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Kirk Douglas in Cat and Mouse! the Flame of Love
They just pushed him too far! Kirk Douglas in Cat and Mouse! Also on release this month: The Flame of Love Seven Nights in Japan Charley Moon The Extra Day Ballad in Blue Don’t Bother to Knock Spring in Park Lane Wonderful Things Memoirs of a Survivor Those Were the Days Up Jumped a Swagman Home at Seven Nothing But the Best Julie Christie stars in an award-winning adaptation of Doris Lessing’s famous dystopian novel. This complex, haunting science-fiction feature is presented in a Set in the exotic surroundings of Russia before the First brand-new transfer from the original film elements in World War, The Flame of Love tells the tragic story of the its as-exhibited theatrical aspect ratio. doomed love between a young Chinese dancing girl and the adjutant to a Russian Grand Duke. One of five British films Set in Britain at an unspecified point in the near- featuring Chinese-American actress Anna May Wong, The future, Memoirs of a Survivor tells the story of ‘D’, a Flame of Love (also known as Hai-Tang) was the star’s first housewife trying to carry on after a cataclysmic war ‘talkie’, made during her stay in London in the early 1930s, that has left society in a state of collapse. Rubbish is when Hollywood’s proscription of love scenes between piled high in the streets among near-derelict buildings Asian and Caucasian actors deprived Wong of leading roles. covered with graffiti; the electricity supply is variable, and water is now collected from a van. -
Bachelor's Programme in English Language and Literature, St
Bachelor’s Programme in English Language and Literature, St. Teresa’s College (Autonomous) ST.TERESA’S COLLEGE (AUTONOMOUS) ERNAKULAM (Affiliated to Mahatma Gandhi University, Kottayam) CURRICULUM AND SYLLABI FOR BACHELOR’S PROGRAMME IN ENGLISH LANGUAGE AND LITERATURE AND SYLLABI FOR COMPLEMENTARY COURSES IN ENGLISH LANGUAGE AND LITERATURE Under Choice Based Credit & Semester System (2018 Admissions) Bachelor’s Programme in English Language and Literature, St Teresa’s College (Autonomous) ST. TERESA’S COLLEGE (AUTONOMOUS), ERNAKULAM DEPARTMENT OF ENGLISH BOARD OF STUDIES IN ENGLISH Sl Name of the Official Address Designation No. member 1 Dr. Tessy Anthony C. Associate Professor Chairman Department of English and Centre for Research, St. Teresa’s College. 2 Dr. Janaky Sreedharan Associate Professor Subject Expert Department of English, Calicut University 3 Dr. Meena T. Pillai, Associate Professor, Institute of Subject Expert English & Director, Centre for Cultural Studies, University of Kerala, Thiruvananthapuram, 4 Dr. Kalyani Vallath Director, Total English Solutions Industrial Expert 5 Ms. Alicen Jacob Assistant Professor, Alumni Aquinas College, Edakochi. 6 Dr. Beena Job, Associate Professor & Head Member Department of English and Centre for Research, St. Teresa’s College (Autonomous), Ernakulam 7 Dr. Latha R. Nair Associate Professor, Member Department of English, St. Teresa’s College (Autonomous), Ernakulam 8 Dr. Priya K. Nair Assistant Professor, Member Department of English, St. Teresa’s College (Autonomous), Ernakulam Curriculum and Syllabus 2018 admissions onwards 1 Bachelor’s Programme in English Language and Literature, St Teresa’s College (Autonomous) List of teachers who contributed to Board of Studies 1. Dr. Tessy Anthony C., Chairman, Board of Studies in English 2. -
Narrative, Public Cultures and Visuality in Indian Comic Strips and Graphic Novels in English, Hindi, Bangla and Malayalam from 1947 to the Present
