Catalogue2014(PDF 1.2MB)

Total Page:16

File Type:pdf, Size:1020Kb

Catalogue2014(PDF 1.2MB) Music for Guitar CATALOGUE 2014 METHODS BOOKS GUITAR SOLOS ANTHOLOGIES FOR SOLO GUITAR TWO GUITARS THREE GUITARS FOUR GUITARS GUITAR ENSEMBLES VOICE & GUITAR GUITAR & OTHER INSTRUMENTS GUITAR & ORCHESTRA FLAMENCO GUITAR ANTHOLOGIES FOR POPULAR MUSIC JAPANESE POPULAR ARRANGEMENTS MANDOLIN UKULELE DVDS COMPACT DISCS ACCESSORIES GENDAI GUITAR - TOKYO METHODS ............................................................... 2 GENDAI GUITAR BOOKS .................................................................... 3 GUITAR SOLOS ...................................................... 4 CATALOGUE ANTHOLOGIES FOR SOLO GUITAR ................... 15 TWO GUITARS ..................................................... 21 2014 THREE GUITARS .................................................. 26 FOUR GUITARS .................................................... 27 GUITAR ENSEMBLES .......................................... 28 VOICE & GUITAR ................................................. 30 GUITAR & OTHER INSTRUMENTS ..................... 31 GUITAR & ORCHESTRA ...................................... 33 FLAMENCO GUITAR ............................................ 33 ANTHOLOGIES FOR POPULAR MUSIC ............. 33 JAPANESE POPULAR ARRANGEMENTS........... 35 MANDOLIN ............................................................ 36 UKULELE .............................................................. 37 DVDS..................................................................... 38 COMPACT DISCS ................................................. 38 ACCESSORIES..................................................... 44 TITLE LISTING ...................................................... 46 DISTRIBUTOR LIST .............................................. 49 We will notify you of our stock status, shipping How to Order charge and the total billing charge by fax, mail You can place an order from our web site; or e-mail. The order will be shipped as soon as http://www.gendaiguitar.com the payment is confirmed. Please click ENGLISH button. Advance payment in Japanese Yen is required. Also you can place an order by fax, mail or e-mail. Please specify the following information Inquiries are welcome at all times. with your order. 1) Item number, Title, and Quantity. 2) Your name, address, telephone and fax numbers. 4) Method of payment : GENDAI GUITAR CO., Ltd. Credit card 1-16-14 Chihaya, Toshima-ku, We accept only VISA, MASTER, JCB Tokyo, 171-0044, JAPAN and AMERICAN EXPRESS card. Tel. +81-3-3530-5343 Please inform us your card company, Fax +81-3-3530-5405 card number and expiry. E-mail : [email protected] 2 METHODS JPY = Japanese Yen ■ METHODS KAWAGUCHI, Masayuki Mandolin Lesson 1 Japanese text only. 96 pages. 25 Favorite Pieces for guitar GG483 JPY 2,500 Etude in E minor (Tárrega), Allegro in D minor (Coste), Etude Op. 35-22 (Sor), Mazurka (Henze), Mandolin Lesson 2 Sonatine (Paganini), Feste Lariane (Mozzani), Japanese text only. Nocturno (Henze), Larghetto (Carulli), Aghi da 136 pages. Cucire, Spirit of Falling Leaves (Takei), Romanze (Mertz), Rain Drops (Lindsey), Lágrima (Tárrega), Andante in D minor (Coste), Romanza de Amor (Spanish folk song), Pensando en ti (Alba), Habanera (Roch), Passo Mezzo (Newsidler), Maria Luisa (Sagreras), Valse Op. 32-2 (Sor), Vals Andantino (A. Cano), Menuetto Op.11-2 (Sor), Tango (Tárrega), El Testament d'Amelia, El Noi de la Mare (Llobet). GG224 JPY 2,200 GG464 JPY 3,800 25 Favorite Pieces for guitar Vol.2 Pavana I, III (Milan), Deux Menuets (Rameau), Bourrée (Bach), Preludio, Allegro (Murcia), Estudio MURAJI, Noboru in A minor (Aguado), Allegro Moderato in E minor (Aguado), Moderato Op.192-9 (Carulli), Allegro We Love Guitar! Vol.1 Vivace Op.147-10 (Giuliani), Walzel Op.57-3 (Giuliani), Japanese text only. For very young pupils. 