DOCSLIB.ORG

Hilbert Circle Theatre

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Hilbert Circle Theatre HILBERT CIRCLE THEATRE Krzysztof Urbański, Music Director Jack Everly, Principal Pops Conductor Rachmaninoff’s Second Piano Concerto Spanish Passion featuring Don Quixote Side-by-Side Nielsen’s “Inextinguishable” Symphony 2015 - 2016 | MARCH | VOLUME 6 1 Find your PLACE Play bocce ball, attend a lively concerto or relax with friends over lunch in our Fireside Grille. It’s all up to you. With worry-free advantages such as not-for-profit ownership, a local board of directors, and CCAC accreditation, Marquette truly is the place to be. To learn more, call, visit our website or stop by our community. 8140 Township Line Rd. | Indianapolis, IN 46260 phone (317) 875-9700 | www.marque eseniorliving.org 698887 2 698887 698887 phone (317) 875-9700 | www.marque eseniorliving.org phone (317) 875-9700 | www.marque eseniorliving.org 8140 Township Line Rd. | Indianapolis, IN 46260 8140 Township Line Rd. | Indianapolis, IN 46260 To learn more, call, visit our website or stop by our community. To learn more, call, visit our website or stop by our community. accreditation, Marquette truly is the place to be. accreditation, Marquette truly is the place to be. such as not-for-profit ownership, a local board of directors, and CCAC such as not-for-profit ownership, a local board of directors, and CCAC in our Fireside Grille. It’s all up to you. With worry-free advantages in our Fireside Grille. It’s all up to you. With worry-free advantages Play bocce ball, attend a lively concerto or relax with friends over lunch Play bocce ball, attendPLACE a lively concerto or relax with friends over lunch PLACE Find your Find your ECISIONS MADE LIVE AND IN PERSON. 261-9000 D©2016 The National Bank of Indianapolis www.nbofi.com Member FDIC 3 THE PROGRAM BOOK 2015-2016 Hilbert Circle Theatre Programs Artists 16 March 4, 5, 2016 9 Indianapolis Symphony Orchestra 17 March 6, 2016 18 Krzysztof Urbański 26 March 10, 2016 19 Philipe Bianconi 28 March 11, 12, 2016 29 Larry J. Livingston 44 March 16, 2016 29 Honor Orchestra of America 49 March 18, 2016 34 Andrey Boreyko 35 Mark Kosower Featured Articles 35 Barbara Rearick 12 Subscriber Appreciation Month 45 Side-by-Side Roster 14 Music In My Life 46 Vince Lee 15 ISO Musicians Around Town 50 Santtu-Matias Rouvali 63 Arts in Indy 51 Kari Kriikku Departments The Indianapolis Symphony Orchestra 11 ISO Profile 9 Musicians of the ISO 79 Hilbert Circle Theatre Information 10 Board of Directors 77 Indianapolis Symphony Orchestra Support Association 65 Endowment 78 Administration 68 Lynn Society 70 Annual Fund 74 Tribute Gifts 75 Why We Give 76 Corporate Sponsors 4 WELCOME Dear friends – For our Lilly Classical Series concerts this month, the ISO is going on a musical tour through three very different regions. We begin the journey in Russia (with concerts on March 4-5), then we pass through Spain (with concerts March 10-12) and end the tour in Scandinavia (on March 18). There is nothing like the experience of a full symphony orchestra performing live, especially when we can explore the greatest music from all corners of the globe. Concerts in March also include special recognition of the young talent in our community. On March 11-12, the prestigious Honor Orchestra of America, led by Larry Livingston, performs on our stage (see page 29 for information), and the ISO’s annual Side-by-Side concert features 50 talented high school musicians on stage with their professional counterparts for a spectacular evening of music on March 16. Tickets to Side by Side are only $10 – come out and show your support of the ISO and our young musicians. For those of you who subscribe to ISO concerts, I hope you’ve renewed your subscription to our recently-announced 2016-2017 season! If you are not a subscriber yet, please consider joining us on a regular basis and