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The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information
Cambridge University Press 978-1-107-15962-4 — The Cambridge Companion to Canadian Literature Edited by Eva-Marie Kröller Frontmatter More Information The Cambridge Companion to Canadian Literature This fully revised second edition of The Cambridge Companion to Canadian Literature offers a comprehensive introduction to major writers, genres, and topics. For this edition several chapters have been completely re-written to relect major developments in Canadian literature since 2004. Surveys of ic- tion, drama, and poetry are complemented by chapters on Aboriginal writ- ing, autobiography, literary criticism, writing by women, and the emergence of urban writing. Areas of research that have expanded since the irst edition include environmental concerns and questions of sexuality which are freshly explored across several different chapters. A substantial chapter on franco- phone writing is included. Authors such as Margaret Atwood, noted for her experiments in multiple literary genres, are given full consideration, as is the work of authors who have achieved major recognition, such as Alice Munro, recipient of the Nobel Prize for literature. Eva-Marie Kröller edited the Cambridge Companion to Canadian Literature (irst edn., 2004) and, with Coral Ann Howells, the Cambridge History of Canadian Literature (2009). She has published widely on travel writing and cultural semiotics, and won a Killam Research Prize as well as the Distin- guished Editor Award of the Council of Editors of Learned Journals for her work as editor of the journal Canadian -
Alice Munro and the Anatomy of the Short Story
Alice Munro and the Anatomy of the Short Story Alice Munro and the Anatomy of the Short Story Edited by Oriana Palusci Alice Munro and the Anatomy of the Short Story Edited by Oriana Palusci This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Oriana Palusci and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-0353-4 ISBN (13): 978-1-5275-0353-3 CONTENTS Introduction ................................................................................................. 1 Alice Munro’s Short Stories in the Anatomy Theatre Oriana Palusci Section I: The Resonance of Language Chapter One ............................................................................................... 13 Dance of Happy Polysemy: The Reverberations of Alice Munro’s Language Héliane Ventura Chapter Two .............................................................................................. 27 Too Much Curiosity? The Late Fiction of Alice Munro Janice Kulyk Keefer Section II: Story Bricks Chapter Three ............................................................................................ 45 Alice Munro as the Master -
Filgate's First Person Singular
= F I L M R E v I E w 5 • • the Candid Eye technique at the Nation hot); the young son of peace activist way read one of Callaghan's short Terence Maccartney stories, while the young writer sat op al Film Board in the '50s. Filgate dis Kate Nelligan disappears - "where's Gil posite him with the galleys of an early plays all his formidable background and ligan!" - (worries a lot of people includ Filgate's Hemingway novel. expertise in this fine example of a docu ing his mom) and is eventually found This encounter led Hemingway to get mentary that captures the flavour, merit alive (but really cold) in a secret bomb shelter morgue. Morley Callaghan some of Callaghan's short stories pub and yes, ego of a leading Canadian writ lished in American magazines in Paris, er, and a lot of details and tales of his There are many such diversionary, and to Morley and his bride arriving at early life. The weaving of the present time-killing subplots in which several First Person that fabulous city in the '20s, where day with the past, the setting of the relationships begin to take shape. But they met with Hemingway and other il period, all skilfully blend to capture and only in one instance do two characters Singular: lustrious literary leading lights -F. Scott enthrall the imagination, so that the engage in a straightforward dialogue Fitzerald, Ezra Pound, James Joyce. viewer is left wanting to know more about the greater implications of living in a bomb shelter in 1987. -
DOCUMENT RESUME BD 055 010 SO 001 939 Project Canada West