72 Marche Funébre (Molitor), Menuet Op.11-5, Op.11-6 pages. (Sor), Waltz Op.41-9 (Coste), Andantino Op.51-4 GG432 JPY 2,400 (Coste), Tango No.1, No.3 (Ferrer), Adelita, La Paloma, Sueño (Mazurka) (Tárrega), Matsumushi- We Love Guitar! Vol.2 Flower, Bolero Amaryllis (Ohcawara), Triste Japanese text only. For beginners. 120 pages. Santuario (Gomez), Kleine Romanze (Walker). GG537 JPY 2,800 GG244 JPY 2,000 We Love Guitar! Vol.3 (New Guitar Method) 25 Favorite Pieces for guitar Vol.3 Japanese text only. For beginners. 96 pages. Diferencias sobre "Gu dame las vacas" (Narváez), GG250 JPY 2,800 Pavana (Sanz), Prelude BWV999 (Bach), Siciliana (Carulli), Schrzo Op.3-9, Rondo Op.3-11 (Matiegka), We Love Guitar! Vol.4 (New Guitar Method) Andantino Op.32-1, Andante Op.31-4, Mouvement Japanese text only. For high technique master. 120 de priere religieuse Op.31-23 (Sor), La Melanconia pages. Op.148-7, Andantino espressivo Op.71-2 (Giuliani), GG282 JPY 2,800 Barcarolle Op.51-1, Leçon, Etude (Coste), Romancero, Ballade Op.19 (Bosch), Nocturno Guide for We Love Guitar! Op.17-4, Serenata Española Op.63 (Ferrer), Endecha guide for "We Love Guitar!" Vol.1 - 4. Japanese text y Oremus, Marieta (Tárrega), Canço del Lladre only. (Llobet), Danza Árabe (Sagreras), Grace note Polka GG330 out of stock (Bickford), Flower of a gardenia (Oguri), Trija (M-Torroba). Let's Enjoy the Guitar GG274 JPY 2,200 Japanese text only. sub material of "We Love Guitar" series. GG391 JPY 2,000 GONZÁLEZ, José Luis Let's Enjoy the Guitar Solo Guitar Technique Note sub material of "We Love Guitar" series. Japanese text only. GG404 JPY 2,000 GG431 JPY 1,800 Play the melody with the orchestra arranged by Noboru Muraji. Included 22 pieces (Folksongs, METHODS , BOOKS 3 Chirdrens'songs, etc.) CD Vamos a Tocar! Vol.1 is attached.HORELA Método de acompáñamiento de flamenco LIPKA, HORELA(Slovakia Written by Akira Seta (in Japanese text). 80 pages. Folksongs), O Vreneli DVD in 2 volumes is sold separately. (Switzerland Folksongs), (see CGV1034) Annie Laurie (Scottish GG251 JPY 2,800 Folksongs), Londonderry Air (Irish Folksongs), Vamos a Tocar! Vol.2 Belive Me, If All Those Método de acompáñamiento de flamenco Endearing Young Charms Written by Akira Seta (in Japanese text). 80 pages. (Irish Folksongs), DVD in 2 volumes is sold separately. Greensleeves (English (see CGV1050) Folksongs), Stille Nacht (Gruber), Der Lindenbaum GG252 out of stock (Schubert), Heideröslein (Werner), Loreley (Silcher), Menuett (J.S.Bach), Jingle Bells (Pierpont), What A Vamos a Tocar! Vol.3 Friend We Have In Jesus (Converse), Beautiful Método de acompáñamiento de flamenco Dreamer (Foster), Whispering Hope (Hawthorne), Written by Akira Seta (in Japanese text). 80 pages. Romance D'Amour (Spanish Folksongs), Cielito DVD in 2 volumes is sold separately. Lindo (Mexican Folksongs), J'ai perdu le do (French (see CGVD1012) Folksongs), Aloha 'Oe (Lili'uokalani), Tpoйкa GG445 JPY 2,800 (Russian Folksongs), Santa Lucia (Neapolitana), Hana (Taki) GG455 JPY 2,700 TAGUCHI, Shu-ichi Guitar Method NAKABAYASHI, Atsumasa & Nakaya Japanese text only. 72 pages. GG904 JPY 2,000 Guitar Method Japanese text only. 116 pages. CD is attached. GG272 JPY 2,800 TSUDA, Shoji New Guitar Method for Seniors Gendai Guitar Method I Japanese text only. 32 pages. How to keep your Japanese text only. 112 pages. DVD in 3 volumes guitar technique. are sold separately.(see GGVD1001/3) GG553 JPY 1,800 GG479 JPY 2,500 ONISHI, Yoshikuni YAMANAKA, Yoshiro Guitar Text for beginner New Guitar Method Japanese text only. 80 pages. Japanese text only. For beginners in middle age. 64 GG172 JPY 2,000 pages. GG440 JPY 2,800 SANO, Masataka New Easy Guitar Method Japanese text only. For beginners. With popular Guitar Method for Solo and Ensemble musics. 