UGC MRP - COMICS BOOKS & GRAPHIC NOVELS Narrative, Public Cultures and Visuality in Indian Comic Strips and Graphic Novels in English, Hindi, Bangla and Malayalam from 1947 to the Present UGC MAJOR RESEARCH PROJECT F.NO. 5-131/2014 (HRP) DT.15.08.2015 Principal Investigator: Aneeta Rajendran, Gargi College, University of Delhi UGC MRP INDIAN COMIC BOOKS AND GRAPHIC NOVELS Acknowledgements This work was made possible due to funding from the UGC in the form of a Major Research Project grant. The Principal Investigator would like to acknowledge the contribution of the Project Fellow, Ms. Shreya Sangai, in drafting this report as well as for her hard work on the Project through its tenure. Opportunities for academic discussion made available by colleagues through formal and informal means have been invaluable both within the college, and in the larger space of the University as well as in the form of conferences, symposia and seminars that have invited, heard and published parts of this work. Warmest gratitude is due to the Principal, and to colleagues in both the teaching and non-teaching staff at Gargi College, for their support throughout the tenure of the project: without their continued help, this work could not have materialized. Finally, much gratitude to Mithuraaj for his sustained support, and to all friends and family members who stepped in to help in so many ways. 1 UGC MRP INDIAN COMIC BOOKS AND GRAPHIC NOVELS Project Report Contents EXECUTIVE SUMMARY 3 1. Scope and Objectives 3 2. Summary of Findings 3 2. Outcomes and Objectives Attained 4 3. -
GK Digest April 2016Saudi Arabia, Where Low Oil Prices Have Put Considerable Strain on Their Finances
www.BankExamsToday.com BankExamsToday.com GKRamandeep Singh Digest April 2016 Ramandeep Singh 5/2/2016 India's Best Current Affairs Android App International GK Digest April 2016Saudi Arabia, where low oil prices have put considerable strain on their finances. France operation ‘Sangaris’ comes to an end in World Intellectual Property Day 2016 observed CAR globally \France will end its three year long military The World Intellectual Property Day 2016 was on operation ‘Sangaris’ in Central African Republic 26 April 2016 observed across the world with the which came into force in 2013 following a theme Digital Creativity - Culture Re imagined. communal violence. On this day, the World Intellectual Property Organization (WIPO) works together with The France government proposed to withdraw its troops citing the formation of various government agencies, non- the new government under Faustin- government organizations, community groups and individuals to hold different Archange Touadera and restoration of events and activities to promote World peace Intellectual Property Day. The communal violence broke out in CAR when Muslim rebels ousted the Christian The day is celebrated to spread awareness president Francois from power and about the role that intellectual property following this French troops started the rights (patents, trademarks, operation ‘Sangaris’ in 2013 industrial designs, copyright) play in encouraging innovation and creativity. BankExamsToday.com4th Nuclear Security Summit begins in India 3rd in worldwide dope violation in new Washington WADA report The fourth edition of Nuclear Security Summit India has become No. 3rd in Anti-Doping Rule (NSS) began in Washington, United States to Violation in 2014 – WADA reported discuss a gamut of issues pertaining to nuclear security. -
Masculinity and the Structuring of the Public Domain in Kerala: a History of the Contemporary
