DOCSLIB.ORG

Of at the of the Meeting Jointly With

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Of at the of the Meeting Jointly With ABSTRACTS of PAPERS READ at the FORTY-FOURTH ANNUAL MEETING of the AMERICAN MUSICOLOGICAL SOCIETY meeting jointly with the SOCIETY FOR MUSIC THEORY MINNEAPOLIS, MINNESOTA ocToBER 19-22, I978 THE COMPOSER IN MODERN CULTURE (A}4S) John Becker's Correspondence with Ezra Pound-- The origins of a Musical crusader Don GillesPie, C.F. Peters TABLE CONTEIITS OF Criticism, History and Class: A Case Study David Josephson, Brown Univ. Klimt and Mahler: Historicism and Secession in Viennese Culture at the Turn of the 20th Century AUTOUR DTOCKEGHEM: Historical and Practical tl Problems in 15th-Century Music (A!1S) Jon Finson, Univ. of North carolina Ockeghem's Canonic Chanson: A Reconsideration Richard wexfer, Unj-v. of Maryland SEQUENCE AND TROPE: Panel Dj-scussion (AMS) Ockeghem's Offertory: Mensural Anomaly or Lance Brunner, Univ. of Kerltucky, Chairman l2 Structural Capstone? Michael Eckert, Tulane Univ. Richard Crocker, Univ. of California, Berkeley Ockeghem and Busnois: A Comparison Aleiandro Planchart, Univ. of California, Leeman Perkins, Colunbia Univ. Santa Barbara Charles Atkinson, ohio State Univ. HAYDN STUDIES (AMS) Terence Bailey, Univ. q1 Western Ontario Joseph Haydn and Leopold Hofmannrs Street Songs A. Peter Bro$/n, Indiana Univ. MUSIC AT SIXTEENTH-CENTURY ITALIAN COURTS (A}{S) The Compositional History of Haydn's Syrnphonies of l-778-81 Isal:elfa drEste and Lorenzo da Pavia: Mugical Stephen Fisher, Univ. of pennsylvanra Instruments at a Renaissance Court WiIliam Pri-zer, Univ. of Kentucky T2 Haydnrs Variations and their Expansions Elaine Sisman , Univ. of Michigan Jean Mouton and Jean Michel: New Evidence on French Musj-c and Musicians in Italy, 1505-1520 Lewis Lockwood, Princeton Univ. I3 NINETEENTH CENTURY TOPICS (AMS) A Gift of Chansons and l4otets The New Public and the Reordering of the Musical Iain Fenlon, King's college, Cambridge t4 Establishment: The Lower Rhine Music Festivals, 18r8-1867 Guglielrno Gonzaga and the Castrati Cecelia Porter, Washington, D.C. Richard Sherr, Smith College I4 Meyerbeer's Les Huguenots and French Music Criticism in the 1830's EIGHTEEI']TH-CENTURY MUSTC AND IDEOLOGY (AMS) Laurie Shu1man, Cornell Univ. Rousseau's fnfluence on Emerging Musical Verdi, Giuseppina Pasqua, and the Composition Nationalism in Germany of Falstaff Daniel Fallon, Univ. of connecticut, Starnford I5 James Hepokoski, Arlington, Massachusetts Metody, l"leaning, and Morality: Rousseau and French Cri EicaI Tradition aal Jane Fulcher, Syracuse Univ. I6 IV THE COMPOSER IN MODERN CULTURE (A}4S) John Becker's Correspondence with Ezra Pound-- The origins of a Musical crusader Don GillesPie, C.F. Peters TABLE CONTEIITS OF Criticism, History and Class: A Case Study David Josephson, Brown Univ. Klimt and Mahler: Historicism and Secession in Viennese Culture at the Turn of the 20th Century AUTOUR DTOCKEGHEM: Historical and Practical tl Problems in 15th-Century Music (A!1S) Jon Finson, Univ. of North carolina Ockeghem's Canonic Chanson: A Reconsideration Richard wexfer, Unj-v. of Maryland SEQUENCE AND TROPE: Panel Dj-scussion (AMS) Ockeghem's Offertory: Mensural Anomaly or Lance Brunner, Univ. of Kerltucky, Chairman l2 Structural Capstone? Michael Eckert, Tulane Univ. Richard Crocker, Univ. of California, Berkeley Ockeghem and Busnois: A Comparison Aleiandro Planchart, Univ. of California, Leeman Perkins, Colunbia Univ. Santa Barbara Charles Atkinson, ohio State Univ. HAYDN STUDIES (AMS) Terence Bailey, Univ. q1 Western Ontario Joseph Haydn and Leopold Hofmannrs Street Songs A. Peter Bro$/n, Indiana Univ. MUSIC AT SIXTEENTH-CENTURY ITALIAN COURTS (A}{S) The Compositional History of Haydn's Syrnphonies of l-778-81 Isal:elfa drEste and Lorenzo da Pavia: Mugical Stephen Fisher, Univ. of pennsylvanra Instruments at a Renaissance Court WiIliam Pri-zer, Univ. of