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Pre- Genocide 180571_Humanity in Action_UK.indd 1 23/08/2018 11.51 © The contributors and Humanity In Action (Denmark) 2018 Editors: Anders Jerichow and Cecilie Felicia Stokholm Banke Printed by Tarm Bogtryk Design: Rie Jerichow Translations from Danish: Anders Michael Nielsen ISBN 978-87-996497-1-6 Contributors to this anthology are unaware of - and of course not liable for – contributions other than their own. Thus, there is no uniform interpretation of genocides, nor a common evaluation of the readiness to protect today. Humanity In Action and the editors do not necessarily share the authors' assessments. Humanity In Action (Denmark) Dronningensgade 14 1420 Copenhagen K Phone +45 3542 0051 180571_Humanity in Action_UK.indd 2 23/08/2018 11.51 Anders Jerichow and Cecilie Felicia Stokholm Banke (ed.) Pre-Genocide Warnings and Readiness to Protect Humanity In Action (Denmark) 180571_Humanity in Action_UK.indd 3 23/08/2018 11.51 Contents Judith Goldstein Preparing ourselves for the future .................................................................. 6 Anders Jerichow: Introduction: Never Again? ............................................................................ 8 I. Genocide Armenian Nation: Inclusion and Exclusion under Ottoman Dominance – Taner Akcam ........... 22 Germany: Omens, hopes, warnings, threats: – Antisemitism 1918-1938 - Ulrich Herbert ............................................................................................. 30 Poland: Living apart – Konstanty Gebert ................................................................... -
Arkkitehti Carl Ludvig Engel, Keisari Aleksanteri I Ja Sotaväenpäällikön Talon Pääjulkisivu Helsingin Esplanadilla
Jarkko Sinisalo Arkkitehti Carl Ludvig Engel, keisari Aleksanteri I ja sotaväenpäällikön talon pääjulkisivu Helsingin Esplanadilla Kaksikerroksinen kulmatalo osoitteessa Eteläesplanadi 6 - Fabianinkatu 25, nykyinen Valtioneuvoston juhlahuoneisto ("Smolna''), oli alun perin Suo- men sotaväen ylitarkastajan, sotaväenpäällikön, virkatalo. 1 (Kuva 1.) Se oli yksi niistä varhaisen pääkaupungin julkisista rakennuksista, joiden suun- nittelusta Carl Ludvig Engel huolehti Johan Albrecht Ehrenströmin joh- taman Helsingin uudelleenrakennuskomitean arkkitehtina (1816-1824). Engelin toiminnasta virkatalon suunnittelijana erottuu menettely, jota ei ta- vata muista uudelleenrakennuskomitean projekteista ja joka oli ylipäätään erittäin harvinainen arkkitehdin suunnittelutuotannossa. Hän nimittäin sisällytti lopulliseen, keisarille esiteltyyn suunnitelmaan kaksi vaihtoehtoa pääfasadiksi. Vaihtoehtoiset fasadipiirustukset ovat molemmat nyttemmin tulleet tutkimuksen ulottuville, toinen vuonna 1987 ja toinen 2006. Eräs yl- lättävä havainto vuonna 1987 oli, että nykyinen pääfasadi, jonka tiedetään säilyneen likipitäen alkuperäisellään, ei kaikin kohdin seurannutkaan vah- vistettua suunnitelmaa. Tässä artikkelissa keskityn käsittelemään pääfasa- din suunnittelua ja mahdollisia motiiveja vaihtoehtoisten fasadipiirustusten laatimiselle. Kuitenkin taustaksi käyn ensin läpi mm. aiemmin hyödyntä- mättä jääneiden kirjallisten lähteiden varassa virkatalon rakennushankkeen perustavia tapahtumia. Näin sitä suuremmalla syyllä, sillä hankkeen eräät piirteet viittaavat -
University of Cincinnati
UNIVERSITY OF CINCINNATI Date:___________________August 12, 2008 I, _________________________________________________________,Heather Farrell-Lipp hereby submit this work as part of the requirements for the degree of: Master in Architecture in: The School of Architecture and Interior Design It is entitled: Strategies between old and new: adaptive use of an industrial building This work and its defense approved by: Chair: _______________________________Michael McInturf _______________________________Jeffery Tilman _______________________________ _______________________________ _______________________________ Strategies between Old and New: Adaptive Use of an Industrial Building A thesis submitted to the Division of Research and Advanced Studies of the University of Cincinnati for partial fulfillment of the requirements for the degree of Master of Architecture In the School of Architecture and Interior Design August 12 2008 By Heather Farrell-Lipp Thesis committee: Michael McInturf, Jeffery Tilman Abstract ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ In the complex, fast-paced environment of this country, we have often disposed of building stock that could have been potentially adapted to meet our changing needs leaving environments with no connection to the past or local identity. This haphazard way of approaching our environment takes no advantage of our ability as sentient beings to truly engage in eloquent, sustainable combinations of the old and new. Through engaging the question of what we truly value in this country and how that can be defined through architectural quality, we look at a series of case studies that have successfully expressed a combination between the old and the new. This thesis defines some guiding principles inherent in successful resolutions. It does not give specified stylistic requirements but rather suggests that the old be fully understood, respected and engaged as part of a final combination with a clear hierarchy culminating in a unified expression. -
“HERE/AFTER: Structures in Time” Authors: Paul Clemence & Robert
FOR IMMEDIATE RELEASE Book : “HERE/AFTER: Structures in Time” Authors: Paul Clemence & Robert Landon Featuring Projects by Zaha Hadid, Jean Nouvel, Frank Gehry, Oscar Niemeyer, Mies van der Rohe, and Many Others, All Photographed As Never Before. A Groundbreaking New book of Architectural Photographs and Original Essays Takes Readers on a Fascinating Journey Through Time In a visually striking new book Here/After: Structures in Time, award-winning photographer Paul Clemence and author Robert Landon take the reader on a remarkable tour of the hidden fourth dimension of architecture: Time. "Paul Clemence’s photography and Robert Landon’s essays remind us of the essential relationship between architecture, photography and time," writes celebrated architect, critic and former MoMA curator Terence Riley in the book's introduction. The 38 photographs in this book grow out of Clemence's restless search for new architectural encounters, which have taken him from Rio de Janeiro to New York, from Barcelona to Cologne. In the process he has created highly original images of some of the world's most celebrated buildings, from Frank Lloyd Wright's Guggenheim Museum to Frank Gehry's Guggenheim Bilbao. Other architects featured in the book include Ludwig Mies van der Rohe, Oscar Niemeyer, Mies van der Rohe, Marcel Breuer, I.M. Pei, Studio Glavovic, Zaha Hadid and Jean Nouvel. However, Clemence's camera also discovers hidden beauty in unexpected places—an anonymous back alley, a construction site, even a graveyard. The buildings themselves may be still, but his images are dynamic and alive— dancing in time. Inspired by Clemence's photos, Landon's highly personal and poetic essays take the reader on a similar journey. -
Descriptive Catalogue of the Bowdoin College Art Collections
Bowdoin College Bowdoin Digital Commons Museum of Art Collection Catalogues Museum of Art 1895 Descriptive Catalogue of the Bowdoin College Art Collections Bowdoin College. Museum of Art Henry Johnson Follow this and additional works at: https://digitalcommons.bowdoin.edu/art-museum-collection- catalogs Part of the Fine Arts Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Bowdoin College. Museum of Art and Johnson, Henry, "Descriptive Catalogue of the Bowdoin College Art Collections" (1895). Museum of Art Collection Catalogues. 11. https://digitalcommons.bowdoin.edu/art-museum-collection-catalogs/11 This Book is brought to you for free and open access by the Museum of Art at Bowdoin Digital Commons. It has been accepted for inclusion in Museum of Art Collection Catalogues by an authorized administrator of Bowdoin Digital Commons. For more information, please contact [email protected]. BOWDOIN COLLEGE Desgriptive Catalogue OF THE Art Collections DESCRIPTIVE CATALOGUE OF THE BOWDOIN COLLEGE ART COLLECTIONS BY HENRY JOHNSON, Curator BRUNSWICK, ME. 1895 PUBLISHED BY THE COLLEGE. PRINTED AT JOURNAL OFFICE, LEWISTON, ME. Historical Introduction. The Honorable James Bowdoin, only son of the emi- nent statesman and patriot, Governor James Bowdoin of Massachusetts, returned to this country in 1809 from Europe, where he had been engaged in important diplomatic missions for the United States government. His death occurred in 1811. He bequeathed to the College, besides his library and other valuable property, his collection of paintings, seventy in number, brought together chiefly in Europe, and two portfolios of drawings. The drawings were received by Mr. John Abbot, the agent of the College, December 3, 1811, along with the library, of which they were reckoned a part. -