take advantage of the great benefits, including pre-sale opportunities to IPL Yuletide Celebration and special events. For our Lilly Classical Series next year, Maestro Urbański has programmed another exciting mid-winter festival, “Music of the Earth”, masterworks by Stravinsky, Beethoven and Mahler, and a celebratory conclusion to the season with Carmina Burana. Principal Pops Conductor Jack Everly and his team have filled the 2016-2017 Printing Partners Pops Series with the world premiere of “Classical Harmonies: The ISO and the Doo Wop Project,” and a special presentation of Indiana Jones: Raiders of the Lost Ark: Film + Orchestra. For more information, please go to our mobile-friendly website at www.IndianapolisSymphony.org. Thank you for supporting the Indianapolis Symphony Orchestra. Gary Ginstling Chief Executive Officer 5 MUSICIAN. TECHIE. CITIZEN. EMPLOYEE. We’re all citizens. Just like you. Whether she’s playing guitar or making sure computer programs are in sync, Julie knows the audience wants excellence. That’s no small challenge when your audience is 400,000 customers in and around Indianapolis. People depend on Julie, and others like her, for the water that brews coffee and fi lls dog dishes. So every day she makes sure her performance is the best it can be, because Julie doesn’t just work for CitizensNote: Energy Ad sizesGroup. spec’d She lives were here only too. 0.125” from outer edge, had to reduce ads that don’t bleed to be at least 0.25” from edge. 6 Visit IndyCitizens.com to learn more. MUSICIAN. TECHIE. CITIZEN. EMPLOYEE. LAKECITY Ad We’re all citizens. Just like you. Whether she’s playing guitar or making sure computer programs are in sync, Julie knows the audience wants excellence. That’s no small challenge when your audience is 400,000 customers in and around Indianapolis. People depend on Julie, Drop in. Get your business booming. and others like her, for the water that brews coffee and fi lls dog dishes. So every day she makes sure her performance is the best it can be, because Julie doesn’t just work for Citizens Energy Group. She lives here too. Note: Ad sizes spec’d were only 0.125” from outer edge, had to reduce ads that don’t bleed to be at least 0.25” from edge. lakecitybank.com Visit IndyCitizens.com to learn more. 7 THE CURRENT THAT DOES MORE THAN YOU MIGHT THINK. FOR LESS THAN YOU MIGHT THINK. At IPL, we think of ourselves as providers of everything from your morning coffee and eggs to your kids’ online homework and video games. All for just a few dollars a day. Math that simple means we even provide the most unexpected thing of all. A great value. IPLpower.com/value LOWEST RESIDENTIAL RATES of the 20 Largest U.S. Cities 8 MUSICIANS OF THE INDIANAPOLIS SYMPHONY ORCHESTRA Krzysztof Urbański, Music Director Jack Everly, Principal Pops Conductor Raymond Leppard, Conductor Laureate Vince Lee, Associate Conductor First Violin Sé-Doo Park Jerry Montgomery Zachary De Pue, Concertmaster Jian-Wen Tong The Bakken Family Chair The Ford-West Chair Jill Boaz Alexander Kerr, Principal Guest Contrabass Concertmaster Ju-Fang Liu, Principal Trumpet Philip Palermo, Associate Robert Goodlett II, Assistant The W. Brooks and Wanda Y. Concertmaster Principal Fortune Chair Peter Vickery, Assistant Nami Akamatsu Robert Wood Concertmaster L. Bennett Crantford Marvin C. Perry II, Acting Principal/ The Meditch Chair Gregory Dugan Assistant Principal Dean Franke, Assistant Peter Hansen Concertmaster Brian Smith Trombone The Wilcox Chair James Beckel, Principal Barbara Fisher Agresti Flute K. Blake Schlabach, Assistant Jennifer Greenlee Karen Evans Moratz, Principal Principal Sherry Hong The Sidney and Kathy Taurel Chair Michelle Kang Robin Peller Bass Trombone Vladimir Krakovich Rebecca Price Arrensen, Assistant Jared Rodin, Acting Bass Trombone Charles Morey Principal The Dr. and Mrs. Charles E. Test Chair Second Violin Piccolo Konstantin