HISTORY of ART MARKETS Prof
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Hans Rottenhammer's Use of Networks in the Copper
arts Article Intermediaries and the Market: Hans Rottenhammer’s Use of Networks in the Copper Painting Market Sophia Quach McCabe Department of History of Art and Architecture, University of California, Santa Barbara, Santa Barbara, CA 93106, USA; [email protected] Received: 1 February 2019; Accepted: 16 June 2019; Published: 24 June 2019 Abstract: In Willem van Haecht’s Gallery of Cornelis van der Geest, The Last Judgment by the German artist Hans Rottenhammer stands prominently in the foreground. Signed and dated 1598, it is one of many copper panel paintings Rottenhammer produced and sent north of the Alps during his decade-long sojourn in Venice. That the work was valued alongside those of Renaissance masters raises questions about Rottenhammer’s artistic status and how the painting reached Antwerp. This essay examines Rottenhammer’s international market as a function of his relationships with artist-friends and agents, especially those in Venice’s German merchant community. By employing digital visualization tools alongside the study of archival documents, the essay attends to the intermediary connections within a social network, and their effects on the art market. It argues for Rottenhammer’s use of—and negotiation with—intermediaries to establish an international career. Through digital platforms, such as ArcGIS and Palladio, the artist’s patronage group is shown to have shifted geographically, from multiple countries around 1600 to Germany and Antwerp after 1606, when he relocated to Augsburg. Yet, the same trusted friends and associates he had established in Italy continued to participate in Rottenhammer’s business of art. Keywords: Hans Rottenhammer; social network; intermediaries; mediation; digital humanities; digital art history; merchants; art market; copper painting; Jan Brueghel the Elder 1. -
2020 Digital Catalog
CAP’S MISSION We support and empower all people living with or affected by HIV, reduce stigma, and provide compassionate healthcare to the LGBTQ+ REFLECTIONS ON 35 ON 35 REFLECTIONS YEARS OF SERVICE community & beyond. PRESENTING SPONSOR: WELLS FARGO AN EVENING BENEFITING GOLD SPONSORS: NIKE + ONPOINT COMMUNITY CREDIT UNION CAREOREGON + ONESOURCE STRATEGY CASCADE AIDS PROJECT HONORARY CHAIRS: DEB KEMP + MOLLY KING CAPARTAUCTION.ORG At a time when it can be difficult to feel celebratory amidst so much pain, turmoil and unrest, art gives us hope. When organizations like Cascade AIDS Project continue to respond in the moment with such compassion and collective action - they give us hope. We are so honored to be the chairs of this year’s CAP Art Auction and are proud to stand united for this cause, and together in community. We first learned of Cascade AIDS Project through our work with QDoc Film Fest, an annual LGBTQ+ documentary festival we now run. In addition to supporting and empowering folks living with or affected by HIV, Cascade AIDS Project has been a longtime community partner of hope you will be moved to do so as well. QDoc, helping us elevate the voices As Cascade AIDS Project continues to of marginalized groups through the support those they serve, let’s continue power of storytelling. We are grateful to support them. to reciprocate this relationship through our support of Cascade AIDS Project With love and pride, A WORD FROM A WORD FROM A OUR CO-CHAIRS OUR both personally and professionally and MOLLY KING & DEB KEMP SCHEDULE CAP SCHEDULEEVENING SCHEDULE ART AUCTION.ORG 6:30 PM Red carpet pre-show 7:00 PM Live event Poison Waters Red Carpet Host Johnna Lee Wells Auctioneer Dale Johannes Program Host ENTERTAINMENT ENTERTAINMENT We come together tonight to celebrate Cascade AIDS Project’s 35 years of service during a time when our country’s deep injustices are being again revealed. -
Art Auction Sources Ingalls Library
Art Auction Sources Ingalls Library Going Once... Going Twice... Sold! 1 This bibliography was compiled by the Books about Auction Houses and Cleveland Museum of Art’s Ingalls the Auction Market Library reference staff to accompany a Faith, Nicholas. Sold: The Revolution in the series of three workshops on the auc- Art Market. London: Hamish Hamilton, tion market (fine arts, decorative arts, and 1985. prints and photographs) presented at the HF5477 .G74 S67 1985 Library. Given the scope and depth of A profile of Sotheby’s under the dynamic the Library’s collection, only the most leadership of Peter C. Wilson, the famous important titles, databases, and websites auctioneer, that provides an interesting are included. We hope this bibliography glimpse into the world of selling and col- will help you map a methodology for lecting works of art. researching objects. Lacey, Robert. Sotheby’s: Bidding for Class. For a history of the auction market, con- Boston: Little, Brown, 1998. sult the sources listed below as well as HF5477 .G74 G675 1998 the Grove Dictionary of Art entry under A gossipy history of the famous auction “Auction.” The Ingalls Library subscribes house. to many bibliographic databases which provide access to journal articles about McNulty, Tom. Art Market Research: A auctions, auction houses, etc. Guide to Methods and Sources. Jefferson, NC: McFarland, 2006. The bibliography is divided into eight N5200 .M39 2006 sections: “From the gallery to the auction house, • Books about Auction Houses and the this book explores the major venues of art Auction Market acquisition. It introduces basic terminology • Art Sales Sources for the Fine Arts for the art collector and covers the basics • Decorative and Applied Arts of artwork analysis and documentation, • Prints including a concise overview of database • Photographs researching methods and online resources.” • Auction House Publications and Websites Marquis, Alice Goldfarb. -