Helsinki: an Overview
Helsinki: An Overview Helsinki, the largest city in Finland, is the nation’s capital and its administrative, economic, scientific and cultural center. The metropolitan area covers 0.2 percent of Finland’s land area, yet 19 percent of the country’s population lives there, generating 30 percent of the nation’s total output. Demographics Helsinki is growing more international at a fast pace. Today 10 percent of Helsinki residents are foreign- born, and the frequency is higher among younger age groups. The proportion of foreign-born residents is expected to rise to 20-25 percent by 2025. Economy Finland’s economy is among the most competitive in the world, according to the World Economic Forum. Helsinki is the engine of Finland’s growth and is the country’s main economic and logistical center. Its industrial structure is diversified, but services and high-tech industries account for a large proportion of output. As the economic weight of Northern Europe shifts eastward, Helsinki is emerging as a regional hub of business and commerce. Located at the heart of the fast-growing Baltic Sea region, 315 miles due east of Stockholm, Helsinki serves as a gateway between East and West. Several daily flights and new high- speed trains link Helsinki to St. Petersburg, and extensive intercontinental flight connections make Helsinki a major hub for the megacities of East Asia, serving 13 million travelers in 2010. Annually, some 9 million ferry passengers travel through the port of Helsinki. Quality of Life Helsinki ranks second among European cities in The Economist Intelligence Unit’s Global Liveability Report (2010). -
Designing the Experience City - the Role of Hybrid Cultural Projects
Designing the Experience City - The role of Hybrid Cultural Projects Gitte Marling, Ole B. Jensen & Hans Kiib Nordic Journal of Architectural Research Volume 20, No 1, 2008, 18 pages Nordic Association for Architectural Research Gitte Marling, Ole B. Jensen and Hans Kiib Department of Architecture and Design, Aalborg University, Denmark TOPIC: DESIGNING THE EXPERIENCE CITY Abstract: This article takes its point of departure in the improvement of social interaction, performance pressure of the experience economy on and cultural exchange. The article contains two European cities - a pressure which in recent sections. In section one, we present the main years has found its expression in a number of theoretical concepts and framings that will comprehensive transformations of the physical guide the understanding and the analysis of the and architectural environments, and new archi- experience city. In section two, we focus on the tectural eventscapes related to fun and cultural design of the Danish experience city and pre- experience are emerging. The physical, cultural sent the first findings of our ongoing research and architectural perspectives of this develop- project. We analyse 15 Danish cases, which are ment as well as the problems and the new opp- represented in relation to their strategic and ortunities with which the ‘Experience city’ is urban design importance, their social and cultu- faced are discussed in the paper. The article ral content, their architectural representation focuses on the design of the Danish Experience and the programmes they contain. The article City with special emphasis on hybrid cultural ends with a short discussion of some of these projects and on performative urban spaces. -
Aalto and History
