Introducing Phonology
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Introducing Phonology
Introducing Phonology Designed for students with only a basic knowledge of linguistics, this leading textbook provides a clear and practical introduction to phonology, the study of sound patterns in language. It teaches in a step-by-step fashion the logical techniques of phonological analysis and the fundamental theories that underpin it. This thoroughly revised and updated edition teaches students how to analyze phonological data, how to think critically about data, how to formulate rules and hypotheses, and how to test them. New to this edition: • Improved examples, over 60 exercises, and 14 new problem sets from a wide variety of languages encourage students to practice their own analysis of phonological processes and patterns • A new and updated reference list of phonetic symbols and an updated transcription system, making data more accessible to students • Additional online material includes pedagogical suggestions and password-protected answer keys for instructors david odden is Professor Emeritus in Linguistics at Ohio State University. Cambridge Introductions to Language and Linguistics This new textbook series provides students and their teachers with accessible introductions to the major subjects encountered within the study of language and linguistics. Assuming no prior knowledge of the subject, each book is written and designed for ease of use in the classroom or seminar, and is ideal for adoption on a modular course as the core recommended textbook. Each book offers the ideal introductory material for each subject, presenting students with an overview of the main topics encountered in their course, and features a glossary of useful terms, chapter previews and summaries, suggestions for further reading, and helpful exercises. -
507 the Effect of Lingua Franca (Persian) on Minority Languages
ISSN 2039‐2117 Mediterranean Journal of Social Sciences Vol. 3 (2) May 2012 The Effect of Lingua Franca (Persian) on Minority Languages (Kurdish) Mahnaz Saiedi Payman Rezvani Department of English language, Tabriz branch, Islamic Azad University, Tabriz,Iran Doi:10.5901/mjss.2012.v3n2.507 Abstract The present study aims to consider the effect of lingua franca a sample of which is Persian upon minority languages as Kurdish which is spoken in a place where both Azari and Kurd-ish people have to communicate but by means of a third language (Persian) .the lexicon ,syntactical and phonological features of Kurdish in the local areas based on gathered data have been studied. The data gathered by questionnaire and recorded sounds along with in-terview with the local people, in particular literate ones who had the greatest exposure to the third language (lingua franca). The researcher could find significant changes which were traced to the impact of Persian as lingua franca in the region. This research is an innovation in its own kind and helps those who follow lingua franca and language changes and try to find any relations of which with linguistic purposes as well as language teaching. Keywords: lingua franca, Persian, Kurdish, phonology, lexicon 1. Introduction The present study aims to consider the linguistic influence of official standard Persian (as lingua franca) on non-official languages, Kurdish and Turkish, across the Western Azerbai-jan province. Kurdish is a branch of the Indo-European language family having more than 25 million native speakers the majority of whom reside in the Middle East. -
Cool Trombone Lover
