RESIDENT EVIL : CHAPITRE FINAL (Resident Evil : the Final Chapter)
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Milla Jovovich
Textes : COMING SOON COMMUNICATION • Design : Fabrication Maison / TROÏKA . SAMUEL HADIDA et METROPOLITAN FILMEXPORT présentent une production CONSTANTIN FILM/ DAVIS FILMS/ IMPACT PICTURES un film de RUSSELL MULCAHY MILLA JOVOVICH ODED FEHR ALI LARTER IAIN GLEN ASHANTI MIKE EPPS Un film produit par Bernd Eichinger, Samuel Hadida, Robert Kulzer, Jeremy Bolt et Paul W.S. Anderson SORTIE LE 3 OCTOBRE 2007 Durée : 1h30 Vous pouvez télécharger l'affiche et des photos du film sur : http://presse.metropolitan-films.com www.metrofilms.com www.re3.fr DISTRIBUTION RELATIONS PRESSE METROPOLITAN FILMEXPORT PROGRAMMATION PARTENARIATS KINEMA FILM / François Frey 29, rue Galilée - 75116 Paris Region Paris GRP-Est-Nord ET PROMOTION 15, rue Jouffroy-d’Abbans [email protected] Tél. : 01 56 59 23 25 AGENCE MERCREDI 75017 Paris Tél. : 01 56 59 23 25 Region Marseille-Lyon-Bordeaux Tél. : 01 56 59 66 66 Tél. : 01 43 18 80 00 Fax : 01 53 57 84 02 Tél. : 05 56 44 04 04 Fax : 01 56 59 66 67 Fax : 01 43 18 80 09 Le virus expérimental mis au point par la toute-puissante Umbrella Corporation a détruit l’humanité, transformant la population du monde en zombies avides de chair humaine. Fuyant les villes, Carlos, L.J., Claire, K-Mart, Nurse Betty et quelques survivants ont pris la route dans un convoi armé, espérant retrouver d’autres humains non infectés et gagner l’Alaska, leur dernier espoir d’une terre préservée. Ils sont accompagnés dans l’ombre par Alice, une jeune femme sur laquelle Umbrella a mené autrefois de terribles expériences biogéniques qui, en modifiant son ADN, lui ont apporté des capacités surhumaines. -
Annual Report CF AG 2008
CF_GB_2008_E_300309.qxd:Layout 1 30.03.2009 19:25 Uhr Seite 2 CONTENTS/ Annual Report 2008 Pages 5/6 -- Foreword Pages 7/9 -- Report by the Supervisory Board Pages 11/12 -- Corporate strategy Page 13 -- The 5-sector strategy Page 15 onwards -- Investor relations Page 23 -- Contents / financial information Page 25 onwards -- Combined management report of the Group and AG for the 2008 fiscal year Page 62 onwards -- Consolidated financial statements Pages 144/145 -- AG balance sheet Page 146 -- AG income statement Page 147 onwards -- Filmography Page 166 onwards -- Terminology Page 171 -- Summary of equity interests CF_GB_2008_E_300309.qxd:Layout 1 30.03.2009 19:25 Uhr Seite 3 KEY FIGURES / Group 01.01. – 01.01. – 31.12.2007 31.12.2008 € million € million Sales 225.0 248.5 of which in-house and co-productions 178.9 203.7 of which third-party productions 46.1 44.7 EBITDA 81.7 104.9 Gross profit 32.0 35.5 Operating result 12.4 15.1 Earnings for the year attributable to the shareholders of the parent company 6.2 10.5 Investments in film assets 79.1 73.6 Depreciation of film assets 68.2 88.9 31.12.2007 31.12.2008 Film assets 181.7 166.3 Equity 74.6 84.7 Balance sheet total 333.3 339.5 Permanent employees (number) 481 500 Earnings per share in € (undiluted and diluted) 0.49 0.83 Annual Report 2008 | | Page 3 CF_GB_2008_E_300309.qxd:Layout 1 30.03.2009 19:25 Uhr Seite 4 CF_GB_2008_E_300309.qxd:Layout 1 30.03.2009 19:25 Uhr Seite 5 FOREWORD by the Management Board of Constantin Film AG Dear shareholders, dear friends of Constantin Film AG, A positive trend compared with the previous year was apparent again the industry’s overall cost burden, to offer audiences a larger selection in the German theatrical industry in 2008. -
LEE-DISSERTATION-2018.Pdf
