The Inventory of the Robert Lantz Collection #1694

Total Page:16

File Type:pdf, Size:1020Kb

The Inventory of the Robert Lantz Collection #1694 The Inventory of the Robert Lantz Collection #1694 Howard Gotlieb Archival Research Center Lantz, Robe1i #1694 6/3/05 Preliminary Listing I. Professional Material. Box 1 A. The Lantz Office, administration and client files; may include contracts, correspondence, printed material, financial material, manuscripts, personal materials re: RL. 1. "July, 1984," 2 files. [F. 1-2] 2. "2002 Financials." [F. 3] 3. "2003 Financials." [F. 4] 4. "May 1982 - Al Hirschfeld, 5th of July," includes: [F. 5] a. Multiple drafts of a contract between Al Hirschfeld and the Fifth of July Company. b. Copy of final draft of contract signed by Al Hirschfeld. 5. "Accent on Youth/ S. Raphaelson, 6/88," includes: [F. 6] a. Copy of Samson Raphaelson's 1935 contract with Paramount pictures for "Accent on Youth." b. TLS re: expiration of copyright on production. 6. "Billy Goldenberg," includes contract between Billy Goldenberg and Gang, Tyre and Brown, Inc. with subsequent amendments to the contract, Nov. 1980 - Jan. 1981. [F. 7] 7. "California Office, Attorney Fees." [F. 8] 8. "(DBA) - California Employment Agency LTC, 5/84." [F. 9] 9. "California - Close of California Office, 11/89." [F. 10] 10. "California Office - California License - Inactive." [F. 11] 11. "Jeff Thal - California - 10/87." [F. 12] 12. "Marion Rosenberg - Inactive, 1/26/81," includes: [F. 13] a. Correspondence re: Marian Rosenberg leaving the Lantz Office and sta1iing her own agency (many of her previous clientele followed her). b. Notifications from 12 clients, with responses re: termination of their contract with The Lantz Office. (i) Beacham, Stephanie. 2 TLS: 12/22/88, 1/5/89. (ii) Corri, Nick. TLS, 12/30/88. (iii) Dotrice, Roy. ALS, 12/28/88. (iv) Kerwin, Brian. TLS, 1/3/89. (v) Krabbe, Jeroen. ALS, 1/2/89. (vi) Lacey, Ronald. Fax, 1/25/89. (vii) Langlois, Lisa. TLS, 2 ALS 2/3/89. (viii) Laurenson, James. Fax, 1/23/89. (ix) De Lint, Derek. TLS, 126/89. (x) Spound, Michael. TLS, 12/16/88. Page 1 of 3 Lantz, Robeti (6/03/05) (xi) Van de Ven, Monica. ALS, 1/30/89. (xii) Youngs, Jim. TLS, photocopy, 12/28/88. 13. "California - Marion Rosenberg - Cont. Termination - 1/89," notables include: Verhoeven, Paul. TLS, photocopy, 4/21/89. [F. 14] 14. "California Office - Misc." [F. 15] 15. "California Office - Qualification - Liquidation." [F. 16] 16. "Claims Against Morgan, 8/92." [F. 17] 17. "C01Tespondence," includes TL (photocopies) from RL; notables include: a. Dietrich, Marlene. TLS re: her misrepresentation in the play "Piaf," Dec. 15, 1980. b. Rabe, Hans. TLS re: translation of PALAZZO, Jan. 7, 1977. C. Rosenberg, Samuel. TLS re: Philip Hanson's breaking plagiarism laws by dramatizing