Kentucky T2 Haydnrs Variations and their Expansions Elaine Sisman , Univ. of Michigan Jean Mouton and Jean Michel: New Evidence on French Musj-c and Musicians in Italy, 1505-1520 Lewis Lockwood, Princeton Univ. I3 NINETEENTH CENTURY TOPICS (AMS) A Gift of Chansons and l4otets The New Public and the Reordering of the Musical Iain Fenlon, King's college, Cambridge t4 Establishment: The Lower Rhine Music Festivals, 18r8-1867 Guglielrno Gonzaga and the Castrati Cecelia Porter, Washington, D.C. Richard Sherr, Smith College I4 Meyerbeer's Les Huguenots and French Music Criticism in the 1830's EIGHTEEI']TH-CENTURY MUSTC AND IDEOLOGY (AMS) Laurie Shu1man, Cornell Univ. Rousseau's fnfluence on Emerging Musical Verdi, Giuseppina Pasqua, and the Composition Nationalism in Germany of Falstaff Daniel Fallon, Univ. of connecticut, Starnford I5 James Hepokoski, Arlington, Massachusetts Metody, l"leaning, and Morality: Rousseau and French Cri EicaI Tradition aal Jane Fulcher, Syracuse Univ. I6 IV Re.ichardt, Burney, anC cerman Genius Schenker: The New Orthodoxy Thomas Bauman, Univ. of Pennsylvania I7 Gregory Procter, Ohio State Univ. )1 Dr. Burney and the 'Trouble with the cermans' Kerry Grant, McGi1l Univ. 18 LECTURE-RECfTAL: performance practice problems in the Piano Music of Debussy Paul Jacobs, Brooklyn College PROKOFIEV: Studies for the 25th Anniversarv of His Death (AMS) LITURGICAL DRAMA: Round Table (AMS) Prokofiev as Composer of Music for Movies MiloE vefimirovi6. univ. of Vlrginia Influences on the Development of the Liturgical Drama: An Introduction Prokofiev's The cambler--A Break with Operatic Tradition Sister Marie Dolores Moore, College Misericordia 28 Boris Schwarz, Queens College Amalarius of Metz, the Divine Office and Liturgical Drama Mischief, Mockery, and Merriment in prokofiev's Roger Evans, Univ. of pittsburgh Love for Three Oranges 29 @anaUniv. The Role of the Office Antiphon in Tenth- Centur-y Liturgical Drama Tone, Style and Form in prokofiev's Operas: Clyde Brockett, Christopher-Newport Some Preliminary Observations Coflege Richard Taruskin, Co-lumbia Univ. Medieval Monastic Liturgy and the Ludus pereqrinus: thc Relationship of the Antiphon toEt.urqfZfi-- Drama A}{ERICAN MUSIC (AMS) Mary Margaret Mahone, Southern Seminary Recurrences in the Songs Stephen of Foster The Origins of the euem quaeritis 'type 2' Michael Leavitt. creat Neck, New york Text Variant Timothy Mccee, Univ. of Toronto la Toward a Revaluation of Gershwin's porgy and BesS The Tours Ludus paschafis:--- Reconstruction of - Lawrence Starr, Univ, of Washington the Second-fEEIiE-EE--E-TTuciaf Etement in irs Dramatic Continuity The Sengerfest--A Vj-gnette German-American of R. Carrolf Stegall, Appalachian Univ. 32 Musical- Li f e State Edward C. tr{est Woff, Liberty State Co}lege Liturgical Drama in Croatia: Some Aspects of Transcription and Comparative Reconstitution of Tractus stellae of the Zagreb Manuscript VIEWS ON SCHENKER (sI,It1 ttR t6S ITTEE-century) Dujka Smoje, Univ. of Montrea] 33 A Response to Schenker's A:.ralysrs of Chopin's Etude, Op.10, No. 12, Using Schoenberg's Grund-cestalt Concept RENAISSANCE MASTERS: l{iscellaneous (AMS) Graham H. Phipps, Colorado State Univ. Studies Aspects of Palestrina's parody procedure On Predicating Some Fundamental progressions: Harmonic Process and the Implication-Realization Quentin Quereau, Case Western Reserve 34 Mode 1 The Eugene pennsylvania 2l Significance of Mus. Ms, B. as a Source for Narmour, Univ. of the Motets of Cipriano de Rore Jessie Ann O\,vens, Columbia Univ. 35 VA Re.ichardt, Burney, anC cerman Genius Schenker: The New Orthodoxy Thomas Bauman, Univ. of Pennsylvania I7 Gregory Procter, Ohio State Univ. )1 Dr. Burney and the 'Trouble with the cermans' Kerry Grant, McGi1l Univ. 18 LECTURE-RECfTAL: performance practice problems in the Piano Music of Debussy Paul Jacobs, Brooklyn College PROKOFIEV: Studies for the 25th Anniversarv of His Death (AMS) LITURGICAL