Modeling On-Line Art Auction Dynamics Using Functional Data
Statistical Science 2006, Vol. 21, No. 2, 179–193 DOI: 10.1214/088342306000000196 c Institute of Mathematical Statistics, 2006 Modeling On-Line Art Auction Dynamics Using Functional Data Analysis Srinivas K. Reddy and Mayukh Dass Abstract. In this paper, we examine the price dynamics of on-line art auc- tions of modern Indian art using functional data analysis. The purpose here is not just to understand what determines the final prices of art objects, but also the price movement during the entire auction. We identify several factors, such as artist characteristics (established or emerging artist; prior sales history), art characteristics (size; painting medium—canvas or paper), competition characteristics (current number of bidders; current number of bids) and auction design characteristics (opening bid; position of the lot in the auction), that explain the dynamics of price movement in an on-line art auction. We find that the effects on price vary over the duration of the auc- tion, with some of these effects being stronger at the beginning of the auc- tion (such as the opening bid and historical prices realized). In some cases, the rate of change in prices (velocity) increases at the end of the auction (for canvas paintings and paintings by established artists). Our analysis sug- gests that the opening bid is positively related to on-line auction price levels of art at the beginning of the auction, but its effect declines toward the end of the auction. The order in which the lots appear in an art auction is nega- tively related to the current price level, with this relationship decreasing to- ward the end of the auction. -
Project Report: Team 4 Predicting the Price of Art at Auction
Project Report: Team 4 Predicting the Price of Art at Auction Bhavya Agarwal, Farhan Ali, Prema Kolli, and Xiufeng Yang Department of Computer Science, Stony Brook University, Stony Brook, NY 11794-4400 {bhavya.agarwal,farhan.ali}@stonybrook.edu,{pkolli,xiuyang}@cs. stonybrook.edu http://www.cs.stonybrook.edu/~skiena/591/projects 1 Challenge An art auction is the sale of art works in a competition setting. Our primary goal is to predict the price of an art piece/painting in an art auction. We are focusing only on auctions, which occur in auction houses such as Sotheby's and Christie's. In this project, we try to predict the price of art to be sold at Sotheby's auction in London on 3 December 2014. We are trying to build a generic model, capable of predicting price of any piece of art to be sold based on a variety of features associated with an artist, auction house and the piece of art itself. There is a famous quote in the movie "The Monuments Men" where the actor George Clooney talks about the importance/significance of art. He says that wiping out any generation's art history is equivalent to wiping out the entire generation itself. "You can wipe out the entire generation, you can burn their homes to the ground and somehow they will still find their way back. But you can destroy their history, destroy their achievements and this is it they never existed. That is what we are exactly fighting for." Predicting the price of a painting in an art auction turns out be a challenging task as there are lot of functional dynamics involved in the whole auction process. -
Conceptual Art: a Critical Anthology
Conceptual Art: A Critical Anthology Alexander Alberro Blake Stimson, Editors The MIT Press conceptual art conceptual art: a critical anthology edited by alexander alberro and blake stimson the MIT press • cambridge, massachusetts • london, england ᭧1999 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval)without permission in writing from the publisher. This book was set in Adobe Garamond and Trade Gothic by Graphic Composition, Inc. and was printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Conceptual art : a critical anthology / edited by Alexander Alberro and Blake Stimson. p. cm. Includes bibliographical references and index. ISBN 0-262-01173-5 (hc : alk. paper) 1. Conceptual art. I. Alberro, Alexander. II. Stimson, Blake. N6494.C63C597 1999 700—dc21 98-52388 CIP contents ILLUSTRATIONS xii PREFACE xiv Alexander Alberro, Reconsidering Conceptual Art, 1966–1977 xvi Blake Stimson, The Promise of Conceptual Art xxxviii I 1966–1967 Eduardo Costa, Rau´ l Escari, Roberto Jacoby, A Media Art (Manifesto) 2 Christine Kozlov, Compositions for Audio Structures 6 He´lio Oiticica, Position and Program 8 Sol LeWitt, Paragraphs on Conceptual Art 12 Sigmund Bode, Excerpt from Placement as Language (1928) 18 Mel Bochner, The Serial Attitude 22 Daniel Buren, Olivier Mosset, Michel Parmentier, Niele Toroni, Statement 28 Michel Claura, Buren, Mosset, Toroni or Anybody 30 Michael Baldwin, Remarks on Air-Conditioning: An Extravaganza of Blandness 32 Adrian Piper, A Defense of the “Conceptual” Process in Art 36 He´lio Oiticica, General Scheme of the New Objectivity 40 II 1968 Lucy R. -
