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8 Décembre 2011-2 Septembre 2012 Les Arts Décoratifs Le Département
Activités autour de l’exposition Les Arts Décoratifs 107 rue de Rivoli, 75001 Paris Atelier enfants 4 à 10 ans tél/phone : 01 44 55 57 50 / fax : 01 44 55 57 84 La maison de Babar www.lesartsdecoratifs.fr Babar et la mode Réservation : fnac.com Il était une fois Babar Babarmania Heures d’ouverture du mardi au dimanche de 11h à 18h nocturne : jeudi de 18h à 21h. Fermé le lundi Parcours conté Opening hours Tuesdays to Sundays from 11 a.m. to 6 p.m. et stages enfants 4 à 10 ans et famille Nocturne: Thursdays from 6 to 9 p.m. Closed on Mondays En voyage avec Babar Babar, mon héros métro : Palais-Royal, Tuileries, Pyramides Babar fait son carnaval bus : 21, 27, 39, 48, 68, 69, 72, 81, 95 8 décembre 2011- 2 septembre 2012 Dessine moi une histoire parkings : Carrousel du Louvre, Pyramides Pour tous renseignements et inscriptions : accès gratuit pour les moins de 26 ans 01 44 55 59 25 free access under 26 [email protected] accessible par un ascenseur aux personnes à mobilité réduite au 105 rue de Rivoli disabled access via lift located at 105 rue de Rivoli Activities relating to the exhibition Children’s workshop 4-10 year olds Le département pédagogique et culturel Babar’s House organise des visites pour adultes, groupes ou individuels Babar and fashion réservation : 01 44 55 59 26, et des visites-ateliers et visites Once upon a Time with Babar guidées autour d’une exposition pour les jeunes de 4 à 18 ans, Babarmania réservation : 01 44 55 59 25 organises museum tours for adults, groups and individuals, Narrated tours reservations: +33 -
Naqshbandi Sufi, Persian Poet
ABD AL-RAHMAN JAMI: “NAQSHBANDI SUFI, PERSIAN POET A Dissertation Presented in Partial Fulfillment of the Requirement for The Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Farah Fatima Golparvaran Shadchehr, M.A. The Ohio State University 2008 Approved by Professor Stephen Dale, Advisor Professor Dick Davis Professor Joseph Zeidan ____________________ Advisor Graduate Program in History Copyright by Farah Shadchehr 2008 ABSTRACT The era of the Timurids, the dynasty that ruled Transoxiana, Iran, and Afghanistan from 1370 to 1506 had a profound cultural and artistic impact on the history of Central Asia, the Ottoman Empire, and Mughal India in the early modern era. While Timurid fine art such as miniature painting has been extensively studied, the literary production of the era has not been fully explored. Abd al-Rahman Jami (817/1414- 898/1492), the most renowned poet of the Timurids, is among those Timurid poets who have not been methodically studied in Iran and the West. Although, Jami was recognized by his contemporaries as a major authority in several disciplines, such as science, philosophy, astronomy, music, art, and most important of all poetry, he has yet not been entirely acknowledged in the post Timurid era. This dissertation highlights the significant contribution of Jami, the great poet and Sufi thinker of the fifteenth century, who is regarded as the last great classical poet of Persian literature. It discusses his influence on Persian literature, his central role in the Naqshbandi Order, and his input in clarifying Ibn Arabi's thought. Jami spent most of his life in Herat, the main center for artistic ability and aptitude in the fifteenth century; the city where Jami grew up, studied, flourished and produced a variety of prose and poetry. -
THE ROLES of the VISUAL in PICTUREBOOKS: BEYOND the CONVENTIONS of CURRENT DISCOURSE DISSERTATION Presented in Partial Fulfillme
