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Redalyc.La Experiencia Escolar En «Buffy, Cazavampiros»
Comunicar ISSN: 1134-3478 [email protected] Grupo Comunicar España Cascajosa Virino, Concepción Carmen La experiencia escolar en «Buffy, cazavampiros» Comunicar, núm. 27, 2006, pp. 193-198 Grupo Comunicar Huelva, España Disponible en: http://www.redalyc.org/articulo.oa?id=15802729 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto INVESTIGACIONES (Recibido: 22-01-05 / Aceptado: 17-04-06) Concepción Cascajosa Virino Sevilla Estudiando en la boca del infierno La experiencia escolar en «Buffy, cazavampiros» Studying at the hellmouth: the school experience in «Buffy, the vampire slayer» En este artículo se analiza la representación de la experiencia escolar ?concretamente el instituto y la universidad? en el programa de televisión norteamericano «Buffy, caza- vampiros». La serie es un relato sobre la maduración y la responsabilidad con valores con los que los jóvenes pueden fácilmente identificarse, pero también una inteligente y honesta representación de la vida escolar que utiliza el recurso de la fantasía para sim- bolizar los temores a los que se enfrentan los adolescentes durante su etapa de forma- ción. In this paper we will analyze the representation of the school experience ?particularly high-school and college? in the American televisión program «Buffy, the vampire sla- yer». The series tells a story about maturation and responsibility showing values with which young people can easily identify themselves, but it is also an intelligent and honest representation of the school life using the resource of fantasy to symbolize the fears which teens face during their educational life. -
DVD Profiler
101 Dalmatians II: Patch's London Adventure Animation Family Comedy2003 74 minG Coll.# 1 C Barry Bostwick, Jason Alexander, The endearing tale of Disney's animated classic '101 Dalmatians' continues in the delightful, all-new movie, '101 Dalmatians II: Patch's London A Martin Short, Bobby Lockwood, Adventure'. It's a fun-filled adventure fresh with irresistible original music and loveable new characters, voiced by Jason Alexander, Martin Short and S Susan Blakeslee, Samuel West, Barry Bostwick. Maurice LaMarche, Jeff Bennett, T D.Jim Kammerud P. Carolyn Bates C. W. Garrett K. SchiffM. Geoff Foster 102 Dalmatians Family 2000 100 min G Coll.# 2 C Eric Idle, Glenn Close, Gerard Get ready for outrageous fun in Disney's '102 Dalmatians'. It's a brand-new, hilarious adventure, starring the audacious Oddball, the spotless A Depardieu, Ioan Gruffudd, Alice Dalmatian puppy on a search for her rightful spots, and Waddlesworth, the wisecracking, delusional macaw who thinks he's a Rottweiler. Barking S Evans, Tim McInnerny, Ben mad, this unlikely duo leads a posse of puppies on a mission to outfox the wildly wicked, ever-scheming Cruella De Vil. Filled with chases, close Crompton, Carol MacReady, Ian calls, hilarious antics and thrilling escapes all the way from London through the streets of Paris - and a Parisian bakery - this adventure-packed tale T D.Kevin Lima P. Edward S. Feldman C. Adrian BiddleW. Dodie SmithM. David Newman 16 Blocks: Widescreen Edition Action Suspense/Thriller Drama 2005 102 min PG-13 Coll.# 390 C Bruce Willis, Mos Def, David From 'Lethal Weapon' director Richard Donner comes "a hard-to-beat thriller" (Gene Shalit, 'Today'/NBC-TV). -
The Role of Disability in Buffy the Vampire Slayer Amanda H