80 pages. CD is attached. Japanese text only. 80 pages. CD is attached. GG440 JPY 2,800 GG381 JPY 2,300 ■ SETA, Akira BOOKS Metode de guitarra flamenca Written by Akira Seta (in Japanese text). 112 Photo Album of the Japanese Guitar History pages. DVDs in 3 volumes are sold separately. valuable photographs of the Japanese guitar (see GGVD1004/6) history. Japanese text only. 106pages. GG429 JPY 2,500 GG090 JPY 5,340 4 BOOKS , GUITAR SOLOS ARAI, Shirou ■ GUITAR SOLOS Enchanted by the Guitar Japanese text only. 184 pages. AGUADO, Dionisio GG489 JPY 1,800 Selected Works for guitar COURTNALL, Roy edited by Hiroyuki Tokuoka. Trois Rondo Brillants Op.2, Le Menuet affandangado Making Master Guitars Op.15, Le Fandango Vari Op.16, Variaciones Japanese text only. translated by Katsuo Takigawa. Brillantes WoO, Gran Solo de Sor. GG541 JPY 4,600 GG292 JPY 2,000 27 Etudes for Guitar from "Nuevo Metodo 1843" HAMADA, Jiro edited, fingered and recorded by Shiki Nagashima. The CD is sold separately. (see GGBD5001) En el Camino de la Vida GG191 JPY 1,600 autobiographical book written by Japanese famous musical critic, Jiro Hamada. including several interviews with Narciso Yepes, John Williams, ALBÉNIZ, Isaac Andres Segovia, Alicia de Larrocha, and others. Japanese text only. Piezas Caracteristicas GG442 JPY 2,800 arranged by Thomas Müller-Pering. Rumores de la Caleta, Asturias, Eight pieces from Piezas Caracteristicas Op. 92 (Gavotte, Minuetto a NEJIME, Kojiro Sylvia, Plagaria, Torre Bermeja, Zambra, Pavana, Pilar, Ciel sans Nuages). Classical Guitar Making GG050 JPY 2,000 Japanese text only. 126 pages. GG401 JPY 2,800 Two Spanish Suites for guitar solo arranged by Masahiro Ojiri. Included Espana Op.165 (Preludio, Oriental, Bajo la OGAWA , Isaku palmera, Cordoba, Seguidillas), Cantos de Eapana Op.232 (Preludio, Tango, Malaguena, Serenata, New A new plan and easy introductiion to practical Capricho Catalan, Zorzico). music for guitarists GGOD0106 (reprint edition) JPY 2,600 Japanese text only. 128
Recommended publications
  • Japanese Film and Television Aaron Gerow
    Yale University From the SelectedWorks of Aaron Gerow 2011 Japanese Film and Television Aaron Gerow Available at: https://works.bepress.com/aarongerow/42/ I J Routledge Handbook of Japanese Culture _andSociety "Few books offer such a broad and kaleidoscopic view of the complex and contested society that is contemporary Japan. Students and professionals alike may use this as a stand-alone reference text, or as an invitation to explore the increasingly diverse range of Japan-related titles offered by Routledge." Joy Hendry, Professor of Social Anthropology and Director of the Europe Japan Research Centre at Oxford Brookes University, UK Edited by Victoria Lyon Bestor and "This is the first reference work you should pick up if you want an introduction to contemporary Japanese society and culture. Eminent specialists skillfully pinpoint key developments Theodore C. Bestor, and explain the complex issues that have faced Japan and the Japanese since the end of World with Akiko Yamagata War II." Elise K. Tipton, Honorary Associate Professor of Japanese Studies in the School of Languages and Cultures at the University of Sydney, Australia I I~~?ia~:!!~~:up LONDON AND NEW YORK William H. Coaldrake I , I Further reading ,I Buntrock, Dana 2001 Japanese Architectureas a CollaborativeProcess: Opportunities in a Flexible Construction Culture. London: Spon Press. Coaldmke, William H. 1986-87 Manufactured Housing: the New Japanese Vernacular. Japan Architect 352-54, 357. ' 17 The Japan Foundation, and Architectural Institute of Japan 1997 ContemporaryJapanese Architecture, 1985-96. Tokyo: The Japan Foundation. JSCA 2003 Nihon kenchiku koz6 gijutsu kyokai (ed.), Nihon no kozo gijutsu o kaeta kenchikuhyakusen, Tokyo: Japanese film and television Shokokusha.
