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Leon Levy BAM Digital Archive
Brooklyn Academy of Music 1997 Next Wave Festival .-.•- • - • Julio Galan, Rado, 1996, oil on canvas, 39 W' x 31 '/2" Tan~o PHILIP MORRIS BAM 1997 Next Wave Festival is sponsored by COM PAN IE SIN c. Brooklyn Academy of Music Bruce C. Ratner Chairman of the Board Harvey Lichtenstein President & Executive Producer presents Running time: approximately ninety minutes. II There will be no intermission. BAM Majestic Theater Saturday, October 4, 1997 at 7:30pm Sunday, October 5 at 3pm Violin-Gidon Kremer Piano-Vadim Sakharov Bass-Alois Posch Bandoneon-Per Arne Glorvigen Tante aile Primi Hora Cero Milonga in RE Va rdarito L'Histoire de tango Soledad Etude(s) for Solo Violin Le Grand Tango Decarissimo Michelangelo Program is subject to change. Please refer to insert for updated information. Opening night is sponsored by Nonesuch Records. Gidon Kremer on The first time I heard Astor's playing it was striking. There were these very Astor Piazzolla strong vibes of energy. This energy had an incredible power. It's something you never forget, once being in the feel of this energy-it amplifies your own energy, it gives you sheer pleasure of being, encourages you to try more than you already have tried. Astor Piazzolla is not ashamed occasionally to be direct, occasionally to be straightforward. He's not ashamed of being sentimental, and some sophisticated, snobby people would object to it, but I feel like I'm going for the right thing-for the thing that touches you. Falling in love with Piazzolla is something special to me. Falling in love is always special, but falling in love with music is something even more special. -
University of Southampton Research Repository
University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Department of Music Volume 1 of 1 The Harpsichord in Twentieth-Century Britain by Christopher David Lewis Thesis for the degree of Doctor of Philosophy September 2017 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Music Thesis for the degree of Doctor of Philosophy THE HARPSICHORD IN TWENTIETH-CENTURY BRITAIN by CHRISTOPHER DAVID LEWIS This dissertation provides an overview of the history of the harpsichord in twentieth- century Britain. It takes as its starting point the history of the revival harpsichord in the early part of the century, how the instrument affected both performance of historic music and the composition of modern music and the factors that contributed to its decline. -
Umschlag Def
IMPRESSUM: Medieninhaber, Herausgeber und Verleger: Universität Mozarteum Salzburg, Schrannengasse 10A, 5020 Salzburg, Austria ■ Für den Inhalt verantwortlich: Univ.Prof. Reinhart von Gutzeit und Univ.Prof. Mag. Gottfried Holzer-Graf ■ Redaktion: MMag. Susanne Prucher ■ Übersetzung: Elizabeth Mortimer ■ UNIVERSITÄT Fotos: Christian Schneider ■ Layout: graficde’sign pürstinger ■ Druck: Druckerei Roser ■ Stichtag für Nennung der Lehrenden: 1. 9. 2006 ■ Redaktionsschluss: 15. 9. 2006 ■ IMPRINT: Mozarteum University Salzburg, Schrannengasse 10A, 5020 Salzburg, Austria ■ Editorial Responsibility: Reinhart von Gutzeit and Gottfried MOZARTEUM Holzer-Graf ■ Text Editor: Susanne Prucher ■ English Translations: Elizabeth Mortimer ■ Photos: Christian Schneider ■ Layout: graficde’sign friedrich pürstinger ■ Printed by: Druckerei Roser ■ Deadline for the nomination of teaching staff: 1.9.2006 ■ Time of going to press: 15.9.2006 SALZBURG INHALT CONTENTS Editorial des Rektors 5 Editorial by the Chancellor 5 Die Universität Mozarteum 6 The Mozarteum University 6 Dirigieren, Komposition und Musiktheorie 8 Conducting, Composition and Music Theory 8 Instrumentalstudium, Tasteninstrumente 10 Study Courses for Instruments, Keyboard Instruments 10 Streich- und Zupfinstrumente, Blas- und Schlaginstrumente 12 String and Plucked Instruments, Wind Instruments, Percussion 12 Gesang und Musiktheater 14 Voice and Music-theatre 14 Schauspiel und Regie, Bühnen- und Kostümgestaltung 16 Acting and Stage Directing, Stage and Costume Design 16 Musikwissenschaft 18 Musicology -