NOVEMBER 2013 - ISSUE 139 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM ROSWELL RUDD COOL TROMBONE LOVER MICHEL • DAVE • GEORGE • RELATIVE • EVENT CAMILO KING FREEMAN PITCH CALENDAR “BEST JAZZ CLUBS OF THE YEAR 2012” SMOKE JAZZ & SUPPER CLUB • HARLEM, NEW YORK CITY FEATURED ARTISTS / 7:00, 9:00 & 10:30pm ONE NIGHT ONLY / 7:00, 9:00 & 10:30pm RESIDENCIES / 7:00, 9:00 & 10:30pm Fri & Sat, Nov 1 & 2 Wed, Nov 6 Sundays, Nov 3 & 17 GARY BARTZ QUARTET PLUS MICHAEL RODRIGUEZ QUINTET Michael Rodriguez (tp) ● Chris Cheek (ts) SaRon Crenshaw Band SPECIAL GUEST VINCENT HERRING Jeb Patton (p) ● Kiyoshi Kitagawa (b) Sundays, Nov 10 & 24 Gary Bartz (as) ● Vincent Herring (as) Obed Calvaire (d) Vivian Sessoms Sullivan Fortner (p) ● James King (b) ● Greg Bandy (d) Wed, Nov 13 Mondays, Nov 4 & 18 Fri & Sat, Nov 8 & 9 JACK WALRATH QUINTET Jason Marshall Big Band BILL STEWART QUARTET Jack Walrath (tp) ● Alex Foster (ts) Mondays, Nov 11 & 25 Chris Cheek (ts) ● Kevin Hays (p) George Burton (p) ● tba (b) ● Donald Edwards (d) Captain Black Big Band Doug Weiss (b) ● Bill Stewart (d) Wed, Nov 20 Tuesdays, Nov 5, 12, 19, & 26 Fri & Sat, Nov 15 & 16 BOB SANDS QUARTET Mike LeDonne’s Groover Quartet “OUT AND ABOUT” CD RELEASE LOUIS HAYES Bob Sands (ts) ● Joel Weiskopf (p) Thursdays, Nov 7, 14, 21 & 28 & THE JAZZ COMMUNICATORS Gregg August (b) ● Donald Edwards (d) Gregory Generet Abraham Burton (ts) ● Steve Nelson (vibes) Kris Bowers (p) ● Dezron Douglas (b) ● Louis Hayes (d) Wed, Nov 27 RAY MARCHICA QUARTET LATE NIGHT RESIDENCIES / 11:30 - Fri & Sat, Nov 22 & 23 FEATURING RODNEY JONES Mon The Smoke Jam Session Chase Baird (ts) ● Rodney Jones (guitar) CYRUS CHESTNUT TRIO Tue Cyrus Chestnut (p) ● Curtis Lundy (b) ● Victor Lewis (d) Mike LeDonne (organ) ● Ray Marchica (d) Milton Suggs Quartet Wed Brianna Thomas Quartet Fri & Sat, Nov 29 & 30 STEVE DAVIS SEXTET JAZZ BRUNCH / 11:30am, 1:00 & 2:30pm Thu Nickel and Dime OPS “THE MUSIC OF J.J. -
Newsletter — February 2004
Research Centre for Linguistic Typology Institute for Advanced Study VICTORIA 3086, AUSTRALIA FACSIMILE: +61 3 9467 3053 email: [email protected] http://www.latrobe.edu.au/rclt Newsletter — February 2004 The past year has again been attended by success, in terms of the excellence of Research Fellows, Visiting Fellows and Doctoral Students, both the quality and the quantity of the publications we produce, and the continuing grants and fellowships we attract. The International Workshops we host each year produce seminal volumes that are acknowledged as substantial contributions to the field. RCLT provides a relaxed but intense intellectual milieu which engenders research of the highest order. Who'll be at RCLT in 2004 Besides Professor R. M. W. (Bob) Dixon (Director), Professor Alexandra Y. (Sasha) Aikhenvald (Associate Director) and Ms Siew Peng Condon (Executive Officer), we'll have the following scholars with us this year: Research Fellows — Dr. Nicole Kruspe, on a three-year Research Fellowship, has undertaken a lengthy fieldtrip to work on Ceq Wong, a previously undescribed Northern Aslian language from Malaysia. She will continue writing a draft grammar of this language while working on Mah Meri, another Aslian language from Malaysia. — Dr. Catriona Hyslop, on a La Trobe University Postdoctoral Research Fellowship until February 2004, will then take up at RCLT her two year Individual Postgraduate Fellowship from the Endangered Languages Documentation Programme. She will continue working on the documentation of the grammar, lexicon and oral tradition of the Vurës language of west Vanua Lava, Vanuatu. — Dr. Stephen Morey is a La Trobe University Postdoctoral Research Fellow. -
Part 1: Introduction to The
PREVIEW OF THE IPA HANDBOOK Handbook of the International Phonetic Association: A guide to the use of the International Phonetic Alphabet PARTI Introduction to the IPA 1. What is the International Phonetic Alphabet? The aim of the International Phonetic Association is to promote the scientific study of phonetics and the various practical applications of that science. For both these it is necessary to have a consistent way of representing the sounds of language in written form. From its foundation in 1886 the Association has been concerned to develop a system of notation which would be convenient to use, but comprehensive enough to cope with the wide variety of sounds found in the languages of the world; and to encourage the use of thjs notation as widely as possible among those concerned with language. The system is generally known as the International Phonetic Alphabet. Both the Association and its Alphabet are widely referred to by the abbreviation IPA, but here 