DOCSLIB.ORG

Art for the Love of Music Visual Arts Fundraiser with a Virtual Exhibition of Fine Art from Northeast Florida Artists

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Art for the Love of Music Visual Arts Fundraiser with a Virtual Exhibition of Fine Art from Northeast Florida Artists presents the inaugural Art for the Love of Music visual arts fundraiser with a virtual exhibition of fine art from Northeast Florida artists MICHELLE D. LEE 100% OF PROCEEDS GO TO BEACHES FINE ARTS SERIES Beaches Fine Arts Series is a 501c-3 nonprofit organization that provides an annual series of free concerts and free educational outreach programs. You’re Invited! Beaches Fine Arts Series is pleased to announce its inaugural visual arts auction fundraiser with an exhibition of fine art from Northeast Florida artists. We hope you will consider donating your wonderful works in support of the free concerts, educational programs, and art exhibits we have presented to our communities since 1972. All free. For artists participating in this auction, BFAS will highlight artwork on our website, social media accounts, and through advertising. About Beaches Fine Arts Series Since 1972, Beaches Fine Arts Series has presented world-class music in an annual season of performances, all for free. Artists who perform on our series also perform educational outreach workshops as part of our award-winning free outreach programs for thousands of students in North Florida. Each reception following our home concerts features an art exhibit by an area visual artist. These wonderful works are available for purchase. The Auction Digital photographs of your artwork will be exhibited on the Beaches Fine Arts Series website for viewing by the public, who will then have the opportunity to bid on, and ultimately purchase, your work from May 14-May 21, 2021. Your website link and bio will also be reflected on the website along with your artwork. Your artwork will remain with you during the auction, and we request that you package and ship the artwork upon the winning bid announcements. BFAS will reimburse you for shipping upon the presentation of shipping receipt. Artwork may be brought to BFAS office for pickup if purchaser lives in the area. Art Image Requirements • Image should be in JPG format and not larger than 1000 pixels either horizontal Submission Guidelines or vertical. Image should not contain any Artists who submit an entry and images must agree frame, mat, watermark. to the terms and conditions of this prospectus. In • Image should be clear and in focus. addition previously mentioned criteria, the following Please remember this image represents policies apply: your work. • Submissions received after the posted deadline • There should not be any color or will not be considered. photography enhancement as the lighting of the photograph will matter more than • Once a submission is made, no image the brightness of the colors in the image. substitutions may be made. • BFAS may adjust your digital image size • Works must remain in the online exhibition for to conform to formatting purposes on the auction from May 14-21, 2021. certain areas of our website, but the full • BFAS reserves the right to extend deadlines or image will also be reflected. change exhibition dates. • Your images will be displayed on our • The artist agrees that BFAS can maintain an BFAS website, social media pages, and archive of the exhibition as part of a historical email blasts site record of past exhibitions. • Image should be labeled as FirstNameLastName_Title.jpeg (Example: Please contact our Visual Arts Coordinator to JohnSmith_Untitled.jpg). discuss your submission of art and the auction. • Please do not include special characters MICHELE D. LEE such as #,!, * or leave stray spaces in the BFAS Visual Arts Coordinator & Member of file name. Doing so may prevent the file BFAS Board of Trustees from uploading. [email protected](310) 801-3916 ARTIST ARTWORK ITEMS NEEDED CONTRIBUTIONS TYPES • Digital image • Up to two 2D works • Painting • Artist Bio/Statement • Printmaking • Original works only • Inspiration for piece (No giclée or prints) • Fiber • Styling & Dimensions • Photography • Works should best • Medium represent your talent • Mixed Media • Original Retail & Minimum Bid Values.
