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September-Programm O & O Do.27.08. bis Sa.29.08. The show must go on(line) finishing sessionsA.E.I.O.U. Austria erit in orbe ultima Dirty Nightlines by Kingsize Talents /2020 Di.01.09. Ratzer/Herbert/eXtracello Mi.02. & Do.03.09. OnQ.20-Festival Fr.04.09. Donauwellenreiter Sa.05.09. Barbara Bruckmüller Big Band So.06.09. Buku Weinrich Quartet feat. Knebo Guttenberger O & Tini Kainrath Mo.07.09. bis Mi.09.09. Porträt Sigi Finkel Do.10.09. Vinx feat. Basostroj Fr.11.09. Christoph Cech Jazz Orchestra Project Sa.12.09. The P&B Stageband Leonhard Skorupa Orchestra feat. Michael Moore So.13.09. Orchestre National de Jazz Mo.14.09. Gypsy Dynasty w/ Martin Weiss, Holzmanno Winterstein & Vali Mayer Di.15.09. Camille Emaille / Dieb13 / Hans Koch Mi.16.09. Matthias Schriefl’s Six, Alps & Jazz Do.17.09. Nouvelle Cuisine Fr.18.09. Still Experienced XL Band plays the Music of Jimi Hendrix Sa.19.09. Martin Eberle Österreichische Post AG, Sponsoring Post, GZ: 02Z033277 S, Abs.: Porgy & Bess, Graf-Starhemberg-Gasse 1a, 1040 Wien, Ausgabe 03 & Martin Ptak / Emily Stewart So.20.09. Sevbiherk The Art of Kurdish Music Mo.21.09. AHL6 Di.22.09. Harri Stojka & Roma Musik Ensemble Mi.23.09. Duo Vilda Do.24.09. Le Bang Bang Fr.25.09. Ralph Towner Solo Sa.26.09. Pippa So.27.09. Bill Frisell Trio feat. Thomas Morgan & Rudy Royston Mo.28.09. Mitterer/Puschnig/Pirker Di.29.09. The New Austrian Sound of Music (NASOM) Mi.30.09. playground4 Im Jahre 1930 glaubte ein wohlverdienter austriakischer Dichterfürst an das Ende Österreichs in naher Zukunft. Begründung: Die besten Editorial Schnäpse und das Finanzministerium seien Die am 24. Juni von der Regierung angekündigten Lockerungen in Galizien zu finden; das unverzichtbare im Kulturbereich sehen zwar vor, dass ab Herbst „indoor“ bis zu Pilsner Bier und die gebildete Bürokratie fünftausend Besucher erlaubt sind – sitzend und mit Abstand –, befänden sich in Böhmen; volkserhaltende was für uns konkret bedeutet, dass sich nicht wahnsinnig viel Weizenvorräte und Freudenhäuser wären zum Status quo ändern wird. Durch diverse Optimierungsmaß- ausschließlich in Ungarn zu suchen; und nahmen können wir vielleicht 130 Personen in den Club lassen, Rumänien wäre nun die Heimstätte pracht- voller Ochsen und der deutschsprachigen der damit zumindest atmosphärisch funktionieren wird. Um auch The show kaufmännische Grundmaximen zu berücksichtigen, werden Musi- Literatur. Dem österreichischen Kernland ker bzw. Formationen, die ein größeres Publikum ansprechen, must go bliebe nur die Kriegsanleihe, die Beamten zwei Konzerte an einem Abend spielen – frei nach amerikani- (LINE) von der 5. Klasse abwärts und das Polizei- schem Vorbild. Wir werden da „situativ“ agieren, und zwar der- on präsidium. Abgeschnitten vom Zustrom gestalt, dass, wenn ein um 20.30 Uhr angekündigtes Konzert immer neuen Mischbluts wäre das unglück- „ausverkauft“ ist, wir ein zweites Konzert um 19 Uhr ansetzen finishing liche Land über kurz oder lang der bajuwari- werden. Das ursprüngliche Konzert beginnt dann um eine halbe schen Inzucht preisgegeben und sei daher Stunde später, um 21 Uhr. Dies gilt ab dem 1. September – da sessions für Mitteleuropa eine quälende