ONLINE AUCTION: Thursday, Nov
ONLINE AUCTION: Thursday, Nov. 12th, 2020 from 4 - 10 p.m. INSTRUCTIONS AND BIDDING BOOK About the Lynn Institute: The Lynn Institute for Healthcare Research, a 501(c)(3) nonprofit organization, is committed to helping communities, neighborhoods, and vulnerable populations with health and lifestyle conditions that are impacting overall health. We identify at-risk populations, define unique health risks, publish findings, assemble collaboratives, create programs and develop sustainable plans with measurable goals and objectives to improve the health and hope of communities. Our Work Includes: Research Studies / Outcome-Based Initiatives Collaboratives Community Impact & Engagement - Zoo4U & Science4U Health & Lifestyle Programs: ¡ Count Me In 4 Kids ¡ HealthRide OKC / Prescription Co-Pay Assistance ¡ Foundations of Wellness / On the Road to Health Classes ¡ Planting Urban Gardens ¡ Health Screenings ¡ Food distributions of fresh produce and lean meats for nutrition and health; (Since August 2019, the Lynn Institute has distributed more than 350,000 pounds of fresh produce to impoverished neighborhoods in the OKC metro.) HOW CAN YOU HELP? It requires funding to offer the programs and provide impoverished communities access to basic life needs that most of us take for granted. ¡ Please take the opportunity this Thursday, November 12th from 4 – 10 p.m. to bid on and buy the incredible works of art that have been generously created by artists from around the state; ¡ Not bidding? You can still donate to the Lynn Institute on the auction site; and, ¡ Visit our Chairity partner, the North Gallery & Studios in the Shoppes at Northpark or the other galleries around our state where our individual artists show their work. -
The Art Market in the Dutch Golden
The Art Market in the Dutch Art 1600–1700 Dutch Golden Age The first great free market economy for art This painting is occurred in the Dutch Republic of the 1600s. an example of the This republic was the most wealthy and “history painting” urbanized nation at the time. Its wealth was category. based on local industries such as textiles and breweries and the domination of the global trade market by the Dutch East India Company. This economic power translated into a sizeable urban middle class with disposable income to purchase art. As a result of the Protestant Reformation, and the absence of liturgical painting in the Protestant Church, religious patronage was no longer a major source of income for artists. Rather than working on commission, artists sold their paintings on an open market in bookstores, fairs, and through dealers. (c o n t i n u e d o n b a c k ) Jan Steen (Dutch, 1626–1679). Esther, Ahasuerus, and Haman, about 1668. Oil on canvas; 38 x 47 1/16 in. John L. Severance Fund 1964.153 Dutch Art 1600–1700 Still-life paintings like this one were often less expen- sive than history paintings. (c o n t i n u e d f r o m f r o n t ) This open market led to the rise in five major categories of painting: history painting, portraiture, scenes of everyday life, landscapes, and still-life paintings. The most prized, most expensive, and often largest in scale were history or narrative paintings, often with biblical or allegorical themes. -
2020 Benefit Art Auction
THE MISSOULA ART MUSEUM ANNUAL BENEFIT ART AUCTION CREATIVITY TAKES COURAGE. Henri Matisse We’re honored to support the Missoula Art Museum, because creativity is contagious. DESIGN WEBSITES MARKETING PUBLIC RELATIONS CONTACT CENTER 406.829.8200 WINDFALLSTUDIO.COM 2 SATURDAY, FEBRUARY 1, 2020 UC Ballroom, University of Montana 5 PM Cocktails + Silent Auction Opens 6 PM Dinner 7 PM Live Auction 7:45 PM Silent Auction Round 2 Closes 8:45 PM Silent Auction Round 3 Closes Celebrating 45 Years of MAM PRESENTING SPONSOR Auctioneer: Johnna Wells, Benefit Auctions 360, LLC Portland, Oregon Printing services provided by Advanced Litho. MEDIA SPONSORS EVENT SPONSORS Missoula Broadcasting Missoula Wine Merchants Mountain Broadcasting University Center and UM Catering The Missoulian ACKNOWLEDGEMENTS Thank you to the many businesses that have donated funds, services, and products to make the auction exhibition, live events, and special programs memorable. Support the businesses that support MAM. Thank you to all of the auction bidders and attendees for directly supporting MAM’s programs. Thank you to the dozens of volunteers who help operate the museum and have contributed additional time, energy, and creativity to make this important event a success. 1 You’re going to need more wall space. Whether you’re upsizing, downsizing, buying your dream home, or moving to the lake, our agents will treat you just like a neighbor because, well, you are one. Their community-centric approach and local expertise make all the difference. WINDERMEREMISSOULA.COM | (406) 541-6550 | 2800 S. RESERVE ST. 2 WELCOME On behalf of the 2020 Benefit Art Auction Committee! We are proud to support MAM’s commitment to free expression and free admission, and we are honored that artists and art lovers alike have come together to celebrate Missoula’s art community. -