DRAMA: Round Table (AMS) Prokofiev as Composer of Music for Movies MiloE vefimirovi6. univ. of Vlrginia Influences on the Development of the Liturgical Drama: An Introduction Prokofiev's The cambler--A Break with Operatic Tradition Sister Marie Dolores Moore, College Misericordia 28 Boris Schwarz, Queens College Amalarius of Metz, the Divine Office and Liturgical Drama Mischief, Mockery, and Merriment in prokofiev's Roger Evans, Univ. of pittsburgh Love for Three Oranges 29 @anaUniv. The Role of the Office Antiphon in Tenth- Centur-y Liturgical Drama Tone, Style and Form in prokofiev's Operas: Clyde Brockett, Christopher-Newport Some Preliminary Observations Coflege Richard Taruskin, Co-lumbia Univ. Medieval Monastic Liturgy and the Ludus pereqrinus: thc Relationship of the Antiphon toEt.urqfZfi-- Drama A}{ERICAN MUSIC (AMS) Mary Margaret Mahone, Southern Seminary Recurrences in the Songs Stephen of Foster The Origins of the euem quaeritis 'type 2' Michael Leavitt. creat Neck, New york Text Variant Timothy Mccee, Univ. of Toronto la Toward a Revaluation of Gershwin's porgy and BesS The Tours Ludus paschafis:--- Reconstruction of - Lawrence Starr, Univ, of Washington the Second-fEEIiE-EE--E-TTuciaf Etement in irs Dramatic Continuity The Sengerfest--A Vj-gnette German-American of R. Carrolf Stegall, Appalachian Univ. 32 Musical- Li f e State Edward C. tr{est Woff, Liberty State Co}lege Liturgical Drama in Croatia: Some Aspects of Transcription and Comparative Reconstitution of Tractus stellae of the Zagreb Manuscript VIEWS ON SCHENKER (sI,It1 ttR t6S ITTEE-century) Dujka Smoje, Univ. of Montrea] 33 A Response to Schenker's A:.ralysrs of Chopin's Etude, Op.10, No. 12, Using Schoenberg's Grund-cestalt Concept RENAISSANCE MASTERS: l{iscellaneous (AMS) Graham H. Phipps, Colorado State Univ.
Load more

Recommended publications
  • SUSAN BOYNTON Curriculum Vitae (August 2017)
    SUSAN BOYNTON Curriculum Vitae (August 2017) Department of Music Office: Columbia University 621 Dodge Hall 2960 Broadway, MC 1816 tel. 212 854 7186 New York, NY 10027 [email protected] EDUCATION 1992-1996 Brandeis University Ph.D. in Musicology (February 1997) Dissertation: Glossed Hymns in Eleventh-Century Continental Hymnaries (unpublished); Advisors: Margot Fassler and Jessie Ann Owens M.F.A. in Music and Women’s Studies (concurrent with Ph.D. studies) Thesis: The Reception of the Trobairitz: Implications for Music History 1991-1992 Université Catholique de Louvain-la-Neuve, Belgium Diplôme d’études médiévales avec grande distinction 1989-1991 Yale University: M.A. in Medieval Studies 1984-1988 Yale College: B.A. summa cum laude with honors in the Music Major EMPLOYMENT AND TEACHING EXPERIENCE Professor of Historical Musicology, Columbia University (as of July 1, 2012) Course Director, Art and Music Humanities Summer Program in Paris (2015-17) Visiting Associate Professor, Princeton University Music Department (spring 2011) Associate Professor of Historical Musicology, Columbia University (2006-2012) Assistant Professor of Historical Musicology, Columbia University (2000-2006) Assistant Professor of Musicology, University of Oregon, School of Music (1996-2000) Lecturer, Duke University (Fall 1994): Music History I: to 1600; Notation to 1400 Writing Instructor, Brandeis University (Spring 1996): First-year writing course Writing Fellow for Writing-Intensive Courses, Brandeis University (1994-5) Teaching Associate, Brandeis University (1994-1996), English as a Second Language Research Assistant Bernadette Brooten, Brandeis University (1994-1996) Barbara Shailor, Beinecke Library, Yale University (1989-1991) FELLOWSHIPS, AWARDS, and GRANTS 2017 Short-Term Research Fellowship, Long Room Hub Arts and Humanities Research Institute, Trinity College Dublin (May 2017) 2016 Ruth Solie Award of the American Musicological Society for Resounding Images: Medieval Intersections of Art, Music, and Sound, edited with Diane J.