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of New Mexico University of New Mexico UNM Digital Repository Special Education ETDs Education ETDs 7-12-2014 The Role of Disability in Buffy the Vampire Slayer Amanda H. Heggen Follow this and additional works at: https://digitalrepository.unm.edu/educ_spcd_etds Recommended Citation Heggen, Amanda H.. "The Role of Disability in Buffy the Vampire Slayer." (2014). https://digitalrepository.unm.edu/ educ_spcd_etds/16 This Dissertation is brought to you for free and open access by the Education ETDs at UNM Digital Repository. It has been accepted for inclusion in Special Education ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. The Role of Disability in Buffy the Vampire Slayer i Amanda H. Heggen Candidate Special Education Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Dr. Julia Scherba de Valenzuela , Chairperson Dr. Susan Copeland Dr. James Stone Dr. David Witherington The Role of Disability in Buffy the Vampire Slayer ii THE ROLE OF DISABILITY IN BUFFY THE VAMPIRE SLAYER by AMANDA H. HEGGEN B.A. Psychology, Goshen College, 2001 M.A. Special Education, Univeristy of New Mexico, 2006 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Special Education The University of New Mexico Albuquerque, New Mexico May, 2014 The Role of Disability in Buffy the Vampire Slayer iii Acknowledgements The list of people who have contributed to this dissertation in many forms, from much-needed pep talks to intensely brilliant advice on how to present my findings, is epic. -
Slayage, Numbers 13/14
Lorna Jowett New Men: “Playing the sensitive lad” This essay is Chapter Five from Sex and the Slayer (Wesleyan U P 2004). It is published here with the kind permission of Professor Jowett and Wesleyan. Go here to order the book from Amazon.com. [1] It follows that in trying to destabilize traditional representations of femininity, especially through role reversal, Buffy must offer a concomitant alternative version of masculinity. Producer Fran Rubel Kuzui articulates this when she says, “You can educate your daughters to be Slayers, but you have to educate your sons to be Xanders” (in Golden and Holder 1998: 248). In 1995 Thomas suggested that the British television detective series Inspector Morse demonstrated “the extent to which feminist influences are discernible in this example of quality popular culture, particularly in its representations of masculinity” (1997: 184). Television melodrama and soap in particular have addressed masculinity because they are concerned with family and the domestic, traditionally “feminine” areas (Torres 1993: 288). Saxey notes with some surprise that in Buffy fan fiction “it is the males who are persistently tortured by doubt” and wonders why “slash readers and writers wish to explore the suffering of these often sensitive, non- traditional male figures, while female characters more often enjoy less emotionally painful treatment” (2001: 201), and I would suggest that it is partly because masculinity is being so visibly renegotiated in pop- cultural forms. As noted in the last chapter, “good” new masculinity contrasts with “bad” tough-guy masculinity by being “feminized,” passive, sensitive, weak, and emotional, and this contrast is partly about the separation of gender and behavior in the new men. -
Opposing Buffy
Opposing Buffy: Power, Responsibility and the Narrative Function of the Big Bad in Buffy Vampire Slayer By Joseph Lipsett B.A Film Studies, Carleton University A thesis submitted to the Faculty of Graduate Studies and Research In partial fulfillment of the requirements for the degree of Masters of Arts in Film Studies Carleton University, Ottawa, Ontario April 25, 2006 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Library and Bibliotheque et Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-16430-3 Our file Notre reference ISBN: 978-0-494-16430-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce,Canada de reproduire, publier, archiver, publish, archive, preserve, conserve,sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet,distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform,et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