Umansky, Principal Rebecca Price Arrensen Tuba David Bartolowits, The Janet F. and Dr. Richard E. Barb Anthony Kniffen, Principal Associate Principal Chair Mary Anne Dell’Aquila, Timpani Assistant Principal Oboe Jack Brennan, Principal The Taurel Chair Jennifer Christen, Principal The Thomas N. Akins Chair The Dick Dennis Fifth Chair* The Frank C. Springer Jr. Chair Craig A. Hetrick, Assistant Principal Louise Alexander Sharon Possick-Lange Patrick Dalton-Holmes Roger Roe, Assistant Principal Percussion Victoria Griswold Braham Dembar, Principal Hua Jin English Horn Craig A. Hetrick Jayna Park Roger Roe Pedro Fernandez Barbara Radomski The Ann Hampton Hunt Chair Lisa Scott Harp Oleg Zukin Clarinet Diane Evans, Principal David A. Bellman, Principal The Walter Myers Jr. Chair THE CURRENT THAT DOES MORE Viola The Robert H. Mohlman Chair The Schlegel Chair Cathryn Gross Keyboard THAN YOU MIGHT THINK. Mike Chen, Acting Principal/ The Huffington Chair The Women’s Committee Chair Associate Principal Samuel Rothstein, Assistant Endowed in honor of Dorothy Beverly Scott, Assistant Principal Principal Munger FOR LESS THAN YOU MIGHT THINK. Nancy Agres Amy Kniffen Bass Clarinet Personnel Terry E. Langdon Samuel Rothstein K. Blake Schlabach, Manager At IPL, we think of ourselves as providers of everything from Eva Lieberman L. Bennett Crantford, Assistant your morning coffee and eggs to your kids’ online homework Stephanie Tong Bassoon Manager John Wetherill, Principal and video games. All for just a few dollars a day. Math that Cello Michael Muszynski Library Austin Huntington, Principal Mark Ortwein, Assistant Principal James Norman, Principal Librarian simple means we even provide the most unexpected thing Perry Scott, Associate Principal Laura Cones, Assistant Principal of all. A great value. IPLpower.com/value Chair Anonymously Endowed Contrabassoon Librarian Sarah Boyer Mark Ortwein Susan Grymonpré, Assistant Ingrid Fischer-Bellman Librarian The Randall L. Tobias Chair Horn Mark Maryanovsky Robert Danforth, Principal Stage Anne Duthie McCafferty The Robert L. Mann and Family Quentin L. Quinn, Manager LOWEST The Dr.
Load more

Recommended publications
  • SCSM Newsletter 14
    SCSM Newsletter The Pärt Phenomenon by Andrew Shenton Editor’s Note: In celebration of Arvo Pärt’s 85th birthday on Issue No. 14 September 11, 2020, Andrew Shenton, Professor of Music at Christmas 2020 Boston University and Pärt scholar, kindly agreed to contribute a feature article along with scholarly resources. Pandemic Edition Shenton has labored to organize conferences and enrich scholarship about this esteemed Estonian composer. Contents My attention was drawn to Pärt’s music in the early 1990s as many European and US choirs and orchestras began to The Pärt Phenomenon program his works. As I started Andrew Shenton 1 to perform his music myself I became fascinated with how Annual Meeting, the new tintinnabuli technique Online 2021 2 that he developed around 1976 could produce results of From the President Arvo Pärt, photo by Kaupo Kikkas Mark Peters 3 © Arvo Pärt Center such enormous beauty that seemed to genuinely touch so many people. By 2010 it was clear to me that Pärt was not Resources: Arvo Pärt just a composer but a phenomenon and, puzzled by why Andrew Shenton 4 he had not been studied with any seriousness, I decided to Pärt Scholarship devote some time to finding out more about this fascinating Andrew Shenton 5 man and his extraordinary music. Pärt was born in Estonia in 1935, studied at the Tallinn Member News 6 Conservatory and embarked on a career as a composer as well as working as a sound engineer for Tallinn Radio. From the Editor 8 Those of you not familiar with his life and works can read his official biography on his website, and this introductory article from The Guardian titled “A guide to Arvo Pärt’s music” is a quick read and has some good listening recommendations.