    [Show full text]
  • The Musical Partnership of Sergei Prokofiev And
    THE MUSICAL PARTNERSHIP OF SERGEI PROKOFIEV AND MSTISLAV ROSTROPOVICH A CREATIVE PROJECT SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT FOR THE DEGREE MASTER OF MUSIC IN PERFORMANCE BY JIHYE KIM DR. PETER OPIE - ADVISOR BALL STATE UNIVERSITY MUNCIE, INDIANA DECEMBER 2011 Among twentieth-century composers, Sergei Prokofiev is widely considered to be one of the most popular and important figures. He wrote in a variety of genres, including opera, ballet, symphonies, concertos, solo piano, and chamber music. In his cello works, of which three are the most important, his partnership with the great Russian cellist Mstislav Rostropovich was crucial. To understand their partnership, it is necessary to know their background information, including biographies, and to understand the political environment in which they lived. Sergei Prokofiev was born in Sontovka, (Ukraine) on April 23, 1891, and grew up in comfortable conditions. His father organized his general education in the natural sciences, and his mother gave him his early education in the arts. When he was four years old, his mother provided his first piano lessons and he began composition study as well. He studied theory, composition, instrumentation, and piano with Reinhold Glière, who was also a composer and pianist. Glière asked Prokofiev to compose short pieces made into the structure of a series.1 According to Glière’s suggestion, Prokofiev wrote a lot of short piano pieces, including five series each of 12 pieces (1902-1906). He also composed a symphony in G major for Glière. When he was twelve years old, he met Glazunov, who was a professor at the St.
    [Show full text]
  • AMS Newsletter February 2014
    AMS NEWSLETTER THE AMERICAN MUSICOLOGICAL SOCIETY CONSTITUENT MEMBER OF THE AMERICAN COUNCIL OF LEARNED SOCIETIES VOLUME XLIV, NUMBER 1 February 2014 ISSN 0402-012X AMS Milwaukee 2014: Not Just 2013 Annual Beer, Brats, and Cheese Meeting: Pittsburgh AMS Milwaukee 2014 venues right in the downtown area, includ- The seventy-ninth Annual Meeting of the 6–9 November ing the Marcus Center for the Performing American Musicological Society took place www.ams-net.org/milwaukee Arts, home of the Milwaukee Symphony, the 7–10 November among the bridges, rivers, Florentine Opera, and the Milwaukee Bal- and hills of Pittsburgh’s Golden Triangle. Members of the AMS and the SMT will let. Pabst Theatre and the nearby Riverside The program was packed to the gills, with converge on Milwaukee, Wisconsin, in No- Theatre are home to regular series and the an average of seven concurrent scholarly ses- vember for their annual meetings. Situated Milwaukee Repertory Company. The large sions plus numerous meetings by the Soci- on the west shore of Lake Michigan about Milwaukee Theatre hosts roadshows. The ety’s committees, study groups, and editorial ninety miles north of Chicago, Milwaukee is downtown also boasts two arenas hosting boards, as well as lectures and recitals select- known as the Cream City not because Wis- sporting events and touring acts. The Broad- ed by the Performance Committee. Papers consin is America’s Dairyland, but because way Theatre presents smaller events, includ- and sessions spanned the entire range of the of the ubiquity of cream-colored brick used ing local theater companies and the Skylight field, from the origins of Christian chant to in the city’s oldest buildings.