    [Show full text]
  • Columbia University Libraries Music Library Zarzuela Collection
    COLUMBIA UNIVERSITY LIBRARIES MUSIC LIBRARY ZARZUELA COLLECTION [Shelvedoff-sST BlOTJ^ COU-tCTloh) -XS Shelvedoffeftf 1993 CONTENTS page DESCRIPTION OF THE COLLECTION 1 LISTING OF CONTENTS IN BOXORDER 4 BIBLIOGRAPHIC TITLE SHEETS (duplicates are included in boxes and have been filmed with the materials) COLUMBIA UNIVERSITY LIBRARIES MUSIC LIBRARY ZARZUELA COLLECTION DESCRIPTION The Zarzuela Collection at Columbia University consists of almost five hundred different zarzuelas. Both nineteenth and twentieth century works are represented by libretti, scores, and separate instrumental parts. Formats include printed, typewritten, and handwritten items. Many of the libretti contain role assignments and other handwritten notes which indicate they were used by a traveling zarzuela company. Among the authors of the libretti are Javer de Bergos y Sarragoiti, Jose Estremero y Cuenca, Jacinto Benavente, and the Quintero brothers. BACKGROUND The Zarzuela Collection was given to the Columbia Music Library by the Hispanic Institute in 1986. The Institute was founded in 1916 as the Instituto de las Espanas en los Estados Unidos by Frederico de Onis, the year he became head of the Spanish Department at Columbia University. In 1940 the Institute acquired its present name, and in 1961 it moved to the Columbia campus. Since there was no space in the new quarters for the collection, it was donated to the Music Library in two installments — the first included the music scores, the second the libretti and other texts. The source and original organization of the collection are difficult to determine, since the card catalog which accompanied it did not accurately reflect it. In an unpublished study, Janet L.
    [Show full text]
  • METODI PER CHITARRA CLASSICA Things You Are, Fly Me to the Moon, Moon River, the Nearness of You, Stardust, When Sunny Gets Blue
    1 INDICE CATALOGO CHITARRA COME EFFETTUARE IL PAGAMENTO Indicazioni generali…………………. Pag. 1 - In contrassegno postale o con pagamento diretto al Ukulele …………………………… 2 postino; Chitarra Acustica & Jazz……………. 2 - Tramite Carta di Credito comunicandoci (via fax o Chitarra Elettrica………………….. 2 telefono) il numero della Vostra carta e la data di scadenza Basso Elettrico……………………. 2 - Con Bonifico Bancario, inviando tramite fax la ricevuta Chitarra Classica Metodi…………… 2 del pagamento. Contattateci per le coordinate. Chitarra Studi……………………… 5 - PayPal - Dopo la nostra conferma d’ordine inviare il Chitarra Antologie………………… 8 pagamento a [email protected] Chitarra Sola………………………. 15 Archivio A.Segovia……………….. 48 Due Chitarre………………………. 48 PREZZI Tre Chitarre……………………….. 53 Quattro Chitarre…………………… 55 - Tutti i prezzi sono comprensivi di I.V.A., possono subire Cinque o più Chitarre……………… 58 variazioni anche senza preavviso, e non sono Chitarra e Flauto Traverso………… 59 comprensivi delle spese postali. Chitarra e Flauto Dolce……………. 64 Chitarra e Oboe……………………. 64 Chitarra e Clarinetto………………. 64 SPESE DI SPEDIZIONE Chitarra e Violino………………….. 65 Chitarra e Viola……………………. 66 Chitarra e Violoncello……………… 66 Segnalate sempre nel Vostro ordine il tipo di spedizione: Chitarra e Pianoforte………………. 67 Chitarra e Voce……………………. 68 - € 11,00 - spedizione con Corriere Espresso. Tempo di Chitarra e Mandolino……………… 71 arrivo 2-3gg lavorativi. Pagamento contrassegno Concerti e Musica da camera………… 72 - Chitarra Barocca…………………… 76 - € 6,00 - spedizione con Poste Italiane. Tempo di arrivo 7- Chitarra Romantica Facsimili…… 77 10gg lavorativi. Pagamento contrassegno. Valido per Flamenco………………………….. 77 spedizione di plichi fino a 2 Kg. Libri Chitarra e Libri di Liuteria….. 80 - Riviste……………………………... 83 - € 7,00 con pagamento anticipato (ccpt postale, bonifico Spartiti con CD base…………………….
