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Music Director Riccardo Muti Appoints Jessie Montgomery As Cso Mead Composer-In-Residence for 2021-24
For Immediate Release: Press Contacts: April 20, 2021 Eileen Chambers CSOA, 312-294-3092 Glenn Petry 21C Media, 212-625-2038 MUSIC DIRECTOR RICCARDO MUTI APPOINTS JESSIE MONTGOMERY AS CSO MEAD COMPOSER-IN-RESIDENCE FOR 2021-24 CHICAGO—The Chicago Symphony Orchestra Association (CSOA) is pleased to announce the appointment of composer, violinist and educator Jessie Montgomery as its next Mead Composer-in- Residence. A winner of both the Sphinx Medal of Excellence and the ASCAP Foundation’s Leonard Bernstein Award, Montgomery has emerged as one of the most compelling and sought-after voices in new music today. Appointed by Music Director Riccardo Muti, she will begin her three-year tenure on July 1, 2021, and will continue in the role through June 30, 2024. Described as “turbulent, wildly colorful and exploding with life” (Washington Post), Montgomery’s music includes such frequently performed works as Banner (2014), Starburst (2012) and Strum (2006; rev. 2012), which have collectively been programmed almost 500 times to date, with more than 100 live and virtual performances of Starburst in the past year alone. As Mead Composer-in-Residence, she will receive commissions to write three new orchestral works for the Chicago Symphony Orchestra, one to premiere during each of her three seasons in the role. In addition, she will curate MusicNOW, the CSO’s annual contemporary music series, and will receive commissions for a number of new chamber pieces to premiere in the series’ 2022-23 and 2023-24 seasons. MusicNOW will also present the Chicago premieres of some of her existing works. Founded in 1998, MusicNOW strives to bring Chicago audiences the widest possible range of today’s new music. -
Spring/Summer 2016
News for Friends of Leonard Bernstein Spring/Summer 2016 High-brow, Low-brow, All-brow Bernstein, Gershwin, Ellington, and the Richness of American Music © VICTOR © VICTOR KRAFT by Michael Barrett uch of my professional life has been spent on convincing music lovers Mthat categorizing music as “classical” or “popular” is a fool’s errand. I’m not surprised that people s t i l l c l i n g t o t h e s e d i v i s i o n s . S o m e w h o love classical masterpieces may need to feel reassured by their sophistication, looking down on popular culture as dis- posable and inferior. Meanwhile, pop music fans can dismiss classical music lovers as elitist snobs, out of touch with reality and hopelessly “square.” Fortunately, music isn’t so black and white, and such classifications, especially of new music, are becoming ever more anachronistic. With the benefit of time, much of our country’s greatest music, once thought to be merely “popular,” is now taking its rightful place in the category of “American Classics.” I was educated in an environment that was dismissive of much of our great American music. Wanting to be regarded as a “serious” musician, I found myself going along with the thinking of the times, propagated by our most rigid conservatory student in the 1970’s, I grew work that studiously avoided melody or key academic composers and scholars of up convinced that Aaron Copland was a signature. the 1950’s -1970’s. These wise men (and “Pops” composer, useful for light story This was the environment in American yes, they were all men) had constructed ballets, but not much else. -
ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS from the LEADERSHIP
ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS FROM THE LEADERSHIP The New York Philharmonic’s 2019–20 season certainly saw it all. We recall the remarkable performances ranging from Berlioz to Beethoven, with special pride in the launch of Project 19 — the single largest commissioning program ever created for women composers — honoring the ratification of the 19th Amendment. Together with Lincoln Center we unveiled specific plans for the renovation and re-opening of David Geffen Hall, which will have both great acoustics and also public spaces that can welcome the community. In March came the shock of a worldwide pandemic hurtling down the tracks at us, and on the 10th we played what was to be our final concert of the season. Like all New Yorkers, we tried to come to grips with the life-changing ramifications The Philharmonic responded quickly and in one week created NY Phil Plays On, a portal to hundreds of hours of past performances, to offer joy, pleasure, solace, and comfort in the only way we could. In August we launched NY Phil Bandwagon, bringing live music back to New York. Bandwagon presented 81 concerts from Chris Lee midtown to the far reaches of every one of the five boroughs. In the wake of the Erin Baiano horrific deaths of Black men and women, and the realization that we must all participate to change society, we began the hard work of self-evaluation to create a Philharmonic that is truly equitable, diverse, and inclusive. The severe financial challenge caused by cancelling fully a third of our 2019–20 concerts resulting in the loss of $10 million is obvious. -
The Festival D'aix
FESTIVAL D’AIX-EN-PROVENCE 2017 69th edition 3 – 22 JULY 2017 PRESS RELEASE www.festival-aix.com PRESS OFFICE Valérie Weill | [email protected] +33 (0)1 44 88 59 66 | +33 (0)6 85 22 74 66 Christine Delterme | [email protected] CONTENTS THE INSTITUTION PAGES 4 - 5 CALENDAR PAGES 6 - 8 OPERA PAGES 9 - 15 CONCERTS PAGES 16-17 AIX EN JUIN PAGES 18 - 21 ACADEMIE DU FESTIVAL PAGES 22-30 PASSERELLES PAGES 31-34 TALKS AND EVENTS PAGE 35 TOURS IN 2017 PAGE 36 ESTIMATED BUDGET 2017 PAGE 37 SUSTAINABLE DEVELOPMENT PAGES 38-39 SPONSORS AND PARTNERSHIPS PAGES 40-47 PRICES PAGE 48 PRACTICAL INFORMATION PAGE 49 3 FESTIVAL D’AIX-EN-PROVENCE 2017 THE FESTIVAL D’AIX KEY FIGURES 2016 | by 31 December 2016 | | ATTENDANCE | | PASSERELLES | 75,526 SPECTATORS 3,200 STUDENTS FROM 133 CLASSES of 87 educational institutions (schools, secondary 40% OF TICKETS SOLD FOR LESS THAN 55 ¤ schools, highschools, music schools, universities, 534 YOUNG PEOPLE ENJOYED THE conservatoires) « CHILDREN DISCOVERY » RATE including 1,170 students from Aix-Marseille 39,972 TICKETS FOR OPERAS AND CONCERTS Université (370 through the Opera ON programme) ( not including the Académie ) 2,250 YOUNG ADULTS AND ADULTS 35,554 SPECTATORS FOR AIX EN JUIN, THE BENEFITED FROM THE RAISING AWARENESS ACADEMIE, THEIR PUBLIC REHEARSAL AND OF OPERA PROGRAMME THEIR LIVE BROADCASTING as well as 110 associations and social partners 220 AMATEUR ARTISTS | AIX EN JUIN | 1 450 SPECTATORS 17 004 SPECTATORS or the opening performance Ouverture[s] including 12,736 for free performances 3 000 -
Em Residência 2010 040 Maestros Titulares 047 Orquestra Nacional Do Porto
APOIO INSTITUCIONAL MECENAS PRINCIPAL DA CASA DA MÚSICA 2 MECENAS DA CASA DA MÚSICA 4 6 Índice 011 Introdução 017 Calendário Programação 032 Ano Áustria 2010 037 Compositores em Residência 2010 040 Maestros Titulares 047 Orquestra Nacional do Porto 054 À Sexta SÉRIE CLÁSSICA 074 Ao Sábado SÉRIE DESCOBERTA 088 Ao Domingo 100 Fora de Série 123 Remix Ensemble 143 Coro Casa da Música 161 Orquestra Barroca Casa da Música 173 Agrupamentos Associados 177 Ciclo Piano EDP e mais piano 195 Ciclo Jazz Galp 217 Domingo Ao Meio Dia 221 Terça Fim de Tarde 230 Festivais 248 Serviço Educativo Público Geral 256 Cursos, Seminários, Masterclasses, Workshops, Conferências/Debate 262 Edições Casa da Música 264 Fora de Casa A Casa da Música é membro de 272 Assinaturas 2010 8 Sob o signo de Janus Se tivesse de escolher hoje um símbolo para a Casa dade das propostas, mas sobretudo a sua articu- da Música ele seria com certeza Janus, essa extra- lação e coerência (sem dúvida uma das marcas ordinária gura da mitologia Romana: o deus mais importantes do legado de Pedro Burmester) bifronte, a quem foi concedido o dom de olhar têm, por seu lado, ganho legibilidade e gravidade simultaneamente em duas direcções opostas; o em circunstâncias que, encarecidas por uma certa deus que perscruta o passado e o futuro e que, excepcionalidade, só podem, a nal, ser classi - para os Antigos, representa a passagem ritual entre cadas como de normalidade institucional. Uma uma condição e outra – e, num dia sem névoa, a excepcional normalidade que é o que no fundo clarividência do presente, porque Janus, convém permite que as tensões inerentes ao acto de tomar lembrar, não é um deus da adivinhação. -
EDDIE MARTINEZ Born: 1977, Groton Naval Base, Groton, CT Lives And
EDDIE MARTINEZ Born: 1977, Groton Naval Base, Groton, CT Lives and works in Brooklyn, NY SELECTED SOLO EXHIBITIONS 2021 Green Thumb, Blum & Poe, Los Angeles, CA Inside Thoughts, Mitchell-Innes & Nash, New York, NY New Paintings 2, Loyal Gallery, Stockholm 2019 Eddie Martinez: Open Feast, Yuz Museum, Shanghai, China Eddie Martinez: Fast Eddie, Museum of Contemporary Art, Detroit, MI EMHK19, Perrotin, Hong Kong, China 2018 White Outs, The Bronx Museum, New York, NY Blockhead Stacks, Perrotin, Hong Kong, China Love Letters and Yard Work, Mitchell-Innes & Nash, New York, NY 2017 Studio Wall, The Drawing Center, New York, NY Ants at a Picknic, Davis Museum at Wellesley College, Wellesley, MA Cowboy Town, Timothy Taylor, London 2016 Stop the world and let me off, Sorry We’re Closed, Brussels Salmon Eye, Mitchell-Innes & Nash, New York, NY 2014 Island I, Timothy Taylor Gallery, London Nomader, Kohn Gallery, Los Angeles, CA Neanderthal Jeans, Half Gallery, New York, NY 2013 Beginner Mind, Bill Brady KC, Kansas City, MO Matador, The Journal Gallery, New York, NY 2012 Studio Drawings, Half Gallery, New York, NY 2011 Seeker, Peres Projects, Berlin New York Electric, Patricia Low Contemporary, Geneva Eddie Martinez – Drawings, 2005-2011, Schwarz Contemporary, Berlin 2010 The Feast, presented by ZieherSmith, Art Positions, Art Basel Miami Beach, FL Buffet State Of Mind, Sorry We're Closed, Brussels Eddie Martinez, ZieherSmith, New York, NY 2009 News and Updates, Galerie Mikael Andersen, Copenhagen Eddie Martinez, Seomi & Tuus, Seoul 2008 Some Drawings, -
Issue Overview: Do Video Games Cause Violence? by Procon.Org on 11.28.16 Word Count 1,328 Level MAX
Issue Overview: Do video games cause violence? By procon.org on 11.28.16 Word Count 1,328 Level MAX Gamers play the video game "For Honor," developed by Ubisoft Montreal and published by Ubisoft, during "Paris Games Week" in Paris, France, October 28, 2016. Photo: Getty Images. As many as 97% of US kids age 12-17 play video games, contributing to the $21.53 billion domestic video game industry. More than half of the 50 top-selling video games contain violence. Violent video games have been blamed for school shootings, increases in bullying, and violence towards women. Critics argue that these games desensitize players to violence, reward players for simulating violence, and teach children that violence is an acceptable way to resolve conflicts. Video game advocates contend that a majority of the research on the topic is deeply flawed and that no causal relationship has been found between video games and social violence. They argue that violent video games may provide a safe outlet for aggressive and angry feelings and may reduce crime. This article is available at 5 reading levels at https://newsela.com. 1 The debate over violent video games can be traced back to the 1976 release of the game Death Race. The object of the game was to run over screaming "gremlins" with a car, at which point they would turn into tombstones. Controversy erupted because the "gremlins" resembled stick-figure humans, and it was reported that the working title of the game was Pedestrian. After protesters dragged Death Race machines out of arcades and burned them in parking lots, production of the game ceased. -
ACFEA Newsletter 97/98
To ur N o t e s PERFORMING ARTS NEWS FROM AROUND THE WORLD 1997-1998 Highlights Trinity Church Traces its Roots Duquesne Wins at Marktoberdorf Alaska Children in Europe Rutgers Women Explore Ireland California Youth Orchestra in Britain and Ireland Spreading Goodwill in the Baltic Republics Missa Gaia on the Riviera Honor Band at WASBE Portland Girlchoir in Australia Festival Sir Simon Rattle conducts The Damanation of Faust in Birmingham Opportunities in the Pacific Northwest ‘VOICES IN For nine days in July, Morrell in the Sheldonian Theatre, Ox- THE CITY’ A the City of Birming- ford. To celebrate the 100th birthday of Alabama Choir Does Europe! ham (England) rang the recording company EMI, the Cleve- HUGE to the sounds of land Orchestra Chorus then joined forces Amherst in Spain and Portugal SUCCESS superlative choral with the City of Birmingham Symphony singing. More than Orchestra and Chorus to give a stunning 2,000 singers from Great Britain, the USA performance of Walton’s Belshazzar’s and Canada took part in over 20 choral Feast, conducted by Sir Simon Rattle in concerts, workshops and master classes, Symphony Hall, Birmingham. They then thrilling the large audiences which filled recorded the work for release by EMI later Symphony Hall and other venues. this year. It was the first major choral festival The final concert of ‘Voices in the in Birmingham since the great triennial City’ proved to be another blockbuster, festivals of the 19th century, which saw with over 300 singers sharing the plat- the first performances of Mendelssohn’s form with a much enlarged CBSO to Elijah and Elgar’s The Dream of perform Berlioz’s dramatic oratorio, The Gerontius, among others. -
Table of Contents
GARDEN NEWS Fall/Winter 2016 Spectacular Fall Gardens by Bill Johnson, Board President October might be my favorite month of the year. There’s less to do in my garden now TABLE OF that most plants are slowing down and preparing for winter. This fall’s unseasonably warm weather has been perfect for leisurely strolls to enjoy the subtle beauty of the CONTENTS season. Many fall-blooming plants, for example asters, toad-lilies (Tricyrtis), and hardy chrysanthemums, are still putting on a show as well as providing late-season nectar for Fall Reflections 2 needy pollinators. Hammock Haven 3 Supports Garden If you’re looking for inspiration, or just want to get outside, relax, and soak in the beauty of the season, WVBG Fall/Winter 3 Activities visit a public garden. The West Virginia Botanic Garden has a spectacular fall foliage display. As a Year-round Fun for 4 Children and Families member of the Friends of the West Virginia Botanic Garden, you are eligible for free admission and/or The Promise of Spring 5 discounted services at 300 North American gardens Donated Plants and 6 that are members of the American Horticultural New Yagle Garden Society (AHS). Our Garden is the only AHS member Chrysanthemum with honeybee. Health and Safety 7 garden in West Virginia. Committee Busy Photo by Bill Johnson. at Work Great AHS-member gardens in neighboring states that offer free admission to Friends of the West Virginia Botanic Garden include the Cleveland Botanical Garden in Ohio, the Morris Arboretum of the University of Pennsylvania in Philadelphia, and the Lewis Ginter Botanical Garden in Richmond, Virginia. -
LONDON PHILHARMONIC ORCHESTRA 56238 LPO 27 October 10 56238 LPO 27 October 10 20/10/2010 12:15 Page 2
56238 LPO 27 October 10_56238 LPO 27 October 10 20/10/2010 12:15 Page 1 Principal Conductor VLADIMIR JUROWSKI Principal Guest Conductor YANNICK NÉZET-SÉGUIN Leader PIETER SCHOEMAN Composer in Residence JULIAN ANDERSON Patron HRH THE DUKE OF KENT KG Chief Executive and Artistic Director TIMOTHY WALKER AM† MAHLER ANNIVERSARY PROGRAMME £3 CONTENTS SOUTHBANK CENTRE’S ROYAL FESTIVAL HALL Wednesday 27 October 2010 | 7.30pm 2 List of Players 3 Orchestra History 4 Leader 5 Vladimir Jurowski VLADIMIR JUROWSKI 6 Sarah Connolly conductor 7 Programme Notes 12 Southbank Centre SARAH CONNOLLY 13 Supporters 14 Recordings mezzo soprano 15 Administration 16 Future Concerts The timings shown are not MENDELSSOHN precise and are given only as a guide. Symphony No. 5 in D (Reformation) (33’) MAHLER Kindertotenlieder (23’) INTERVAL BRAHMS Symphony No. 3 in F (33’) † supported by Macquarie Group CONCERT PRESENTED BY THE LONDON PHILHARMONIC ORCHESTRA 56238 LPO 27 October 10_56238 LPO 27 October 10 20/10/2010 12:15 Page 2 LONDON PHILHARMONIC ORCHESTRA FIRST VIOLINS CELLOS BASS CLARINET * Holds a professorial Pieter Schoeman* Leader Kristina Blaumane Principal Paul Richards Principal appointment in London Vesselin Gellev Sub-Leader Chair supported by Chair supported by Simon Yates and Kevin Roon BASSOONS + Chevalier of the Brazilian John and Angela Kessler Francis Bucknall Gareth Newman* Principal Order of Rio Branco Julia Rumley Laura Donoghue Stuart Russell Katalin Varnagy Santiago Sabino Carvalh o+ Simon Estell Catherine Craig Jonathan Ayling ASSISTANT CONDUCTOR -
Vote Summary Report
Vote Summary Sao Martinho S.A. Security Meeting Type P8493J108 Ticker Symbol SMTO3 Meeting Date 04/02/2018 ISIN GB00BQQMCJ47 Agenda Record Date Holding Recon Date City / Country LONDO / United Vote Deadline Date N Kingdo SEDOL(s) BQQMCJ4 - BWDBMD0m Quick Code Item Proposal Management Vote Recommendation 1 Approve Agreement to Absorb Usina Boa Vista S.A. (UBV) For For 2 Ratify ValorUp Auditores Independentes as the Independent Firm to Appraise Proposed Transaction For For 3 Approve Independent Firm's Appraisal For For 4 Approve Absorption of Usina Boa Vista S.A. (UBV) For For 5 Authorize Board to Ratify and Execute Approved Resolutions For For 6 Amend Article 26 For For Flowtech Fluidpower plc Security Meeting Type G3601S108 Ticker Symbol FLO Meeting Date 04/03/2018 ISIN GB00BQQMCJ47 Agenda Record Date Holding Recon Date City / Country LONDO / United Vote Deadline Date N Kingdo SEDOL(s) BQQMCJ4 - BWDBMD0m Quick Code Item Proposal Management Vote Recommendation 1 Authorise Issue of Equity in Connection with the Conditional Placing For For 2 Authorise Issue of Equity with Pre-emptive Rights For For 3 Authorise Issue of Equity without Pre-emptive Rights in Connection with the Conditional Placing For For 4 Authorise Issue of Equity without Pre-emptive Rights For For Sartorius Stedim Biotech Security Meeting Type F8005V210 Ticker Symbol DIM Meeting Date 04/03/2018 ISIN GB00BQQMCJ47 Agenda Record Date Holding Recon Date City / Country LONDO / United Vote Deadline Date N Kingdo SEDOL(s) BQQMCJ4 - BWDBMD0m Quick Code Item Proposal Management Vote -
World Scientists' Warning of a Climate Emergency
Supplemental File S1 for the article “World Scientists’ Warning of a Climate Emergency” published in BioScience by William J. Ripple, Christopher Wolf, Thomas M. Newsome, Phoebe Barnard, and William R. Moomaw. Contents: List of countries with scientist signatories (page 1); List of scientist signatories (pages 1-319). List of 153 countries with scientist signatories: Albania; Algeria; American Samoa; Andorra; Argentina; Australia; Austria; Bahamas (the); Bangladesh; Barbados; Belarus; Belgium; Belize; Benin; Bolivia (Plurinational State of); Botswana; Brazil; Brunei Darussalam; Bulgaria; Burkina Faso; Cambodia; Cameroon; Canada; Cayman Islands (the); Chad; Chile; China; Colombia; Congo (the Democratic Republic of the); Congo (the); Costa Rica; Côte d’Ivoire; Croatia; Cuba; Curaçao; Cyprus; Czech Republic (the); Denmark; Dominican Republic (the); Ecuador; Egypt; El Salvador; Estonia; Ethiopia; Faroe Islands (the); Fiji; Finland; France; French Guiana; French Polynesia; Georgia; Germany; Ghana; Greece; Guam; Guatemala; Guyana; Honduras; Hong Kong; Hungary; Iceland; India; Indonesia; Iran (Islamic Republic of); Iraq; Ireland; Israel; Italy; Jamaica; Japan; Jersey; Kazakhstan; Kenya; Kiribati; Korea (the Republic of); Lao People’s Democratic Republic (the); Latvia; Lebanon; Lesotho; Liberia; Liechtenstein; Lithuania; Luxembourg; Macedonia, Republic of (the former Yugoslavia); Madagascar; Malawi; Malaysia; Mali; Malta; Martinique; Mauritius; Mexico; Micronesia (Federated States of); Moldova (the Republic of); Morocco; Mozambique; Namibia; Nepal;