    [Show full text]
  • 1 the DUTCH DELTA MODEL for POLICY ANALYSIS on FLOOD RISK MANAGEMENT in the NETHERLANDS R.M. Slomp1, J.P. De Waal2, E.F.W. Ruijg
    THE DUTCH DELTA MODEL FOR POLICY ANALYSIS ON FLOOD RISK MANAGEMENT IN THE NETHERLANDS R.M. Slomp1, J.P. de Waal2, E.F.W. Ruijgh2, T. Kroon1, E. Snippen2, J.S.L.J. van Alphen3 1. Ministry of Infrastructure and Environment / Rijkswaterstaat 2. Deltares 3. Staff Delta Programme Commissioner ABSTRACT The Netherlands is located in a delta where the rivers Rhine, Meuse, Scheldt and Eems drain into the North Sea. Over the centuries floods have been caused by high river discharges, storms, and ice dams. In view of the changing climate the probability of flooding is expected to increase. Moreover, as the socio- economic developments in the Netherlands lead to further growth of private and public property, the possible damage as a result of flooding is likely to increase even more. The increasing flood risk has led the government to act, even though the Netherlands has not had a major flood since 1953. An integrated policy analysis study has been launched by the government called the Dutch Delta Programme. The Delta model is the integrated and consistent set of models to support long-term analyses of the various decisions in the Delta Programme. The programme covers the Netherlands, and includes flood risk analysis and water supply studies. This means the Delta model includes models for flood risk management as well as fresh water supply. In this paper we will discuss the models for flood risk management. The issues tackled were: consistent climate change scenarios for all water systems, consistent measures over the water systems, choice of the same proxies to evaluate flood probabilities and the reduction of computation and analysis time.
    [Show full text]
  • Acipenser Sturio L., 1758) in the Lower Rhine River, As Revealed by Telemetry Niels W
    Outmigration Pathways of Stocked Juvenile European Sturgeon (Acipenser Sturio L., 1758) in the Lower Rhine River, as Revealed by Telemetry Niels W. P. Brevé, Hendry Vis, Bram Houben, André Breukelaar, Marie-Laure Acolas To cite this version: Niels W. P. Brevé, Hendry Vis, Bram Houben, André Breukelaar, Marie-Laure Acolas. Outmigration Pathways of Stocked Juvenile European Sturgeon (Acipenser Sturio L., 1758) in the Lower Rhine River, as Revealed by Telemetry. Journal of Applied Ichthyology, Wiley, 2019, 35 (1), pp.61-68. 10.1111/jai.13815. hal-02267361 HAL Id: hal-02267361 https://hal.archives-ouvertes.fr/hal-02267361 Submitted on 19 Aug 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Received: 5 December 2017 | Revised: 26 April 2018 | Accepted: 17 September 2018 DOI: 10.1111/jai.13815 STURGEON PAPER Outmigration pathways of stocked juvenile European sturgeon (Acipenser sturio L., 1758) in the Lower Rhine River, as revealed by telemetry Niels W. P. Brevé1 | Hendry Vis2 | Bram Houben3 | André Breukelaar4 | Marie‐Laure Acolas5 1Koninklijke Sportvisserij Nederland, Bilthoven, Netherlands Abstract 2VisAdvies BV, Nieuwegein, Netherlands Working towards a future Rhine Sturgeon Action Plan the outmigration pathways of 3ARK Nature, Nijmegen, Netherlands stocked juvenile European sturgeon (Acipenser sturio L., 1758) were studied in the 4Rijkswaterstaat (RWS), Rotterdam, River Rhine in 2012 and 2015 using the NEDAP Trail system.
    [Show full text]
  • Read Book Sergei Prokofiev Peter and Wolf Pdf Free Download
    SERGEI PROKOFIEV PETER AND WOLF PDF, EPUB, EBOOK Sergei Prokofiev | 40 pages | 14 Sep 2004 | Random House USA Inc | 9780375824302 | English | New York, United States Sergei Prokofiev Peter and Wolf PDF Book Prokofiev had been considering making an opera out of Leo Tolstoy 's epic novel War and Peace , when news of the German invasion of the Soviet Union on 22 June made the subject seem all the more timely. This article contains a list of works that does not follow the Manual of Style for lists of works often, though not always, due to being in reverse-chronological order and may need cleanup. William F. You have entered an incorrect email address! The cat quickly climbs into the tree with the bird, but the duck, who has jumped out of the pond, is chased, overtaken, and swallowed by the wolf. Help Learn to edit Community portal Recent changes Upload file. To this day, elementary school children hear Peter and the Wolf during school assemblies or at concerts for young people. Merriam-Webster Dictionary. The Independent. However, Prokofiev was dissatisfied with the rhyming text produced by Antonina Sakonskaya, a then popular children's author. The Lives of Ingolf Dahl. Russian composer — Explore more from this episode More. Each character of this tale is represented by a corresponding instrument in the orchestra: the bird by a flute, the duck by an oboe, the cat by a clarinet playing staccato in a low register, the grandfather by a bassoon, the wolf by three horns, Peter by the string quartet, the shooting of the hunters by the kettle drums and bass drum.