    [Show full text]
  • Health Employment and Economic Growth
    Health Employment An Evidence Base Health Employment and Economic Growth Powerful demographic and economic forces are shaping health The 17 chapters and Economic Growth workforce needs and demands worldwide. in this book, are grouped into Effectively addressing current and future health workforce four parts: An Evidence Base needs and demands stands as one of our foremost challenges. It also represents an opportunity to secure a future that is • Health workforce healthy, peaceful, and prosperous. dynamics The contents of this book give direction and detail to a richer • Economic value Edited by and more holistic understanding of the health workforce and investment James Buchan through the presentation of new evidence and solutions- focused analysis. It sets out, under one cover, a series of • Education and Ibadat S. Dhillon research studies and papers that were commissioned to production provide evidence for the High-Level Commission on Health James Campbell Employment and Economic Growth. • Addressing inefficiencies ‘’An essential read that rightfully places investments in health workforce at the heart of the SDG Agenda.” — Richard Horton, Editor-in-Chief The Lancet “A resource of fundamental importance. Evidences the socio-economic benefits that follow from appropriately recognizing, rewarding, and supporting women’s Campbell Dhillon Buchan work in health.” — H.R.H. Princess Muna al-Hussein, Princess of Jordan Health Employment and Economic Growth An Evidence Base Edited by James Buchan Ibadat S. Dhillon James Campbell i Health Employment and Economic Growth: An Evidence Base ISBN 978-92-4-151240-4 © World Health Organization 2017 Some rights reserved. This work is available under the Creative Commons Attribution-NonCommercial- ShareAlike 3.0 IGO licence (CC BY-NC-SA 3.0 IGO; https://creativecommons.org/licenses/by-nc-sa/3.0/igo).
    [Show full text]
  • Groove in Cuban Dance Music: an Analysis of Son and Salsa Thesis
    Open Research Online The Open University’s repository of research publications and other research outputs Groove in Cuban Dance Music: An Analysis of Son and Salsa Thesis How to cite: Poole, Adrian Ian (2013). Groove in Cuban Dance Music: An Analysis of Son and Salsa. PhD thesis The Open University. For guidance on citations see FAQs. c 2013 The Author https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Version of Record Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.21954/ou.ro.0000ef02 Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk \ 1f'1f r ' \ I \' '. \ Groove in Cuban Dance Music: An Analysis of Son and Salsa Adrian Ian Poole esc MA Department of Music The Open University Submitted for examination towards the award of Doctor of Philosophy on 3 September 2012 Dntc \.?~ ,Sllbm.~'·\\(~·' I ~-'-(F~\:ln'lbCt i( I) D Qt C 0'1 f\;V·J 0 1('\: 7 M (~) 2 013 f1I~ w -;:~ ~ - 4 JUN 2013 ~ Q.. (:. The Library \ 7<{)0. en ~e'1l poo DONATION CO)"l.SlALt CAhon C()F) Iiiiii , III Groove in Cuban Dance Music: An Analysis of Son and Salsa Abstract The rhythmic feel or 'groove' of Cuban dance music is typically characterised by a dynamic rhythmic energy, drive and sense of forward motion that, for those attuned, has the ability to produce heightened emotional responses and evoke engagement and participation through physical movement and dance.
