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Hanna Kulenty Music 4 Hanna Kulenty Music 4 Gośka Isphording – harpsichord Bartosz Koziak – cello nfm Wrocław Philharmonic Choir nfm Wrocław Chamber Orchestra LEOPOLDINUM Ernst Kovacic – conductor Kulenty Music booklet inside final.indd 1 05-05-11 17:05 ℗ Filharmonia im. Witolda Lutosławskiego we Wrocławiu © dux 2011 dux 0823 Nagranie zrealizowano w Studio Radia Wrocław, 6, 7, 20 i 21 grudnia 2010 r. Recorded at Wrocław Radio Studio, December 6th, 7th, 20th & 21st, 2010. Barbara Migurska Koordynator projektu / Project coordinator Małgorzata Polańska, Marcin Domżał Reżyser nagrania / Recording supervision Marcin Domżał Montaż cyfrowy, mastering / Sound engineering, mastering Martin Majoor Projekt graficzny, skład /Graphic design, page layout Fotografie udostępnione dzięki życzliwości /Photo credits Zosia Zija, strona 3 i 4 strona okładki / page 3 and back Agnieszka Patela, strona 10, 11 / page 10, 11 Marcin Koszałka, strona 13 / page 13 Łukasz Rajchert, strona 13 / page 14 Hanna Kulenty Grafika na okładce /Cover painting www.hannakulenty.com dux Recording Producers, Morskie Oko 2, 02-511 Warsaw, Poland www.dux.pl e-mail: [email protected] Kulenty Music booklet inside final.indd 2 05-05-11 17:05 Hanna Kulenty Music 4 Gośka Isphording – harpsichord Bartosz Koziak – cello nfm Wrocław Philharmonic Choir nfm Wrocław Chamber Orchestra LEOPOLDINUM Ernst Kovacic – conductor Kulenty Music booklet inside final.indd 1 05-05-11 17:05 4 Hanna Kulenty Music ☐1 GG Concerto (2009) for harpsichord and string orchestra [21:38] publisher: Music Center The Netherlands, Amsterdam ☐2 Music for Roy (2010) for mixed choir and chamber orchestra [11:39] publisher: Music Center The Netherlands, Amsterdam ☐3 Breathe (1987) for string orchestra [12:53] publisher: pwm, Krakow ☐4 Sinequan Forte B (1994) for solo amplified cello with delay and chamber orchestra [16:56] publisher: Music Center The Netherlands, Amsterdam Gośka Isphording – klawesyn / harpsichord ☐1 Bartosz Koziak – wiolonczela / cello ☐4 Anna Rutkowska-Schock – fortepian / piano ☐2 ☐4 nfm Chór Filharmonii Wrocławskiej / nfm Wrocław Philharmonic Choir ☐2 Agnieszka Franków-Żelazny – przygotowanie chóru / choir preparation nfm Wrocławska Orkiestra Kameralna LEOPOLDINUM / nfm Wrocław Chamber Orchestra LEOPOLDINUM Ernst Kovacic – dyrygent / conductor Kulenty Music booklet inside final.indd 2 05-05-11 17:05 ☐1 GG Concerto (2009) for harpsichord and string orchestra [21:38] publisher: Music Center The Netherlands, Amsterdam ☐2 Music for Roy (2010) for mixed choir and chamber orchestra [11:39] publisher: Music Center The Netherlands, Amsterdam ☐3 Breathe (1987) for string orchestra [12:53] publisher: pwm, Krakow ☐4 Sinequan Forte B (1994) for solo amplified cello with delay and chamber orchestra [16:56] publisher: Music Center The Netherlands, Amsterdam Gośka Isphording – klawesyn / harpsichord ☐1 Bartosz Koziak – wiolonczela / cello ☐4 Anna Rutkowska-Schock – fortepian / piano ☐2 ☐4 nfm Chór Filharmonii Wrocławskiej / nfm Wrocław Philharmonic Choir ☐2 Agnieszka Franków-Żelazny – przygotowanie chóru / choir preparation nfm Wrocławska Orkiestra Kameralna LEOPOLDINUM / nfm Wrocław Chamber Orchestra LEOPOLDINUM