Load more

Recommended publications
  • 2020 Digital Catalog
    CAP’S MISSION We support and empower all people living with or affected by HIV, reduce stigma, and provide compassionate healthcare to the LGBTQ+ REFLECTIONS ON 35 ON 35 REFLECTIONS YEARS OF SERVICE community & beyond. PRESENTING SPONSOR: WELLS FARGO AN EVENING BENEFITING GOLD SPONSORS: NIKE + ONPOINT COMMUNITY CREDIT UNION CAREOREGON + ONESOURCE STRATEGY CASCADE AIDS PROJECT HONORARY CHAIRS: DEB KEMP + MOLLY KING CAPARTAUCTION.ORG At a time when it can be difficult to feel celebratory amidst so much pain, turmoil and unrest, art gives us hope. When organizations like Cascade AIDS Project continue to respond in the moment with such compassion and collective action - they give us hope. We are so honored to be the chairs of this year’s CAP Art Auction and are proud to stand united for this cause, and together in community. We first learned of Cascade AIDS Project through our work with QDoc Film Fest, an annual LGBTQ+ documentary festival we now run. In addition to supporting and empowering folks living with or affected by HIV, Cascade AIDS Project has been a longtime community partner of hope you will be moved to do so as well. QDoc, helping us elevate the voices As Cascade AIDS Project continues to of marginalized groups through the support those they serve, let’s continue power of storytelling. We are grateful to support them. to reciprocate this relationship through our support of Cascade AIDS Project With love and pride, A WORD FROM A WORD FROM A OUR CO-CHAIRS OUR both personally and professionally and MOLLY KING & DEB KEMP SCHEDULE CAP SCHEDULEEVENING SCHEDULE ART AUCTION.ORG 6:30 PM Red carpet pre-show 7:00 PM Live event Poison Waters Red Carpet Host Johnna Lee Wells Auctioneer Dale Johannes Program Host ENTERTAINMENT ENTERTAINMENT We come together tonight to celebrate Cascade AIDS Project’s 35 years of service during a time when our country’s deep injustices are being again revealed.
    [Show full text]
  • Art Auction Sources Ingalls Library
    Art Auction Sources Ingalls Library Going Once... Going Twice... Sold! 1 This bibliography was compiled by the Books about Auction Houses and Cleveland Museum of Art’s Ingalls the Auction Market Library reference staff to accompany a Faith, Nicholas. Sold: The Revolution in the series of three workshops on the auc- Art Market. London: Hamish Hamilton, tion market (fine arts, decorative arts, and 1985. prints and photographs) presented at the HF5477 .G74 S67 1985 Library. Given the scope and depth of A profile of Sotheby’s under the dynamic the Library’s collection, only the most leadership of Peter C. Wilson, the famous important titles, databases, and websites auctioneer, that provides an interesting are included. We hope this bibliography glimpse into the world of selling and col- will help you map a methodology for lecting works of art. researching objects. Lacey, Robert. Sotheby’s: Bidding for Class. For a history of the auction market, con- Boston: Little, Brown, 1998. sult the sources listed below as well as HF5477 .G74 G675 1998 the Grove Dictionary of Art entry under A gossipy history of the famous auction “Auction.” The Ingalls Library subscribes house. to many bibliographic databases which provide access to journal articles about McNulty, Tom. Art Market Research: A auctions, auction houses, etc. Guide to Methods and Sources. Jefferson, NC: McFarland, 2006. The bibliography is divided into eight N5200 .M39 2006 sections: “From the gallery to the auction house, • Books about Auction Houses and the this book explores the major venues of art Auction Market acquisition. It introduces basic terminology • Art Sales Sources for the Fine Arts for the art collector and covers the basics • Decorative and Applied Arts of artwork analysis and documentation, • Prints including a concise overview of database • Photographs researching methods and online resources.” • Auction House Publications and Websites Marquis, Alice Goldfarb.