Copyright by Kyung Sun Lee 2018 The Dissertation Committee for Kyung Sun Lee Certifies that this is the approved version of the following Dissertation: Doing Good or Looking Good? Communicating Development, Branding Nation in South Korea Committee: Karin G. Wilkins, Supervisor Joseph Straubhaar Sharon Strover Robert Oppenheim James Pamment Doing Good or Looking Good? Communicating Development, Branding Nation in South Korea by Kyung Sun Lee Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2018 Dedication To my dad, who inspired me to pursue the life of a scholar. Our time together was far too short, but you live on in my heart. Acknowledgements In the course of my dissertation journey, I have benefitted from many people and institutions to whom I would like to express my sincere gratitude. My utmost gratitude goes to my supervisor, Dr. Karin Wilkins. I came to the Department of Radio-Television-Film nearly ten years ago to explore the intersections of critical studies, communications, and development. Since then, she has helped me to mature as a scholar, encouraging me to ask incisive questions, to confront them methodically, and articulate evidence systematically. Her enthusiastic support for my dissertation project gave me the courage to challenge myself and persevere through difficult circumstances. Oftentimes, my project was sustained by her unrelenting passion and confidence in my work. It is not only her intellectual influence, but her kindness and genuine concern for her students to which I am most indebted. -
John Rakich Rakich Productions Inc
John Rakich Rakich Productions Inc. 809-716 The West Mall Toronto, Ontario M9C 4X6 Tel: (416) 737-7616 Email: [email protected] Website: www.johnrakich.com Affiliations Directors Guild of Canada – Ontario District Council Location Managers Guild International Academy of Canadian Cinema & Television Experience (Director / Showrunner / Producer) 2019 GRAND ARMY S1 (Joshua Donen/Chris Hatcher) Location Manager 2019 JUPITER’S LEGACY S1 (Steven S DeKnight/Steve Wakefield) Location Scout (Pre-Production) 2018 THE OCTOBER FACTION (S1) (Damian Kindler / John Calvert) Location Manager 2018 WRONG TURN (Mike Nelson / Robert Kulzer) Location Scout (Pre-Production) 2018 NO SLEEP TIL CHRISTMAS (Brent Shields/Cameron Johann/Mary Pantelidis) Location Manager 2017 SHADOWHUNTERS (S3) (Todd Slavkin/Matt Hastings/Chris Hatcher) Location Manager 2017 ANGRY ANGEL (John Ryan) Location Scout 2017 FAHRENHEIT 451 (Ramin Bahrani / David Coatsworth) Location Scout 2017 PACIFIC RIM: UPRISING (Steven S DeKnight / Jennifer Conroy) Location Consultant (Pre-Production) 2016 SALVATION (S1: EP1) (Rob Ortiz) Location Scout (Pre-Production) 2016 THE PARTING GLASS (Stephen Moyer/Cerise Hallam Larkin) Location Scout 2016 SHADOWHUNTERS (S2) (Todd Slavkin/Matt Hastings/Chris Hatcher) Location Manager 2016 THE EXPANSE (S2) (Naren Shankar / Lynn Raynor) Location Manager 2016 AMERICAN GODS (S1: EP 1-3) (David Slade / Bryan Fuller) Location Scout 2015 THE DARK TOWER (Nikolaj Arcel/ G Mac Brown) Location Scout (Pre-Production) 2015 SHIMMER LAKE (Oren Uziel / Adam Saunders) Location -
Colombia 2010-2014
COLOMBIA 2010-2014 (1) BY THE NUMBERS (A) MARKET STATISTICS 2010 2011 2012 2013 2014 AVERAGE Screens 588 643 734 790 879 727 Theatrical admissions (millions) 33.7 33.8 40.8 43.2 46.5 39.6 Per capita attendance 0.74 0.83 0.90 0.92 0.98 0.97 Box office (EUR millions) 84.3 96.8 106.0 109.0 135.3 106.3 Releases 207 206 213 244 274 229 Domestic releases 10 18 23 17 28 19 US releases 157 116 136 156 141 142 European releases 31 16 23 29 25 25 German releases 6 4 3 1 3 4 Domestic market share 4.5% 7.8% 8.2% 5.0% 4.7% 6.0% German market share 0.35% 1.28% 2.71% 0.12% 0.33% 0.96% *EUR equivalents are calculated throughout at the exchange rate for December 31 of the year in question. 1 Market Study Colombia 2010-2014, July 2015, by Split Screen for German Films Colombia: Market Shares 2010-2014 9 8 7 6 5 Domestic 4 German 3 2 1 Percentage Percentage of office box annual 0 2010 2011 2012 2013 2014 Colombia: Theatrical Releases 2010-2014 300 250 Total 200 Domestic 150 US 100 European 50 German 0 2010 2011 2012 2013 2014 Average 2 Market Study Colombia 2010-2014, July 2015, by Split Screen for German Films (B) THEATRICAL RELEASES TITLE DISTRIBUTOR RELEASE DATE BOX OFFICE US$ 2010 GERMAN FILMS (100% OR MAJORITY CO-PRODUCTIONS) DIE WELLE (Ger) Cine Colombia 23.04.10 129,199 KIRSCHBLÜTEN – HANAMI (Ger) Cine Colombia 09.07.10 123,621 WOLKE 9 (Ger) Cine Colombia 30.07.10 52,628 DAS WEISSE BAND (Ger/Aut/It/Sp) Babilla Ciné 05.03.10 34,799 DIE FRAU DES ANARCHISTEN (Ger/Sp/Fr) Cineplex 26.03.10 28,707 PANDORUM (Ger/US) Cineplex 21.05.10 13,164 2010 GERMAN MINORITY CO-PRODUCTIONS RESIDENT EVIL: AFTERLIFE (UK/Ger/US) Sony Pictures Colombia 10.09.10 3,124,133 MÄN SOM HATAR KVINNOR (Swe/Ger/Nor) Cine Colombia 30.04.10 333,553 NINJA ASSASSIN (US/Ger) Warner Bros. -
