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TIMO KORHONEN Guitarrista - Finlandia

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TIMO KORHONEN Guitarrista - Finlandia Un instrumento, Un intérprete • TIMO KORHONEN Guitarrista - Finlandia Domingo 9 de julio de 2000 • 11 :00 a.m. ALA DE CONCIERTOS BIBLIOTECA LUIS ÁNGELARANGO S A N T A F É D E B O G O T Á D. C. Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. GUITARRISTA - FINLANDIA ació en 1964 en RautalampL Finlandia, y es reco­ nocido actualmente como uno de los intérpretes má ersátiles de la guitarra. Lleva una florecien- t carrera como solista e integrante de conjuntos de cámara. y es muy solicitado como profe or de clases magistrale alrededor del mundo. Ha participado en los festivales internacionales más im­ portantes: el de Estrasburgo, el de Landre lo de París, Roma, Berlín y Madrid, el Ars Musica de Bruselas el Fes­ tival Ojai de California, el Festi al de La Habana y otros. Ha tocado como solista con la Orque ta de Cámara de la Radio Neerlandesa la Filarmónica de Helsinki la Staatsphilarmonie de Renania la Orquesta Filarmónica de la Radio Finlandesa la Filarmónica de Cámara de San Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. Petersburgo y la Orquesta de Cámara A van ti. También ha trabajado con directores de la talla de Esa-Peka Salonen, LeifSegerstan1, Jukka-Pekka Saraste, Sakari Oramo, Osmo Vanska y Joseph Swensen. Timo Korhonen ofreció su primer recital a los catorce años de edad. Su carrera internacional comenzó en Munich en 1982 cuando fue el ganador más joven del concurso de guitarra organizado por las radiodifusoras alemanas. Entre sus maestros se cuentan Pekka Vesanen, Seppo Siirala y Osear Ghiglia. Interpreta todo el repertorio usual de la guitarra, incluyen­ do música antigua que debe ser tocada en guitarras alto de doce cuerdas. También ha realizado varios arreglos para guitarra. Uno de sus sellos estilísticos más caractensticos consiste en mezclar audazmente diversos estilos de músi­ ca con el fin de crear contrastes dramáticos a la hora de 2 estructurar un programa de conciertos. Es un defensor apasionado de la música contemporánea y ha colaborado con compositores como Magnus Lindberg, Leo Brouwer y Oliver Knussen, realizando estrenos mundiales de sus obras. Dicta clases magistrales con regularidad en Copenhague (Dinamarca), en la Academia Sibelius de Helsinki, yen el Conservatorio de Turku en Finlandia. También es director de los Conciertos Culinarios Suomennlinna en Helsinki y del Guitaristival, un concurso internacional de guitarra en Tampere, Finlandia. Graba con exclusividad para el sello Ondine y sus nueve CD han obtenido comentarios muy elogiosos de la crítica y el público internacionales. Timo Korhonen toca en una guitarra Brian Cohen cons­ truida en 1996. Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. Premios y honores obtenidos por Timo Korhonen • Ganad r del Trigésimo Primer oncurso Musical de la Radiodifusoras de la República Federal de Alemania en Munich, 1982. • Prelnio cultural de la ciudad de Kuopio, 1983. • T rc r prenli y premio especial por la interpretación de una composición latinoamericana y premio pecial del presidente del jurado, Leo Brouwer, en La Habana, 1986. • Prenlio Sonning ajóvenes a11istas d la Fundación Leonie onning, Dinamarca, 1988. • Disco del año 1990 escogido por los productores de lnú ica de la Radiodifusora Estatal Finlande a. • Mejores grabaciones de guitarra, cat goría de lnúsica c nt Inporánea: Timo Korh nen, grabación de la sonata para guitarra de Alberto Gina tera, R vi ta Clas ic CD, 1990. • Beca del gobierno finlandés a un artista: tres año , 1989- 199 L tres años 1993-1995 y cinc año 1999-200". Críticas .... Un mú ico formidable j Una llamativa anlplitud en la interpretación y una habili­ dad para abordar grandes forn1as musicales pueden tam­ bi 'n aplicar e a la interpretaci ' n de la guitarra! Yo no creía que eso fuera posible hasta que escuché a Timo Korhonen en la orr Redonda de Cop nhague. Korhonen ti ne la habilidad para mantener diver os nivele de n1úsica inlul­ táneanlente. Esta habilidad po ibilitó un proc so d de arrollo casi sinfónico del concierto, con truido de manera encantadora a través de la tensión entre la di cipli­ na int lectual y la inventiva en la improvisación". Jan Jacoby, Politiken, Dinalnarca Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. "El maestro de la guitarra, Timo Korhonen, conquistó una nueva área de la música para la guitarra, tal como lo prometió: imposible lograr interpretación más sensible de Chopin. Sus tempi lentos y cambiantes, sus gestos senti­ mentales y su estilo en general improvisado le dan a las mazurcas de Chopin un tono gracioso y sensible '. Olavi Kauko, Helsingin Sanomat. Finlandia "j El sonido de Timo Korhonen es simplemente grandioso!" . Mike Silverton, Fanfare, Estados Unidos "'Justo cuando uno cree que ha escuchado todo este mate­ rial tan trillado en la mejor