Mr. Rosenberg's article in Life magazine celebrating the anniversary of "Mr. Frankenstein," May 19, 1976. [F. 18] 18. "Co1Tespondence." [F. 19] 19. "Copyright, 2/92 - Six Characters in Search of an Author." [F. 20] 20. "Corporate Matters." [F. 21] 21. "Robin Productions, Inc. 2 Corporate Paper." [F. 22] 22. "Crazy for You, April, 1992." [F. 23] 23. "D.G.A 11/84." [F. 24] 24. "Darene Healey," sub-files include: a. "Bank Signatures 7/92." [F. 25] b. "Bank Responsibilities 8/92." [F. 26] 25. "Dourif, B. 12/89," includes fax copy of signed contract between Brad Dourif and United Artists Pictures, Inc. [F. 27] 26. "Employment Agency License." [F. 28] Box2 27. "Equity, 2/84." [F. 1] 28. "Financials, 4/93." [F. 2] 29. "Franchise -AFM." [F. 3] 30. "Franchise (Unions)." [F. 4] 31. "Frederick Morton, 5/03." [F. 5] 32. "Frederick Morton," includes TLS (photocopy) re: the dissolution of the "Robert Lantz-Candida Donadio Literary Agency, Inc." and Frederick Morton's choice to remain with RL; notables include: [F. 6] a. Gelb, Barbara. TLS, 10/11/73. b. Morton, Frederick. TLS, 10/1/73. 33. "Gavin Lambert, 3/90," includes contract signed by Gavin Lambert. [F. 7] 34. "Robert Lantz - Green Card, 1/03." [F. 8] Page 2 of 3 Lantz, Robert (6/03/05) 35. "Guidelines, 11/85." [F. 9] 36. "Guys and Dolls - 11/92." [F. 10] 37. "Group Life Insurance." [F. 11] 37. "Immigration Forms, 7/87." [F. 12] 39. "3D Bond, 8/92." [F. 13] 40. "Jean Harris, Escrow Account, 9/87," re: controversial payment of incarcerated Jean Harris under the "Son of Sam" Law, 1987.[F. 14] 41. "August 1982 - Joan Tewkesbmy," includes TS contract signed by Joan Tewkesbmy, 9/1/82. [F. 15] 42. "Joy Ha1Tis - Accounting, 1/95 (Previous Folder Missing)." [F. 16] 43. "Joy HalTis, 11/85," notables include: [F. 17] a. Murphy, Walter. TLS (photocopy) re: his move to Albuquerque and looking for an agent for a singer he knows, Nov. 13, 1995. 44. "(Not Signed) 12/90 - Joy Harris - 1990 Agreement." [F. 18] 45. "Luigi Pirandello, 11/91." [F. 19] 46. "Needlepoint Infringement." [F. 20] 47. "California - Nancy Robe1is, 11/90." [F. 21] 48. "Lantz vs. Rosenberg #12, 1/95." [F. 22] 49. "November, 1981, 888 Seventh Ave., Office Insurance." [F. 23] 50. "Lantz Robert - Personal Misc." [F. 24] 51. "R. Hamli, September, 1990." [F. 25] 52. "Robert Halmi." [F. 26] 53. "Richardson/Conversations with My Father, 1/29." [F. 27] 54. "Robert Draper, 10/82," 2 photocopied copies of contract between Robert Draper and Continental Film Group, Ltd.; includes Amin Q. Chaudhri's signature as President and CEO of Continental Film Group, Ltd. [F. 28] 55. "Robin Productions Ltd." [F. 29] 56. "Tax Returns, 11/92." [F. 30] 57. "This is Me Inc. vs. Elizabeth Taylor et al., 12/89." [F. 31] 58. "Thomas Babe, 5/85," includes contract signed by Thomas Babe, 4/23/84. [F. 32] 59. "6/83 - Tommy Thompson/Doubleday." [F. 33] 60. "Tony Lantz/ Lantz and Weaver, 6/93." [F. 34] 61. "W.G.A., 7/84." [F. 35] 62. "Unions." [F. 36] 63. Untitled, re: renewal of California Talent Agency License. [F. 37] II. Manuscripts. A. "Six Characters in Search of an Author," by Luigi Pirandello and Adolf Lantz, TS copy, 34 p.; includes TL from RL, 5/21/90. [F. 38] Page 3 of 3 Lantz, Robert (6/03/05) Lantz, Robert #1694 6/9/06 Preliminary Listing I. Professional Materials. Box 3 A. The Lantz Office, administration and client files; may include correspondence, contracts, printed material, financial material, manuscripts, personal materials re: RL. 1. "Amadeus - Ballet." [F. 1] 2. "Apstein, Ted." 3. "Atkins/ Dallaway," re: reviews. 4. "Atkins, Eileen/ A Delicate Balance/ Press." 5. "Atkins, Eileen/ Mrs. Dalloway." [F. 2] 6. "Atkins, Eileen/ Vita And Virginia - Press File." 7. "Atkins, Eileen/ Vita And Virginia - Reviews." 8. "Babe, Thomas - 1982." 9. "Babe, Thomas - 1986," notables include: Babe, Thomas. 2 TLS: 4/8/86, 12/22/86. 10. "Breglio, Nan Knighton 'Vienna'- Legal." [F. 3] 11. "Brook, Simon 'Ledru'." [F. 4] 12. "Caron, Leslie," notables include: Caron, Leslie. 7 TLS, April­ May, 1996. 13. "Damore, Leo." 14. "Davies, Howard/ Cat On A Hot Tin Roof." [F. 5] 15. "Davies, Howard/ Liaisons Dangereuses." [F. 6] 16. "Davies, Howard/ My Fair Lady." 17. "Davies, Howard/ Translations." 18. "Davis, Bette." [F. 7] 19. "Davis, Bette/ A Piano For Mrs. Cimino." 20. "Davis, Bette/ Hotel." 21. "Davis, Bette/ Nile." 22. "Davis, Bette/ Sings." 23. "Davis, Bette/ The Award Winners." 24. "Davis, Bette/ Tomorrow Entertainment." 25. "Epstein, Paul." 26. "Forman - Flynt: 1/1/95- 9/18/95." [F. 8] 27. "Forman - Flynt: Press." [F. 9] 28. "Forman - Flynt: Publishing." [F. 10] 29. "Forman - Flynt: Reviews And Press For RL/ SL Campaign." [F. 11] 30. "Forman - Flynt: Sherlee Lantz." 31. "Forman - Flynt: Sherlee, Ralph Nader, Jack Newfield." [F. 12] 32. "Forman - Flynt: Steiner." [F. 12-13] 33. "Friedman, Bruce Jay: 1994." [F. 14] Lantz, Robert (6/9/06) Page 1 of 13 34. "Friedman, Bruce Jay: Beautiful Guy." 35. "Friedman, Bruce Jay: Change Of Plan." 36. "Friedman, Bruce Jay: Lonely Guys Book Of Life." 37. "Friedman, Bruce Jay: Mermaid Story." 38. "Friedman, Bruce Jay: Scuba Duba." Box4 39. "Friedman, Bruce Jay: Scuba Duba, Mother's Kisses, Black Humor, Playboy." [F. 1] 40. "Friedman, Bruce Jay: Shy Photographer, Scuba Duba, Mother's Kisses." 41. "Friedman, Bruce Jay: Splash." [F. 2] 42. "Friedman, Bruce Jay: Stem." 43. "Friedman, Bruce Jay: Stir Crazy." 44. "Gocykowsky, Vladimir." 45. "Harris, Marilyn," notables include: Harris, Marilyn. 3 ALS: 12/10/89, 3/12/87, 6/17/88. 46. "Hotchner, A. E.," notables include: a. Hotchner, A. E. (i) 8 TLS, 2/3/86-4/9/88. (ii) 3 TNS:1/20/86 (photocopy), 10/26/86, 3/1/87. (iii) ALS, 5/11/86. (iv) 4 ANS: 1/9/88, 10/15/no year, 2 n.d. [F. 3] 4 7. Untitled re: Ballantine Books. 