    [Show full text]
  • Production Database Updated As of 25Nov2020
    American Composers Orchestra Works Performed Workshopped from 1977-2020 firstname middlename lastname Date eventype venue work title suffix premiere commission year written Michael Abene 4/25/04 Concert LGCH Improv ACO 2004 Muhal Richard Abrams 1/6/00 Concert JOESP Piano Improv Earshot-JCOI 19 Muhal Richard Abrams 1/6/00 Concert JOESP Duet for Violin & Piano Earshot-JCOI 19 Muhal Richard Abrams 1/6/00 Concert JOESP Duet for Double Bass & Piano Earshot-JCOI 19 Muhal Richard Abrams 1/9/00 Concert CH Tomorrow's Song, as Yesterday Sings Today World 2000 Ricardo Lorenz Abreu 12/4/94 Concert CH Concierto para orquesta U.S. 1900 John Adams 4/25/83 Concert TULLY Shaker Loops World 1978 John Adams 1/11/87 Concert CH Chairman Dances, The New York ACO-Goelet 1985 John Adams 1/28/90 Concert CH Short Ride in a Fast Machine Albany Symphony 1986 John Adams 12/5/93 Concert CH El Dorado New York Fromm 1991 John Adams 5/17/94 Concert CH Tromba Lontana strings; 3 perc; hp; 2hn; 2tbn; saxophone1900 quartet John Adams 10/8/03 Concert CH Christian Zeal and Activity ACO 1973 John Adams 4/27/07 Concert CH The Wound-Dresser 1988 John Adams 4/27/07 Concert CH My Father Knew Charles Ives ACO 2003 John Adams 4/27/07 Concert CH Violin Concerto 1993 John Luther Adams 10/15/10 Concert ZANKL The Light Within World 2010 Victor Adan 10/16/11 Concert MILLR Tractus World 0 Judah Adashi 10/23/15 Concert ZANKL Sestina World 2015 Julia Adolphe 6/3/14 Reading FISHE Dark Sand, Sifting Light 2014 Kati Agocs 2/20/09 Concert ZANKL Pearls World 2008 Kati Agocs 2/22/09 Concert IHOUS
    [Show full text]
  • Circle Map Program of Contemporary Classical Works by Kaija Saariaho to Feature New York Premieres Performed by the New York Philharmonic
    Circle Map Program of Contemporary Classical Works by Kaija Saariaho to Feature New York Premieres Performed by the New York Philharmonic Site-Specific Realization by Armory Artistic Director Pierre Audi Conducted by Esa-Pekka Salonen Two Performances Only - October 13 and 14, 2016 New York, NY — August 16, 2016 — Park Avenue Armory will present Circle Map, two evenings of immersive spatial works by internationally acclaimed Finnish composer Kaija Saariaho performed by the New York Philharmonic under the baton of its Marie-Josée Kravis Composer-in-Residence Esa-Pekka Salonen on October 13 and 14, 2016. Conceived by Pierre Audi to take full advantage of the Wade Thompson Drill Hall, the engagement marks the orchestra’s first performance at the Armory since 2012’s Philharmonic 360, the acclaimed spatial music program co-produced by the Armory and Philharmonic. A program of four ambitious works that require a massive, open space for their full realization, Circle Map will utilize the vast drill hall in an immersive presentation that continually shifts the relationship between performers and audience. The staging will place the orchestra at the center of the hall, with audience members in a half-round seating arrangement and performances taking place throughout. Longtime Saariaho collaborator Jean-Baptiste Barrière will translate the composer’s soundscapes into projections that include interpretations of literary and visual artworks from which inspiration for specific compositions are drawn. “Our drill hall is an ideal setting and partner for realizing spatial compositions, providing tremendous freedom for composers and performers,” said Rebecca Robertson, President and Executive Producer of Park Avenue Armory.
    [Show full text]
  • Kimmo Hakola's Diamond Street and Loco: a Performance Guide
    UNLV Theses, Dissertations, Professional Papers, and Capstones May 2016 Kimmo Hakola's Diamond Street and Loco: A Performance Guide Erin Elizabeth Vander Wyst University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Fine Arts Commons, Music Commons, and the Theatre and Performance Studies Commons Repository Citation Vander Wyst, Erin Elizabeth, "Kimmo Hakola's Diamond Street and Loco: A Performance Guide" (2016). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2754. http://dx.doi.org/10.34917/9112202 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. KIMMO HAKOLA’S DIAMOND STREET AND LOCO: A PERFORMANCE GUIDE By Erin Elizabeth Vander Wyst Bachelor of Fine Arts University of Wisconsin-Milwaukee 2007 Master of Music in Performance University of Wisconsin-Milwaukee 2009
    [Show full text]
  • Season 2020|2021 2021 | Season 2020
    65th Concert Season Season 2020|2021 2021 | Season 2020 . A word from the Filharmonie Brno Managing Director Dear music lovers invite you to a social gathering over a glass Paľa. Leoš Svárovský is preparing for C. M. you! I am very happy that we enter the new of wine, from 6pm before the concerts at von Weber’s celebrated Bassoon Concerto season with the support of our exceptional You are holding in your hands our brand Besední dům (Filharmonie at Home series), with the virtuoso Guilhaume Santana and volunteers for the second time now, who new catalogue for the 2020/2021 sea- where you can learn plenty of interesting Roussel’s Le festin de l’araignée – with this help us with concerts and education – son: this time, it is not just the content that is facts about the programme and meet the concert, the former chief conductor of our thank you, everyone! new – the format is, too. We’ve aimed to evening’s artists in person. orchestra will celebrate an important anni- I am writing these words at a time when make the navigation easier, and to high- The new season is the work of the Filhar- versary in his life. Gerrit Prießnitz will focus we are all paralysed by the coronavirus light the unique characteristics of our sub- monie Brno chief conductor and artistic on the emotional topic of Hamlet in the pandemic and are not yet sure what the ul- scription concerts – each of them offers a director Dennis Russell Davies and the pro- works of Tchaikovsky and Walton.