Gorinski2018.Pdf
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Automatic Movie Analysis and Summarisation Philip John Gorinski I V N E R U S E I T H Y T O H F G E R D I N B U Doctor of Philosophy Institute for Language, Cognition and Computation School of Informatics University of Edinburgh 2017 Abstract Automatic movie analysis is the task of employing Machine Learning methods to the field of screenplays, movie scripts, and motion pictures to facilitate or enable vari- ous tasks throughout the entirety of a movie’s life-cycle. From helping with making informed decisions about a new movie script with respect to aspects such as its origi- nality, similarity to other movies, or even commercial viability, all the way to offering consumers new and interesting ways of viewing the final movie, many stages in the life-cycle of a movie stand to benefit from Machine Learning techniques that promise to reduce human effort, time, or both. -
The Best of Korean Cinema Returns to London
THE BEST OF KOREAN CINEMA RETURNS TO LONDON 제 9회 런던한국영화제 / OFFICIAL FESTIVAL BROCHURE / 6-21 NOVEMBER 2014 14�OZE�454 .pdf 1 10/10/14 1:53 PM An introduction by Tony Rayns You wouldn’t know it from the pro- It’s a sad fact that not many of these gramming of this year’s other film fes- films will go into distribution in Britain, tivals in London, but 2014 has been a not because they lack audience ap- terrific year for Korean cinema. Two peal but because the ever-rising cost home-grown blockbusters have domi- of bring films into distribution in this nated the domestic market (one of country makes it hard for distributors to them has been seen by nearly half the take chances on unknown quantities. entire population of South Korea!), Twenty years ago the BBC and Chan- C and there have also been outstanding nel 4 would have stepped in to help, M achievements in the art-film sector, the but foreign-language films get less and indie sector, the student sector – and less exposure on our television. Maybe Y in animation and documentary. And just the decline in the market for non-Hol- CM as you begin to salivate over all those lywood films will mark the start of new films you’re afraid you’ll never get to initiatives in on-demand streaming and MY see, along comes the London Korean downloading, but those innovations are CY Film Festival to save the day. still in their infancy. And so the London CMY I’ve said this before, but it bears Korean Film Festival has an absolutely repeating: London is extremely lucky crucial role in bringing new Korean K to have the largest and most ambitious movies to the people who want to see of all the Korean Film Festivals staged them. -
QUEBEC FILM SOURCEBOOK 2016 Update 2015-12
QUEBEC FILM SOURCEBOOK 2016 Update 2015-12 WE ARE UNIFIED CREATIVE FORCES VFX STAGES CAMERAS GRIP RIGGING LIGHTING DOLLY FRONT END FILM LABORATORY DI VIDEO POST AUDIO POST MELSSTUDIOS.COMCanada’s largest supplier of services to the fi lm and television industry VISIONGLOBALE_Publicite QFSB - SPREAD.indd All Pages 2015-08-19 11:02 AM WE ARE UNIFIED CREATIVE FORCES VFX STAGES CAMERAS GRIP RIGGING LIGHTING DOLLY FRONT END FILM LABORATORY DI VIDEO POST AUDIO POST MELSSTUDIOS.COMCanada’s largest supplier of services to the fi lm and television industry VISIONGLOBALE_Publicite QFSB - SPREAD.indd All Pages 2015-08-19 11:02 AM QUEBEC FILM AND TELEVISION COUNCIL TOLL FREE: 1 866 320 FILM (3456) Telephone: 514 499-7070 Fax: 514 499-7018 [email protected] www.qftc.ca For the e-book version go to www.quebecfilmsourcebook.com DISCLAIMER Although every effort has been made to ensure that this information is correct, the publisher cannot guarantee accuracy. Please take note that the information herein is meant to be used as a guide only. © Copyright 2015, Quebec Film and Televison Council. 