48. Untitled re: Thomas Babe. 49. "Gooch, Brad." [F. 4] 50. "Hobson, Laura Z.," notables include: Hobson, Laura. 3 TLS, 1979-1981. 51 "Hobson, Laura Z. - PR." [F. 5] 52. "Jenkins, Graham - Richard Burton." 53. "Kundera, Milan - Unbearable." [F. 6] 54. "Lambert, Gavin - Second Serve." [F. 7] 55. "Lantz, Sherlee - 1995." 56. "Robert Lantz - Confidential." [F. 8] 57. "Kristin Loewenstein." 58. "Myrna Loy, 1988." [F. 9] 59. "Loy, Myrna Autobiography." 60. "Myrna Loy- Roddy McDowall." 61. "Myrna Loy - Vera Lonnigan." 62. "Makarova, Natalia - 1991 Kultur (Kon Davis)." [F. 10] 63. "Makarova - Agency Contract." 64. "Natalia MaKarova Contract - On Your Toes." 65. "Makarova, Natalia: 'Tovarich,' 1991." 66. "Marshall Mason." 67. "Marshall Mason, 1988 And 1987," notables include: Mason, Marshall. 2 TLS, 1987-1988. [F. 11] 68. "Mason, Marshall W / Ahmanson Theatre - 'Summer And Smoke'." Lantz, Robert (6/9/06) Page 2 of 13 [F. 12] 69. "Mason, 'Angel Fall'." 70. "Marshall Mason, 'Burn This,' Contract Info." 71. "Mason, 'Bus Stop'." 72. "Mason, 'Kennedy's Children'." 73. "Marshall Mason - 'Picnic'." 74.
Recommended publications
  • The Rough Guide to Naples & the Amalfi Coast
    HEK=> =K?:;I J>;HEK=>=K?:;je CVeaZh i]Z6bVaÒ8dVhi D7FB;IJ>;7C7B<?9E7IJ 7ZcZkZcid BdcYgV\dcZ 8{ejV HVc<^dg\^d 8VhZgiV HVciÉ6\ViV YZaHVcc^d YZ^<di^ HVciVBVg^V 8{ejVKiZgZ 8VhiZaKdaijgcd 8VhVaY^ Eg^cX^eZ 6g^Zcod / AV\dY^EVig^V BVg^\a^Vcd 6kZaa^cd 9WfeZ_Y^_de CdaV 8jbV CVeaZh AV\dY^;jhVgd Edoojda^ BiKZhjk^jh BZgXVidHVcHZkZg^cd EgX^YV :gXdaVcd Fecf[__ >hX]^V EdbeZ^ >hX]^V IdggZ6ccjco^ViV 8VhiZaaVbbVgZY^HiVW^V 7Vnd[CVeaZh GVkZaad HdggZcid Edh^iVcd HVaZgcd 6bVa[^ 8{eg^ <ja[d[HVaZgcd 6cVX{eg^ 8{eg^ CVeaZh I]Z8Vbe^;aZ\gZ^ Hdji]d[CVeaZh I]Z6bVa[^8dVhi I]Z^haVcYh LN Cdgi]d[CVeaZh FW[ijkc About this book Rough Guides are designed to be good to read and easy to use. The book is divided into the following sections, and you should be able to find whatever you need in one of them. The introductory colour section is designed to give you a feel for Naples and the Amalfi Coast, suggesting when to go and what not to miss, and includes a full list of contents. Then comes basics, for pre-departure information and other practicalities. The guide chapters cover the region in depth, each starting with a highlights panel, introduction and a map to help you plan your route. Contexts fills you in on history, books and film while individual colour sections introduce Neapolitan cuisine and performance. Language gives you an extensive menu reader and enough Italian to get by. 9 781843 537144 ISBN 978-1-84353-714-4 The book concludes with all the small print, including details of how to send in updates and corrections, and a comprehensive index.