THE ROLES OF THE VISUAL IN PICTUREBOOKS: BEYOND THE CONVENTIONS OF CURRENT DISCOURSE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of the Ohio State University By Dominic Catalano, BS, MA, MFA ****** The Ohio State University 2005 Dissertation Committee: Approved by Professor Sydney Walker, Advisor ___________________________________ Professor Ken Marantz Advisor Professor Janet Hickman Art Education Graduate Program Copyright by Dominic Catalano 2005 ABSTRACT The purpose of this investigation is to examine the meaning making potential of the visual properties of the literary and artistic genre known as the picturebook. In addition, the means in which we come to understand the visual in picturebooks is challenged, particularly in regards to written text and in context within the conventions of the larger picturebook community. Through primarily a poststructural semiotic analysis of three major post-1960s picturebook works (plus an addtional work produced by this author), this study demonstrates the deeper potentials of meaning in the visual elements of illustration and design qualties beyond current discourse. Lastly, this deeper potential meaning is qualified as to its impact on the picturebook field itself, as to the making, interpretation, and criticism of picturebooks, and to the utilization in education, especially the practise of visual art education. ii Dedicated to my wife, Oksana, my calm port in life’s stormy sea iii ACKNOWLEDGMENTS I would like to thank Dr. Sydney Walker, for her encouragement and support throughout the writing of this study, and Drs. Kenneth Marantz and Janet Hickman for their expertise in the field. -
Babar Checklist
*FINAL CHECKLIST SUBJECT TO CHANGE CHECKLIST Drawing Babar: Early Drafts and Watercolors September 19, 2008, through January 4, 2008 On view in the Marble Hall: First editions of Babar printed books Jean de Brunhoff. Histoire de Babar, le petit éléphant. Paris: Editions du Jardin des Modes, Groupe des Publications Condé Nast, 1931. First edition. Lent by Gloria C. Phares. Jean de Brunhoff. Le voyage de Babar. Paris: Editions du Jardin des Modes, Groupe des Publications Condé Nast, 1932. First edition. Two copies on view, one showing the cover, the other showing a page opening. PML 83294, purchased on the Elisabeth Ball Fund, 1978. Jean de Brunhoff. Le roi Babar. Paris: Editions du Jardin des Modes, Groupe des Publications Condé Nast, 1933. First edition. PML 83296, purchased on the Elisabeth Ball Fund, 1978. Jean de Brunhoff. Illustrated autograph letter signed, dated 13 November 1935, to [Robert Haas], concerning the printing of Babar the King. Gift of Priscilla Blum and Elizabeth Pfister in memory of their mother, Merle Haas, 2008. Jean de Brunhoff. Babar the King. New York: Harrison Smith and Robert Haas, 1935. Translated from the French by Merle Haas. First American edition. Lent by Gloria C. Phares. Jean de Brunhoff. ABC de Babar. Paris: Editions du Jardin des Modes, 1934. First edition. Two copies on view, one showing the cover, the other showing a page opening. Copy 1 from the Morgan’s collection, PML 87299, purchased on the Elisabeth Ball Fund, 2008; copy 2 lent by Gloria C. Phares. Jean de Brunhoff. Les vacances de Zéphir. Paris: Librairie Hachette, 1936. -
The Story of Babar: the Little Elephant PDF Book
THE STORY OF BABAR: THE LITTLE ELEPHANT PDF, EPUB, EBOOK Jean de Brunhoff | 47 pages | 02 Jan 1968 | Random House USA Inc | 9780394905754 | English | New York, United States The Story of Babar: The Little Elephant PDF Book My fourth book for Banned Books Week. Plot Keywords. I gave this a higher rating. Friend Reviews. Edit Did You Know? Business Wire. The classic story of literature's most beloved elephant. Best Kids TV Shows. View all 6 comments. Shelves: picture-books , childrens-translations , french-children. Haas 1st jacketed hardcover ed. From the Hardcover edition. Kohl's Should We Burn Babar? Acknowledging the differences between the work of father and son, Hildebrand attributes the series' continuing popularity to the way in which both artists have created an elephant cosmos that is a mirror of real and ideal life. Sign In. The story of Babar the little elephant. I don't mind guns. Movies at the River Video Store. Crazy Credits. But there is a deeper connection between this kind of French made-at-home exoticism and the domestic charm of Babar— between, if you like, Jean-Jacques Rousseau and Henri Rousseau, between the idea of the native genius of children and a romantic vision of Africa. The mind boggles. Want to learn more about yourself? Jean de Brunhoff was a master of this form. In this captivating study, Michael Lawrence explores the historical, political, cultural contexts of Sabu's popularity as a star, and considers the technological and industrial shifts that shaped his career — from the emergence of Technicolor in the late s to the breakdown of the studio system in the s. -