The Agency of Auctions in Emergent Art Genres in the Global South
arts Article Materialising Markets: The Agency of Auctions in Emergent Art Genres in the Global South Anita Archer Faculty of Arts, University of Melbourne, Parkville, VIC 3010, Australia; [email protected] Received: 1 September 2020; Accepted: 10 October 2020; Published: 18 October 2020 Abstract: For the last two decades, the international auction houses Sotheby’s and Christie’s have been at the forefront of global art market expansion. Their world-wide footprints have enabled auction house specialists to engage with emerging artists and aspiring collectors, most notably in the developing economies of the Global South. By establishing their sales infrastructure in new locales ahead of the traditional mechanisms of primary market commercial galleries, the international auction houses have played a foundational role in the notional construction of new genres of art. However, branding alone is not sufficient to establish these new markets; the auction houses require a network of willing supporters to facilitate and drive marketplace supply and demand, be that trans-locational art market intermediaries, local governments, and/or regional auction businesses. This paper examines emerging art auction markets in three Global South case studies. It elucidates the strategic mechanisms and networks of international and regional art auction houses in the development of specific genres of contemporary art: Hong Kong and ‘Chinese contemporary art’, Singapore and ‘Southeast Asian art’, and Australia and ‘Aboriginal art’. Through examination and comparison of these three markets, this paper draws on research conducted over the past decade to reveal an integral role played by art auctions in the expansion of broader contemporary art world infrastructure in the Global South. -
Towards Data Oriented Analysis of the Art Market: Survey and Outlook
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Filipiak, Dominik; Filipowska, Agata Article Towards data oriented analysis of the art market: Survey and outlook e-Finanse: Financial Internet Quarterly Provided in Cooperation with: University of Information Technology and Management, Rzeszów Suggested Citation: Filipiak, Dominik; Filipowska, Agata (2016) : Towards data oriented analysis of the art market: Survey and outlook, e-Finanse: Financial Internet Quarterly, ISSN 1734-039X, University of Information Technology and Management, Rzeszów, Vol. 12, Iss. 1, pp. 21-31, http://dx.doi.org/10.14636/1734-039X_12_1_003 This Version is available at: http://hdl.handle.net/10419/197424 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. www.econstor.eu Financial Internet Quarterly „e-Finanse” 2016, vol.12 / nr 1, s. -
Art for the Love of Music Visual Arts Fundraiser with a Virtual Exhibition of Fine Art from Northeast Florida Artists
presents the inaugural Art for the Love of Music visual arts fundraiser with a virtual exhibition of fine art from Northeast Florida artists MICHELLE D. LEE 100% OF PROCEEDS GO TO BEACHES FINE ARTS SERIES Beaches Fine Arts Series is a 501c-3 nonprofit organization that provides an annual series of free concerts and free educational outreach programs. You’re Invited! Beaches Fine Arts Series is pleased to announce its inaugural visual arts auction fundraiser with an exhibition of fine art from Northeast Florida artists. We hope you will consider donating your wonderful works in support of the free concerts, educational programs, and art exhibits we have presented to our communities since 1972. All free. For artists participating in this auction, BFAS will highlight artwork on our website, social media accounts, and through advertising. About Beaches Fine Arts Series Since 1972, Beaches Fine Arts Series has presented world-class music in an annual season of performances, all for free. Artists who perform on our series also perform educational outreach workshops as part of our award-winning free outreach programs for thousands of students in North Florida. Each reception following our home concerts features an art exhibit by an area visual artist. These wonderful works are available for purchase. The Auction Digital photographs of your artwork will be exhibited on the Beaches Fine Arts Series website for viewing by the public, who will then have the opportunity to bid on, and ultimately purchase, your work from May 14-May 21, 2021. Your website link and bio will also be reflected on the website along with your artwork.