Sorge, für nehmen wir wieder unseren täglichen Clubbetrieb auf und star- Westeuropa eine beschwerliche Last, für ten die 28. Spielsaison. Übrigens mit jenem Ausnahmekünstler, den Rest der Welt ein hochnotpeinlicher der im September 1993 das Porgy & Bess eröffnete, Sir Karl Rat- Operettenrefrain, und für alle zusammen: eine ENTBEHRLICHKEIT. zer. In diesem Sinne: Willkommen im Club! DIRTY Ihr Um das Jahr 2000 glaubt ein Christoph Huber unverschämt austrophiler Musikant an die NIGHTLINES NIGHTLINES Zukunft Österreichs angesichts bedrohlicher Endzeitstimmungen. Begründung: Die besten Schnäpse nebst einem ungemein trinkfesten Blechblasnachwuchs sind im Oberen Österreich zu finden. Sucht man die gebildete Bürokratie in LOWERAUSTRIA BY KINGSIZEBY TALENTS auch vergebens, eine junge bildende Kunst blüht ungefragt und teilgefördert tapfer einem öffentlichen Unverständnis entgegen. DONNERSTAG, FREITAG, Nicht nur außerparlamentarische Freuden- häuser unterschiedlichster Preisklasse sind in Wien zu entdecken. Nein, auch der agil SAMSTAG, improvisierenden Menschheit und ihren junggebliebenen Zuhörern wird vielerorts Heimstatt geboten: Das größte Dorf der AUGUST AUGUST Welt besitzt (noch) keinen einzigen elektri- schen Stuhl, wohl aber eine international beachtete, munter pulsingkanisch musizie- AUGUST rende New-Electronic-Szene. Prachtvolle The show Ochsen findet man gegenwärtig im ganzen österreichischen Land; und wertvolle jung- must go austriakische Literatur ist nicht nur in bundesdeutschen Verlagen (LINE) und auf inländischen Wiesen anzutreffen. Leider ist man hierzulan- on de auch oft traurig sprachlos, boomt doch im österreichischen Kernland nicht ausschließlich die künstlerische Wortgewalt. Beamte finishing von der 5. Rangesklasse abwärts wird es bald nicht mehr geben. Dafür darf mit einer wertschöpfenden Aufrüstung verschiedenster Polizeipräsidien gerechnet werden. Doch ist die alpenrepublikani- sessions sche Kulturnation (noch) nicht abgeschnitten vom Zustrom juveni- ler ausländischer Freigeister, welche man (noch) nicht ausdrücklich rief, aber glücklicherweise auch (noch) nicht loswird. GEMEINSAM sind solch jungdynamische Edelkraftpakete manchen zweit- bis drittstärksten Politunverantwortlichen eine quälende Sorge, vielen AAustria erit in orb bildungsbürgerlichen Subventionsstrategen jedweder Couleur eine e ultima beschwerliche Last. Aber der nicht unbeträchtliche Rest der Welt E beneidet und bewundert Österreich: Ein wunderbar vielgestaltig alt-junges Kreativszenario feiert jeden Tag aufs Neue feuchtfröhli- che Auferstehung. Kunst und Kultur kann man nicht abwählen. Kunst und Kultur ist für alle zusammen aber vor allem eines: UNENTBEHRLICH! (re_de) Paralipomenon: O Aus aktuellem Anlass: um vorzubeugen, um den Anfängen zu wehren: Was die Vokalreihe A.E.I.O.U., welche der römisch-deut- wurde als Am 27. Mai 2000 sche Kaiser Friedrich III. (1415 –1493) aus dem Hause Habsburg an Abschluss unserer Serie „30A – Old & New U vielen repräsentativen Bauten anbringen ließ, exakt bedeutet, ist Dreams“ im RadioKulturhaus unter dem DIRTY ungewiss. programmatischen Titel „A.E.I.O.U.