DOCUMENT RESUME BD 055 010 SO 001 939 TITLE Project Canada West. Urbanization as Seen Through Canadian Writings. INSTITUTION Western Curriculum Project on Canada Studies, Edmonton (Alberta). PUB DATE Jun 71 NOTE 105p. EDRS PRICE 1F-$0.65 HC-$6.58 DESCRIPTORS Curriculum Development; *Environmental Education; Interdisciplinary Approach; Literature; *Literature Programs; Projects; Self Concept; Senior High Schools; Social Problems; *Social Studies; Urban Culture; Urban Environment; *Urbanization; *Urban Studies IDENTIFIERS Canada; *Project Canada West ABSTRACT Facing the reality that students have become very aware of their environment and the problems we face merely to survive, and being aware of the alienation of a person as urbanization increases, the project staff decided to develop a curriculum to examine the urban environment through the works of Canadian writers, poets, novelists, etc. IR this way, tenth, eleventh, and twelfth grade students could confront some of the major concerns; become involved personally, though vicariously, in the lives and situations of individuals; and, learn about himself, his place, his role in urban society, and his Canadian literary heritage. The content selection and coMpilation of the writings was from a national point of view related to all parts of Canadian urbanization. The materials accumulated or referred to them during six months are included here in various categories taking into consideration the physical and human elements of each work:1) Faces of the City: descriptions, rejection of and attraction to the city; 2) Faces in the City: dwellers life styles, reactions, age, ef'-nic groups, city natives; 3) Poverty; 4) Handicapped; 5)So-. Tres; and, 6) Pollution. The material discussed is very co allow for survey studies city or local studies, or intensive area studies of urban regions; and, may be used as supplementary material or as primary content. -
Norman Levine Fonds Inventory #345
page 1 Norman Levine fonds Inventory #345 File: Title: Date(s): Note: Call Number: 1983-004/001 Manuscripts: Prose Fiction (1) Anarchists in Ontario 1975-1976 (2) The Angled Road - jacket notes (3) Because of the War (4) Because of the War (5) Because of the War March 1980 (6) Because of the War April 1980 (7) Because of the War May 1980 (8) Because of the War Summer 1980 (9) Because of the War July 5, 1980 (10) Because of the War July 12-16, 1980 (11) Because of the War July 20, 1980 (12) Because of the War July 21, 1980 (13) Because of the War July 31, 1980 (14) Because of the War early August, 1980 (15) Because of the War August 14, 1980 (16) Because of the War September 3, 1980 (17) Because of the War January 26, 1981 (18) Because of the War January 29, 1981 (19) Because of the War February 2, 1981 (20) Because of the War February 5, 1981 (21) Because of the War February 9, 1981 (22) Because of the War February 16- 24, 1981 (23) Because of the War March 29, 1981 (24) Because of the War April 21, 1981 (25) Because of the War May 30, 1981 (26) Because of the War [ca. October 1981] (27) Because of the War, "version before the final one..." (28) Because of the War, "final version", [ca. October 1981] (29) The Big Time - children's story (30) Boiled Chicken (31) By a Frozen River (32) By a Frozen River 1974 (33) By a Frozen River 1976 (34) By a Frozen River, edited and abridged for CBC March 1983 Booktime, in St. -
Short Stories in the Classroom. INSTITUTION National Council of Teachers of English, Urbana, IL
DOCUMENT RESUME ED 430 231 CS 216 694 AUTHOR Hamilton, Carole L., Ed.; Kratzke, Peter, Ed. TITLE Short Stories in the Classroom. INSTITUTION National Council of Teachers of English, Urbana, IL. ISBN ISBN-0-8141-0399-5 PUB DATE 1999-00-00 NOTE 219p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 03995-0015: $16.95 members, $22.95 nonmembers). PUB TYPE Books (010) Guides Classroom Teacher (052) EDRS PRICE MF01/PC09 Plus Postage. DESCRIPTORS Class Activities; *English Instruction; Literature Appreciation; *Reader Text Relationship; Secondary Education; *Short Stories IDENTIFIERS *Response to Literature ABSTRACT Examining how teachers help students respond to short fiction, this book presents 25 essays that look closely at "teachable" short stories by a diverse group of classic and contemporary writers. The approaches shared by the contributors move from readers' first personal connections to a story, through a growing facility with the structure of stories and the perception of their varied cultural contexts, to a refined and discriminating sense of taste in short fiction. After a foreword ("What Is a Short Story and How Do We Teach It?"), essays in the book are: (1) "Shared Weight: Tim O'Brien's 'The Things They Carried'" (Susanne Rubenstein); (2) "Being People Together: Toni Cade Bambara's 'Raymond's Run'" (Janet Ellen Kaufman); (3) "Destruct to Instruct: 'Teaching' Graham Greene's 'The Destructors'" (Sara R. Joranko); (4) "Zora Neale Hurston's 'How It Feels to Be Colored Me': A Writing and Self-Discovery Process" (Judy L. Isaksen); (5) "Forcing Readers to Read Carefully: William Carlos Williams's 'The Use of Force'" (Charles E. -
