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												University of Western Sydney
Submitted in fulfillment of the requirements for the Degree of Doctor of Creative Arts UNIVERSITY OF WESTERN SYDNEY School of Communication Arts Institute for Culture and Society Principal Supervisor: Dr. Maria AnGel Co-supervisor: Prof. Hart Cohen 2014 ACKNOWLEDGEMENTS This project has taken me seven years to complete and I would like to sincerely thank all the people who have, in one way or another, helped to make it possible. Despite all the difficulty I encountered, I found diverse kinds of support along the way, from friends, colleagues, family, experts and organisations, who have helped me persist with and conclude this project. A special thanks to Mestre Roxinho, Chiara Ridolfi, Elisabeth Pickering and 30 young refugees at Cabramatta High School for agreeing to be filmed so closely for such a long period of time. This was an expansive and difficult exercise in trust. I admire them for that. I want to acknowledge the generosity and expertise of the original academic supervisors Cristina Rocha, Hart Cohen, Megan Watkins, who have contributed to this project. Greg Nobel for having mediated the difficult moments along the way. I specially want to thank Dr. Maria Angel for having come onboard this project as my Principal Supervisor in the last year of my candidature. I am also very thankful for the support I received from volunteers and tutors who worked in the implementation of the project in 2010, and for the film equipment provided by the University of Western Sydney’s School of Communication Arts and the Institute for Culture and Society. The film component of this DCA was only possible because of this support. - 
												
												Medea of Gaza Julian Gordon Connecticut College, [email protected]
Connecticut College Digital Commons @ Connecticut College Theater Honors Papers Theater Department 2014 Medea of Gaza Julian Gordon Connecticut College, [email protected] Follow this and additional works at: http://digitalcommons.conncoll.edu/theathp Part of the Theatre and Performance Studies Commons Recommended Citation Gordon, Julian, "Medea of Gaza" (2014). Theater Honors Papers. 3. http://digitalcommons.conncoll.edu/theathp/3 This Honors Paper is brought to you for free and open access by the Theater Department at Digital Commons @ Connecticut College. It has been accepted for inclusion in Theater Honors Papers by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. GORDON !1 ! ! Medea of Gaza ! Julian Blake Gordon Spring 2014 MEDEA OF GAZA GORDON !1 GORDON !2 Research Summary A snapshot of Medea of Gaza as of March 7, 2014 ! Since the Summer of 2013, I’ve been working on a currently untitled play inspired by the Diane Arnson Svarlien translation of Euripides’ Medea. The origin of the idea was my Theater and Culture class with Nancy Hoffman, taken in the Spring of 2013. For our midterm, we were assigned to pick a play we had read and set it in a new location. It was the morning of my 21st birthday, a Friday, and the day I was heading home for Spring Break. My birthday falls on a Saturday this year, but tomorrow marks the anniversary, I’d say. I had to catch a train around 7:30am. The only midterm I hadn’t completed was the aforementioned Theater and Culture assignment. - 
												
												My Life on the Road / Gloria Steinem
Copyright © 2015 by Gloria Steinem All rights reserved. Published in the United States by Random House, an imprint and division of Penguin Random House LLC, New York. RANDOM HOUSE and the HOUSE colophon are registered trademarks of Penguin Random House LLC. Grateful acknowledgment is made to the following for permission to reprint previously published material: Houghton Mifflin Harcourt Publishing Company and The Joy Harris Literary Agency, Inc.: Excerpts from “In These Dissenting Times” from Revolutionary Petunias & Other Poems by Alice Walker, copyright © 1970 and copyright renewed 1998 by Alice Walker. Electronic rights and rights throughout the U.K. and Commonwealth are controlled by The Joy Harris Literary Agency, Inc. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company and The Joy Harris Literary Agency, Inc. Sony/ATV Music Publishing LLC: Excerpt from “Rainy Night in Georgia” written by Tony White, copyright © 1969 Combine Music Corp. All rights administered by Sony/ATV Music Publishing LLC, 424 Church Street, Suite 1200, Nashville, TN 37219. All rights reserved. Reprinted by permission. LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA Steinem, Gloria. My life on the road / Gloria Steinem. pages cm ISBN 978-0-679-45620-9 eBook ISBN 978-0-8129-8835-2 1. Steinem, Gloria. 2. Feminists—United States—Biography. 3. Feminism—United States. I. Title. HQ1413.S675A3 2015 305.42092—dc23 [B] 2015010718 eBook ISBN 9780812988352 randomhousebooks.com Title page photograph © Marianne Barcellona Book design by Barbara M. Bachman, - 
												
