned Soldier Boys 1863 1863 Three PrograMs ChathaM and Wylie Music Ministrels Ave. DepartMent: Pittsburgh Concert PrograMs, v. 1 Green FaMily Minstrels 12/11/1865 1865 Benefit PrograM AcadeMy of Music Music DepartMent: Pittsburgh Concert PrograMs, v. 1 St. John's Choir 12/30/1865 1865 Benefit PrograM BirMinghaM Town Music Hall, South Side DepartMent: Pittsburgh Concert PrograMs, v.
    [Show full text]
  • The Original Documents Are Located in Box 16, Folder “8/20/76-9/04/76 - Vail, CO (2)” of the Betty Ford White House Papers, 1973-1977 at the Gerald R
    The original documents are located in Box 16, folder “8/20/76-9/04/76 - Vail, CO (2)” of the Betty Ford White House Papers, 1973-1977 at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Betty Ford donated to the United States of America her copyrights in all of her unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Ski Shops Vail Viii age, LionsHead and our new shop in Aspen. The Rossignol and Nordica specialists! Also featuring the best in Rossignol rental and demo equipment. vail institute Wishing the Vail Institute a great season... Owners- Fred and Jaci Ange/oh and Micky Salloway Fourth Annual Summer Program 1976 Saturday. July 3 University of Colorado CROWN & C LOWN: Workshop in C reative Dramatics· LionsHeod Saturday. July 3 University of Colorado CROWN & CLOWN: She Stoops to Conquer Tent Pavilion Sunday. July 4 University of Colorado CROWN & CLOWN: Rumpelstiltskin" Golden Peak Sunday. July 4 University of Colorado Crown & CLOWN: Ouchi Tent Pavilion Thursday, July 8 THE WIZARD Magic Show· LionsHeod WecSoturday July 10 AMAN FOLK ENSEMBLE - Children's Program· Tent Pavilion Saturday July 10 AMAN FOLK ENSEMBLE in Concert Tent Pavilion Wednesday.
    [Show full text]