    [Show full text]
  • Los Sonidos Del Flamenco: Análisis Fonético De “Los Orígenes” Del Cante
    53 Cultura, lenguaje y representación / Culture, Language and Representation (Universitat Jaume I) Fernández de Molina, E. (2020): Los sonidos del flamenco: análisis fonético de “los orígenes” del cante. Cultura, Lenguaje y Representación, Vol. XXIV, 53–74 ISSN 1697-7750 · e-ISSN 2340-4981 DOI: http://dx.doi.org/10.6035/clr.2020.24.3 Los sonidos del flamenco: análisis fonético de “los orígenes” del cante The flamenco sounds: phonetic analysis of cante beginning ELENA FERNÁNDEZ DE MOLINA ORTÉS UNIVERSIDAD DE GRANADA ______________________________________________________________________ Artículo recibido el / Article received: 2019-10-20 Artículo aceptado el / Article accepted: 2020-06-06 RESUMEN: En esta investigación se presenta un estudio de los principales rasgos fonéticos de una muestra de 50 cantaores y cantaoras de flamenco nacidos entre 1876 y 1950. Con el análisis de sus rasgos queremos comprobar si, como se ha dicho en otros estudios sobre la fonética del flamenco, estos artistas usan generalmente sonidos de las hablas andaluzas. Si lo hacen, queremos conocer qué variantes lingüísticas seleccionan según la procedencia geográfica de los cantaores, y si existen algunos fenómenos que, a partir de esta época, se generalizan como representativos del cante. Palabras clave: fonética, sociolingüística, cante flamenco, cante tradicional, andaluz. ABSTRACT: This research presents a study of the main phonetic features of a sample of 50 flamenco cantaores and cantaoras were born between 1876 and 1950. With the analysis of their features we want to check if, as it has been said in other studies about the flamenco phonetics, these artists generally use sounds of the Andalusian speech. If they do, we want to know which linguistic variants they select and if this selection is influenced by geographical origin of cantaores.
    [Show full text]
  • Report of the Ship for World Youth Leaders (SWY) for FY2019
    Chapter 3 Evaluations Evaluation by the Administrator )858<$,FKLUR 'LUHFWRU2IILFHIRU,QWHUQDWLRQDO<RXWK([FKDQJH&DELQHW2IILFH This year, Ship for World Youth Program (SWY) held everywhere in the ship on every night. started on January 11th, 2020, when all Participating Youths The Port of Call Activity in Ensenada, from January (PYs) gathered in Tokyo. After boarding on Nippon Maru 30th to February 1st, became very fruitful due to the and departing from Port of Yokohama on January 16th, the devoted preparation done by the alumni association. When PYs completed 35 days of round voyage on Pacific Ocean we visited the wall on the border between Mexico and as well as Port of Call Activities in United Mexican States. US during the activity, some PYs gave way to tears. Also The completion ceremony and farewell party were held on for other PYs, it became meaningful opportunity to think February 20th, and the program finished on February 24th, about international affairs. when Overseas PYs ended their Regional Program and In this year’s voyage, we had to change the schedule returned to their home countries. I would like to express unexpectedly, as prolongation of arrival to port of Tokyo my deepest gratitude to all the people who supported the for one day by the influence of climate condition. But program and led the program to be completed successfully even in such occasion, PYs received them in very positive and safely. attitude and used their time very effectively. For PYs, it was totally their first experience that they By the way, through the whole voyage, what I was very stayed with others from all over the world who have impressed by are the PYs’ kind hearts for others.