'IPA' will be used only for the Alphabet. The IPA is based on the Roman alphabet, which has the advantage of being widely familiar, but also includes letters and additional symbols from a variety of other sources. These additions are necessary because the variety of sounds in languages is much greater than the number of letters in the Roman alphabet. The use of sequences of phonetic symbols to represent speech is known as transcription. The IPA can be used for many different purposes. For instance, it can be used as a way to show pronunciation in a dictionary, to record a language in linguistic fieldwork, to form the basis of a writing system for a language, or to annotate acoustic and other displays in the analysis of speech. -
SSC: the Science of Talking
SSC: The Science of Talking (for year 1 students of medicine) Week 3: Sounds of the World’s Languages (vowels and consonants) Michael Ashby, Senior Lecturer in Phonetics, UCL PLIN1101 Introduction to Phonetics and Phonology A Lecture 4 page 1 Vowel Description Essential reading: Ashby & Maidment, Chapter 5 4.1 Aim: To introduce the basics of vowel description and the main characteristics of the vowels of RP English. 4.2 Definition of vowel: Vowels are produced without any major obstruction of the airflow; the intra-oral pressure stays low, and vowels are therefore sonorant sounds. Vowels are normally voiced. Vowels are articulated by raising some part of the tongue body (that is the front or the back of the tongue notnot the tip or blade) towards the roof of the oral cavity (see Figure 1). 4.3 Front vowels are produced by raising the front of the tongue towards the hard palate. Back vowels are produced by raising the back of the tongue towards the soft palate. Central vowels are produced by raising the centre part of the tongue towards the junction of the hard and soft palates. 4.4 The height of a vowel refers to the degree of raising of the relevant part of the tongue. If the tongue is raised so as to be close to the roof of the oral cavity then a close or high vowel is produced. If the tongue is only slightly raised, so that there is a wide gap between its highest point and the roof of the oral cavity, then an open or lowlowlow vowel results. -
A Phonetic, Phonological, and Morphosyntactic Analysis of the Mara Language
San Jose State University SJSU ScholarWorks Master's Theses Master's Theses and Graduate Research Spring 2010 A Phonetic, Phonological, and Morphosyntactic Analysis of the Mara Language Michelle Arden San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/etd_theses Recommended Citation Arden, Michelle, "A Phonetic, Phonological, and Morphosyntactic Analysis of the Mara Language" (2010). Master's Theses. 3744. DOI: https://doi.org/10.31979/etd.v36r-dk3u https://scholarworks.sjsu.edu/etd_theses/3744 This Thesis is brought to you for free and open access by the Master's Theses and Graduate Research at SJSU ScholarWorks. It has been accepted for inclusion in Master's Theses by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. A PHONETIC, PHONOLOGICAL, AND MORPHOSYNTACTIC ANALYSIS OF THE MARA LANGUAGE A Thesis Presented to The Faculty of the Department of Linguistics and Language Development San Jose State University In Partial Fulfillment of the Requirements for the Degree Master of Arts by Michelle J. Arden May 2010 © 2010 Michelle J. Arden ALL RIGHTS RESERVED The Designated Thesis Committee Approves the Thesis Titled A PHONETIC, PHONOLOGICAL, AND MORPHOSYNTACTIC ANALYSIS OF THE MARA LANGUAGE by Michelle J. Arden APPROVED FOR THE DEPARTMENT OF LINGUISTICS AND LANGUAGE DEVELOPMENT SAN JOSE STATE UNIVERSITY May 2010 Dr. Daniel Silverman Department of Linguistics and Language Development Dr. Soteria Svorou Department of Linguistics and Language Development Dr. Kenneth VanBik Department of Linguistics and Language Development ABSTRACT A PHONETIC, PHONOLOGICAL, AND MORPHOSYNTACTIC ANALYSIS OF THE MARA LANGUAGE by Michelle J. Arden This thesis presents a linguistic analysis of the Mara language, a Tibeto-Burman language spoken in northwest Myanmar and in neighboring districts of India. -