Joss Whedon Productions
Joss Whedon Productions Oct 26, 2020 Class Info 1 Syllabus 1 2 Schedule 3 3 S01E01 Welcome to the Hellmouth5 4 Story Arc - S01E02 to S01E107 5 S01E11 Out of Sight, Out of Mind 13 6 Story Arc - S01E12 to S2E05 15 7 S02E06 Halloween 19 8 Story Arc - S02E07 to S2E14 21 9 S02E07 - Lie to Me 23 10 S02E14 - Innocence 25 11 S03E09 - The Wish 27 12 S03E18 Earshot 29 13 S04E01 - The Freshman 31 14 S04E09 - Something Blue 33 15 S06E07 Once More, With Feeling 35 16 Serenity 39 17 Jaynestown 41 18 Out of Gas 43 19 Ghost 45 20 Paragraph Writing - Buffy Characters 47 i 21 Short Essay - Out of Sight 49 22 Short Essay - Assignment 3 51 23 If Wishes Came True - Assignment 4 53 24 First Years - Assignment 5 55 25 Assignment 6 57 26 Assignment 7 - Songs to Communicate 59 ii CHAPTER 1 Syllabus The course syllabus is available here: https://syllabi.readthedocs.io/en/latest/SC-101.html • Social Belonging and College Adaptation starts July 27th and closes August 21st. • The College Student Inventory starts Aug 10th and closes Sept 4th. 1 Joss Whedon Productions 2 Chapter 1. Syllabus CHAPTER 2 Schedule Table 1: Schedule Date Day Class Activity No 8/24/2020 Monday 1 Go over syllabus, talk about class, introduce Paragraph Writing - Buffy Char- acters assignment. 8/25/2020 Tuesday 2 Watch Buffy S01E01 S01E01 Welcome to the Hellmouth. 8/28/2020 Friday 3 Go over S01E01 Welcome to the Hellmouth discussion questions. 8/31/2020 Monday 4 Story Arc - S01E02 to S01E10 Discuss episodes S01E02-S01E05. -
Newsletter 01/12 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 01/12 DIGITAL EDITION Nr. 305 - Januar 2012 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 01/12 (Nr. 305) Januar 2012 editorial Hallo Laserdisc- und sten Mustervorführungen geschlossen. Um Ihnen DVD-Fans, waren bereits vielverspre- schon einen kleinen Vorge- liebe Filmfreunde! chend. Seien Sie also ge- schmack zu geben, haben spannt. Wir werden Sie na- wir auf dieser Seite schon Mit 86 prall gefüllten Seiten türlich rechtzeitig informie- mal das Teaser-Poster ab- heissen wir Sie ganz herzlich ren, sobald unser Projekt gebildet. willkommen zu unserem er- fertiggestellt ist. Denn dann sten Newsletter in unserem werden Sie den “Director’s In diesem Sinne – freuen Jubiläumsjahr 2012. Gerne Cut” auf unserer Website Sie sich mit uns zusammen hätten wir Ausgabe 305 (www.laserhotline.de) an- auf ein adrenalintreibendes schon wesentlich früher ins schauen können. Eine an- Jahr! Feld geschickt, doch wie es schließende Kinoauswertung halt immer so ist: Termine, ist übrigens auch nicht aus- Ihr Laser Hotline Team Termine, Termine. Dafür aber sieht die aktuelle Aus- gabe vom Umfang eher aus wie eine Doppelnummer – und das obwohl wir auf Grafik praktisch fast voll- kommen verzichtet haben. Aber Sie kennen ja unsere Einstellung: Information geht vor! Auch wenn Sie lange nichts mehr von uns gehört haben, so waren wir doch extrem fleissig. Denn um un- ser 20jähriges Jubiläum ge- bührend feiern zu können, haben wir mit der Produkti- on unseres ersten eigenen Films begonnen. -