    [Show full text]
  • Before the Forties
    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
    [Show full text]
  • American Masters 200 List Finaljan2014
    Premiere Date # American Masters Program Title (Month-YY) Subject Name 1 ARTHUR MILLER: PRIVATE CONVERSATIONS On the Set of "Death of a Salesman" June-86 Arthur Miller 2 PHILIP JOHNSON: A SELF PORTRAIT June-86 Philip Johnson 3 KATHERINE ANNE PORTER: THE EYE OF MEMORY July-86 Katherine Anne Porter 4 UNKNOWN CHAPLIN (Part 1) July-86 Charlie Chaplin 5 UNKNOWN CHAPLIN (Part 2) July-86 Charlie Chaplin 6 UNKNOWN CHAPLIN (Part 3) July-86 Charlie Chaplin 7 BILLIE HOLIDAY: THE LONG NIGHT OF LADY DAY August-86 Billie Holiday 8 JAMES LEVINE: THE LIFE IN MUSIC August-86 James Levine 9 AARON COPLAND: A SELF PORTRAIT August-86 Aaron Copland 10 THOMAS EAKINS: A MOTION PORTRAIT August-86 Thomas Eakins 11 GEORGIA O'KEEFFE September-86 Georgia O'Keeffe 12 EUGENE O'NEILL: A GLORY OF GHOSTS September-86 Eugene O'Neill 13 ISAAC IN AMERICA: A JOURNEY WITH ISAAC BASHEVIS SINGER July-87 Isaac Bashevis Singer 14 DIRECTED BY WILLIAM WYLER July-87 William Wyler 15 ARTHUR RUBENSTEIN: RUBENSTEIN REMEMBERED July-87 Arthur Rubinstein 16 ALWIN NIKOLAIS AND MURRAY LOUIS: NIK AND MURRAY July-87 Alwin Nikolais/Murray Louis 17 GEORGE GERSHWIN REMEMBERED August-87 George Gershwin 18 MAURICE SENDAK: MON CHER PAPA August-87 Maurice Sendak 19 THE NEGRO ENSEMBLE COMPANY September-87 Negro Ensemble Co. 20 UNANSWERED PRAYERS: THE LIFE AND TIMES OF TRUMAN CAPOTE September-87 Truman Capote 21 THE TEN YEAR LUNCH: THE WIT AND LEGEND OF THE ALGONQUIN ROUND TABLE September-87 Algonquin Round Table 22 BUSTER KEATON: A HARD ACT TO FOLLOW (Part 1) November-87 Buster Keaton 23 BUSTER KEATON:
    [Show full text]
  • 31 Days of Oscar® 2010 Schedule
    31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy
    [Show full text]
  • Biographical Description for the Historymakers® Video Oral History with James Earl Jones
    Biographical Description for The HistoryMakers® Video Oral History with James Earl Jones PERSON Jones, James Earl​ Alternative Names: James Earl Jones; Life Dates: January 17, 1931- Place of Birth: Arkabutla, Mississippi, USA Work: Pawling, NY Occupations: Actor Biographical Note Actor James Earl Jones was born on January 17, 1931 to Robert Earl Jones and Ruth Connolly in Arkabutla, Mississippi. When Jones was five years old, his family moved to Dublin, Michigan. He graduated from Dickson High School in Brethren, Michigan in 1949. In 1953, Jones participated in productions at Manistee Summer Theatre. After serving in the U.S. Army for two years, Jones received his B.A. degree from the University of Michigan in Ann Arbor in 1955. Following graduation, Jones relocated to New York City where he studied acting at the American Theatre Wing. Jones’ first speaking role on Broadway was as the valet in Sunrise at Campobello in 1958. Then, in 1960, Jones acted in the Shakespeare in Central Park production of Henry V while also playing the lead in the off-Broadway production of The Pretender. Geraldine Lust cast Jones in Jean Genet’s The Blacks in the following year. In 1963, Jones made his feature film debut as Lt. Lothar Zogg in Dr. Strangelove, directed by Stanley Kubrick. In 1964, Joseph Papp cast Jones as Othello for the Shakespeare in Central Park production of Othello. Jones portrayed champion boxer Jack Jefferson in the play The Great White Hope in 1969, and again in the 1970 film adaptation. His leading film performances of the 1970s include The Man (1972), Claudine (1974), The River Niger (1975) and The Bingo Long Traveling All-Stars and Motor Kings (1976).