    [Show full text]
  • Modeling On-Line Art Auction Dynamics Using Functional Data
    Statistical Science 2006, Vol. 21, No. 2, 179–193 DOI: 10.1214/088342306000000196 c Institute of Mathematical Statistics, 2006 Modeling On-Line Art Auction Dynamics Using Functional Data Analysis Srinivas K. Reddy and Mayukh Dass Abstract. In this paper, we examine the price dynamics of on-line art auc- tions of modern Indian art using functional data analysis. The purpose here is not just to understand what determines the final prices of art objects, but also the price movement during the entire auction. We identify several factors, such as artist characteristics (established or emerging artist; prior sales history), art characteristics (size; painting medium—canvas or paper), competition characteristics (current number of bidders; current number of bids) and auction design characteristics (opening bid; position of the lot in the auction), that explain the dynamics of price movement in an on-line art auction. We find that the effects on price vary over the duration of the auc- tion, with some of these effects being stronger at the beginning of the auc- tion (such as the opening bid and historical prices realized). In some cases, the rate of change in prices (velocity) increases at the end of the auction (for canvas paintings and paintings by established artists). Our analysis sug- gests that the opening bid is positively related to on-line auction price levels of art at the beginning of the auction, but its effect declines toward the end of the auction. The order in which the lots appear in an art auction is nega- tively related to the current price level, with this relationship decreasing to- ward the end of the auction.
    [Show full text]
  • Project Report: Team 4 Predicting the Price of Art at Auction
    Project Report: Team 4 Predicting the Price of Art at Auction Bhavya Agarwal, Farhan Ali, Prema Kolli, and Xiufeng Yang Department of Computer Science, Stony Brook University, Stony Brook, NY 11794-4400 {bhavya.agarwal,farhan.ali}@stonybrook.edu,{pkolli,xiuyang}@cs. stonybrook.edu http://www.cs.stonybrook.edu/~skiena/591/projects 1 Challenge An art auction is the sale of art works in a competition setting. Our primary goal is to predict the price of an art piece/painting in an art auction. We are focusing only on auctions, which occur in auction houses such as Sotheby's and Christie's. In this project, we try to predict the price of art to be sold at Sotheby's auction in London on 3 December 2014. We are trying to build a generic model, capable of predicting price of any piece of art to be sold based on a variety of features associated with an artist, auction house and the piece of art itself. There is a famous quote in the movie "The Monuments Men" where the actor George Clooney talks about the importance/significance of art. He says that wiping out any generation's art history is equivalent to wiping out the entire generation itself. "You can wipe out the entire generation, you can burn their homes to the ground and somehow they will still find their way back. But you can destroy their history, destroy their achievements and this is it they never existed. That is what we are exactly fighting for." Predicting the price of a painting in an art auction turns out be a challenging task as there are lot of functional dynamics involved in the whole auction process.
    [Show full text]
  • ONLINE AUCTION: Thursday, Nov
    ONLINE AUCTION: Thursday, Nov. 12th, 2020 from 4 - 10 p.m. INSTRUCTIONS AND BIDDING BOOK About the Lynn Institute: The Lynn Institute for Healthcare Research, a 501(c)(3) nonprofit organization, is committed to helping communities, neighborhoods, and vulnerable populations with health and lifestyle conditions that are impacting overall health. We identify at-risk populations, define unique health risks, publish findings, assemble collaboratives, create programs and develop sustainable plans with measurable goals and objectives to improve the health and hope of communities. Our Work Includes: Research Studies / Outcome-Based Initiatives Collaboratives Community Impact & Engagement - Zoo4U & Science4U Health & Lifestyle Programs: ¡ Count Me In 4 Kids ¡ HealthRide OKC / Prescription Co-Pay Assistance ¡ Foundations of Wellness / On the Road to Health Classes ¡ Planting Urban Gardens ¡ Health Screenings ¡ Food distributions of fresh produce and lean meats for nutrition and health; (Since August 2019, the Lynn Institute has distributed more than 350,000 pounds of fresh produce to impoverished neighborhoods in the OKC metro.) HOW CAN YOU HELP? It requires funding to offer the programs and provide impoverished communities access to basic life needs that most of us take for granted. ¡ Please take the opportunity this Thursday, November 12th from 4 – 10 p.m. to bid on and buy the incredible works of art that have been generously created by artists from around the state; ¡ Not bidding? You can still donate to the Lynn Institute on the auction site; and, ¡ Visit our Chairity partner, the North Gallery & Studios in the Shoppes at Northpark or the other galleries around our state where our individual artists show their work.