    [Show full text]
  • TIMO KORHONEN Guitarrista - Finlandia
    Un instrumento, Un intérprete • TIMO KORHONEN Guitarrista - Finlandia Domingo 9 de julio de 2000 • 11 :00 a.m. ALA DE CONCIERTOS BIBLIOTECA LUIS ÁNGELARANGO S A N T A F É D E B O G O T Á D. C. Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. GUITARRISTA - FINLANDIA ació en 1964 en RautalampL Finlandia, y es reco­ nocido actualmente como uno de los intérpretes má ersátiles de la guitarra. Lleva una florecien- t carrera como solista e integrante de conjuntos de cámara. y es muy solicitado como profe or de clases magistrale alrededor del mundo. Ha participado en los festivales internacionales más im­ portantes: el de Estrasburgo, el de Landre lo de París, Roma, Berlín y Madrid, el Ars Musica de Bruselas el Fes­ tival Ojai de California, el Festi al de La Habana y otros. Ha tocado como solista con la Orque ta de Cámara de la Radio Neerlandesa la Filarmónica de Helsinki la Staatsphilarmonie de Renania la Orquesta Filarmónica de la Radio Finlandesa la Filarmónica de Cámara de San Digitalizado por la Biblioteca Luis Ángel Arango del Banco de la República, Colombia. Petersburgo y la Orquesta de Cámara A van ti. También ha trabajado con directores de la talla de Esa-Peka Salonen, LeifSegerstan1, Jukka-Pekka Saraste, Sakari Oramo, Osmo Vanska y Joseph Swensen. Timo Korhonen ofreció su primer recital a los catorce años de edad. Su carrera internacional comenzó en Munich en 1982 cuando fue el ganador más joven del concurso de guitarra organizado por las radiodifusoras alemanas. Entre sus maestros se cuentan Pekka Vesanen, Seppo Siirala y Osear Ghiglia.
    [Show full text]
  • Dissertation 3.19.2021
    Cultivating the Contemporary Clarinetist: Pedagogical Materials for Extended Clarinet Techniques Caitlin Beare A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2021 Reading Committee: Timothy Salzman, Chair David Rahbee Benjamin Lulich Program Authorized to Offer Degree: Music © Copyright 2021 Caitlin Beare University of Washington Abstract Cultivating the Contemporary Clarinetist: Pedagogical Materials for Extended Clarinet Techniques Caitlin Beare Chair of the Supervisory Committee: Timothy Salzman School of Music The exploration and implementation of new timbral possibilities and techniques over the past century have redefined approaches to clarinet performance and pedagogy. As the body of repertoire involving nontraditional, or “extended,” clarinet techniques has grown, so too has the pedagogical literature on contemporary clarinet performance, yielding method books, dissertations, articles, and online resources. Despite the wealth of resources on extended clarinet techniques, however, few authors offer accessible pedagogical materials that function as a gateway to learning contemporary clarinet techniques and literature. Consequently, many clarinetists may be deterred from learning a significant portion of the repertoire from the past six decades, impeding their musical development. The purpose of this dissertation is to contribute to the pedagogical literature pertaining to extended clarinet techniques. The document consists of two main sections followed by two appendices. The first section (chapters 1-2) contains an introduction and a literature review of extant resources on extended clarinet techniques published between 1965–2020. This literature review forms the basis of the compendium of materials, found in Appendix A of this document, which aims to assist performers and teachers in searching for and selecting pedagogical materials involving extended clarinet techniques.