"Sexual Provinciality" and Characterization: a Study of Some Recent Canadian Fiction
"SEXUAL PROVINCIALITY" AND CHARACTERIZATION: A STUDY OF SOME RECENT CANADIAN FICTION by NANCY JEAN CORBETT B.A. , University of British Columbia, 1969 A THESIS SUBMITTED IN .PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts in the Department of ENGLISH We accept this thesis as conforming to the required standard TEE UNIVERSITY OF BRITISH COLUMBIA April, 1971 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Depa rtment The University of British Columbia Vancouver 8, Canada CONTENTS. Chapter Page INTRODUCTION ....... .. ...... .. ... T I. THE BIOLOGICAL THEORY," OF FEMALE PERSONALITYt BRIAN MOORE . ..... ^ .. ... TO II.. AS FOR NE AND MY HOUSE: THE. COMPLEX MRS. III. CHARACTER AS SYMBOL AND THE THEME OF SACRIFICE: THE LOVED AND THE LOST AND THE WATCH THAT ENDS THE NIGHT .... 42 IV.. CHARACTER AS SYMBOL AND THE THEME OF SACRIFICE: THE DOUBLE HOOK AND THE SACRIFICE" ............. 61' V. THE IMPORTANCE OF POINT OF VIEW: DISTANCE. AND IDENTIFICATION IN TWO NOVELS BY ETHEL WILSON .. .. .. „ . .... 78 Vr. WOMEN OF THE GARRISON:: THREE NOVELS BY MARGARET LAURENCE 99 CONCLUSION . 121 WORKS" CITED ................. 128 ABSTRACT From its earliest beginning in Frances Brooke"s The History of Emily Montague, set. -
The Universi{ of L,|Innípeg
_ :, -; i_ì ::: : The Universi{ of l,|innÍpeg The Child and Death in the Fiction of Margaret Laurence by Joan M; Mi]ler A Thesis Submitted to the Faculty of Graduate Studies ín Partial Fulfillment of the Requirements for the Degree of Master of Arts Department of English l.|innipeg, Manitoba August, 1981 THE CHILD AND DEATH TN THE FICTION OF MARGARET LAURTNCE BY JOAN M. MILLER A thesis subnritted to the Faculty of Gr;rtlrrltc Studies of the University of Manitoba in partial fulfill¡rrc¡rt of the requirernents of the degree of MASTER OF ARTS @v l98l Pernlission has been granted to the LIIIRARY OF THE UNIVER- SITY OF MANITOBA to lc¡rd or sell co¡riç5 of this thesis, to the NATIONAL LIBRARY OF CANADA ro nricrofilm this thesis a¡rd to lend or sell copies of ttrt' film, and UNIVERSITY MICROFILMS to publish an abstract of this thesis. The author reserves other publicatior¡ rights. a¡rd neither tlre tlresis nor extensive extracts fronr it uur¡. br. ¡lrinted or other- wise reproduced without the author's rvrittr'n perrnission. Abstract Almost every one of Margaret Laurence's novels and short stories explores some aspect of the concept of death as it develops in an Índividual's experience from chi'rdhood to adult- hood, and shows how this concept shapes the individual,s understandi ng of I i fe. While reference is made to certain of Laurence's short stories, essays, and books for children, this thesis examines the death motif in relation to the folloving uorks: This side Jordan, The Stone Angel, A Jest of God The Fire-Dwellers, A Bird in the @9, and The Diviners. -
Index to the Tamarack Review
The Tamarack Review ROBERT WEAVER, IVON M. OWEN, WILLIAM TOYE WILLIAM KILBOURNE, JOHN ROBERT COLOMBO, KILDARE DOBBS AND JANIS RAPOPORT Issue 1 Issue 21 Issue 41 Issue 62 Issue 2 Issue 22 Issue 42 Issue 63 Issue 3 Issue 23 Issue 43 Issue 64 Issue 4 Issue 24 Issue 44 Issue 65 Issue 5 Issue 25 Issue 45 Issue 66 Issue 6 Issue 26 Issue 46 Issue 67 Issue 7 Issue 27 Issue 47 Issue 68 Issue 8 Issue 28 Issue 48 Issue 69 Issue 9 Issue 29 Issue 49 Issue 70 Issue 10 Issue 30 Issue 50-1 Issue 71 Issue 11 Issue 31 Issue 52 Issue 72 Issue 12 Issue 32 Issue 53 Issue 73 Issue 13 Issue 33 Issue 54 Issue 74 Issue 14 Issue 34 Issue 55 Issue 75 Issue 15 Issue 35 Issue 56 Issue 76 Issue 16 Issue 36 Issue 57 Issue 77-8 Issue 17 Issue 37 Issue 58 Issue 79 Issue 18 Issue 38 Issue 59 Issue 80 Issue 19 Issue 39 Issue 60 Issue 81-2 Issue 20 Issue 40 Issue 61 Issue 83-4 ISBN 978-1-55246-804-3 The Tamarack Review Index Volume 81-84 “109 Poets.” Rosemary Aubert article 81- Bickerstaff 83-84:40 82:94-99 “Concerning a Certain Thing Called “A Deposition” J.D. Carpenter poem 81- Houths” Robert Priest poem 81- 82:8-9 82:68-69 “A Mansion in Winter” Daniel David “Control Data” Chris Dewdney, poem, Moses poem 81-82:30-31 81-82:21 “Above an Excavation” Al Moritz poem “Croquet” Al Moritz poem 83-84:98 83-84:99 “Daybook” Ken Cathers poem 81-82:10- “Again” Al Moritz poem 83-84:101 11 “Air Show” J.D. -
The Mainstream
