John Zorn, Metropole Orkest, and the Bosch Requiem
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Making Musical Magic Live
Making Musical Magic Live Inventing modern production technology for human-centric music performance Benjamin Arthur Philips Bloomberg Bachelor of Science in Computer Science and Engineering Massachusetts Institute of Technology, 2012 Master of Sciences in Media Arts and Sciences Massachusetts Institute of Technology, 2014 Submitted to the Program in Media Arts and Sciences, School of Architecture and Planning, in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Media Arts and Sciences at the Massachusetts Institute of Technology February 2020 © 2020 Massachusetts Institute of Technology. All Rights Reserved. Signature of Author: Benjamin Arthur Philips Bloomberg Program in Media Arts and Sciences 17 January 2020 Certified by: Tod Machover Muriel R. Cooper Professor of Music and Media Thesis Supervisor, Program in Media Arts and Sciences Accepted by: Tod Machover Muriel R. Cooper Professor of Music and Media Academic Head, Program in Media Arts and Sciences Making Musical Magic Live Inventing modern production technology for human-centric music performance Benjamin Arthur Philips Bloomberg Submitted to the Program in Media Arts and Sciences, School of Architecture and Planning, on January 17 2020, in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Media Arts and Sciences at the Massachusetts Institute of Technology Abstract Fifty-two years ago, Sergeant Pepper’s Lonely Hearts Club Band redefined what it meant to make a record album. The Beatles revolution- ized the recording process using technology to achieve completely unprecedented sounds and arrangements. Until then, popular music recordings were simply faithful reproductions of a live performance. Over the past fifty years, recording and production techniques have advanced so far that another challenge has arisen: it is now very difficult for performing artists to give a live performance that has the same impact, complexity and nuance as a produced studio recording. -
Jazz at Lincoln Center with Wynton Dave Liebman Explained from His Seat at Jazz at Marsalis Fêted Mccoy Tyner and Charles Mcpherson Kitano’S Bar (Apr
new york @ nigHt To provide healthcare and disaster relief for needy Jazz these days can be found most anywhere, from musicians, Wendy Oxenhorn and the Jazz Foundation hallowed concert hall to basement dive bar screaming o f of America must repeatedly replenish the non-profit’s fire-code violations. But perhaps the best place to hear FrEeDoM Sound coffers. The 17th annual “A Great Night in Harlem” creative musicians is in the company of other creations, benefit, held at the Apollo Theater on the anniversary like an art gallery or bookstore. There is an analogue of Martin Luther King’s 1968 assassination (Apr. 4th), between the notes and lines being generated by the could have been a somber occasion, but the mood was instruments and the colors and textures of a painting celebratory. Harry Belafonte (not present), Tony or sentences and themes of a novel. This synergy is Bennett and the late Hugh Masekela were honored for what drove local jazz journalist and all-around lifelong commitment to humanitarian causes, each an enthusiast Luigi Santosuosso to form a partnership agent for political change through music. Indeed, in with Rizzoli Books, one of the city’s most charming his remembrances of Belafonte and King, erstwhile purveyors of print. His series is in its ninth month and Civil Rights activist/ambassador Andrew Young fills a need for afternoon jazz appropriate for both quoted Paul Robeson: “Artists are the gatekeepers of aficionados and families striving to become so. On the truth.” The music, casual but passionate, scripted yet first gorgeous weekend of 2019, a large crowd came to freeform, reinforced the political spirit. -
DP- Nov-Déc-17-18.Indd