Newsletter 01/11 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 01/11 DIGITAL EDITION Nr. 284 - Januar 2011 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 01/11 (Nr. 284) Januar 2011 editorial Hallo Laserdisc- und DVD-Fans, Minuten auf 138 Minuten gekürzt und delt es sich doch um schöne Vampire, liebe Filmfreunde! verschwand danach in der Versenkung. Zu die sich in Berlin eingenistet haben und Mit den besten Wünschen zum neuen Jahr beneiden waren jene Zeitgenossen, die dort des Nächtens ein richtiges Luxus- heissen wir Sie herzlich willkommen zur ersten ANTONY AND CLEOPATRA in der dasein fristen. WIR SIND DIE NACHT Ausgabe unseres Newsletters im Jahre 2011. Premierenfassung im 70mm-Format mit ist eine der ganz wenigen deutschen Noch ein ganzes Jahr und wir haben’s geschafft. sechskanaligem Stereoton erleben durften. Genre-Produktionen, die es im vergange- Denn glaubt man dem Kalender der alten Mayas, Einzig die phantastische Filmmusik von nen Jahr ins Kino schafften. Und sie ist so endet 2012 das Leben auf unserem Planeten. John Scott war was blieb. Der mit großem richtig gut, ist richtig “stylish” und Unser schwäbischer Spielberg (auch liebevoll Orchester und Chor eingespielte Score ent- dazu noch richtig sexy. Leider blieb das “Spielbergle” genannt) Roland Emmerich hat uns wickelte sich zu einem begehrten Objekt Publikum dem Film von Dennis Gansel ja mit seinem visuellen Overkill 2012 bereits im für Filmmusiksammler und zählt zu den fern, vermutlich weil man einem deut- Jahre 2010 auf dieses Ereignis vorbereitet. -
Slayage 3 June 2001 [1.3] David Lavery and Rhonda V
Slayage: Number Three Slayage 3 June 2001 [1.3] David Lavery and Rhonda V. Wilcox, Co-Editors Click on a contributor's name in order to learn more about him or her. A PDF copy of this issue (Acrobat Reader required) of Slayage is available here. A PDF copy of the entire volume can be accessed here. Stacey Abbott (British Film Institute), A Little Less Ritual and a Little More Fun: the Modern Vampire in Buffy the Vampire Slayer | PDF Version (Acrobat Reader Required) Michelle Callander (University of Melbourne), Bram Stoker: Traditional Gothic and Contemporary Culture | PDF Version (Acrobat Reader Required) Daniel A. Clark and P. Andrew Miller (Northern Kentucky University), Buffy, The Scooby Gang, and Monstrous Authority: BtVS and the Subversion of Authority | PDF Version (Acrobat Reader Required) Robert A. Davis (University of Glasgow), Buffy the Vampire Slayer and the Pedagogy of Fear | PDF Version (Acrobat Reader Required) Aimee Fifarek (Louisiana State University), "Mind and Heart with Spirit Joined": The Buffyverse as an Information System | PDF Version (Acrobat Reader Required) Recommended. Here and in each 1 [1.1] 2 [1.2] 3 [1.3] 4 [1.4] issue of Slayage the editors will recommend writing on BtVS available on the Internet. 5 [2.1] 6 [2.2] 7 [2.3] 8 [2.4] Charles Taylor, The WB's Big Daddy Condescension (from salon. 11-12 com ) 9 [3.1] 10 [3.2] Joyce Millman, Buffy's Leap of Faith [3.3-4] (from salon.com) Annette Hill and Ian Calcutt, 13-14 15 [4.3] Vampire Hunters: the Scheduling and Archives [4.1-2] Reception of Buffy the Vampire -
Newsletter 02/13 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 02/13 DIGITAL EDITION Nr. 325 - Februar 2013 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 02/13 (Nr. 325) Februar 2013 editorial Wolfram Hannemann im Gespräch Hallo Laserdisc- und DVD-Fans, mit Regisseur David Sieveking liebe Filmfreunde! Kennen Sie David Sieveking? Falls nein, jährigen Oscar-Verleihung entgegen. Unsere dann sollten Sie sich diesen Namen merken. Favoriten sind schon längst klar (eine Fa- Denn der junge Mann hat bereits seinen voritin schmückt übrigens das Titelblatt zweiten abendfüllenden Dokumentarfilm dieses Newsletters) . Haben auch Sie Ihre mit großem Erfolg in die Kinos gebracht. Favoriten bereits auserkoren? Aber was Seinen Einstand gab er mit der bemerkens- sind schon die oft politischen Zwängen werten Dokumentation DAVID WANTS ausgesetzten Oscars? Da gibt es doch be- TO FLY, in der er seinem großen Regie-Idol stimmt etwas Besseres. Das jedenfalls ist David Lynch auf den Zahn