THE MAINSTREAM Ronald Sutherland A.LONG WITH A NUMBER of other activities in Canada, literary criticism has picked up a great deal of momentum in the last decade. Like the St. Lawrence River it has deepened and broadened as it moved along, and to a large extent it also has divided in two at the Island of Montreal. In view of the mighty St. Lawrence's present state of pollution, however, it would perhaps be injudicious to pursue the analogy. But it can be said with reasonable confidence that the steady increase in the volume of Canadian literary criticism is having and will continue to have a beneficial effect on creative writing in this country. I imagine that there is nothing more debilitating for a writer than to be ignored, to be working in a vacuum as it were. Frederick Philip Grove comes immediately to mind. Despite the recent increase in the volume of literary criticism, however, several major problems remain to be resolved. They are basic problems which glare like a hole in a girl's stocking or a pair of mismatched shoes, but they can also be covered up and ignored. They would seem to invite attention, and then again they do not. For they are often charged with emotional overtones. For instance, there is the question of who precisely is a Canadian author. Anthologies and literary histories, to say the least, have tended to be gloriously free of discrimina- tion, grabbing all that could possibly be grabbed. One wonders, indeed, how Jacques Maritain, Wyndham Lewis, Willa Cather and Ernest Hemingway, all of whom lived for a time in Canada, escaped the conscription, not to mention Alexis de Tocqueville, Charles Dickens and Henry David Thoreau. -
Ms Coll 00050 Davies (Robertson) Papers 1
Ms Coll 00050 Davies (Robertson) Papers Robertson Davies Papers (gift of June Davis) Dates: 1929-2008 Extent: 115 boxes (22 metres) Biographical Description: Robertson Davies was born in Thamesville, Ontario in 1913 and was the third son of W. Rupert Davies and Florence Sheppard McKay. Davies’ father, Rupert Davies was born in Wales and was the publisher of The Kingston Whig Standard and was appointed to the Senate as a Liberal in 1942, a position he would hold until his death in 1967. As a young child, Robertson Davies moved with his family to Renfrew, Ontario, where his father managed the local newspaper, the Renfrew Mercury. The family would later relocate to Kingston in 1925. Between 1928 and 1932, Davies attended Upper Canada College in Toronto, where he performed in theatrical performances and wrote and edited the school paper, The College Times. After graduating, Davies attended Queen’s University in Kingston, where he was enrolled as a special student as he was not working towards a specific degree. Between 1932 and 1935, Davies wrote for the school paper and performed and directed theatrical plays. In 1935, Davies traveled to England to study at Baillol College at Oxford, where he was enrolled in a Bachelor of Letters degree. At Oxford, Davies performed with the Oxford University Dramatic Society and was a co- founder of the Long Christmas Dinner Society. After graduating in 1938, Davies published his thesis, Shakespeare’s Boy Actors through the publisher J.M Dent & Sons in 1939. In 1938, Davies joined the Old Vic theatre company, where he had roles in The Taming of the Shrew, She Stoops to Conquer, and A Midsummer Night’s Dream and also worked as a teacher of dramatic history at their drama school. -
Literary Trivia Challenge
Literary Trivia Challenge 1. Which Nobel Prize-winning author wrote a 6. What is the name of the narrator in short story that took place at Osler? Harper Lee’s To Kill a Mockingbird? A) Margaret Attwood A) Scout Finch B) David Adams Richards B) Boo Radley C) Alice Munro C) Atticus Finch D) W. O. Mitchell D) Dill Harris 2. Where was the location of Collingwood’s 7. What is the first ghost to visit Ebenezer original Public Library? Scrooge on Christmas Eve? A) Simcoe Street A) Ghost of Christmas Past B) Second Street B) Bob Cratchit C) Hurontario Street C) Ghost of Christmas Spirit D) St Paul Street D) Jacob Marley 3. Which Canadian author wrote Luke Baldwin’s Vow, a story of a boy who came to 8. Who is known for collecting folklore tales live in Collingwood? such as Cinderella, Rapunzel, and Snow A) Robertson Davies White? B) Morley Callaghan A) Hans Christian Andersen C) George Bowering B) Brothers Grimm C) Walt Disney D) Gabrielle Roy D) All of the above 4. Who is Collingwood’s poet laureate? A) Susan Wismer 9. What was Mark Twain’s real name? B) Maya Angelou A) Twain Mark B) Samuel Clemens C) Robert Frost C) Henry James D) Day Merrill D) Walt Whitman 5. What book won CBC’s Canada Reads contest in 2019? 10. The Lion King is a Disney re-imagining of A) Bakr al Rabeeah, Winnie Yeung which Shakespeare play? A) King Lear B) The Testaments, Margaret Atwood B) Macbeth C) By Chance Alone, Max Eisen.