    [Show full text]
  • Istanbul Technical University Institute of Social Sciences Aesthetical and Technical Analysis of Selected Flute Works by S
    ISTANBUL TECHNICAL UNIVERSITY ★ INSTITUTE OF SOCIAL SCIENCES AESTHETICAL AND TECHNICAL ANALYSIS OF SELECTED FLUTE WORKS BY SOFIA GUBAIDULINA Ph.D. THESIS Zehra Ezgi KARA Department of Music Music Programme MARCH 2019 ISTANBUL TECHNICAL UNIVERSITY ★ INSTITUTE OF SOCIAL SCIENCES AESTHETICAL AND TECHNICAL ANALYSIS OF SELECTED FLUTE WORKS BY SOFIA GUBAIDULINA Ph.D. THESIS Zehra Ezgi KARA (409112005) Department of Music Music Programme Thesis Advisor: Assoc. Prof. Jülide GÜNDÜZ MARCH 2019 İSTANBUL TEKNİK ÜNİVERSİTESİ ★ SOSYAL BİLİMLER ENSTİTÜSÜ SOFIA GUBAIDULINA’NIN SEÇİLİ FLÜT ESERLERİNİN ESTETİK VE TEKNİK ANALİZİ DOKTORA TEZİ Zehra Ezgi KARA (409112005) Müzik Anabilim Dalı Müzik Programı Tez Danışmanı: Doç. Jülide GÜNDÜZ MART 2019 Zehra Ezgi Kara, a Ph.D. student of ITU Graduate School of Arts and Social Sciences student ID 409112005, successfully defended the thesis/dissertation entitled “AESTHETICAL AND TECHNICAL ANALYSIS OF SELECTED FLUTE WORKS BY SOFIA GUBAIDULINA”, which she prepared after fulfilling the requirements specified in the associated legislations, before the jury whose signatures are below. Thesis Advisor: Assoc. Prof. Jülide Gündüz …………… Istanbul Technical University Jury Members: Assoc. Prof. Dr. Yelda Özgen Öztürk .…………… Istanbul Technical University Assoc. Prof. Dr. Jerfi Aji .…………… Istanbul Technical University Prof. Dr. Gülden Teztel .…………… Istanbul University Assoc. Prof. Dr. Müge Hendekli .…………… Istanbul University Date of Submission : 05 February 2019 Date of Defense : 20 March 2019 v vi To Mom, Dad and my dog, Justin. vii viii FOREWORD This thesis, entitled “Aesthetical and Technical Analysis of Selected Flute Works by Sofia Gubaidulina”, is submitted for the degree of Doctor of Philosophy at the I.T.U. Social Sciences Institute, Dr. Erol Üçer Center for Advanced Studies in Music (MIAM).
    [Show full text]
  • Mark Evan Bonds
    MARK EVAN BONDS Department of Music 1064 Sweetflag Lane University of North Carolina Hillsborough, NC 27278 Chapel Hill, NC 27599-3320 [email protected] ACADEMIC POSITIONS 1992- University of North Carolina at Chapel Hill, Department of Music, Cary C. Boshamer Distinguished Professor (2007- ); Professor (1997-2007); Associate Professor (1992-97) 1991 Harvard University, Department of Music, Visiting Assistant Professor (Fall Semester) 1988-92 Boston University, School of Music, Assistant Professor EDUCATION 1984-88 Harvard University, Ph.D. in Musicology (Dissertation: “Haydn’s False Recapitulations and the Perception of Sonata Form in the Eighteenth Century”) 1977-78 University of North Carolina at Chapel Hill, M.S. in Library Science 1975-77 Christian-Albrechts-Universität Kiel (W. Germany), M.A. in Musicology, with Distinction; Minor in German Literature (Thesis: “Das Cantus-firmus-Prinzip bei Haydn und Mozart”) 1971-75 Duke University, B.A. magna cum laude, with Distinction in Music PUBLICATIONS SCHOLARLY MONOGRAPHS Absolute Music: The History of an Idea. New York: Oxford University Press, 2014. Paperback ed. 2017. Russian translation (Moscow: Delo) under contract for publication in early 2019. Music as Thought: Listening to the Symphony in the Age of Beethoven. Princeton: Princeton University Press, 2006. Paperback ed. 2014. Spanish translation: Barcelona: Acantilado, 2014. Japanese translation: Tokyo: Artes, 2015. After Beethoven: Imperatives of Originality in the Symphony. Cambridge, MA: Harvard University Press, 1996. Reprint ed. 2013. Wordless Rhetoric: Musical Form and the Metaphor of the Oration. Cambridge, MA: Harvard University Press, 1991. Reprint ed. 2013. Japanese translation: Tokyo: Ongaku No Tomo Sha, 2018. TEXTBOOKS Listen to This. 4th ed. Hoboken, NJ: Pearson, 2017.