    [Show full text]
  • Carmen & Vivaldi
    CARMEN & VIVALDI Zachary Schwartzman conductor Saturday, March 20, 2021 Performance # 164 Season 6, Concert 12 Livestreamed from the Fisher Center at Bard Sosnoff Theater SIGN UP FOR TŌN EMAIL by clicking here INSPIRE GREATNESS by making a donation at theorchestranow.org/support TABLE OF CONTENTS 4 CONCERT QUICK GUIDE 23 THE ADMINISTRATION 5 THE MUSIC 24 ABOUT BARD COLLEGE 6 ANTONIO VIVALDI CONCERTO FOR STRINGS IN G MINOR, RV 156 7 FRANK MARTIN PETITE SYMPHONIE CONCERTANTE 8 ARVO PÄRT CANTUS IN MEMORY OF BENJAMIN BRITTEN 9 RODION SHCHEDRIN CARMEN SUITE (AFTER BIZET’S OPERA) 10 THE ARTISTS 11 ZACHARY SCHWARTZMAN conductor 12 FRANK CORLISS piano 13 TAYLOR ANN FLESHMAN TŌN ’22 harp 14 RENÉE ANNE LOUPRETTE harpsichord 15 ARVO PÄRT composer 16 RODION SHCHEDRIN composer 17 THE ORCHESTRA NOW 19 SER KONVALIN horn 20 CHARLES GILLETTE percussion 21 SUPPORT TŌN Rehearsals and performances adhere to the strict guidelines set by the CDC, with daily health checks, the wearing of masks throughout, and musicians placed at a safe social 22 THE TŌN FUND DONORS distance. Musicians sharing a music stand also share a home. Concert Quick Guide The Music The Artists ™ Support TŌN CONCERT QUICK GUIDE The TŌN Fund Donors The Administration About Bard College ZACHARY SCHWARTZMAN conductor CONCERT TIMELINE 1 hour and 40 minutes Petite symphonie Concerto concertante Cantus Carmen Suite 6 min 21 min 6 min 42 min Brief remarks by Ser Konvalin horn ANTONIO VIVALDI Born 3/4/1678 in Venice, Italy Died 7/27 or 28/1741 at age 63 in Vienna CONCERTO FOR STRINGS IN G MINOR,
    [Show full text]
  • An Analytical Conductor's Guide to the SATB a Capella Works of Arvo Part
    The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-2008 An Analytical Conductor's Guide to the SATB A Capella Works of Arvo Part Kimberly Anne Cargile University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Composition Commons, Musicology Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cargile, Kimberly Anne, "An Analytical Conductor's Guide to the SATB A Capella Works of Arvo Part" (2008). Dissertations. 1106. https://aquila.usm.edu/dissertations/1106 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi AN ANALYTICAL CONDUCTOR'S GUIDE TO THE SATB A CAPPELLA WORKS OF ARVO PART by Kimberly Anne Cargile A Dissertation Submitted to the Graduate Studies Office of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts May 2008 COPYRIGHT BY KIMBERLY ANNE CARGILE 2008 The University of Southern Mississippi AN ANALYTICAL CONDUCTOR'S GUIDE TO THE SATB A CAPPELLA WORKS OF ARVO PART by Kimberly Anne Cargile Abstract of a Dissertation Submitted to the Graduate Studies Office of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts May 2008 DISSERTATION ABSTRACT AN ANALYTICAL CONDUCTOR'S GUIDE TO THE SATB A CAPPELLA WORKS OF ARVO PART by Kimberly Anne Cargile May 2008 Arvo Part (b.