2015 Edition Published by Quebec Film and Television Council It is a pleasure for us to provide you with this invaluable tool that is the Quebec Film SourceBook (QFSB), the annual directory of the Quebec film and television industry. Now in its 5th edition, the QFSB is a comprehensive guide to the best of what Quebec has to offer in terms of labor, services, resources and infrastructures to help you film your production in our province. In it, you will also find all you need to know about our generous tax incentives, our unions and guilds, as well as our regional and municipal film offices – everything to ensure your film or TV shoot runs as smoothly as possible, from pre-produc- tion to the production, post-production and VFX stages. -
CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint)
-Season Three- CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint) Toby Stephens was born in London, England and trained at the London Academy of Music and Dramatic Art (LAMDA). He has gained critical acclaim as a stage and screen actor and upcoming work includes the feature film 13 Hours: The Secret Soldiers of Benghazi directed by Michael Bay, and And Then There Were None for the BBC. He will also star opposite Timothy Spall and John Hurt in Nick Hamm’s The Journey. Previous television roles include: “Vexed” (BBC), “Robin Hood” (BBC), “Wired” (ITV), “The Wild West” (BBC 1), “Jane Eyre” (BBC 1), “Sharpe’s Challenge” (ITV), “The Best Man” (ITV), “The Queen’s Sister” (Channel 4), “Waking the Dead” (BBC 1), “Poirot” (ITV), “Cambridge Spies” (BBC 2), “Perfect Strangers” (BBC 2), and “The Tenant of Wildfell Hall” (BBC 1). Recent film credits include: Believe with Natasha McElhone and Brian Cox, All Things to All Men alongside Gabriel Byrne and Rufus Sewell, and the lead role in The Machine for Content Film. Other film work includes: Severance, The Rising: Ballad of Mangal Pandey, Die Another Day, Possession, The Announcement, Onegin, Photographing Fairies, Sunset Heights, Cousin Bette, The Great Gatsby, Twelfth Night, and Orlando. Toby is an accomplished stage actor, both in London’s West End and on Broadway. Theater credits include ‘Elyot’ opposite Anna Chancellor in “Noel Coward’s Private Lives,” ‘Georges Danton’ in “Danton’s Death” (National Theatre Olivier), ‘Henry’ in “The Real Thing” (The Old Vic), ‘Thomas’ in “A Doll’s House,” ‘Jerry’ in -
Karen Keslen Kremes.Pdf
UNIVERSIDADE ESTADUAL DE PONTA GROSSA SETOR DE CIÊNCIAS HUMANAS DEPARTAMENTO DE HISTÓRIA KAREN KESLEN KREMES CULTURA GEEK E TECNOLOGIA: REFLEXÕES SOBRE OS HÍBRIDOS DE VIDEOGAME E CINEMA INTERATIVO PONTA GROSSA 2018 KAREN KESLEN KREMES CULTURA GEEK E TECNOLOGIA: REFLEXÕES SOBRE OS HÍBRIDOS DE VIDEOGAME E CINEMA INTERATIVO Dissertação apresentada para obtenção do título de Mestre em História na Universidade Estadual de Ponta Grossa, Área de História, Cultura e Identidades. Orientadora: Profa. Dra. Patrícia Camera Varella PONTA GROSSA 2018 Dedico a Deus. A Ele toda honra. Para sempre. AGRADECIMENTOS Palavras jamais poderão expressar toda minha inteira gratidão à Aquele que é o primeiro lugar em minha vida: Deus. Muito obrigada, Senhor, por me dar forças, coragem e capacidade para cursar o mestrado. Tudo isto faz parte do Seu caminho e dos planos que o Senhor tem para minha vida. Agradeço eternamente por esta oportunidade e que eu possa usar todo esse conhecimento com sabedoria. Obrigada a família maravilhosa que tenho ao meu lado. Pessoas essenciais que me deram ânimo todos os dias através de conselhos com bom-humor e me acompanharam nesta longa caminhada. Vocês são