    [Show full text]
  • The Inventory of the Richard Roud Collection #1117
    The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills.
    [Show full text]
  • SCMS 2011 MEDIA CITIZENSHIP • Conference Program and Screening Synopses
    SCMS 2011 MEDIA CITIZENSHIP • Conference Program and Screening Synopses The Ritz-Carlton, New Orleans • March 10–13, 2011 • SCMS 2011 Letter from the President Welcome to New Orleans and the fabulous Ritz-Carlton Hotel! On behalf of the Board of Directors, I would like to extend my sincere thanks to our members, professional staff, and volunteers who have put enormous time and energy into making this conference a reality. This is my final conference as SCMS President, a position I have held for the past four years. Prior to my presidency, I served two years as President-Elect, and before that, three years as Treasurer. As I look forward to my new role as Past-President, I have begun to reflect on my near decade-long involvement with the administration of the Society. Needless to say, these years have been challenging, inspiring, and expansive. We have traveled to and met in numerous cities, including Atlanta, London, Minneapolis, Vancouver, Chicago, Philadelphia, and Los Angeles. We celebrated our 50th anniversary as a scholarly association. We planned but unfortunately were unable to hold our 2009 conference at Josai University in Tokyo. We mourned the untimely death of our colleague and President-Elect Anne Friedberg while honoring her distinguished contributions to our field. We planned, developed, and launched our new website and have undertaken an ambitious and wide-ranging strategic planning process so as to better position SCMS to serve its members and our discipline today and in the future. At one of our first strategic planning sessions, Justin Wyatt, our gifted and hardworking consultant, asked me to explain to the Board why I had become involved with the work of the Society in the first place.
    [Show full text]
  • DOROTHY BARENSCOTT “Sensationalising”
    EnterText 5.1 DOROTHY BARENSCOTT “Sensationalising” Mapplethorpe a Decade Later: What Dirty Pictures can show us about the “Culture Wars” today “I’m looking for the unexpected. I’m looking for things I’ve never seen before” - Robert Mapplethorpe “No Limits” - Network Slogan for Cable TV Channel Showtime In Spring 2000, the cable television channel Showtime premiered one of the most controversial television movies of the year. Titled Dirty Pictures, the made-for-TV film was billed as a docudrama centered around the Cincinnati Contemporary Art Center’s ill-fated Robert Mapplethorpe exhibition of 1990, The Perfect Moment, and the gallery director Dennis Barrie’s personal struggle to persevere through the subsequent obscenity trial that made headlines across North America at the time. The film, however, had been the subject of its own controversy. After ten years in production, several script changes, and a move from HBO to a lesser known cable network, Dirty Pictures went through a series of legal battles after the MPAA American ratings board initially issued the finished film an NC-17 rating because of its depiction of several of the most explicit Mapplethorpe photographs.1 Not only did this ruling potentially restrict Showtime’s ability to air the final work, but it also put the film squarely in the same category as soft-core pornography. An appeal, however, succeeded Dorothy Barenscott: “Sensationalising” Mapplethorpe 59 EnterText 5.1 in having the film assigned a more-acceptable R rating. And in the same week that Dirty Pictures finally premiered, the Supreme Court ruled in a 5-4 decision to strike down a law barring sexually-explicit programming on cable television outside the hours of ten p.m.