fühlt. Aktuell die Meinung unserer Kolumnistin Anna, die ist seine zweite Regiearbeit im Kino zu frei nach dem Motto “Selbst ist die Frau!” sehen: VERGISS MEIN NICHT. Darin dieses Mal in ihrer Kolumne ihre ganz eige- dokumentiert David die Alzheimer-Erkran- nen Preise vergibt – die “Lasers”! Auf der kung seiner Mutter und schafft gleichzeitig nächsten Seite geht’s los! das Porträt einer ungewöhnlichen Familie. Entstanden ist dabei ein sehr persönlicher, Und damit wünschen wir wieder viel Spaß sehr bewegender und auch sehr mutiger beim Studium der nächsten 70 Seiten. -
Buffy and Angel
buffy and angel PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Fri, 01 Jul 2011 03:42:14 UTC Contents Articles buffy and angel 1 Buffy the Vampire Slayer (film) 1 Buffy the Vampire Slayer (TV series) 5 Buffy the Vampire Slayer (season 1) 25 Buffy the Vampire Slayer (season 2) 30 Buffy the Vampire Slayer (season 3) 37 Angel (TV series) 42 Buffy the Vampire Slayer (season 4) 58 Angel (season 1) 65 Buffy the Vampire Slayer (season 5) 72 Angel (season 2) 78 Angel (season 3) 84 Buffy the Vampire Slayer (season 6) 90 Buffy the Vampire Slayer (season 7) 97 Angel (season 4) 103 Angel (season 5) 110 Buffy the Vampire Slayer Season Eight 118 References Article Sources and Contributors 131 Image Sources, Licenses and Contributors 133 Article Licenses License 134 1 buffy and angel Buffy the Vampire Slayer (film) Buffy the Vampire Slayer Theatrical release poster Directed by Fran Rubel Kuzui Produced by Howard Rosenman Written by Joss Whedon Starring Kristy Swanson Donald Sutherland Paul Reubens Rutger Hauer Luke Perry Music by Carter Burwell Cinematography James Hayman Editing by Jill Savitt Distributed by 20th Century Fox Release date(s) July 31, 1992 Running time 86 minutes Country United States Language English Budget $7 million Gross revenue $16,624,456 Buffy the Vampire Slayer is a 1992 American action/comedy/horror film about a Valley girl cheerleader named Buffy (Kristy Swanson) who learns that it is her fate to hunt vampires. The original script for the film was written by Joss Whedon, who later created the darker and more acclaimed TV series of the same name starring Sarah Michelle Gellar as Buffy. -
Buffy 5Th Season Transcripts
Buffy vs. Dracula Transcript by Joan the English Chick <[email protected]> Transcriber’s Notes I do not own the characters or situations of BTVS, and I claim no credit for the content of this episode. I have merely transcribed what appeared on my screen, with help from the closed captions. Nomar the Wonder Kitty also helped, mostly by attacking the keyboard cable. Please feel free to link to this transcript. Please do not redistribute it, or post it on a website (other than the Psyche transcript site), without first emailing me. There were several instances during this episode where a line of dialogue was heard but did not appear in the closed captions. I have indicated this in the transcript by using underlines. I do this because I consider it interesting. If you don’t, please accept my apologies. I also apologize in advance for my lame transcription of the fight scenes. I don’t know the names of different punches and kicks. Use your imagination. Teaser Fade in on Buffy in bed. She closes her eyes, opens and snuggles up next to him, closing her eyes. them, fidgets, closes them, opens them. She looks at Wolf howl. Opening credits. Since it’s the sea- the clock, looks over to Riley who’s asleep next to her. son premiere I’ll point out that the cast is listed in Buffy frowns and gets up. the opening credits as follows: Sarah Michelle Gel- Cut to Buffy running through a graveyard, night. lar, Nicholas Brendon, Alyson Hannigan, Marc Blu- She’s chasing a vampire.