musique NOVEMBRE JEUDI 23 20H CORY HENRY AND THE FUNK APOSTLES / / / / / / / / / / / / / / / / / Orgues, claviers Cory Henry Claviers Nicholas Semrad Guitare Adam Agati Andrew Bailey Batterie Darius Woodley Basse Sharay Reed Voix Cassondra James Matia Celeste © X-DR Cory Henry est le nouveau phénomène des claviers. Organiste, pianiste, compositeur, arran- geur, le claviériste des Snarky Puppy revisite les classiques de la soul et du funk avec une énergie communicative. Il forge un son totalement novateur aux confins du gospel, du funk et du jazz. À moins de 30 ans, il peut déjà revendiquer une longue carrière, marquée par des collaborations avec Kenny Garrett, Lalah Hathaway, The Roots, Bruce Springsteen... Reconnu pour son jeu d’orgue aux harmonies très riches, il puise son inspiration dans le jeu virtuose des pianistes Art Tatum ou encore Oscar Peterson. Les figures de Jimmy Smith, Marvin Gaye ou encore Prince ne sont jamais loin. Il capte l’essence même du jazz et du gospel et crée, à partir de ces deux composantes, une musique rayonnante au service du lyrisme et d’une grande construction narrative. En concert Cory Henry and The Funk Apostles enchaînent les Production Loop productions. grooves funk mêlés aux influences électriques de la soul, du jazz fusion et de l’électro. On savoure d’avance le plaisir de vous les faire découvrir sur notre scène après un passage / / / / / / / / / / / / / / / / / remarqué à Jazz à Vienne ! BIOGRAPHIE Cory Henry est un musicien multi-instrumentiste et producteur au CV étonnamment bien rempli pour son âge. Il joue principalement de l’orgue, depuis l’âge de deux ans. A 6 ans, il participe a un concours à l’Apollo Theater et se hisse jusqu’à la finale. -
San Francisco Symphony 2019–2020 Season Concert Calendar
Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] www.sfsymphony.org/press FOR IMMEDIATE RELEASE / MARCH 12, 2019 SAN FRANCISCO SYMPHONY 2019–2020 SEASON CONCERT CALENDAR PLEASE NOTE: Subscription packages for the San Francisco Symphony’s 2019–20 season go on sale TUESDAY, March 12 at 10 am at www.sfsymphony.org/MTT25, (415) 864-6000, and at the Davies Symphony Hall Box Office, located on Grove Street between Franklin and Van Ness. Discover how to receive free concerts with your subscription package. For additional details and questions visit www.sfsymphony.org/MTT25. All concerts are at Davies Symphony Hall, 201 Van Ness Avenue, San Francisco, unless otherwise noted. OPENING NIGHT GALA Wednesday, September 4, 2019 at 8:00 pm Michael Tilson Thomas conductor and piano San Francisco Symphony ALL SAN FRANCISCO CONCERT with MICHAEL TILSON THOMAS Thursday, September 5, 2019 at 8 pm Saturday, September 7, 2019 at 8 pm Michael Tilson Thomas conductor Alina Ming Kobialka violin Hannah Tarley violin San Francisco Symphony BERLIOZ Overture to Benvenuto Cellini, Opus 23 SAINT-SAËNS Introduction and Rondo capriccioso, Opus 28 RAVEL Tzigane GERSHWIN Second Rhapsody for Orchestra with Piano BRITTEN Variations and Fugue on a Theme by Purcell San Francisco Symphony 2019-20 Season Calendar – Page 2 of 22 SAN FRANCISCO SYMPHONY, MICHAEL TILSON THOMAS CONDUCTING Thursday, September 12, 2019 at 8 pm Friday, September 13, 2019 at 8 pm Saturday, September 14, 2019 at 8 pm Sunday, September 15, 2019 at 2 pm Michael Tilson Thomas conductor San Francisco Symphony MAHLER Symphony No. 6 in A minor SAN FRANCISCO SYMPHONY, MICHAEL TILSON THOMAS CONDUCTING Thursday, September 19, 2019 at 2 pm Friday, September 20, 2019 at 8 pm Saturday, September 21, 2019 at 8 pm Sunday, September 22, 2019 at 2 pm Michael Tilson Thomas conductor Daniil Trifonov piano San Francisco Symphony John ADAMS New Work [SFS Co-commission, World Premiere] RACHMANINOFF Piano Concerto No. -
New York Stories« Elbphilharmonie Brings the Music of the Big Apple to Hamburg – from 30 March to 4 April