    [Show full text]
  • Towards an Ethnomusicology of Contemporary Flamenco Guitar
    Rethinking Tradition: Towards an Ethnomusicology of Contemporary Flamenco Guitar NAME: Francisco Javier Bethencourt Llobet FULL TITLE AND SUBJECT Doctor of Philosophy. Doctorate in Music. OF DEGREE PROGRAMME: School of Arts and Cultures. SCHOOL: Faculty of Humanities and Social Sciences. Newcastle University. SUPERVISOR: Dr. Nanette De Jong / Dr. Ian Biddle WORD COUNT: 82.794 FIRST SUBMISSION (VIVA): March 2011 FINAL SUBMISSION (TWO HARD COPIES): November 2011 Abstract: This thesis consists of four chapters, an introduction and a conclusion. It asks the question as to how contemporary guitarists have negotiated the relationship between tradition and modernity. In particular, the thesis uses primary fieldwork materials to question some of the assumptions made in more ‘literary’ approaches to flamenco of so-called flamencología . In particular, the thesis critiques attitudes to so-called flamenco authenticity in that tradition by bringing the voices of contemporary guitarists to bear on questions of belonging, home, and displacement. The conclusion, drawing on the author’s own experiences of playing and teaching flamenco in the North East of England, examines some of the ways in which flamenco can generate new and lasting communities of affiliation to the flamenco tradition and aesthetic. Declaration: I hereby certify that the attached research paper is wholly my own work, and that all quotations from primary and secondary sources have been acknowledged. Signed: Francisco Javier Bethencourt LLobet Date: 23 th November 2011 i Acknowledgements First of all, I would like to thank all of my supervisors, even those who advised me when my second supervisor became head of the ICMuS: thank you Nanette de Jong, Ian Biddle, and Vic Gammon.
    [Show full text]
  • DE PLAYERAS Y SEGUIDILLAS La Seguiriya Y Su Legendario Nacimiento
    DE PLAYERAS y SEGUIDILLAS La Seguiriya y su legendario nacimiento Guillermo Castro Buendía Musicólogo especializado en Flamenco Introducción En el flamenco, parece que nunca está dicha la última palabra en materia de investigación. En pleno siglo XXI, a nosotros todavía nos asaltan dudas en aspectos relacionados con el origen musical de algunos palos, sobre todo de los primeros en formarse: es el caso de la seguiriya. En este trabajo vamos a hacer un análisis de las músicas que sirvieron de soporte a los diferentes tipos estróficos cultivados en la seguiriya, para intentar comprender el origen musical y desarrollo de este singular e importante estilo, uno de los puntales del género flamenco. Para ello utilizaremos los documentos musicales que hemos podido encontrar desde principios del siglo XIX, época aún preflamenca, hasta principios del siglo XX, momento en que la seguiriya ya se encontraba plenamente definida y estructurada desde el punto de vista flamenco. Igualmente, realizaremos un profuso estudio de los metros que aparecen en la seguiriya, siendo éste un aspecto muy particular e importante –creemos nosotros– dentro de la transmisión oral y, en particular, de este estilo flamenco. Recomendamos la impresión de este extenso trabajo para una mayor comodidad de lectura. Hemos incluido un índice al final (pág. 150) para facilitar el acceso a los diferentes puntos del mismo. Preliminares ―Lo flamenco‖ Uno de los problemas que arrastra el flamenco en su faceta de investigación es la propia definición de ―lo flamenco‖, y su aplicación en las distintas etapas que como arte ha venido desarrollando. Es evidente que ―lo flamenco‖ desde el punto de vista musical, no fue igual a mediados del siglo XIX que a finales, o ya entrado el siglo XX, y no digamos en las últimas décadas del pasado siglo.
    [Show full text]
  • 2014-PS695-Smartinez3-Paper Sergio Martínez
    FLAMENCO MUSIC, my passion, my roots and my artistic passport. Culminating Experience Project Sergio Martínez, Madrid, Spain. Candidate to Masters degree in Contemporary Performance. Class of 2014 Berklee College of Music 1 CONTENTS 1. INTRODUCTION, Description of the project. 2. THE QUESTIONS, searching for targets 3. THE ANSWERS, solutions and conclusions 4. THE PROCESS, 4.1 The book and it’s process. Actual Status. 4.2 Creative exploration: The compositions, arrangements, exploration in improvisation and recording sessions. *Rhythmic concepts for arranging, composition, improvisation and performing. 5. REFERENCES. 6. APPENDIXES. 2 1. DESCRIPTION OF THE PROJECT This project is a unified work in which I have combined different approaches in the search of answers and conclusions. Research and investigation, documentation, edition, publication and a musical creative exploration process. It has been completed between September 2013 and July 2014. The tittle is “Flamenco Music, my passion, my roots and my artistic passport” and the common denominator in it is Flamenco Music and especially it’s Rhythms. The main areas of the work are a large “Research Process” combining looking for publications about Flamenco Music and an analytic reading of them. “Creative exploration” that includes composition, arrangement and recording of music pieces that have Flamenco Rhythms as an essential element. Starting a long term project that consists in creating a learning source in the form of three books, with the tittle “Fundamentals of Flamenco Rhythms and Flamenco Percussion” 3 The compilation presented in this project includes a revised draft of Book I. By the time of the graduation the work hasn’t found a via of publication yet.