    [Show full text]
  • 2020 Benefit Art Auction
    THE MISSOULA ART MUSEUM ANNUAL BENEFIT ART AUCTION CREATIVITY TAKES COURAGE. Henri Matisse We’re honored to support the Missoula Art Museum, because creativity is contagious. DESIGN WEBSITES MARKETING PUBLIC RELATIONS CONTACT CENTER 406.829.8200 WINDFALLSTUDIO.COM 2 SATURDAY, FEBRUARY 1, 2020 UC Ballroom, University of Montana 5 PM Cocktails + Silent Auction Opens 6 PM Dinner 7 PM Live Auction 7:45 PM Silent Auction Round 2 Closes 8:45 PM Silent Auction Round 3 Closes Celebrating 45 Years of MAM PRESENTING SPONSOR Auctioneer: Johnna Wells, Benefit Auctions 360, LLC Portland, Oregon Printing services provided by Advanced Litho. MEDIA SPONSORS EVENT SPONSORS Missoula Broadcasting Missoula Wine Merchants Mountain Broadcasting University Center and UM Catering The Missoulian ACKNOWLEDGEMENTS Thank you to the many businesses that have donated funds, services, and products to make the auction exhibition, live events, and special programs memorable. Support the businesses that support MAM. Thank you to all of the auction bidders and attendees for directly supporting MAM’s programs. Thank you to the dozens of volunteers who help operate the museum and have contributed additional time, energy, and creativity to make this important event a success. 1 You’re going to need more wall space. Whether you’re upsizing, downsizing, buying your dream home, or moving to the lake, our agents will treat you just like a neighbor because, well, you are one. Their community-centric approach and local expertise make all the difference. WINDERMEREMISSOULA.COM | (406) 541-6550 | 2800 S. RESERVE ST. 2 WELCOME On behalf of the 2020 Benefit Art Auction Committee! We are proud to support MAM’s commitment to free expression and free admission, and we are honored that artists and art lovers alike have come together to celebrate Missoula’s art community.
    [Show full text]
  • The Agency of Auctions in Emergent Art Genres in the Global South
    arts Article Materialising Markets: The Agency of Auctions in Emergent Art Genres in the Global South Anita Archer Faculty of Arts, University of Melbourne, Parkville, VIC 3010, Australia; [email protected] Received: 1 September 2020; Accepted: 10 October 2020; Published: 18 October 2020 Abstract: For the last two decades, the international auction houses Sotheby’s and Christie’s have been at the forefront of global art market expansion. Their world-wide footprints have enabled auction house specialists to engage with emerging artists and aspiring collectors, most notably in the developing economies of the Global South. By establishing their sales infrastructure in new locales ahead of the traditional mechanisms of primary market commercial galleries, the international auction houses have played a foundational role in the notional construction of new genres of art. However, branding alone is not sufficient to establish these new markets; the auction houses require a network of willing supporters to facilitate and drive marketplace supply and demand, be that trans-locational art market intermediaries, local governments, and/or regional auction businesses. This paper examines emerging art auction markets in three Global South case studies. It elucidates the strategic mechanisms and networks of international and regional art auction houses in the development of specific genres of contemporary art: Hong Kong and ‘Chinese contemporary art’, Singapore and ‘Southeast Asian art’, and Australia and ‘Aboriginal art’. Through examination and comparison of these three markets, this paper draws on research conducted over the past decade to reveal an integral role played by art auctions in the expansion of broader contemporary art world infrastructure in the Global South.