    [Show full text]
  • The Present Status of the River Rhine with Special Emphasis on Fisheries Development
    121 THE PRESENT STATUS OF THE RIVER RHINE WITH SPECIAL EMPHASIS ON FISHERIES DEVELOPMENT T. Brenner 1 A.D. Buijse2 M. Lauff3 J.F. Luquet4 E. Staub5 1 Ministry of Environment and Forestry Rheinland-Pfalz, P.O. Box 3160, D-55021 Mainz, Germany 2 Institute for Inland Water Management and Waste Water Treatment RIZA, P.O. Box 17, NL 8200 AA Lelystad, The Netherlands 3 Administrations des Eaux et Forets, Boite Postale 2513, L 1025 Luxembourg 4 Conseil Supérieur de la Peche, 23, Rue des Garennes, F 57155 Marly, France 5 Swiss Agency for the Environment, Forests and Landscape, CH 3003 Bern, Switzerland ABSTRACT The Rhine basin (1 320 km, 225 000 km2) is shared by nine countries (Switzerland, Italy, Liechtenstein, Austria, Germany, France, Luxemburg, Belgium and the Netherlands) with a population of about 54 million people and provides drinking water to 20 million of them. The Rhine is navigable from the North Sea up to Basel in Switzerland Key words: Rhine, restoration, aquatic biodiversity, fish and is one of the most important international migration waterways in the world. 122 The present status of the river Rhine Floodplains were reclaimed as early as the and groundwater protection. Possibilities for the Middle Ages and in the eighteenth and nineteenth cen- restoration of the River Rhine are limited by the multi- tury the channel of the Rhine had been subjected to purpose use of the river for shipping, hydropower, drastic changes to improve navigation as well as the drinking water and agriculture. Further recovery is discharge of water, ice and sediment. From 1945 until hampered by the numerous hydropower stations that the early 1970s water pollution due to domestic and interfere with downstream fish migration, the poor industrial wastewater increased dramatically.
    [Show full text]
  • Beethoven's Fourth Symphony: Comparative Analysis of Recorded Performances, Pp
    BEETHOVEN’S FOURTH SYMPHONY: RECEPTION, AESTHETICS, PERFORMANCE HISTORY A Dissertation Presented to the Faculty of the Graduate School Of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Mark Christopher Ferraguto August 2012 © 2012 Mark Christopher Ferraguto BEETHOVEN’S FOURTH SYMPHONY: RECEPTION, AESTHETICS, PERFORMANCE HISTORY Mark Christopher Ferraguto, PhD Cornell University 2012 Despite its established place in the orchestral repertory, Beethoven’s Symphony No. 4 in B-flat, op. 60, has long challenged critics. Lacking titles and other extramusical signifiers, it posed a problem for nineteenth-century critics espousing programmatic modes of analysis; more recently, its aesthetic has been viewed as incongruent with that of the “heroic style,” the paradigm most strongly associated with Beethoven’s voice as a composer. Applying various methodologies, this study argues for a more complex view of the symphony’s aesthetic and cultural significance. Chapter I surveys the reception of the Fourth from its premiere to the present day, arguing that the symphony’s modern reputation emerged as a result of later nineteenth-century readings and misreadings. While the Fourth had a profound impact on Schumann, Berlioz, and Mendelssohn, it elicited more conflicted responses—including aporia and disavowal—from critics ranging from A. B. Marx to J. W. N. Sullivan and beyond. Recent scholarship on previously neglected works and genres has opened up new perspectives on Beethoven’s music, allowing for a fresh appreciation of the Fourth. Haydn’s legacy in 1805–6 provides the background for Chapter II, a study of Beethoven’s engagement with the Haydn–Mozart tradition.