MASCULINITY AND THE STRUCTURING OF THE PUBLIC DOMAIN IN KERALA: A HISTORY OF THE CONTEMPORARY Ph. D. Thesis submitted to MANIPAL ACADEMY OF HIGHER EDUCATION (MAHE – Deemed University) RATHEESH RADHAKRISHNAN CENTRE FOR THE STUDY OF CULTURE AND SOCIETY (Affiliated to MAHE- Deemed University) BANGALORE- 560011 JULY 2006 To my parents KM Rajalakshmy and M Radhakrishnan For the spirit of reason and freedom I was introduced to… This work is dedicated…. The object was to learn to what extent the effort to think one’s own history can free thought from what it silently thinks, so enable it to think differently. Michel Foucault. 1985/1990. The Use of Pleasure: The History of Sexuality Vol. II, trans. Robert Hurley. New York: Vintage: 9. … in order to problematise our inherited categories and perspectives on gender meanings, might not men’s experiences of gender – in relation to themselves, their bodies, to socially constructed representations, and to others (men and women) – be a potentially subversive way to begin? […]. Of course the risks are very high, namely, of being misunderstood both by the common sense of the dominant order and by a politically correct feminism. But, then, welcome to the margins! Mary E. John. 2002. “Responses”. From the Margins (February 2002): 247. The peacock has his plumes The cock his comb The lion his mane And the man his moustache. Tell me O Evolution! Is masculinity Only clothes and ornaments That in time becomes the body? PN Gopikrishnan. 2003. “Parayu Parinaamame!” (Tell me O Evolution!). Reprinted in Madiyanmarude Manifesto (Manifesto of the Lazy, 2006). Thrissur: Current Books: 78. -
Index to Volume 26 January to December 2016 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 26 January to December 2016 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND Index 2016_4.indd 1 14/12/2016 17:41 SUBJECT INDEX SUBJECT INDEX After the Storm (2016) 7:25 (magazine) 9:102 7:43; 10:47; 11:41 Orlando 6:112 effect on technological Film review titles are also Agace, Mel 1:15 American Film Institute (AFI) 3:53 Apologies 2:54 Ran 4:7; 6:94-5; 9:111 changes 8:38-43 included and are indicated by age and cinema American Friend, The 8:12 Appropriate Behaviour 1:55 Jacques Rivette 3:38, 39; 4:5, failure to cater for and represent (r) after the reference; growth in older viewers and American Gangster 11:31, 32 Aquarius (2016) 6:7; 7:18, Céline and Julie Go Boating diversity of in 2015 1:55 (b) after reference indicates their preferences 1:16 American Gigolo 4:104 20, 23; 10:13 1:103; 4:8, 56, 57; 5:52, missing older viewers, growth of and A a book review Agostini, Philippe 11:49 American Graffiti 7:53; 11:39 Arabian Nights triptych (2015) films of 1970s 3:94-5, Paris their preferences 1:16 Aguilar, Claire 2:16; 7:7 American Honey 6:7; 7:5, 18; 1:46, 49, 53, 54, 57; 3:5: nous appartient 4:56-7 viewing films in isolation, A Aguirre, Wrath of God 3:9 10:13, 23; 11:66(r) 5:70(r), 71(r); 6:58(r) Eric Rohmer 3:38, 39, 40, pleasure of 4:12; 6:111 Aaaaaaaah! 1:49, 53, 111 Agutter, Jenny 3:7 background -
April 2019 Sl.No
New books added in April 2019 Sl.No. Call No. Author Title The validity of anumana (inference) in nyaya 1 R PSN 181.43 BAB/V Babu C D system/ 2 R PE 823.007 TAN/R Tania Mary Vivera Reading minds: Impact of smrti tadition 3 R PSS 294.592 6 SMI/I Smitha K on Kerala ethos/ 4 M301 SIV/T Sivaraman Cheriyanad Theranjedutha kathakal/ 5 M 080 VEN/A Venugopal K M Abhimukhangal/ Kuttippuzha Krishan Pillai Vicharaviplavathinte 6 M 894.812 092 JOS/K Joseph Panakkal Deepasikha/ Keraleeya Navothanavum Vagbhatanandagurudeva 7 M 294.561 ABO/K Aboobakkar Kathiyalam num/ Poykayil Appachan Keezhalarute 8 M 303.484 