Ernst Kovacic – dyrygent / conductor Kulenty Music booklet inside final.indd 3 05-05-11 17:05 Hanna Kulenty Luciano Berio 2003-2004” w Spoleto a w latach 2005 i 2007 Międzynarodowego Konkursu Współczesnej Pracuje jako kompozytor od roku 1989, realizując Muzyki Kameralnej w Krakowie. liczne zamówienia i korzystając ze stypendiów W 1985 r. otrzymała II nagrodę na Europejskim twórczych. Jest autorką muzyki do pięciu kompozy- Konkursie Młodych Kompozytorów w Holandii za cji scenicznych, dwunastu utworów orkiestrowych utwór Ad unum. Wśród kolejnych nagród, które i przeszło 70 utworów innego rodzaju. zdobyła, najbardziej prestiżową była pierwsza lokata Najchętniej posługuje się składem orkiestro- na 50. Międzynarodowej Trybunie Kompozytorów wym; w ostatnich latach zainteresowała się też unesco za Koncert na trąbkę i orkiestrę (2002). formami scenicznymi, umożliwiającymi zastosowa- Preludium, Postludium and Psalm na wiolonczelę nie intensywnych emocjonalnie środków ekspresji i akordeon (2007) oraz III Kwartet smyczkowy – Tell muzycznej. Sukces jej opery Matka Czarnoskrzydłych me about it (2008) zakwalifikowano do listy 10 Snów, wystawianej na Biennale w Monachium najlepszych holenderskich kompozycji podczas w 1996 (ostatnio także w Operze Wrocławskiej) konkursu Toonzetters w Amsterdamie. sprawił, że jest postrzegana jako wybitna osobowość Hanna Kulenty komponuje na instrumenty polskiej sceny kompozytorskiej. solowe, składy kameralne, wielką orkiestrę Hanna Kulenty urodziła się w Polsce, studiowała symfoniczną, dla opery, telewizji, teatru pod kierunkiem Włodzimierza Kotońskiego na i filmu. Jej utwory były wykonywane na całym Akademii Muzycznej w Warszawie. Kontynuowała świecie, pod dyrekcją takich dyrygentów jak studia kompozytorskie u Louisa Andriessena w Kró- Stephan Asbury, Łukasz Borowicz, Andrzej Borejko, lewskim Konserwatorium Muzyki w Hadze. Uczest- Agnieszka Duczmal, Peter Eötvös, Mark Foster, niczyła również w kilku letnich kursach kompozycji René Gullikers, Jurjen Hempel, Peter Hirsch, współczesnej w Kazimierzu i Darmstadt. Jacek Kaspszyk, Ernst Kovacic, Ingo Metzmacher, W roku 1990 była guest composer Niemieckiej Emilio Pomárico, David Porcelijn, Renato Rivolta, Centrali Wymiany Akademickiej (daad) w Berlinie. Leif Segerstam, Karol Stryja, Antoni Wit and W latach 1999/2000 pełniła funkcję composer-in-re- Ronald Zollman. W wykonaniach jej utworów sidence przy Het Gelders Orkest w Holandii. Pro- brali udział soliści: Krzystof Bąkowski, wadziła również wykłady podczas festiwali Other Andrzej Bauer, Anna La Berge, Marco Blaauw, Minds 10 (San Francisco) i Soundstreams (Kanada) Elżbieta Chojnacka, Gośka Isphording, w 2005 r. W roku 2007 była guest professor w Escola Isabelle van Keulen, Eneasz Kubit, Carine Levine, Superior de Música de Catalunya w Barcelonie. Frank Peters, Jan Pilch, Rafał Zambrzycki-Payne Brała udział w pracach jury podczas Münchener oraz zespół kameralny ‘de ereprijs’, który zamówił Biennale w 1995 r., International Gaudeamus Music u kompozytorki kilka kolejnych utworów. Ostatnio Week 2002 w Amsterdamie, Międzynarodowego Kronos Quartet zamówił u Hanny Kulenty i wykonał Konkursu Nowej Opery Kameralnej „Orpheus- jej IV Kwartet smyczkowy. 