    [Show full text]
  • Don Carlos Opera Slaska Byto
    OPERA ŚLĄSKA W BYTOMIU Dy r ekt o r : TADEUSZ SERAFIN GIUSEPPE VERDI DON CARLOS opera w IV aktach libretto według dramatu FRIEDRICHA SCHILLERA Joseph Mery, Camille du Locie spektakl w oryginalnej wersji językowej Realizatorzy premierowego s pektaklu : kierownictwo muzyczne: Tadeusz SERAFIN reżyseria i scenografia: Waldemar ZAWODZIŃSKI ruch sceniczny i choreografia : Janina N I ESOBSKA kierownik chóru: Krzysztof MARTYNIAK kierownik baletu: Olga KOZI MALA-KLIŚ współpraca muzyczna: Dorota AGNOLETTO, Krzysztof DZIEWIĘCKI, Andrzej KNAP asystenci reżysera: Maciej KOMANDERA, Jarosław ŚWITAŁA asystentka scenografa: Katarzyna ZBŁOWSKA korepetytorzy: Larysa CZABAN, Halina MANSARLIŃSKA, Halina TELIGA konsultacja językowa : Dorota AGNOLETTO Giuseppe Verdi (1813 - 1901) PREMIERA W OPERZE ŚLĄSKIEJ W BYTOMIU 22 MAJA 2011 r. , / ł [_=~L ,_ ' I' ~ '-..../ . pro1·ekt kostiumu pro1e. kt kost1Umu Verdi ~ w Operze Sląskiej W IV AKTACH PREMIERY l1bre110 ••dlu1 "fł't ••••u k1 •1••n•c••o „„,,u„• Tatleu11 SllAFIN flllDllCHA SCHILLERA, reiyseNe 1 u:eno1raf11 W•ld•••r ZA.WODZIŃSKI TRAVIATA- 1946 Joseph M•ty I Camille du Loci• ruch -..u:r "', <herwot••h• Janłna NJESOISKA AIDA- 1947 Spelrlalll ' w •. rJ'tinal111ef t. >•• owruk choi "' Kn:y11ł•f MARTY NIAi wersji Jtzrll•w•t 111 01 ow•o t b110111 0111 KOZIMALA„KLli RIGOLETTO - 1949 • U~Olp,u1 •\lrlUfl• O.rol• MlłOl.lfl'D. 1,.,.11of DIUWICCICI. A1114rHf IUll•• • • J•I•"'' ••iy•e•• Ml<• •1 IOw.t.11e1•&.11....tew łWltAU TRUBADUR - 1954 Hf•l11111h 1un11tr1l1 ••tony„ ZatOWlltA ke>1 1 pfl11o r1y h•'f•• CIAUM. lloilfl1 M.AlłAJlltlłlXA , MlllH TIUIA kOn•„ltH11 l• • t • ~wA h 1ol1 &CIMOllTTO DON CARLOS - 1955 Ą BAL MASKOWY - 1958 . (H••r lłlllADICIU.
    [Show full text]
  • A Viking-Age Settlement in the Hinterland of Hedeby Tobias Schade
    L. Holmquist, S. Kalmring & C. Hedenstierna-Jonson (eds.), New Aspects on Viking-age Urbanism, c. 750-1100 AD. Proceedings of the International Symposium at the Swedish History Museum, April 17-20th 2013. Theses and Papers in Archaeology B THESES AND PAPERS IN ARCHAEOLOGY B New Aspects on Viking-age Urbanism, c. 750-1100 AD. Proceedings of the International Symposium at the Swedish History Museum, April 17–20th 2013 Lena Holmquist, Sven Kalmring & Charlotte Hedenstierna-Jonson (eds.) Contents Introduction Sigtuna: royal site and Christian town and the Lena Holmquist, Sven Kalmring & regional perspective, c. 980-1100 Charlotte Hedenstierna-Jonson.....................................4 Sten Tesch................................................................107 Sigtuna and excavations at the Urmakaren Early northern towns as special economic and Trädgårdsmästaren sites zones Jonas Ros.................................................................133 Sven Kalmring............................................................7 No Kingdom without a town. Anund Olofs- Spaces and places of the urban settlement of son’s policy for national independence and its Birka materiality Charlotte Hedenstierna-Jonson...................................16 Rune Edberg............................................................145 Birka’s defence works and harbour - linking The Schleswig waterfront - a place of major one recently ended and one newly begun significance for the emergence of the town? research project Felix Rösch..........................................................153
    [Show full text]