JOLAS, Betsy (B
JOLAS, Betsy (b. 1926) 1 Histoires vraies (2015) (Alphonse Leduc - Paris) 19'23 Suite concertante pour piano, trompette & orchestre BEAMISH, Sally (b. 1956) Trumpet Concerto (2003) (Norsk Musikforlag AS) 22'50 2 I. Prelude. Adagio — Allegro 6'54 3 II. Andante 7'27 4 III. Allegro — Presto 8'26 NEUWIRTH, Olga (b. 1968) …miramondo multiplo… (2006) (Boosey & Hawkes) 17'41 für Trompete und Orchester 5 I. aria dell’angelo 4'11 6 II. aria della memoria 3'06 7 III. aria del sangue freddo 3'51 8 IV. aria della pace 3'26 9 V. aria del piacere 2'49 TT: 61'00 Håkan Hardenberger trumpet Roger Muraro piano [1] Malmö Symphony Orchestra [1, 5—9] National Youth Orchestra of Scotland [2—4] Martyn Brabbins conductor All three works are written for Håkan Hardenberger 2 Betsy Jolas Histoires vraies (True Stories) concertante suite for piano, trumpet and orchestra Betsy Jolas, born in Paris in 1926, is the daughter of translator Maria Jolas and poet and journalist Eugène Jolas. She emigrated to the USA in 1940, completed her general schooling, and then started studying composition with Paul Boepple, piano with Helen Schnabel and organ with Carl Weinrich. After graduating from Bennington College, she returned to Paris in 1946 to continue her studies with Darius Milhaud, Simone Plé- Caussade and Olivier Messiaen at the Paris Conservatoire. A prizewinner at the Besançon International Conducting Competition (1953), she has since won many awards from organizations including the Copley Founda tion of Chicago (1954), ORTF (1961), the American Academy of Arts (1973) and the Koussevitsky Foundation (1974), in addition to winning the Grand Prix Na tional de la Musique (1974), Grand Prix de la Ville de Paris (1981) and SACEM Grand Prix (1982). -
Hanna Kulenty Music 4
Hanna Kulenty Music 4 Gośka Isphording – harpsichord Bartosz Koziak – cello nfm Wrocław Philharmonic Choir nfm Wrocław Chamber Orchestra LEOPOLDINUM Ernst Kovacic – conductor Kulenty Music booklet inside final.indd 1 05-05-11 17:05 ℗ Filharmonia im. Witolda Lutosławskiego we Wrocławiu © dux 2011 dux 0823 Nagranie zrealizowano w Studio Radia Wrocław, 6, 7, 20 i 21 grudnia 2010 r. Recorded at Wrocław Radio Studio, December 6th, 7th, 20th & 21st, 2010. Barbara Migurska Koordynator projektu / Project coordinator Małgorzata Polańska, Marcin Domżał Reżyser nagrania / Recording supervision Marcin Domżał Montaż cyfrowy, mastering / Sound engineering, mastering Martin Majoor Projekt graficzny, skład /Graphic design, page layout Fotografie udostępnione dzięki życzliwości /Photo credits Zosia Zija, strona 3 i 4 strona okładki / page 3 and back Agnieszka Patela, strona 10, 11 / page 10, 11 Marcin Koszałka, strona 13 / page 13 Łukasz Rajchert, strona 13 / page 14 Hanna Kulenty Grafika na okładce /Cover painting www.hannakulenty.com dux Recording Producers, Morskie Oko 2, 02-511 Warsaw, Poland www.dux.pl e-mail: [email protected] Kulenty Music booklet inside final.indd 2 05-05-11 17:05 Hanna Kulenty Music 4 Gośka Isphording – harpsichord Bartosz Koziak – cello nfm Wrocław Philharmonic Choir nfm Wrocław Chamber Orchestra LEOPOLDINUM Ernst Kovacic – conductor Kulenty Music booklet inside final.indd 1 05-05-11 17:05 4 Hanna Kulenty Music ☐1 GG Concerto (2009) for harpsichord and string orchestra [21:38] publisher: Music Center The Netherlands, Amsterdam ☐2 Music