092 LEN/P Lenin K M Vimochakan/ Delhousi square muthal 9 M301 VIJ/D Vijayan P N aandippatti vare/ Achuthanunni Bharatheeya sahitya 10 M 801.95 ACH/B Chathanath darsanam/ 11 M3 MAT/T Mathew K P Theekkattiloote/ Chitrasalabhagalude 12 M301 THO/C Thomas Joseph kappal/ 13 M301 (ITr.) RAB/T Rabindranath Tagore Tagore kathakal/ 14 M301 RAV/K Ravivarma p Kimakurvatha Sanjayana/ 15 M 791.437 MAD/N Madhu Ervavankara Nishadam/ 16 M2 SAY/A Sayed Ponkunnam Aathmanivedanam/ 17 M2 VAS/U Vasudevan Pillai Utampady/ Ere Dweshavum Alpam 18 M2 GNC/E G.N. Cheruvadu Snehavum/ 19 M2 SAN/A G.N. Cheruvadu Abhayarthikal/ 20 M2 JOH/K John Fernandaz Kollakolli/ Gurudeth Cinemayum 21 M 791.430 92 SEN/G Senan N C Jeevithavum/ 22 M301 KAS/O Kasthuri Joseph Autograph/ Aswathamavinte 23 M301 RAM/A Ramesh Babu theeram/ 24 M301 SAJ/O Sajiv Kumar S Outsider/ 25 M301 VEN/A Venugopalan T P Anunasikam/ Jayasankaran Kunjikrishnanmesiri 26 M301 JAY/K Puthuppalli vivahithanayi/ 27 M3 -
Goldfinger: James Bond 007 Ebook Free Download
GOLDFINGER: JAMES BOND 007 PDF, EPUB, EBOOK Ian Fleming,Kate Mosse | 384 pages | 04 Oct 2012 | Vintage Publishing | 9780099576075 | English | London, United Kingdom Goldfinger: James Bond 007 PDF Book Previously, he wrote for Taste of Cinema and BabbleTop. Goldfinger audio commentary. Goldfinger's own gold will then increase in value and the Chinese gain an advantage from the resulting economic chaos. Retrieved 18 July Films produced by Harry Saltzman. Retrieved 1 June Retrieved 1 October Goldfinger plans to breach the U. Do you like this video? You can read all about him in this archived NY Times obituary. Company Credits. The road is now called Goldfinger Avenue. Views Read Edit View history. Edit Cast Cast overview, first billed only: Sean Connery The film's plot has Bond investigating gold smuggling by gold magnate Auric Goldfinger and eventually uncovering Goldfinger's plans to contaminate the United States Bullion Depository at Fort Knox. Share Share Tweet Email 0. No , suggested the scene where Oddjob puts his car into a car crusher to dispose of Mr. Jill Masterson. In the vault, Goldfinger's henchman, Kisch, handcuffs Bond to the bomb. In the film, Bond notes it would take twelve days for Goldfinger to steal the gold, before the villain reveals he actually intends to irradiate it with the then topical concept of a Red Chinese atomic bomb. From Wikipedia, the free encyclopedia. Fiddling with Goldfinger's golf set, Bond discovers a hidden room with a safe containing details of a meeting for "Operation Bluegrass". Start a Wiki. Plot Keywords. Namespaces Article Talk. Goldfinger: James Bond 007 Writer London: Bloomsbury Publishing. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Mr Bond, I’Ve Been Expecting You’ the Cinematic Inaugurations of a New James Bond
‘Mr Bond, I’ve been expecting you’ The Cinematic Inaugurations of a New James Bond STEPHANIE JONES James Bond films are a cinematic phenomenon unlike any other. The so-called official series made by Eon productions has been in existence for more than fifty years. Its cultural stayin po!er alone makes the cinematic Bond phenomenon an extremely fertile soil for examinations of continuity and chan e. "hile Bond scholarship should not be limited to diachronic analysis, the persistent popular- ity and cultural salience of the Bond phenomenon means that James Bond $tud- ies, as a field of in%uiry# !ill make a series of important inter&entions into broader scholarship. As (hristoph )indner notes, %uotin Octopussy * John +len# ,-./0# Bond has a 1nasty habit of sur&i&in 2 *344/# .0. Examinations of this sur- &i&al