												Sunday, March 20, 2016 – Palm Sunday “A Truly Open Table” Santina Poor Luke 22:14-23
Sunday, March 20, 2016 – Palm Sunday “A Truly Open Table” Santina Poor Luke 22:14-23 There are times in our lives when someone seems to know the perfect thing to say just when you need to hear it the most. Maybe they share words of wisdom with you following a confusing experience. Maybe they offer words of hope and love when you are feeling sad. Maybe what they are offering are words of forgiveness after you’ve made a mistake. Or maybe they offer words of welcome, inviting you into their space and into their lives, at a time when you feel most vulnerable and alone. Throughout Luke’s gospel we are witness to many stories of Jesus offering words of wisdom, love, forgiveness, and welcome. In our text this evening, we are witness to Jesus’s invitation to his friends to join him at the table for a meal that will change their lives. It is an invitation that continues to be extended to us today to be part of this life-changing meal that takes place at a table that has room for everyone. Today I’m reading Luke’s gospel, chapter 22, verses 14-23 – Hear what the Spirit is saying to the church: When the hour came, he took his place at the table, and the apostles with him. He said to them, “I have eagerly desired to eat this Passover with you before I suffer; for I tell you, I will not eat it until it is fulfilled in the kingdom of God.” Then he took a cup, and after giving thanks he said, “Take this and divide it among yourselves; for I tell you that from now on I will not drink of the fruit of the vine until the kingdom of God comes.” Then he took a loaf of bread, and when he had given thanks, he broke it and gave it to them, saying, “This is my body, which is given for you. - 
												
												Imagine, Inspire, Impact
ELIZABETHTOWN COLLEGE MOMENTUM IMAGINE, INSPIRE, IMPACT STUDENT REFLECTIVE ESSAYS AUGUST 2013 Few will have the greatness to bend history itself; but each of us can work to change a small portion of events, in the total of all those acts will be written the history of this generation. Robert Francis Kennedy (1925-1968) 1 Gaining Momentum Sitting in class freshman year our minds were tuned to function on a setting which would “prepare us for college,” but how do you actually prepare for something you have only read or heard about? There is no comparison to moving into a new setting; leaving everything you worked so hard over the course of twelve years to build such as relationships and routines just to start anew. It is especially hard to imagine such a place when you are one named a first generation college student. In this case, who do you go to for all the rigorous preparations needed just to be eligible to gain admittance? It is imperative to have mentors who can help guide you through the never-ending sea of paperwork, financials, and just the basic transformation of entering the next phase of your life. So in these hard-hitting situations, where does someone such as me turn? I felt absolutely lost and overwhelmed in the beginning; like I was entering the dark depths of the unknown. When it felt like I was stranded and left to fight this battle alone, my shining light came through; my new mentors and family, Momentum. It is hard to imagine going back to that place of fear, but also in that place it was impossible to imagine that all my life’s tribulations would lead me to where I am now. - 
												
												Four Plays by Frank Wedekind
TRAGEDIES OF SEX TRAGEDIES OF SEX BY FRANK WEDEKIND Translation and Introduction by SAMUEL A ELIOT, Jr. Spring’s Awakening (Fruhlings Erwachen) Earth-Spirit (Erdgeist) Pandora’s Box (Die Buchse der Pandora) Damnation 1 (Tod und Teufel) FRANK HENDERSON ftj Charing Cross Road, London, W.C. 2 CAUTION.—All persons are hereby warned that the plays publish 3d in this volume are fully protected under international copyright laws, and are subject to royalty, and any one presenting any of said plays without the consent of tho Author or his recognized agents, will be liable to the penalties by law provided. Both theatrical and motion picture rights are reserved. Printed in the TJ. S. A. CONTENTS PAGE Introduction vii Spring’s Awakening (Fruhlingserwachen) 1 Earth-Spirit (Erdgeist) Ill Pandora’s Box (Buchse der Pandora) . 217 Damnation! (Tod und Teufel) ...... 305 INTRODUCTION Frank Wedekind’s name is widely, if vaguely, known by now, outside of Germany, and at least five of his plays have been available in English form for qui^e some years, yet a resume of biographical facts and critical opinions seems necessary as introduction to this—I will not say authoritative, but more care- ful—book. The task is genial, since Wedekind was my special study at Munich in 1913, and I translated his two Lulu tragedies the year after. The timidity or disapprobation betrayed in this respect by our professional critics of foreign drama makes my duty the more imperative. James Huneker merely called him “a naughty boy !” Percival Pollard tiptoed around him, pointing out a trait here and a trait there, like a menagerie-keeper with a prize tiger. - 
												