    [Show full text]
  • TIMO KORHONEN Guitarrista - Finlandia
    Un instrumento, Un intérprete • TIMO KORHONEN Guitarrista - Finlandia Domingo 9 de julio de 2000 • 11 :00 a.m. ALA DE CONCIERTOS BIBLIOTECA LUIS ÁNGELARANGO S A N T A F É D E B O G O T Á D. C. Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. GUITARRISTA - FINLANDIA ació en 1964 en RautalampL Finlandia, y es reco­ nocido actualmente como uno de los intérpretes má ersátiles de la guitarra. Lleva una florecien- t carrera como solista e integrante de conjuntos de cámara. y es muy solicitado como profe or de clases magistrale alrededor del mundo. Ha participado en los festivales internacionales más im­ portantes: el de Estrasburgo, el de Landre lo de París, Roma, Berlín y Madrid, el Ars Musica de Bruselas el Fes­ tival Ojai de California, el Festi al de La Habana y otros. Ha tocado como solista con la Orque ta de Cámara de la Radio Neerlandesa la Filarmónica de Helsinki la Staatsphilarmonie de Renania la Orquesta Filarmónica de la Radio Finlandesa la Filarmónica de Cámara de San Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. Petersburgo y la Orquesta de Cámara A van ti. También ha trabajado con directores de la talla de Esa-Peka Salonen, LeifSegerstan1, Jukka-Pekka Saraste, Sakari Oramo, Osmo Vanska y Joseph Swensen. Timo Korhonen ofreció su primer recital a los catorce años de edad. Su carrera internacional comenzó en Munich en 1982 cuando fue el ganador más joven del concurso de guitarra organizado por las radiodifusoras alemanas. Entre sus maestros se cuentan Pekka Vesanen, Seppo Siirala y Osear Ghiglia.
    [Show full text]
  • Revista De Flamencología
    Revista de Flamencología SUMARIO Renovación de la Cátedra 7 La terminología musical del flamenco El sistema modal y los modos en la música flamenca 9 Lola Fernández Marín Flamencos de Jerez: Estudio de los registros de Alan Lomax 39 Manuel Naranjo Loreto La guitarra flamenca en el conservatorio 65 Roberto Sabater Boix Vanguardia y pureza del flamenco: El disco de Smash y Agujetas 81 Óscar Carrera París y sus flamencos 101 Francisco de la Rosa Retamero Galería de raros Flamencos tocados por la gracia del «age» 117 Juan Herrera Salazar Normas de publicación de originales 125 Cátedra de Flamencología de Jerez de la Frontera Revista de Flamencología http://revistadeflamencologia.es Consejo Editorial Francisco Rodríguez Pereira, Presidente Manuel Naranjo Loreto, Secretario María Jesús Ruiz Fernández, Vocal Edita Cátedra de Flamencología de Jerez Colabora Centro Andaluz de Documentación del Flamenco Maquetación Miguel Angel Castaño Impresión Artesano de la Impresión. Jerez Portada Dibujos de Manuel Ríos Ruiz, año 1960 ISSN: 2530-4380 Vol. 30-Invierno de 2021 Revista de Flamencología EDITORIAL UN NUEVO HORIZONTE Después de ocho años de mínima actividad, la Cátedra de Flamencología y Estudios Folclóricos Andaluces de Jerez retoma su labor con nuevos miembros y una nueva junta directiva cuyo cometido fundamental será devolver a esta institución, creada hace más de 62 años, al lugar donde le corresponde. Comienza así una nueva etapa, la búsqueda de un horizonte novedoso que, no obstante, no debe desviarnos del camino emprendido por nuestros antecesores y donde los cinco ‘mandamientos’ expresados en aquel manifiesto de 1958 seguirán estando vigentes. Recopilar, investigar, conservar, defender y divulgar deben ser el cometido primordial en esta nueva andadura, iniciada el pasado febrero con la máxima ilusión.
    [Show full text]