ha&e been# and !ill continue to be, of great si nificance to cultural scholar- ship. 5ne of the many means by !hich the Bond series has sur&i&ed o&er time is by recastin of the central actor. This article !ill analyse the inauguration of each ne! cinematic Bond in turn. Lea&in aside the gun barrel sequence 6 !hich is also a key part of the Bond formula and !orthy of an analysis all of its o!n 6 a ne! Bond7s first ap- pearance sets out a fresh landscape to be explored., These introductions to Bond balance the old and ne!. They address criticisms and concerns that ha&e, to dra! , 'ficionados of Bond trivia !ill kno! that Bob $immons is the first actor to play Bond on film# as he appears in the gun barrel se%uence to Dr. -
Goldfinger (Analyse) Réal La Rochelle
Document généré le 29 sept. 2021 00:22 Séquences La revue de cinéma Goldfinger (analyse) Réal La Rochelle Le cinéma imaginaire II Numéro 55, décembre 1968 URI : https://id.erudit.org/iderudit/51628ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer cet article La Rochelle, R. (1968). Goldfinger (analyse). Séquences, (55), 31–35. Tous droits réservés © La revue Séquences Inc., 1968 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ GOLDFINGER DÉCEMBRE 1968 31 ^r. aLJOcumentatio 1. Générique minant un style de fabrication auquel Guy Hamilton a dû se plier. Anglais 1964 — Technicolor — Prod. : Harry Saltzman et Albert R. Broccoli — 3. Le scénario Real. : Guy Hamilton —• Seen. : Richard Maibaum et Paul Dehn, d'après lan Fle Après le sigle de la production, un ming — Phot. : Ted Moore — Mus. : pré-générique montre James Bond fai John Barry — Decors : Ken Adams •— sant sauter un complexe industriel, Effets spéciaux : John Steers — Généri puis, parfait gentleman, il électrocute que : Robert Brownjohn — Mont. : Peter un tueur dans la chambre d'une fille : Hunt •—• Int.: Sean Connery (James "shocking" ! murmure-t-il. -
Festival of Letters 2014
DELHI Festival of Letters 2014 Conglemeration of Writers Festival of Letters 2014 (Sahityotsav) was organised in Delhi on a grand scale from 10-15 March 2014 at a few venues, Meghadoot Theatre Complex, Kamani Auditorium and Rabindra Bhawan lawns and Sahitya Akademi auditorium. It is the only inclusive literary festival in the country that truly represents 24 Indian languages and literature in India. Festival of Letters 2014 sought to reach out to the writers of all age groups across the country. Noteworthy feature of this year was a massive ‘Akademi Exhibition’ with rare collage of photographs and texts depicting the journey of the Akademi in the last 60 years. Felicitation of Sahitya Akademi Fellows was held as a part of the celebration of the jubilee year. The events of the festival included Sahitya Akademi Award Presentation Ceremony, Writers’ Meet, Samvatsar and Foundation Day Lectures, Face to Face programmmes, Live Performances of Artists (Loka: The Many Voices), Purvottari: Northern and North-Eastern Writers’ Meet, Felicitation of Akademi Fellows, Young Poets’ Meet, Bal Sahiti: Spin-A-Tale and a National Seminar on ‘Literary Criticism Today: Text, Trends and Issues’. n exhibition depicting the epochs Adown its journey of 60 years of its establishment organised at Rabindra Bhawan lawns, New Delhi was inaugurated on 10 March 2014. Nabneeta Debsen, a leading Bengali writer inaugurated the exhibition in the presence of Akademi President Vishwanath Prasad Tiwari, veteran Hindi poet, its Vice-President Chandrasekhar Kambar, veteran Kannada writer, the members of the Akademi General Council, the media persons and the writers and readers from Indian literary feternity.