    [Show full text]
  • Collection of Television Press Kits, 1958, Ca
    http://oac.cdlib.org/findaid/ark:/13030/c87082fc No online items Finding Aid for the Collection of television press kits, 1958, ca. 1974-ca. 2004 Finding aid prepared by Arts Special Collections staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] © 2012 The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 1908 1 television press kits, 1958, ca. 1974-ca. 2004 Title: Collection of television press kits Collection number: 1908 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 9.5 linear ft.(19 boxes and 1 flat box.) Date (inclusive): 1958, ca. 1974-2004 Abstract: This collections documents a variety of television show genres broadcast on networks such as ABC, CBS, NBC, HBO, PBS, SHOWTIME, and TNT. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the caollection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
    [Show full text]
  • Viola Davis's Call to Adventure
    PROFILES DECEMBER 19 & 26, 2016 ISSUE VIOLA DAVIS’S CALL TO ADVENTURE How the star of “Fences” and “How to Get Away with Murder” got away from her difficult past. By John Lahr “I had a call to adventure, a call to live life bigger than myself,” Davis said. Photograph by Awol Erizku for The New Yorker n January 25, 2009, a jubilant Meryl Streep stood before a gala crowd at the O Screen Actors Guild Awards, in Los Angeles, having just won an award for her role in “Doubt,” the flm adaptation of John Patrick Shanley’s Pulitzer Prize- winning play about sexual abuse, race, and the Catholic Church. Clutching her statuette, Streep gave a shout-out to the rest of the cast. When she got to Viola Davis—who had earned her frst Academy Award nomination for her performance as the mother of an African-American boy a priest is accused of abusing—Streep saluted her colleague as “gigantically gifted,” then threw up her hands. “My God!” she said. “Somebody give her a movie!” The industry seems to have listened. Davis—“a newcomer at forty-fve,” as Streep later joked—has made twenty-one flms since then. Not all her roles have been large or central to the narrative arc, but, as Aibileen Clark, the maid who helps expose the folly of the white Mississippi matrons she serves, in “The Help”(2011), she was a popular success and gained a second Academy Award nomination. “No one had ever akst me what it felt like to be me,” Aibileen says at the end of the flm.
    [Show full text]
  • ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
    Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology.
    [Show full text]
  • 1998 Education
    1998 Education JANUARY JUNE 11 Video: Alfred Steiglitz: Photographer 2–5 Workshop: Drawing for the Doubtful, Earnest Ward, artist 17 Teacher Workshop: The Art of Making Books 3 Video: Masters of Illusion 18 Gallery Talk: Arthur Dove’s Nature Abstraction, 10 Video: Cezanne: The Riddle of the Bathers Rose M. Glennon, Curator of Education 17 Video: Mondrian 25 Members Preview: O’Keeffe and Texas 21 Gallery Talk: Nature and Symbol: Impressionist and 26 Colloquium: The Making of the O’Keeffe and Texas Post-impressionism Prints from the McNay Collection, Exhibition, Sharyn Udall, Art Historian, William J. Chiego, Lyle Williams, Curator, Prints and Drawings Director, Rose M. Glennon, Curator of Education 22 Lecture and Members Preveiw: The Garden Setting: Nature Designed, Linda Hardberger, Curator of the Tobin FEBRUARY Collection of Theatre Arts 1 Video: Women in Art: O’Keeffe 24 Teacher Workshop: Arts in Education, Getty 8 Video: Georgia O’Keeffe: The Plains on Paper Education Institute 12 Gallery Talk: Arthur Dove, Georgia O’Keeffe and American Nature, Charles C. Eldredge, title? JULY 15 Video: Alfred Stieglitz: Photographer 7 Members Preview: Kent Rush Retrospective 21 Symposium: O’Keeffe in Texas 12 Gallery Talk: A Discourse on the Non-discursive, Kent Rush, artist MARCH 18 Performance: A Different Notion of Beautiful, Gemini Ink 1 Video: Women in Art: O’Keeffe 19 Performance: A Different Notion of Beautiful, Gemini Ink 8 Lunch and Lecture: A Photographic Affair: Stieglitz’s 26 Gallery Talk: Kent Rush Retrospective, Lyle Williams, Portraits
    [Show full text]