Mohira Suyarkulova Phd Thesis
BECOMING SOVEREIGN IN POST-SOVIET CENTRAL ASIA: 'DISCURSIVE ENCOUNTERS' BETWEEN TAJIKISTAN AND UZBEKISTAN Mohira Suyarkulova A Thesis Submitted for the Degree of PhD at the University of St Andrews 2011 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/3159 This item is protected by original copyright Becoming Sovereign in post-Soviet Central Asia ‘Discursive encounters’ between Tajikistan and Uzbekistan Mohira Suyarkulova This dissertation is submitted in fulfillment of the requirements for the degree of Doctor of Philosophy in the School of International Relations, University of St Andrews March 2011 Candidate’s declaration I, Mohira Suyarkulova, hereby certify that this thesis, which is approximately 76,214 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student in February 2007 and as a candidate for the degree of Doctor of Philosophy in May 2008; the higher study for which this is a record was carried out in the University of St Andrews between 2007 and 2011. I received assistance in the writing of this thesis in respect of language, grammar, spelling and syntax, which was provided by Simon Taylor. Date …….......................................... Signature of candidate ………....................................................... Supervisor’s declaration I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of Doctor of Philosopy in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. -
Siraj Al-Din Ushi's Teachers on Hadith. ISJ Theoretical & Applied Science, 11 (91), 142-146
ISRA (India) = 4.971 SIS (USA) = 0.912 ICV (Poland) = 6.630 ISI (Dubai, UAE) = 0.829 РИНЦ (Russia) = 0.126 PIF (India) = 1.940 Impact Factor: GIF (Australia) = 0.564 ESJI (KZ) = 8.997 IBI (India) = 4.260 JIF = 1.500 SJIF (Morocco) = 5.667 OAJI (USA) = 0.350 QR – Issue QR – Article SOI: 1.1/TAS DOI: 10.15863/TAS International Scientific Journal Theoretical & Applied Science p-ISSN: 2308-4944 (print) e-ISSN: 2409-0085 (online) Year: 2020 Issue: 11 Volume: 91 Published: 12.11.2020 http://T-Science.org Sherzodjon Umaraliev International Islamic Academy of Uzbekistan, lecturer at the Department of Islamic Studies and ICESCO Chair For the study of Islamic Civilization [email protected] 11, A.Kadiri, Tashkent, 100011, Uzbekistan. SIRAJ AL-DIN USHI'S TEACHERS ON HADITH Abstract: The science of hadith is an important part of the field of Islamic studies, in which the words, verbs, affirmations, and qualitative messages attributed to Muhammad (pbuh) are studied. Scholars of the Movarounahr region are the leaders in the study of hadiths, and the first reliable collection of hadiths is the Sahih of Imam Bukhari, written in the ninth century. The tradition of writing hadith collections continued in the twelfth century. In particular, the collection of hadiths "Nisab al-Akhbar" written by Fergana scholar Siraj al-din Ushi has collected valuable information about the field, especially about the teachers who learned hadith from them. This article is based on Siraj al-din Ushi's Nisab al-Akhbar and about his teachers. Key words: Hadith, fiqh, Nisab al-akhbar, hanafi, Ferghana, Semarkand, Bukhara, Fatawa al-sirajiyya. -
111-Dp-Babar-10596554Ktzck.Pdf