    [Show full text]
  • THE EVOLUTION of the ART MARKET: from 15 Century Florence
    DIPARTIMENTO DI: ECONOMIA E FINANZA CATTEDRA: LAW AND ECONOMICS THE EVOLUTION OF THE ART MARKET: From 15th century Florence to the Sotheby’s - eBay agreement RELATORE CANDIDATO Prof. ANDREA RENDA Matr.172301 A/A: 2014/2015 1 TABLE OF CONTENTS INTRODUCTION…………………………………………… p 3 CHAPTER 1: EARLY DEVELOPMENT OF THE ART MARKET: FROM THE RENAISSANCE TO THE 18TH CENTURY…………………………………..……... p 4 1.1 The early stages: Primary markets in Florence, Bruges and Antwerp…………………………………….. p 5 1.2 The development of secondary markets: art auctions in Amsterdam and Paris during the 16th, 17th and 18th centuries…………………………………........... p 9 CHAPTER 2: THE MODERN MARKET FOR ART: FROM THE IMPRESSIONISTS TO THE 2000’S……………. p 12 2.1 Two of greatest art dealers of the 20th century: Durand-Ruel and Duveen……………………………… p 13 2.2 The success of auction houses: an insight on Sotheby’s…………………………………. p 16 2.3 The art market boom:…………………………………… p 18 2.4 The current situation: a global art market………………. p 20 2.5 The online art market…………………………………… p 22 CHAPTER 3: OLD MEETS NEW: THE SOTHEBY’S – EBAY AGREEMENT…………………... p 24 CONCLUSION………………......……………………………. p 26 BIBLIOGRAPHY……………………………………………... p 28 2 INTRODUCTION: In this paper we retrace the evolution of the art market. Starting from Renaissance Florence, we trace the progressive evolutionary milestones of the market, first at a European, then at an international level. In the first chapter, we examine the importance of Northern Europe’s trading hubs and highlight how the international character and openness of these entrepots, contributed to structuring the market. In particular we describe and analyse some of the conditions that facilitated the development of art dealership.
    [Show full text]
  • Art: Property Law's Case Against Private Hoarding of “Public” Art
    Georgetown University Law Center Scholarship @ GEORGETOWN LAW 2018 The Public Trust in Public Art: Property Law's Case Against Private Hoarding of “Public” Art Hope M. Babcock Georgetown University Law Center, [email protected] This paper can be downloaded free of charge from: https://scholarship.law.georgetown.edu/facpub/2139 50 Conn. L. Rev. 641. This open-access article is brought to you by the Georgetown Law Library. Posted with permission of the author. Follow this and additional works at: https://scholarship.law.georgetown.edu/facpub Part of the Intellectual Property Law Commons, and the Law and Society Commons CONNECTICUT LAW REVIEW VOLUME 50 AUGUST 2018 NUMBER 3 Article The Public Trust in Public Art: Property Law’s Case against Private Hoarding of “Public” Art HOPE M. BABCOCK Private hoarding of important works of art is a phenomenon that has caused their disappearance from public view. The loss of this art undermines republican values like education, community, and citizenship, and therefore should be resisted. This Article explores various legal tools to prevent this from happening, including doctrines and laws that protect artists’ rights in their work, but which offer the public little relief. Turning to two well-known common-law doctrines—public dedication and public trust—to see whether they might provide a solution, the author favors the latter because it is nimbler and better suited to the public nature of important works of art. But she recognizes that making viable use of the public trust doctrine requires enhancement with incentives, such as those offered by listing the art on a register, the tax code, and external norms of social behavior.