PRESS RELEASE »NEW YORK STORIES« ELBPHILHARMONIE BRINGS THE MUSIC OF THE BIG APPLE TO HAMBURG – FROM 30 MARCH TO 4 APRIL Hamburg, 27 March 2017: On six evenings featuring a whole variety of big names, audiences at the Elbphilharmonie can hear different facets of the wealth of musical styles that New York City is home to. The programme ranges from John Zorn’s »Bagatelle Marathon«, contemporary pieces for string quartet with the JACK Quartet and from an evening with Michael Feinstein and the hr- Bigband, playing gems from the »Great American Songbook«, to rap with Zebra Katz, great art pop with Anohni and the ensemble yMusic, and electronic music with Tyondai Braxton. The climax of the festival will be two concerts given by the New York Philharmonic under its principal conductor Alan Gilbert with cellist Yo-Yo Ma and the soprano Christina Landshamer. In addition, one of America’s leading contemporary composers, John Adams, will be making a guest appearance. It's an unchallenged claim that New York never sleeps. And if a city never sleeps, its inhabitants obviously have more time for everything, including playing music and listening to it. And it’s true that New Yorkers set great store by music – not least because so many aspiring musicians gravitate to the city from far afield in the belief that this is the only place where they can make their fortune. How did Frank Sinatra put it in the song he made immortal, »New York, New York«? – »If I can make it there, I’ll make it anywhere«. For decades, the East Coast metropolis, consisting of the five boroughs Manhattan, the Bronx, Brooklyn, Queens and Staten Island, was the focus of longing for countless immigrants from all over Europe. -
Cool Trombone Lover
NOVEMBER 2013 - ISSUE 139 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM ROSWELL RUDD COOL TROMBONE LOVER MICHEL • DAVE • GEORGE • RELATIVE • EVENT CAMILO KING FREEMAN PITCH CALENDAR “BEST JAZZ CLUBS OF THE YEAR 2012” SMOKE JAZZ & SUPPER CLUB • HARLEM, NEW YORK CITY FEATURED ARTISTS / 7:00, 9:00 & 10:30pm ONE NIGHT ONLY / 7:00, 9:00 & 10:30pm RESIDENCIES / 7:00, 9:00 & 10:30pm Fri & Sat, Nov 1 & 2 Wed, Nov 6 Sundays, Nov 3 & 17 GARY BARTZ QUARTET PLUS MICHAEL RODRIGUEZ QUINTET Michael Rodriguez (tp) ● Chris Cheek (ts) SaRon Crenshaw Band SPECIAL GUEST VINCENT HERRING Jeb Patton (p) ● Kiyoshi Kitagawa (b) Sundays, Nov 10 & 24 Gary Bartz (as) ● Vincent Herring (as) Obed Calvaire (d) Vivian Sessoms Sullivan Fortner (p) ● James King (b) ● Greg Bandy (d) Wed, Nov 13 Mondays, Nov 4 & 18 Fri & Sat, Nov 8 & 9 JACK WALRATH QUINTET Jason Marshall Big Band BILL STEWART QUARTET Jack Walrath (tp) ● Alex Foster (ts) Mondays, Nov 11 & 25 Chris Cheek (ts) ● Kevin Hays (p) George Burton (p) ● tba (b) ● Donald Edwards (d) Captain Black Big Band Doug Weiss (b) ● Bill Stewart (d) Wed, Nov 20 Tuesdays, Nov 5, 12, 19, & 26 Fri & Sat, Nov 15 & 16 BOB SANDS QUARTET Mike LeDonne’s Groover Quartet “OUT AND ABOUT” CD RELEASE LOUIS HAYES Bob Sands (ts) ● Joel Weiskopf (p) Thursdays, Nov 7, 14, 21 & 28 & THE JAZZ COMMUNICATORS Gregg August (b) ● Donald Edwards (d) Gregory Generet Abraham Burton (ts) ● Steve Nelson (vibes) Kris Bowers (p) ● Dezron Douglas (b) ● Louis Hayes (d) Wed, Nov 27 RAY MARCHICA QUARTET LATE NIGHT RESIDENCIES / 11:30 - Fri & Sat, Nov 22 & 23 FEATURING RODNEY JONES Mon The Smoke Jam Session Chase Baird (ts) ● Rodney Jones (guitar) CYRUS CHESTNUT TRIO Tue Cyrus Chestnut (p) ● Curtis Lundy (b) ● Victor Lewis (d) Mike LeDonne (organ) ● Ray Marchica (d) Milton Suggs Quartet Wed Brianna Thomas Quartet Fri & Sat, Nov 29 & 30 STEVE DAVIS SEXTET JAZZ BRUNCH / 11:30am, 1:00 & 2:30pm Thu Nickel and Dime OPS “THE MUSIC OF J.J. -
John Zorn Artax David Cross Gourds + More J Discorder
John zorn artax david cross gourds + more J DiSCORDER Arrax by Natalie Vermeer p. 13 David Cross by Chris Eng p. 14 Gourds by Val Cormier p.l 5 John Zorn by Nou Dadoun p. 16 Hip Hop Migration by Shawn Condon p. 19 Parallela Tuesdays by Steve DiPo p.20 Colin the Mole by Tobias V p.21 Music Sucks p& Over My Shoulder p.7 Riff Raff p.8 RadioFree Press p.9 Road Worn and Weary p.9 Bucking Fullshit p.10 Panarticon p.10 Under Review p^2 Real Live Action p24 Charts pJ27 On the Dial p.28 Kickaround p.29 Datebook p!30 Yeah, it's pink. Pink and blue.You got a problem with that? Andrea Nunes made it and she drew it all pretty, so if you have a problem with that then you just come on over and we'll show you some more of her artwork until you agree that it kicks ass, sucka. © "DiSCORDER" 2002 by the Student Radio Society of the Un versify of British Columbia. All rights reserved. Circulation 17,500. Subscriptions, payable in advance to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN ilsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money ordei payable to DiSCORDER Magazine, DEADLINES: Copy deadline for the December issue is Noven ber 13th. Ad space is available until November 27th and can be booked by calling Steve at 604.822 3017 ext. 3. Our rates are available upon request. -