Keynote - Alvar Aalto Researchers’ Network March 12th – 14th 2012, Seinäjoki and Jyväskylä, Finland Aalto and history Aino Niskanen Professor Aalto University, School of Arts, Design and Architecture Department of Architecture Finland [email protected] Publisher Alvar Aalto Museum ISSN-L 2323-6906 ISSN 2323-6906 www.alvaraalto.fi www.alvaraaltoresearch.fi Keynote - Alvar Aalto Researchers’ Network March 12th – 14th 2012, Seinäjoki and Jyväskylä, Finland www.alvaraaltoresearch.fi In the present seminar the history of Alvar Aalto’s work is being dealt with on many different levels. As an introduction, I should like to discuss Aalto’s relationship with history. Many of the presentations over the course of the seminar will no doubt take these issues further. What do we know about Aalto’s formative years as an architect? During the period he was studying at the Helsinki Institute of Technology, 1916-1921, the teaching there had a strong emphasis on history: examples from the antiquities beckoned as a foundation for everything new. (Fig 1) Fig 1. Alvar Aalto in 1916. Photo: Schildt, Göran: The Early Years, p. 75. Nevertheless, those teachers considered important by Aalto were, according to Göran Schildt, above all important as pedagogues of attitudes: Usko Nyström, who taught the history of architecture of the antiquities and Middle Ages, emphasised the values of modesty, humanity, vitality, comfort and practicality. Armas Lindgren, who taught more recent architectural history, awoke a love in Aalto for Italian Renaissance architecture and an understanding of the organic thinking of Jugend architecture.1 In the paintings he made during his youth Aalto often portrayed historically layered urban milieus. -
Donderdag 4 April 2013 ARCH + Bru:Tecture
KOPENHAGEN Zaterdag 30 maart – donderdag 4 april 2013 ARCH + bru:tecture INFO + DAGPLANNING KOPENHAGEN Zaterdag 30 maart – donderdag 4 april 2013 ARCH + bru:tecture Ook dit jaar nemen bru:tecture en de vakgroep Architectonische ingenieurswetenschappen het initiatief om op architectuurreis te gaan. Deze keer brengt die ons naar Kopenhagen. De vrolijke kleuren van de huizen aan de Nyhavn stralen er ons al van ver tegemoet. Maar dat is niet alles wat Kopenhagen te bieden heeft. Met als bijnaam ‘hoofdstad van het design’, kan het niet anders dan dat er op gebied van kunst en architectuur een heleboel te beleven valt. 30 maart 2013 Gedrukt door ARCH - VUB Opgemaakt door Siemen Goetschalckx, Lennert Loos, Kelvin Roovers en Waldo Galle PRAKTISCHE INFORMATIE Contact Tijdens de reis zijn ARCH + bru:tecture, de initiatiefnemers, uitsluitend te bereiken via het secretariaat van het departement ARCH via +32(0)2 629 2840 en [email protected] In de reisgids, die alle deelnemers krijgen aan het begin van de reis, zal wel een lijst met al hun gsm-nummers staan, zodat zij elkaar kunnen bereiken. Heenreis, zaterdag 30 maart Iedereen heeft steeds zijn of haar studentenkaart én identiteitskaart op zak! De diabolo-toeslag is nodig voor treinreizen van en naar Brussel-Nationaal-Luchthaven. Je kunt aansluiten waar je wilt en met de trein verder reizen naar de luchthaven of er rechtstreeks naartoe gaan: 15u00 Verzamelen bovenaan de grote trappen in de centrale hal van het treinstation Brussel Centraal IR 3713 richting Leuven, vertrek in Centraal om 15:14, aankomst Luchthaven om 15:31 15u45 Verzamelen in de centrale vertrekhal in de luchthaven van Zaventem 17u00 Laatste check-in in de luchthaven 17u50 Vertrek in Brussel, Zaventem met vlucht SK 1594 19u20 Aankomst in Kopenhagen, Kastrup Bagage Op de vluchten moet het gewicht van de bagage beperkt worden tot 23kg. -
August 2018 Newsletter
Den Danske Forening HEIMDAL August 2018 Doors of Copenhagen Medlemsblad Newsletter for the Danish Association Heimdal – Established 1872 THE DANISH ASSOCIATION “HEIMDAL” INC 36 AUSTIN STREET NEWSTEAD QLD 4006 Contact details: 0437 612 913 www.danishclubbrisbane.org Contributions meeting coming up soon, we We would love to share your news and stories. You are welcome to send emails with should all make a point of stories, news and photos to the editor for looking at the future of the publication. The closing date for the next club: what’s the next step? issue is 16 August 2018. We reserve the right to edit or not publish your contribution. What do we want to achieve, Any material published does not necessarily what can we do for Danes in reflect the opinion of the Danish Club or the Editor. Brisbane/Queensland/Australia? Do we want to become more Editor: Lone Schmidt political, take part in the Phone: 0437 612 913 Email: [email protected] immigration debate here and/or in Denmark. Provide Danish Webmaster: Peter Wagner Hansen Phone: 0423 756 394 lessons for kids/adults, open Skype: pete.at.thebathouse the club to restaurant activities Email: [email protected] such as a Saturday dinner club Web: www.danishclubbrisbane.org or Sunday brunch? And who’ll do it? Most current committee From the Editor members have been involved for over ten years now and it’s time for a fresh influx of ideas and muscle, if we want to maintain the momentum. Just had a good look at the club accounts before they went off to the auditors: what a year we’ve had! Although we cut back on concerts and other Spangsberg flødeboller - yum activities, Café Danmark and a variety of special events made it possible to generate the same income levels as last WELCOME TO OUR year. -
City of Helsinki As a Platform for Wood Construction Development | K
22. Internationales Holzbau-Forum IHF 2016 City of Helsinki as a Platform for Wood Construction Development | K. Kuisma 1 City of Helsinki as a Platform for Wood Construction Development Städte im Wandel und die Rolle des Holz(haus)baus – Helsinki Les villes en transformation et le rôle de la construction bois – Helsinki Kimmo Kuisma City of Helsinki City Executive Office, Urban Development Project Manager Helsinki, Finland 22. Internationales Holzbau-Forum IHF 2016 2 City of Helsinki as a Platform for Wood Construction Development | K. Kuisma 22. Internationales Holzbau-Forum IHF 2016 City of Helsinki as a Platform for Wood Construction Development | K. Kuisma 3 City of Helsinki as a Platform for Wood Construction Development 1. Helsinki has always been a wooden city 1.1. Early days of wooden city Helsinki has always been a city of wooden buildings. Since its founding in 1550 until the late 19th century, wood was the main material of buildings. The city structure was formed by one and two storey wooden city blocks, where working-class people lived. Only the state and church could afford construction in brick or stone. Big city fires have destroyed Helsinki totally or partially approximately once a century between 1550-1900. 1.2. Historical wooden house districts Helsinki expanded rapidly in the early 1900s. Several working-class wooden house dis- tricts were developed to ease the considerable housing shortage. Many of these neigh- bourhoods were demolished in the big wave of urbanization of 1960s and 1970s, but at the same time the remaining wooden house districts were protected. The formerly working-class neighbourhoods then transformed into middle-class neigh- bourhoods favoured by urban bohemians, complete with corner bars, cafés and small street-level shops. -
Alvar Aalto and the Theory of Play: Through Analysis on Alvar Aalto’S Furniture Design
Alvar Aalto and the theory of play: Through analysis on Alvar Aalto’s furniture design Mayu Kamamoto / Osaka University / Osaka / Japan Blucher Design Abstract Proceedings November 2016, Play was an important concept for Finnish architect and designer Alvar Aalto (1898-1976). He Number 1, Volume 1 http://www.proceeding emphasized the importance of play in design activities. Aalto seems to have been influenced by s.blucher.com.br/articl Yrjö Hirn (1870-1952), a Finnish aesthetician and author of Barnlek [Child’s play, 1916]. From e-list/icdhs2016/list the late 1920s to 1940s, Aalto designed not only buildings, but also furniture. In functionalism, which spread from the early 1920s, experimentation with wood for furniture played a very im- portant role for Aalto. He emphasized that this experimentation was closely related to the idea of play. This study demonstrates Aalto’s suggestive idea through an analysis of his furniture de- sign. It can be said that the concept of play guided him to develop this idea. Keywords Alvar Aalto, Yrjö Hirn, play, furniture design, functionalism Introduction Alvar Aalto (1898-1976) was a Finnish architect and talented designer of furniture, glassware, lamps, and so on. He placed a lot of emphasis on play, a trait he shared with the Finnish aesthetician Yrjö Hirn (1870-1952). In 1916, Hirn wrote the book Barnlek [Child’s play], where he explained the importance of play. Aalto wrote an article entitled ‘Koetalo, Muuratsalo’ [Experimental house at Muuratsalo], pub- lished in the Finnish architectural journal Arkkitehti [Architect], where he stated the following: Whether or not Yrjö Hirn was the direct cause, at any rate the influence of his personality con- tributed to my firm conviction and instinctive feeling that in the midst of our laboring, calculating, utilitarian age, we must continue to believe in the crucial significance of play when building a society for human beings, those grown-up children.