demais! Obrigada as boas pessoas que Deus colocou em meu caminho. Professores, funcionários e amigos que estão ao meu lado desde minha graduação. Obrigada pela amizade e gentileza, vocês são uma benção para mim e jamais esquecerei esses anos de trabalho e diversão que passei junto de vocês. Obrigada a minha orientadora pela paciência e colaboração. Foram muitos percalços ao longo deste caminho, mas essa investigação não seria realidade sem sua ajuda. Obrigada aos professores da minha banca de qualificação e de defesa por disponibilizarem de seu tempo para contribuir com essa pesquisa e por acreditarem neste tema como parte integrante da historiografia. -
Amber Jean Rowan
Eoin Macken Irish Agent: Morgan The Agency Height: 5’11” Phone: +353 (01) 6614572 Eyes: Brown Email: [email protected] Hair: Brown Frame: Athletic TRAINING Advanced Acting for Camera Gaiety School of Acting, Dublin Meisner Technique Nina Murrano, New York Stanislavski & Film Vincent Chase, Los Angeles SCREEN EXPERIENCE (TV & FILM) Title Role Company Director The Night Shift Dr.TC.Callaghan Sony/NBC Pierre Morel Suspension of Disbelif Greg Red Mullet Mike Figgis Callback Queen Cal Powertrip Graham Cantwell Merlin (TV) Sir Gwaine Shine / BBC Various Paddys in Boot (TV) KJR Kevin Shulman Siren Ken Lionsgate Andrew Hull Centurion Achivir Celador Neil Marshall The Tudors (TV) SW Productions Jeremy Podeswa Savage Rory SP Films Brendan Muldowney Through The Night Jay Rank Outside Lee Cronin 3Crosses Ethan October 11 Jason Figgis Small Island (TV) BBC / Ruby Films John Alexander Raw Series 2 (TV) RTE / Octagon Films Nick Renton Pubworld RTE / Storyland Steven Stubbs Studs Tosh Buena Vista Paul Mercier Rise of the Bricks Dennis Independent Ben Keenan Fair City Gavin RTE Various THEATRE EXPERIENCE Title Role Company Director The Snapper University College Dublin Othello University College Dublin The Ugly Duckling University College Dublin SKILLS & ACCENTS Skills: Swimming, Horse Riding, Golf, Soccer, Athletics, Rock Climbing, Surfing, Sailing & Kick Boxing Accents: American; generic, New York, Southern / English; London, Liverpool, flat & upper Class / French / Scottish / Northern Irish / Irish; various regions, flat & upper class / Australian . -
THE SILENCE Einen Packenden Endzeit-Thriller – Perfekt Getimter Horror, Düster, Spannend Und Gleichzeitig Emotional
PRESSEHEFT 1 Kinostart: 16. Mai 2019 VERLEIH PRESSE Praesens-Film AG Pro Film GmbH Münchhaldenstrasse 10 Olivier Goetschi 8008 Zürich [email protected] [email protected] +41 44 325 35 24 +41 44 422 38 32 Pressematerial und weitere Infos zum Film unter www.praesens.com INHALT BESETZUNG .............................................................................................................. 3 STAB .......................................................................................................................... 3 KURZINHALT & PRESSENOTIZ ............................................................................... 4 ÜBER DIE GESCHICHTE .......................................................................................... 5 ÜBER DIE PRODUKTION ........................................................................................ 10 BESETZUNG ............................................................................................................ 13 STANLEY TUCCI (Hugh Andrews) ....................................................................... 13 KIERNAN SHIPKA (Ally Andrews) ........................................................................ 14 MIRANDA OTTO (Kelly Andrews) ........................................................................ 15 KATE TROTTER (Lynn) ........................................................................................ 16 JOHN CORBETT (Glen) ....................................................................................... 16 KYLE BREITKOPF (Jude Andrews).....................................................................