    [Show full text]
  • Závěrečné Práce
    JANÁČKOVA AKADEMIE MÚZICKÝCH UMĚNÍ V BRNĚ Hudební fakulta Katedra dechových nástrojů Hra na klarinet Umělec pedagog Charles Neidich a jeho vliv na vývoj americké klarinetové školy Diplomová práce Autor práce: Jakub Hrdlička Vedoucí práce: doc. Milan Polák Oponent práce: doc. Vít Spilka Brno 2015 Bibliografický záznam HRDLIČKA, Jakub. Umělec a pedagog Charles Neidich a jeho vliv na vývoj americké klarinetové školy [Artist educator Charles Neidich and his influence on the American Clarinet school] Brno: Janáčkova akademie múzických umění v Brně, Hudební fakulta, Katedra dechových nástrojů, 2015 doc. Milan Polák s. [69] Anotace Diplomová práce Umělec a pedagog Charles Neidich a jeho vliv na vývoj americké klarinetové školy pojednává o osobnosti Charlese Neidicha. Práce je rozdělena do několika částí, ve kterých se zaměřuji na americkou klarinetovou školu, Ch. N. jako umělce a pedagoga a v další fázi analýzu a popis jeho metodiky a rozhovor s nejúspěšnějšími žáky. Annotation Diploma thesis „Artist educator Charles Neidich and his influence on the American Clarinet school” deals with personality of Charles Neidich. The work is divided into several sections in which I focus on American Clarinet school, Ch. N. as an artist and educator and in the next phase analyze and description of his pedagogical methods and interview with the most renowned students. Klíčová slova Americká klarinetová škola, Charles Neidich, umělec, pedagog Keywords American clarinet school, Charles Neidich, artist, educator Prohlášení Prohlašuji, že jsem předkládanou práci zpracoval samostatně a použil jen uvedené prameny a literaturu. Jakub Hrdlička V Brně dne 14. 8. 2015 Poděkování Na tomto místě bych rád poděkoval docentu Milanu Polákovi za laskavou spolupráci při tvorbě této práce a také umělcům Mate Bekavac, Sharon Kam, Kari Kriikku za poskytnutí rozhovorů.
    [Show full text]
  • The Cambridge Companion to Arvo P Ä Rt
    Cambridge University Press 978-1-107-00989-9 - The Cambridge Companion to Arvo Pärt Edited by Andrew Shenton Frontmatter More information Th e Cambridge Companion to Arvo P ä rt Arvo P ä rt is one of the most infl uential and widely performed contemporary composers. Around 1976 he developed an innovative new compositional technique called ‘tintinnabuli’ (Latin for ‘sounding bells’), with which he has had an extraordinary degree of success. His music is frequently performed around the world and has been used in award-winning fi lms, and pieces such as F ü r Alina and Spiegel im Spiegel have become standard repertoire. Th is collection of essays, written by a distinguished international group of scholars and performers, is the essential guide to Arvo P ä rt, and his music. Th e book begins with a general introduction to P ä rt’s life and works, covering important biographical details and outlining his most signifi cant compositions. Two chapters analyze the tintinnabuli style and are complemented by essays which discuss P ä rt’s creative process. Th e book also examines the spiritual aspect of P ä rt’s music, and contextualizes him in the cultural milieu of the twenty-fi rst century and in the marketplace. Andrew Shenton is Associate Professor of Music at Boston University. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-00989-9 - The Cambridge Companion to Arvo Pärt Edited by Andrew Shenton Frontmatter More information © in this web service Cambridge University Press www.cambridge.org
    [Show full text]
  • Reinterpreting the Concerto Three Finnish Clarinet Concertos Written For
    Reinterpreting the Concerto Three Finnish clarinet concertos written for Kari Kriikku Sapphire Clare Littler MA by Research University of York Music December 2018 Reinterpreting the Concerto: Three Finnish clarinet concertos written for Kari Kriikku Abstract The origins of the word concerto can be traced to two different sources: the first is the Italian translation, to mean ‘agreement’, and the other stems from the Latin concertare, which means ‘to compete’. Ironically, the duality presented by these two translations encapsulates the true meaning of the concerto: opposition and resolution. This thesis focuses on Finnish works for clarinet and orchestra composed for Kari Kriikku in the last forty years, and seeks to analyse three in depth: Jukka Tiensuu’s Puro (1989); Magnus Lindberg’s Clarinet Concerto (2002); and Kaija Saariaho’s D’OM LE VRAI SENS (2010). The works have been chosen as these composers were all born around a similar time in Finland, and all worked with the same clarinettist, whom they all know personally. Through analysis, Reinterpreting the Concerto seeks to discover how each of these composers tackled the pre- existing model of the concerto, and suggest reasons for compositional decisions. The thesis will end with a discussion of clarinet technique, and how much writing for Kriikku in particular may have influenced the works. This essay will be formed of several sections, with the first examining the traits which could be considered important to each of the pieces: form, and how this results in the linear progression of the work; continuity and discontinuity created through melodic treatment, and how the soloist interacts with the ensemble.
    [Show full text]