Materials on Forest Enets, an Indigenous Language of Northern Siberia
Materials on Forest Enets, an Indigenous Language of Northern Siberia SUOMALAIS-UGRILAISEN SEURAN TOIMITUKSIA MÉMOIRES DE LA SOCIÉTÉ FINNO-OUGRIENNE ❋ 267 ❋ Florian Siegl Materials on Forest Enets, an Indigenous Language of Northern Siberia SOCIÉTÉ FINNO-OUGRIENNE HELSINKI 2013 Florian Siegl: Materials on Forest Enets, an Indigenous Language of Northern Siberia Suomalais-Ugrilaisen Seuran Toimituksia Mémoires de la Société Finno-Ougrienne 267 Copyright © 2013 Suomalais-Ugrilainen Seura — Société Finno-Ougrienne — Finno-Ugrian Society & Florian Siegl Layout Anna Kurvinen, Niko Partanen Language supervision Alexandra Kellner This study has been supported by Volkswagen Foundation. ISBN 978-952-5667-45-5 (print) MÉMOIRES DE LA SOCIÉTÉ FINNO-OUGRIENNE ISBN 978-952-5667-46-2 (online) SUOMALAIS-UGRILAISEN SEURAN TOIMITUKSIA ISSN 0355-0230 Editor-in-chief Riho Grünthal (Helsinki) Vammalan Kirjapaino Oy Editorial board Sastamala 2013 Marianne Bakró-Nagy (Szeged), Márta Csepregi (Budapest), Ulla-Maija Forsberg (Helsinki), Kaisa Häkkinen (Turku), Tilaukset — Orders Gerson Klumpp (Tartu), Johanna Laakso (Wien), Tiedekirja Lars-Gunnar Larsson (Uppsala), Kirkkokatu 14 Matti Miestamo (Stockholm), FI-00170 Helsinki Sirkka Saarinen (Turku), www.tiedekirja.fi Elena Skribnik (München), Trond Trosterud (Tromsø), [email protected] Berhard Wälchli (Stockholm), FAX +358 9 635 017 Jussi Ylikoski (Kautokeino) He used often to say there was only one Road; that it was like a great river: its springs were at every doorstep, and every path was its tributary. “It’s a dangerous business, Frodo, going out of your door,” he used to say. “You step into the Road, and if you don’t keep your feet, there is no knowing where you might be swept off to […]” (The Fellowship of the Ring, New York: Ballantine Books, 1982, 102). -
The Poetics of Recapitulative Linkage in Matsigenka and Mixed Matsigenka-Spanish Myth Narrations Emlen, Nicholas Quinn
University of Groningen The poetics of recapitulative linkage in Matsigenka and mixed Matsigenka-Spanish myth narrations Emlen, Nicholas Quinn Published in: Bridging constructions DOI: 10.5281/zenodo.2563680 IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2019 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Emlen, N. Q. (2019). The poetics of recapitulative linkage in Matsigenka and mixed Matsigenka-Spanish myth narrations. In V. Guérin (Ed.), Bridging constructions (pp. 45–77). Language Science Press. https://doi.org/10.5281/zenodo.2563680 Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 24-09-2021 Chapter 2 The poetics of recapitulative linkage in Matsigenka and mixed Matsigenka- Spanish myth narrations Nicholas Q. Emlen John Carter Brown Library, Brown University In a small community in the Andean-Amazonian transitional zone of Southern Peru, speakers of Matsigenka use recapitulative linkages in myth narrations. -
Tutorial 5.5 Accesstruth
MODULE 5 - COMMUNICATION FOUNDATIONS ACCESSTRUTH TUTORIAL Phonetics 3 5.5 This tutorial continues to look at the manner of articulation of various speech sounds. Introduction In the last tutorial we started to look at manner of articulation - the type and degree of obstruction of the airflow when consonants are made. We have already looked at the oral stops and the nasal stops. In this tutorial we will look at the manner of articulation of some more types of consonants. Fricatives With all the sounds that we’ve discussed so far (the stops) there’s a brief complete obstruction of the airflow. If we bring one articulator very close to another, the airflow can pass between the two articulators but has to go through a very narrow passage, creating a kind of noise. The sounds made in this way are fricatives. Usually with fricatives the velum is raised, so that air can’t escape out of the nose, though it’s continuously passing through the narrow passage out of the mouth. English doesn’t have bilabial fricatives, though some languages, including Spanish, do. English has labiodental fricatives, where the lower lip comes close to or touches the upper front teeth; the voiceless and voiced labiodental fricatives are the initial sounds in fine and vine, the symbols for them being [f] and [v] respectively. There are two sounds in English written as <th> - as in thing and this. These are voiceless and voiced dental fricatives respectively. The IPA symbols for these are [θ] and [ð]. 1 MODULE 5 - COMMUNICATION FOUNDATIONS ACCESSTRUTH English also has voiced and voiceless alveolar fricatives, as in the words sue and zoo - here we bring the tip or blade of the tongue very close to the alveolar ridge - and the symbols for them are [s] and [z]. -