interpretación posible (Segovia, Williams, Ragossnig) llega alguien que nos paraliza con su perfección interpretativa. Este alguien es Timo Korhonen~ un guitarrista finlandés relativamente descono­ cido en los Estados U nidos, a quien debo mi segundo dis­ 4 co favorito de 1990, una impecable interpretación de Brouwer que supera aún a la de Berrueco. "Es sorprendente que alguien con semejante sensibilidad para los gestos contemporáneos pueda sonar igual de bien en los favoritos de la música española para guitarra, pero Korhonen lo logra: su interpretación es muy introspectiva y siempre tan sutil. Es realmente refrescante escuchar a un guitarrista tan confiado en sus propias habilidades que no se siente obligado a correr ni adelantarse en ninguna nota. Sus cadencias finales son simplemente las mejores que puedan escucharse sobre la faz de la Tierra, siempre tan sutiles y retóricas ..... "Pocas grabaciones me han afectado tan profundamente y han capturado todos mis pensamientos conscientes. Sólo Segovia ha dado tanta profundidad a este repertorio. ¡lo cual es increíble teniendo en cuenta que Korhonen tiene tan sólo 26 años de edad! Yo no le meto por los ojos la guitarra a nadie, pero nadie debería quedarse sin escuchar Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. te di c. o ólo la sombra de Segovia, sino también la de Korhonen. tlotará sobre quienes intenten este reperto­ rIO en 1 futuro·~. Elli. , An1erican Record GlIide. E tado Unidos "Timo Korhonen es un artista completo. lo cual significa qu u perb cción es tanto técnica como artística. Es un mago que puede crear una paleta de colores sonoros que contien todo desde una poesía frágil hasta la más cruel de las contradicciones' . Giornale di Bre cia, Italia "Andrés Segovia rescató a la guitarra para la sala de con­ ciert to quedó demostrado por el guitarri ta finlandés Timo Korhonen en este grandioso recital' . Frankfurter Neue Presse. Alemania. , 1 trabajo obre la Fantasie Elegiaque, Op. 59. de F()r­ nando Sor, demostró la musicalidad de Korhonen al máxi­ 5 nlO. Un fra eo exquisito y un amplio rango dinámico -incluyendo un pianissimo increíble- mantuvieron a los oyente en total concentración". Peter Rueffer, Classical Guitar, Inglaterra "La interpretación de Timo Korhonen es sensacional. Korhonen es el nuevo héroe el nuevo Tárrega de la guitarra". Leo Brouwer, director y compositor Cuba. Este recital se realiza con la colaboración de la Embajada de Finlandia en Venezuela/Ministerio de Relaciones Exteriores y de Nokia Colombia. NCKIA Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. PROGRAMA Paisaje cubano con can1panas LEOBROUWER (1939) Sonata No. 2 en la menor, JOHANN SEBASTIAN BACH BWV 1003 (1685-1750) Grave Fuga Andante AlIegro INTERMEDIO 6 Mazurca, Op. 33, No. -1 FRÉDÉRIC CHOPIN Nocturno ()p. 9, No. 2 (1810-1849) (Arreglo: Francisco Tárrega) Cinco preludios HEITOR VILLA LOBOS (Melodía lírica) (1887-1959) (Melodía capadocia) (Bachiana) (Homenaje a los indios) (Vals lento) Santafé de Bogotá domingo 9 de julio de 2000 CONCIERTO No. 36 Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. Notas al programa RODOLFO ACOSTAR. Paisaje cubano COIl campanas Leo Brouwer Juan Leovigildo (Leo) Brouwer nació en Cuba en 1939 y se formó como guitarrista y compositor, tanto en su país • natal como en el exterior. Ha sido una figura imponente en el desarrollo de la música docta y popular cubana, con un especial énfasis en la música para cine; a lo largo de los años se ha desempeñado como guitarrista, director, compositor y pedagogo. Como compositor, Leo Brouwer tuvo una primera etapa -en los se enta y setenta- en la cual se destacó por su espí• ritu experimental. Obras conlO La espiral eterna (1971) para guitarra sola exponen diferentes grados de indeterminismo y exploración técnico-tímbrica del instru­ mento. En años recientes ha desarrollado un lenguaje 7 menos innovador, aprovechando particularmente infiuen-' cias de músicas de diferentes tradiciones y en algunos casos empleando herramientas minimalistas. Todo esto es evidente en Paisaje cubano con campanas, obra compuesta en 1986 por encargo de la Fundación Gaudeamus. En ella se combina entre ecos de los Estudios para guitarra del mismo Brouwer un amplio uso de armónicos para imitar el sonido del carrillón holandés y del tap para imitar los instrumentos de percusión afro-cubana. Sonata en La menor, BWV 1003 J. S. Bach Cualquier nota biográfica de Johann Sebastian Bach (1685- 1750) comenta que trabajó en Weimar entre 1708 y 1717, pero que al no ser escogido para reemplazar al reciente­ mente fallecido Kapellmeister local se sintió frustrado y partió para C6then. Algo que normalmente no se narra, sin embargo es que Bach realizó los trámites para dicho cam- Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. bio sin el permiso del duque de Weimar y que éste, enfurecido ante tal insulto, encarceló al músico por un mes.
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