    [Show full text]
  • Chapter 4. Australian Art at Auction: the 1960S Market
    Pedigree and Panache a history of the art auction in australia Pedigree and Panache a history of the art auction in australia Shireen huda Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at: http://epress.anu.edu.au/pedigree_citation.html National Library of Australia Cataloguing-in-Publication entry National Library of Australia Cataloguing-in-Publication entry: Author: Huda, Shireen Amber. Title: Pedigree and panache : a history of the art auction in Australia / Shireen Huda. ISBN: 9781921313714 (pbk.) 9781921313721 (web) Notes: Includes index. Bibliography. Subjects: Art auctions--Australia--History. Art--Collectors and collecting--Australia. Art--Prices--Australia. Dewey Number: 702.994 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design by Teresa Prowse Cover image: John Webber, A Portrait of Captain James Cook RN, 1782, oil on canvas, 114.3 x 89.7 cm, Collection: National Portrait Gallery, Canberra. Purchased by the Commonwealth Government with the generous assistance of Robert Oatley and John Schaeffer 2000. Printed by University Printing Services, ANU This edition © 2008 ANU E Press Table of Contents Preface ..................................................................................................... ix Acknowledgements
    [Show full text]
  • A Glanceatthe Present State of Art Auction Signs And
    A GLANCEATTHE art is owned by the auctioneer as a resu lt of a defaulted PRESENT STATE OF loan. In Minor vs. Sotheby's, a successful bidder is contend­ ing that Sotheby's should have marked the lot that was ART AUCTION SIGNS purchased with the symbol /',,since that symbol is used by Sotheby's to indicate that it has an economic ownership AND SYMBOLS interest in a lot. Sotheby's concedes that it had an interest in the work, but contends that the symbol did not precisely apply, as the work was used as security for a loan and was By johnlee S. Curtis not a pure economic interest. This case and the debate underscore the new art auction environment in which the specific semantics of high finance, the agile arguments of Most co ll ectors purchase art eit her from galleries or at art attorneys, and the novel necessity of savvy advisors have auctions, with the latter method gaining popularity in re­ crept into a once simple structure. Knowledge of financial cent years. When bidding for art at an auction, lot symbols instruments such as guarantees and loan securities must -those auction catalogue ciphers that relate to a variety of now be in every bidder's arsenal of acumen for art auction disclosures - can prove difficu lt to fu lly understand. Fur­ acqu isitions. W hen an individual borrows money from an ther compli cating matters, some facts which legally shou ld auction house, places a work or multiple works up as col­ be disclosed about a particular lot are not even afforded lateral security to support t he loan, and then defaults on a symbol by the auction house, rendering the undisclosed the loan, it is in the auction house's interest to man ipulate interests literally invisible to the bidding buyer.
    [Show full text]
  • Art & Finance Report 2019
    Art & Finance Report 2019 6th edition Se me Movió el Piso © Lina Sinisterra (2014) Collect on your Collection YOUR PARTNER IN ART FINANCING westendartbank.com RZ_WAB_Deloitte_print.indd 1 23.07.19 12:26 Power on your peace of mind D.KYC — Operational compliance delivered in managed services to the art and finance industry D.KYC (Deloitte Know Your Customer) is an integrated managed service that combines numerous KYC/AML/CTF* services, expertise, and workflow management. The service is supported by a multi-channel web-based platform and allows you to delegate the execution of predefined KYC/AML/CTF activities to Deloitte (Deloitte Solutions SàRL PSF, ISO27001 certified). www2.deloitte.com/lu/dkyc * KYC: Know Your Customer - AML/CTF: Anti-Money Laundering and Counter-Terrorism Financing Empower your art activities Deloitte’s services within the Art & Finance ecosystem Deloitte Art & Finance assists financial institutions, art businesses, collectors and cultural stakeholders with their art-related activities. The Deloitte Art & Finance team has a passion for art and brings expertise in consulting, tax, audit and business intelligence to the global art market. www.deloitte-artandfinance.com © 2019 Deloitte Tax & Consulting dlawmember of the Deloitte Legal network The Art of Law DLaw – a law firm for the Art and Finance Industry At DLaw, a dedicated team of lawyers supports art collectors, dealers, auctioneers, museums, private banks and art investment funds at each stage of their project. www.dlaw.lu © 2019 dlaw Art & Finance Report 2019 | Table of contents Table of contents Foreword 14 Introduction 16 Methodology and limitations 17 External contributions 18 Deloitte CIS 21 Key report findings 2019 27 Priorities 31 The big picture: Art & Finance is an emerging industry 36 The role of Art & Finance within the cultural and creative sectors 40 Section 1.
    [Show full text]