4 Kulenty Music booklet inside final.indd 4 05-05-11 17:05 Hanna Kulenty In 1985 Kulenty was awarded the second prize of the European Young Composers’ Competition Polish composer since 1989, recipient of numerous organized in Amsterdam with Ad Unum for orchestra commissions and scholarships. Kulenty has (1985). Many awards followed, the most prestigious composed five stage works, twelve works for large being the first prize atunesco ’s 50th International orchestra and more than 70 other works. Rostrum of Composers for her Trumpet Concerto Kulenty’s preferred medium is the symphony (2002). Recently her compositions Preludium, orchestra, but recently her penchant for musical Postludium and Psalm, for cello and accordion (2007) drama and intensity of emotion found a suitable and String Quartet No. 3 - Tell me about it (2008), expression in her music for stage. Since the succes of were respectively chosen among the ten best her opera The Mother of Black-Winged Dreams at the Dutch compositions of 2007 and 2008 during the Munich Biennale in 1996 (and recently at the Wrocław ‘Toonzetters’ contest in Amsterdam. Opera), she is considered one of the leading figures Hanna Kulenty writes for solo instruments, on the Polish composers’ scene. chamber groups, large orchestra’s, opera, television, Born in Poland, Kulenty studied composition theatre and film. Her compositions have been with Włodzimierz Kotoński at the Chopin Music performed throughout the world with conductors like Academy in Warsaw and with Louis Andriessen at the Stephan Asbury, Łukasz Borowicz, Andrzej Borejko, Royal Conser vatory of Music in The Hague. She par- Agnieszka Duczmal, Peter Eötvös, Mark Foster, ticipated in several summer courses in contemporary René Gullikers, Jurjen Hempel, Peter Hirsch, music composition in Kazimierz and Darmstadt. Jacek Kaspszyk, Ernst Kovacic, Ingo Metzmacher, In 1990 she was guest composer at the German Emilio Pomárico, David Porcelijn, Renato Rivolta, Academic Exchange Service (daad) in Berlin. In Leif Segerstam, Karol Stryja, Antoni Wit and 1999/2000 she was composer-in-residence with Het Ronald Zollman. Soloists like Krzystof Bąkowski, Gelders Orkest in The Netherlands. She lectured at Andrzej Bauer, Anna La Berge, Marco Blaauw, the Other Minds 10 festival (San Francisco) and at Elżbieta Chojnacka, Gośka Isphording, Eneasz Kubit, Soundstreams Canada 2005. In 2007 she was guest Isabelle van Keulen, Carine Levine, Frank Peters, professor at the esmuc Music Academy in Barcelona. Jan Pilch and Rafał Zambrzycki-Payne performed Kulenty was a jury member during Munich Bien- her work, as did the Dutch ensemble ‘de ereprijs’, nale in 1995, during the International Gaudeamus conducted by Wim Boerman, who commissioned Music Week 2002 in Amsterdam, during the Interna- her to write a piece on several occassions. Recently tional New Chamber Opera Competition ‘Orpheus- Kronos Quartet commissioned and performed her Luciano Berio 2003-2004’ in Spoleto, and in 2005 String Quartet No.4. and 2007 during the International Competition of Kulenty works and lives in both Poland and in Contemporary Chamber Music in Cracow. The Netherlands. 5 Kulenty Music booklet inside final.indd 5 05-05-11 17:05 GG
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