												Infertility / Loss of Life at Embryo Stage
M. E. N. D. Mommies Enduring Neonatal Death Infertility/Loss of Life at Embryo Stage A new year has begun. Many of you might sadly sigh time, I think many people had already forgotten about our and say, "another year…," meaning another year has passed little one, who should have been 4 or 5 months old. I felt it without the joy and hope of a baby. Perhaps some of you was too late to really explain to anyone other than my were so sure 2014 was YOUR year, THE year. And now it's husband why I was in such a funk. He got it and was sad gone and 2015 is underway. along with me. However, I felt no one else would Though I cannot completely relate to infertility in the understand, because not only had it been a full year since the traditional sense of the word, I am considered to have miscarriage, I was only 10 weeks along when I lost the baby. secondary infertility since the last two of my three Byron and I saw our little one's beating heart and developing pregnancies ended early with a loss. I never had trouble body through sonogram images, but no one else did. Unless conceiving, just keeping my babies. Jonathan was stillborn one is educated on embryonic development, I'm sure most due to a cord accident at 29.5 weeks, and Baby Mitchell was assumed we lost "a blob." No, the last time we saw it alive, miscarried at 10 weeks, likely due to a partial molar it was a tiny person with a beating heart, a round head, a pregnancy (my own unofficial diagnosis). - 
												
												UNIVERSITY of CALIFORNIA Los Angeles Fairy Tales
UNIVERSITY OF CALIFORNIA Los Angeles Fairy Tales for Adults: Imagination, Literary Autonomy, and Modern Chinese Martial Arts Fiction, 1895-1945 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Lujing Ma Eisenman 2016 © Copyright by Lujing Ma Eisenman 2016 ABSTRACT OF THE DISSERTATION Fairy Tales for Adults: Imagination, Literary Autonomy, and Modern Chinese Martial Arts Fiction, 1895-1945 By Lujing Ma Eisenman Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2016 Professor Theodore D Huters, Chair This dissertation examines the emergence and development of modern Chinese martial arts fiction during the first half of the twentieth century and argues for the literary autonomy it manifested. It engages in the studies of modern Chinese literature and culture from three perspectives. First, approaching martial arts fiction as a literary subgenre, it partakes in the genre studies of martial arts fiction and through investigating major writers and their works explains how the genre was written, received, reflected, and innovated during the period in question. Second, positioning martial arts fiction as one of the most well received literary subgenre in the modern Chinese literary field, it discusses the “great divide” between “pure” and “popular” literatures and the question of how to evaluate popular literature in modern China. Through a series of textual analysis contextualized in the lineage of martial arts fiction, it offers insight into ii how the ideals of so-called “pure” and “popular” literatures were interwoven in the process of reviewing and re-creating the genre. - 
												
												Miranda, 15 | 2017, « Lolita at 60 / Staging American Bodies » [En Ligne], Mis En Ligne Le 18 Septembre 2017, Consulté Le 16 Février 2021
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 15 | 2017 Lolita at 60 / Staging American Bodies Édition électronique URL : http://journals.openedition.org/miranda/10470 DOI : 10.4000/miranda.10470 ISSN : 2108-6559 Éditeur Université Toulouse - Jean Jaurès Référence électronique Miranda, 15 | 2017, « Lolita at 60 / Staging American Bodies » [En ligne], mis en ligne le 18 septembre 2017, consulté le 16 février 2021. URL : http://journals.openedition.org/miranda/10470 ; DOI : https:// doi.org/10.4000/miranda.10470 Ce document a été généré automatiquement le 16 février 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. 1 SOMMAIRE Les 60 ans de Lolita Introduction Marie Bouchet, Yannicke Chupin, Agnès Edel-Roy et Julie Loison-Charles Nabokov et la censure Julie Loison-Charles Lolita, le livre « impossible » ? L'histoire de sa publication française (1956-1959) dans les archives Gallimard Agnès Edel-Roy Fallait-il annoter Lolita? Suzanne Fraysse The patterning of obsessive love in Lolita and Possessed Wilson Orozco Publicités, magazines, et autres textes non littéraires dans Lolita : pour une autre poétique intertextuelle Marie Bouchet Solipsizing Martine in Le Roi des Aulnes by Michel Tournier: thematic, stylistic and intertextual similarities with Nabokov's Lolita Marjolein Corjanus Les « Variations Dolores » - 2010-2016 Nouvelles lectures-réécritures de Lolita Yannicke Chupin Staging American Bodies Staging American Bodies – Introduction Nathalie Massip Spectacle Lynching and Textual Responses Wendy Harding Bodies of War and Memory: Embodying, Framing and Staging the Korean War in the United States Thibaud Danel Singing and Painting the Body: Walt Whitman and Thomas Eakins’ Approach to Corporeality Hélène Gaillard “It’s so queer—in the next room”: Docile/ Deviant Bodies and Spatiality in Lillian Hellman’s The Children’s Hour Sarah A. - 
												