DOSSIER de PRESSE > LES ARTS DÉCORATIFS www.lesartsdecoratifs.fr 1. Laurent de Brunhoff, Babar dans la nef des Arts Décoratifs, encre, aquarelle et gouache, 2011. LES HISTOIRES DE BABAR Du 8 décembre 2011 au 2 septembre 2012 CONTACTS PRESSE Marie-Laure MOREAU Isabelle MENDOZA TEL. : +33 01 44 55 58 78 FAX : +33 01 44 55 57 93 Retrouvez toutes les actualités autour des 80 ans de Babar sur le site : [email protected] www.tf1pro.com/tf1pro-free/dossiers/2011/babar/ www.lesartsdecoratifs.fr Partenaire permanent de la galerie des jouets DOSSIER DE PRESSE > LES HISTOIRES DE BABAR SOMMAIRE 1. Communiqué de presse 2. Le livre 3. « Les origines de Babar », interview de Laurent de Brunhoff 4. « Le temps de Babar » de Véronique Soulé 5. Scénographie : Eric Benqué 6. Mécènes 7. Activités pour le public 8. En vente à la boutique 9. Renseignements pratiques DOSSIER DE PRESSE > LES HISTOIRES DE BABAR 1. COMMUNIQUÉ DE PRESSE « DANS LA GRANDE FORÊT, UN PETIT ÉLÉPHANT EST NÉ. IL S’APPELLE Babar. » * 80 ANS PLUS tard, Babar deVENU ROI des ÉLÉPHants, porte toUJOURS SON « COSTUME D’uNE AGRÉable COULEUR Verte ». IL RESTE certainement L’uN des HÉROS de LA littÉratURE JEUnesse LES PLUS PRISÉS des ENFants MAIS AUssi ET SUrtoUT de LEURS parents ET Grands-parents QUI associent Babar À LEUR PLUS TENDRE ENFANCE. IL FÊTE AUJOURD’huI SON ANNIVersaire dans LA Galerie des JOUets des Arts DÉcoratiFS. L’EXPOSITION RETRACE LES AVENTURES DU pacHYderme LE PLUS CÉLÈBRE depUIS sa CRÉation EN 1931. 2. Laurent de Brunhoff, aquarelle originale pour Babar et ce coquin d’Arthur, p. -
The Historical Development of Uzbek Literature in Afghanistan
JOURNAL OF RESEARCH IN TURKIC LANGUAGES DOI: 10.34099/jrtl.313 http://resturlan.com/ The Historical Development of Uzbek Literature in Afghanistan Murat AKYUZ Nile University of Nigeria, Nigeria Abstract: Throughout history, Afghanistan has been a home to many nations. This land, which hosted Turks and Turkish Culture in the very early ages, is still home to many Turkish tribes. Today, this region, which is the cradle of the Chagatai literature, is considered a host to the vibrant literature of the Uzbeks of Afghanistan. The Afghan-Uzbek literature is a continuation of the Chagatai literature. Russian language has not been influential on the language and literature of the Uzbeks of Afghanistan who, for a long time, had not been under the Russian and Soviet rule; However, Persian language (Dari-Afghanistan Persian) has had a tremendous influence. Due to war and civil turmoil, sufficient work has not been done on the Afghan-Uzbek literature for many years. In our study, we seek to provide information on the Afghan-Uzbek literature from the period of late Chagatai literature to the present day. Keywords: Afghanistan; Afghan-Uzbek literature; Late Chagatai literature; Uzbek, Uzbek literature of the Russians, they switched to Latin letters and Introduction subsequently to Cyrillic (Russian) letters. Significant A brief overview of the historical development of changes occurred to the languages of the Turkistan people with the new letter and writing system, and the afghan-uzbek literature from the period of late old language started to move away. This situation chagatai literature to present increased the number of Russian words entering the Afghan-Uzbek literature is a continuation of Chagatai languages and literature of the peoples of the region, and literary movements, styles, and motives belonging literature. -
Beginnings to AD 2000: a Comprehensive Chronology of Central Asia, Afghanistan, and Iran
The Beginnings Beginnings to AD 2000: A Comprehensive Chronology of Central Asia, Afghanistan, and Iran by Iraj Bashiri copyright 2001 The Beginnings Ancient beliefs in the region divide humanity's passage on earth into three cosmic, myhtic, and historical periods. Of the three, of course, only the third or the historical period is real. The other two have cosmological and mytheological values that enhance our understanding of the present-day peoples of the region. One day elemnets of the mythic period might prove to be real but for that we need more solid documentation than is available at the present. For the purposes of this comprehensive chronology of the region, the cosmic and mythic periods are presented in the sequential order preserved in ancient chronologies. No attempt is made at correlating those eras in any form with historical or real time. The Cosmic and Mythic Eras The initial 3000-year battle between the forces of Ahura Mazda (Good) and Angra Mainyu (Evil) leads to the defeat of the latter. The second cycle of 3000 years begins with Ahura Mazda's creation of the cosmic world, i.e., the creation of the sky, water, earth, plants, the sacred white bull, and the cosmic man (Gayomart). Truth, symbolized as fire, permeates Ahura Mazda's kingdom. file:///Volumes/BASHIRISCOM/CHRON/CosMyth.html (1 of 6)10/2/08 1:00 PM The Beginnings Creation continues with Ahura Mazda's creation of the Amesha Spentas or Holy Immortals. As Vice-Regents, the immortals serve as "governors" or administrators of the various realms of Ahura Mazda's Kingdom. -