Sound and Fury: English Phonology 2
Sound and Fury: English Phonology 2 Sound and Fury: English Phonology /'sawnd @n 'fjU®ij: 'IèglIS f@'nAl@Aij/ In this chapter, we look at English sound patterns. We learn about the distinct sounds that make up words (phonemes), and the mech- anisms in the vocal tract that are employed to produce them. We learn a system of writing that can be used to accurately represent pronunciation, the International Phonetic Alphabet. We think about how sounds group into families, and consider one example of sound change from the prehistory of English. This groundwork will allow us, in future chapters, to understand restrictions on phonological words in English, to look at other historical changes that have altered the pronunciation of English words in the past, and to discuss differences between dialects of English spoken today. It will also enable us to analyze other kinds of processes in English words, when we look at morphology. 2.1 English Spelling and English Pronunciation The first thing we have to do, when considering the pronunciation of English words, is find a way to represent their pronunciation accurately in print (since you can’t hear me talking). English spelling is notoriously bad at this: probably, at least once in your life as a literate English speaker, you have mispronounced a word in speech that you learned from a book; that is, you’ve probably used a spelling pronunciation. (I certainly have.) The mismatch between spelling and pronunciation is the reason that English spelling is a hard thing to master. 21 EWC02 21 17/10/05, 11:13 AM Sound and Fury: English Phonology orthography, n. -
19 Chapter 2. Cyclic and Noncyclic Phonological Effects a Proper
Chapter 2. Cyclic and noncyclic phonological effects A proper theory of the phonology-morphology interface must account for apparent cyclic phonological effects as well as noncyclic phonological effects. Cyclic phonological effects are those in which a morphological subconstituent of a word seems to be an exclusive domain for some phonological rule or constraint. In this chapter, I show how Sign-Based Morphology can handle noncyclic as well as cyclic phonological effects. Furthermore, Sign-Based Morphology, unlike other theories of the phonology-morphology interface, relates the cyclic-noncyclic contrast to independently motivatable morphological structures. 2.1 Turkish prosodic minimality The example in this section is a disyllabic minimal size condition that some speakers of Standard Istanbul Turkish impose on affixed forms (Itô and Hankamer 1989, Inkelas and Orgun 1995). The examples in (28b) show that affixed monosyllabic forms are ungrammatical for these speakers (unaffixed monosyllabic forms are accepted (28a), as are semantically similar polysyllabic affixed forms (29b). (28) a) GRÛ ‘musical note C’ b) *GRÛ-P ‘C-1sg.poss’ MH ‘eat’ *MH-Q ‘eat-pass’ (29) a) VRO- ‘musical note G’ b) VRO--\P ‘G-1sg.poss’ N$]$Û ‘accident’ N$]$Û-P ‘accident-1sg.poss’ MXW ‘swallow’ MXW-XO ‘swallow-pass’ WHN-PHO-H ‘kick’ WHN-PHO-H-Q ‘kick-pass’ What happens when more suffixes are added to the forms in (28b) to bring the total size to two syllables? It turns out that nominal forms with additional affixes are still ungrammatical regardless of the total size, as shown by the data in (30). (30) *GRÛ-P ‘C-1sg.poss’ *GRÛ-P-X ‘C-1sg.poss’ *UHÛ-Q ‘D-2sg.poss’ *UHÛ-Q-GHQ ‘D-2sg.poss-abl’ *I$Û-P ‘F-1sg.poss’ *I$Û-P-V$ ‘F-1sg.poss-cond’ These forms suggest that the disyllabic minimal size condition is enforced cyclically.