												SQ+Vol1.1.Pdf
Steer Queer Vol. 1 Issue 1 editted by Catherine Conley front and back covers by Kate DuPuis layout by Maggie Lynn Negrete You may be wondering, “What am I looking at, and why is it included in this zine?” This is a photo of my uncle Bobby when he worked at La Normande, for more information contact which at the time was one of Pittsburgh’s fanciest, schmanciest restaurants. [email protected] My uncle was part of the LGBTQ community and would have been a great resource to me when coming out. Sadly, I was unable to meet him as an adult, and it’s a connection I have missed. I would like to dedicate the first issue of this magazine to his memory and to all of the members of our queer family who are no longer with us. Without their tireless efforts, we would not enjoy the freedoms we have now. The world still has quite a ways to go, so let’s make a path for future generations to follow in the hope that they will never experience the struggles we face today. Contents Letters to My Mother Noah C. Riley Confessions of a Queer Girl Catherine Conley Femme Problems Catherine Conley EKG Girl Chelsea Eddington Trans-itioning Joshua Dusk On Main Street Hannah Jarvis Asexual Awareness Evelyn Milburn Fragmented Heidi Simpson Winter Witch Portraits of Veruca la’Piranha Mousebones Untitled Anonymous Trans Racer Sarah Know Your Community Interview with Bebe Berretta Interviewer Needles Moriah Ella Mason Darkroom Casey Can Just Be Sam Thorp Untitled Collage Noah C. - 
												
												Nomination Press Release
Outstanding Comedy Series 30 Rock • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Television The Big Bang Theory • CBS • Chuck Lorre Productions, Inc. in association with Warner Tina Fey as Liz Lemon Bros. Television Veep • HBO • Dundee Productions in Curb Your Enthusiasm • HBO • HBO association with HBO Entertainment Entertainment Julia Louis-Dreyfus as Selina Meyer Girls • HBO • Apatow Productions and I am Jenni Konner Productions in association with HBO Entertainment Outstanding Lead Actor In A Modern Family • ABC • Levitan-Lloyd Comedy Series Productions in association with Twentieth The Big Bang Theory • CBS • Chuck Lorre Century Fox Television Productions, Inc. in association with Warner 30 Rock • NBC • Broadway Video, Little Bros. Television Stranger, Inc. in association with Universal Jim Parsons as Sheldon Cooper Television Curb Your Enthusiasm • HBO • HBO Veep • HBO • Dundee Productions in Entertainment association with HBO Entertainment Larry David as Himself House Of Lies • Showtime • Showtime Presents, Crescendo Productions, Totally Outstanding Lead Actress In A Commercial Films, Refugee Productions, Comedy Series Matthew Carnahan Circus Products Don Cheadle as Marty Kaan Girls • HBO • Apatow Productions and I am Jenni Konner Productions in association with Louie • FX Networks • Pig Newton, Inc. in HBO Entertainment association with FX Productions Lena Dunham as Hannah Horvath Louis C.K. as Louie Mike & Molly • CBS • Bonanza Productions, 30 Rock • NBC • Broadway Video, Little Inc. in association with Chuck Lorre Stranger, Inc. in association with Universal Productions, Inc. and Warner Bros. Television Television Alec Baldwin as Jack Donaghy Melissa McCarthy as Molly Flynn Two And A Half Men • CBS • Chuck Lorre New Girl • FOX • Chernin Entertainment in Productions Inc., The Tannenbaum Company association with Twentieth Century Fox in association with Warner Bros. - 
												
												Gender in the Modernist City: Shaping Power Relations and National Identity with the Construction of Brasilia Larissa Pires Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2013 Gender in the modernist city: shaping power relations and national identity with the construction of Brasilia Larissa Pires Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Latin American History Commons, and the Urban Studies and Planning Commons Recommended Citation Pires, Larissa, "Gender in the modernist city: shaping power relations and national identity with the construction of Brasilia" (2013). Graduate Theses and Dissertations. 13193. https://lib.dr.iastate.edu/etd/13193 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Gender in the modernist city: shaping power relations and national identity with the construction of Brasilia by Larissa Oliveira Pires A dissertation submitted to the graduate faculty in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Major: History of Technology and Science Program of Study Committee: Amy S. Bix, Major Professor David B. Wilson Kimberly E. Zarecor John W. Monroe Timothy S. Wolters Iowa State University Ames, Iowa 2013 Copyright © Larissa Oliveira Pires, 2013. All rights reserved. ii DEDICATION To Gabriela and Nathan. iii TABLE OF CONTENTS DEDICATION ii LIST OF FIGURES v LIST OF TABLES vi ACKNOWLEDGEMENTS vii ABSTRACT viii CHAPTER 1.