Study of “Shajara-I Tarākima”: Principal Findings and Prospects for Further Research
THE NORM OF CHANGE AND ITS IMPACT ON THE SOCIAL, POLITICAL AND ADMINISTRATIVE REALITY PJAEE, 17 (6) (2020) STUDY OF “SHAJARA-I TARĀKIMA”: PRINCIPAL FINDINGS AND PROSPECTS FOR FURTHER RESEARCH Tashkarayeva A. M.1*, Kumekov B. E.2, Umitgalievish U. U.3, Shnanov U. R.4, Rakhimov M. I.5 1PhD doctoral student, L.N. Gumilyov Eurasian National University, Nur-Sultan, Republic of Kazakhstan, e-mail: [email protected] 2Doctor of history, L.N. Gumilyov Eurasian National University, Nur-Sultan, Republic of Kazakhstan 3Candidate of history, L.N. Gumilyov Eurasian National University, Nur-Sultan, Republic of Kazakhstan 4PhD doctoral student, L.N. Gumilyov Eurasian National University, Nur-Sultan, Republic of Kazakhstan 5PhD doctoral student, L.N. Gumilyov Eurasian National University, Nur-Sultan, Republic of Kazakhstan Tashkarayeva A. M., Kumekov B. E., Umitgalievish U. U., Shnanov U. R., Rakhimov M. I. Study of “Shajara-i Tarākima”: principal findings and prospects for further research. - Palarch’s Journal of Archaeology of Egypt/Egyptology 17(3) (2020), 1-20. ISSN 1567-214X. 20 pages + 13 figures, 3 tables + 4 frames. Keywords: Abu al-Ghazi, Shezhire, Turkmens, historiography, Russian scholars, 17th century, manuscript, Turkologist, essay. ABSTRACT This article presents the scientific review and analysis of the works of researchers who investigated and referred in their research papers to “Shajara-i Tarākima,” the work of the ruler of Khiva, historian-chronicler of the 17th century Abu al-Ghazi Bahadur Khan. The main purpose of this article of to analyze and identify the scientific value of works of researchers who studied “Shajara-i Tarākima,” that describes the period starting from the appearance of Adam up to the history of the 17th-century Turkmens, as well as conduct scientific and theoretical analysis of researchers’ works. -
Çalişmanin Tamamini İndi̇rmek İçi̇n Tiklayiniz
Site adresi: The Internal Classification & Migration of Turkic languages THE TURKIC LANGUAGES IN A NUTSHELL The Internal Classification & Migration of Turkic languages Version 8.1 v.1 (04/2009) (first online, phonological studies) > v.4.3 (12/2009) (major update, lexicostatistics added) > v.5.0 (11/2010) (major changes, the discussion of grammar added) > v.6.0 (11-12/2011) (major corrections to the text; maps, illustrations, references added) > v.7.0 (02-04/2012) (corrections to Yakutic, Kimak, the lexicostatistical part; the chapter on Turkic Urheimat was transferred into a separate article; grammatical and logical corrections) > v.8 (01/2013) (grammatical corrections to increase logical consistency and readability, additions to the chapter on Uzbek- Uyghur, Yugur) Abstract The internal classification of the Turkic languages has been rebuilt from scratch based upon the phonological, grammatical, lexical, geographical and historical evidence. The resulting linguistic phylogeny is largely consistent with the most prevalent taxonomic systems but contains many novel points. Contents 1. Introduction 1.1 Preliminary notes on the reconstruction of Proto-Turkic 2. Collecting factual material 2.1 An overview of the lexicostatistical research in Turkic languages 2.2 Dissimilar basic lexemes in the Turkic languages 2.3 The comparison of phonological and grammatical features 1 Site adresi: The Internal Classification & Migration of Turkic languages 3. Making Taxonomic Conclusions Bulgaric Some of the exclusive Bulgaric features Yakutic Where does