“ ein (letzter) Abend mit „damaligen“ Kingsize- NIGHTLINES Aus der Sicht eines modernen Europa (und der UNO, welche Talents gestaltet, die da waren: Richard gemäß ihrer Charta die Sicherung des Weltfriedens, die Einhaltung Koch, Michael Hornek, Bernd Oberlinninger, BY KINGSIZE des Völkerrechts, den Schutz der Menschenrechte und die Förde- Martin Brandlmayr, Florian Kmet und (man rung der internationalen Zusammenarbeit umsorgt) kann/darf es lese und staune) Martin Grubinger. An die- mit Sicherheit keinesfalls Folgendes bedeuten: Austriae Est Impera- ser Stelle möchte ich Ihnen den damaligen TALENTS re Orbi Universo (Es ist Österreich bestimmt, die Welt zu beherr- Pressetext nicht vorenthalten: „Dieser schen). Alles klar? Abend [...] gehört der jungen kreativen Szene, die im neuen Rondell wieder ein An- und bedeuten könnte A.E.I.O.U. für unsere (austriakische) Podium haben wird. Sechs Kuratoren, in Gegenwart: Abwahl. Erinnerung. Information. Opposition. Unter- Vergangenheit und Gegenwart selbst immer suchungsausschuss. Zum Beispiel. wieder in den Programmspalten des P&B zu finden, bitten sechs förderungswürdige Zeit- (CH & re_de) genossen, denen die Zukunft gehört, mit Herzlich willkommen! ihren Ensembles auf die Bühne.“ (CH) AAustria erit in orb 19:00 Ee ultima FREITAG, 19:00 DONNERSTAG, PHRAIM TELEPORT NINA REITER: VOCALS VIOLA HAMMER: PIANO COLLECTIVE MARC MEZGOLITS: BASS O (FORMER KILLAH TOFU) PETER PRIMUS FROSCH: DRUMS AARON STEINER: U AUGUST KEYBOARDS, SYNTHESIZERS AUGUST JOACHIM HUBER: BASS, LITTLE MACHINES MICHAEL NAPHEGYI: DRUMS, PERCUSSIONS, ELECTRONICS SPECIAL GUESTS: LUKAS SCHIEMER: ALTO The show SAXOPHONE, EVELINE must go SCHMUTZHARD: VOCALS on(LINE) finishing sessions 20:30 CARTE BLANCHE: BEATE WIESINGER FABIAN RUCKER: REEDS, SYNTHESIZER BEATE WIESINGER: BASS, 20:30 SYNTHESIZER LUKAS KÖNIG: DRUMS, CARTE BLANCHE: SYNTHESIZER DAVID SIX DAVID SIX: PIANO MARIO ROM: TRUMPET CLEMENS SAINITZER: CELLO LUKAS KÖNIG: DRUMS 22:00 22:00 RALPH PURPLE IS THE MOTHWURF COLOR ORCHESTRA SIMON RAAB: PIANO RALPH MOTHWURF: CONDUCTOR, ŠTEPÁN FLAGAR: COMPOSITION TENOR, SOPRANO SAXOPHONE MARIA HOLZEIS-AUGUSTIN, JUDITH FERSTL: BASS BENJAMIN TABATABAI: FLUTE MICHAŁ WIERZGON: DRUMS VINCENT PONGRACZ, CHRISTO- Eintritt: 22.- €, 50.- € 3-Tages-Pass PHER HARITZER: CLARINET CLEMENS HOFER, CHRISTIAN ASTRID WIESINGER, AMSTÄTTER: TROMBONE CLEMENS SALESNY, SIMON TEUREZBACHER: TUBA VICY PFEIL: SAXOPHONE IGOR GROSS, TOBIAS MEISSL: 19:00 BIRGIT EIBISBERGER, MALLETTS LAILA SCHUBERT: HORN PETER ROM: GUITAR JUNE IN OCTOBER DOMINIC PESSL (LEAD), MICHAEL TIEFENBACHER: KEY- SAMSTAG, LUCIA LEENA: VOCALS, ANALOG SIMON PLÖTZENEDER, BOARDS SYNTHESIZER ALEXANDER KARANABETTER: TOBIAS VEDOVELLI: BASS FLORIAN SIGHARTNER: VIOLIN TRUMPET REINHOLD SCHMÖLZER: DRUMS CARLES MUÑOZ CAMARERO: CELLO Eintritt: 22.- €, 50.- € 3-Tages-Pass AUGUST JUDITH FERSTL: BASS, VOICE The show must go on(LINE) DIRTY NIGHTLINES finishing BY sessionsKINGSIZE TALENTS 22:00 MAMMA FATALE GIZEM KUS, DANI GSCHIRTZ: VOCALS MARGIT GRUBER: ELECTRONICS VICY PFEIL: BARITONE, 20:30 SOPRANO SAXOPHONE TZU-MIN LEE: KEYBOARDS CARTE BLANCHE: SARAH BRAIT: BASS GEORG VOGEL MICHAEL NAPHEGYI: DRUMS GEORG VOGEL: PIANO, FENDER RHODES, Eintritt: 22.- €, 50.- € 3-Tages-Pass SYNTHESIZER ELIAS STEMESEDER: PIANO, FENDER RHODES, SYNTHESIZER VALENTIN
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