Notes on Musical Imagery in the Poetry of Jāmi Alessia Dal Bianco Independent Scholar
e-ISSN 2385-3042 Annali di Ca’ Foscari. Serie orientale Vol. 57 – Giugno 2021 Notes on Musical Imagery in the Poetry of Jāmi Alessia Dal Bianco Independent Scholar Abstract The poet Nur-al-Din ʿAbd-al-Raḥmān Jāmi (1414-92) is known to have been proficient in music theory; he also wrote a Resāla-ye musiqi (Treatise on Music Theory). In his poems he displayed an extensive and precise use of musical terms. To probe fur- ther into the elements of musical imagery, I scanned through his maṯnavis Haft awrang (The Seven Thrones) in search of lines dedicated to musical modes, instruments, and performers. Considering that musical imagery had a long-established tradition before his time, I pursued a comparative investigation and commented on some lines by way of examples. Finally, I argue that literary conventions shaped Jāmi’s poetry more than his expertise in music theory did. Keywords Nur-al-Din ʿAbd-al-Raḥmān Jāmi. Persian poetry. Resāla-ye musiqi. Musi- cal instruments. Poetic imagery. Summary 1 Introduction. – 2 Method. – 2.1 Musical Modes. – 2.2 Musical Instruments. – 2.3 Performers. – 3 Conclusion. Peer review Submitted 2020-08-13 Edizioni Accepted 2020-09-17 Ca’Foscari Published 2021-06-30 Open access © 2021 | cb Creative Commons Attribution 4.0 International Public License Citation Dal Bianco, A. (2021). “Notes on Musical Imagery in the Poetry of Jāmi”. Annali di Ca’ Foscari. Serie orientale, 57, 171-196. DOI 10.30687/AnnOr/2385-3042/2021/01/008 171 Alessia Dal Bianco Notes on Musical Imagery in the Poetry of Jāmi 1 Introduction1 Music is commonly perceived as one of the main sources of imagery in poetry. -
Rhythm, Dance, and Resistance in the New Orleans Second Line
UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy. -
Downbeat.Com February 2021 U.K. £6.99
FEBRUARY 2021 U.K. £6.99 DOWNBEAT.COM FEBRUARY 2021 DOWNBEAT 1 FEBRUARY 2021 VOLUME 88 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
September-Programm
O & O Do.27.08. bis Sa.29.08. The show must go on(line) finishing sessionsA.E.I.O.U. Austria erit in orbe ultima Dirty Nightlines by Kingsize Talents /2020 Di.01.09. Ratzer/Herbert/eXtracello Mi.02. & Do.03.09. OnQ.20-Festival Fr.04.09. Donauwellenreiter Sa.05.09. Barbara Bruckmüller Big Band So.06.09. Buku Weinrich Quartet feat. Knebo Guttenberger O & Tini Kainrath Mo.07.09. bis Mi.09.09. Porträt Sigi Finkel Do.10.09. Vinx feat. Basostroj Fr.11.09. Christoph Cech Jazz Orchestra Project Sa.12.09. The P&B Stageband Leonhard Skorupa Orchestra feat. Michael Moore So.13.09. Orchestre National de Jazz Mo.14.09. Gypsy Dynasty w/ Martin Weiss, Holzmanno Winterstein & Vali Mayer Di.15.09. Camille Emaille / Dieb13 / Hans Koch Mi.16.09. Matthias Schriefl’s Six, Alps & Jazz Do.17.09. Nouvelle Cuisine Fr.18.09. Still Experienced XL Band plays the Music of Jimi Hendrix Sa.19.09. Martin Eberle Österreichische Post AG, Sponsoring Post, GZ: 02Z033277 S, Abs.: Porgy & Bess, Graf-Starhemberg-Gasse 1a, 1040 Wien, Ausgabe 03 & Martin Ptak / Emily Stewart So.20.09. Sevbiherk The Art of Kurdish Music Mo.21.09. AHL6 Di.22.09. Harri Stojka & Roma Musik Ensemble Mi.23.09. Duo Vilda Do.24.09. Le Bang Bang Fr.25.09. Ralph Towner Solo Sa.26.09. Pippa So.27.09. Bill Frisell Trio feat. Thomas Morgan & Rudy Royston Mo.28.09. Mitterer/Puschnig/Pirker Di.29.09. The New Austrian Sound of Music (NASOM) Mi.30.09. -
Chicago Jazz Festival Spotlights Hometown
NOVEMBER 2017 VOLUME 84 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Hawkins Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Kevin R. Maher 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian,