DOCSLIB.ORG

A Chronology of Middle Missouri Plains Village Sites

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Chronology of Middle Missouri Plains Village Sites Smithsonian Institution Scholarly Press smithsonian contributions to museum conservation • number 7 Smithsonian Institution Scholarly Press AThe Chronology Age of Plastic: of IngenuityMiddle Missouriand Responsibility Plains ProceedingsVillage of the 2012 Sites MCI Symposium By CraigEdited M. byJohnson Odile Madden, A. Elena Charola, Kim Cullen Cobb, Paula T. withDePriest, contributions and Robert byJ. Koestler Stanley A. Ahler, Herbert Haas, and Georges Bonani SERIES PUBLICATIONS OF THE SMITHSONIAN INSTITUTION Emphasis upon publication as a means of “diffusing knowledge” was expressed by the first Secretary of the Smithsonian. In his formal plan for the Institution, Joseph Henry outlined a program that included the following statement: “It is proposed to publish a series of reports, giving an account of the new discoveries in science, and of the changes made from year to year in all branches of knowledge.” This theme of basic research has been adhered to through the years by thousands of titles issued in series publications under the Smithsonian imprint, commencing with Smithsonian Contributions to Knowledge in 1848 and continuing with the following active series: Smithsonian Contributions to Anthropology Smithsonian Contributions to Botany Smithsonian Contributions to History and Technology Smithsonian Contributions to the Marine Sciences Smithsonian Contributions to Museum Conservation Smithsonian Contributions to Paleobiology Smithsonian Contributions to Zoology In these series, the Smithsonian Institution Scholarly Press (SISP) publishes small papers and full-scale monographs that report on research and collections of the Institution’s museums and research centers. The Smithsonian Contributions Series are distributed via exchange mailing lists to libraries, universities, and similar institutions throughout the world. Manuscripts intended for publication in the Contributions Series undergo substantive peer review and evalu- ation by SISP’s Editorial Board, as well as evaluation by SISP for compliance with manuscript preparation guidelines (available at https://scholarlypress.si.edu). For fully searchable PDFs of all open access series and publications of the Smithsonian Institution Scholarly Press, visit Open SI at http://opensi.si.edu. smithsonian contributions to museum conservation • number 7 The Age of Plastic: Ingenuity and Responsibility Proceedings of the 2012 MCI Symposium Edited by Odile Madden, A. Elena Charola, Kim Cullen Cobb, Paula T. DePriest, and Robert J. Koestler WASHINGTON D.C. 2017 ABSTRACT Madden, Odile, A. Elena Charola, Kim Cullen Cobb, Paula T. DePriest, and Robert J. Koestler. The Age of Plastic: Ingenu- ity and Responsibility, Proceedings of the 2012 MCI Symposium. Smithsonian Contributions to Museum Conservation, number 7, viii + 181 pages, 139 figures, 5 tables, 2017. — This volume brings together papers presented at “The Age of Plastic: Ingenuity + Responsibility,” a Smithsonian symposium hosted by the Museum Conservation Institute on June 7–8, 2012. The event was conceived as a cross- disciplinary exploration of plastic as technological material, cultural phe- nomenon, preservation challenge, and force on the environment. Writers, scientists, conservators, historians, filmmakers, designers, and policy makers offer researched and first- hand accounts from life in the Plastic Age. Papers are organized to highlight the importance and complexity of plastic material culture through juxtaposition of countervailing positive and negative viewpoints. The volume features observations on innovation in plastic with past and contemporary examples of furniture design, failed experiments with proteinaceous fibers before World War II, the transition of celluloid from ivory simulant to unique identity, the space program, and bioplastics in automobiles. Studies of the rise of food packaging further explore how plastic shapes and is shaped by our culture. Preservation challenges that new, often unstable plastic poses for the cultural heritage community are explored through case studies of novel conservation treatments, research into new deterioration phenomena, and knowledge transfer. The relationship between plastic and the environment is probed with perspectives on pollution, advantages of plastic to living zoological collections, and recycling. Intended primarily for the cultural heritage community but also relevant to other fields, this volume demonstrates the importance and challenges of documenting the remarkable ongoing evolution of plastic materials that now are integral to the artifact record as markers of achievement and records of the innovation process. Cover images, from left to right: Detail of Bernat, Figure 6R; Moggridge, Figure 5; and detail of Biddle, Figure 1. Published by SMITHSONIAN INSTITUTION SCHOLARLY PRESS P.O. Box 37012, MRC 957 Washington, D.C. 20013- 7012 https://scholarlypress .si .edu Compilation copyright © 2017 Smithsonian Institution “Balancing Ingenuity and Responsibility in the Age of Plastic,” “Designing Plasticity,” “Separating Good Plastic from Bad Plastic in Conservation Biology,” “Plastic and Food Culture,” “Conservation of Plastics at the Smithsonian American Art Museum,” “Engineered Self-Disassembly: A Plastic That Turns into Gravel,” and “Debris in the Marine Environment” are in the public domain. The rights to all other text and images in this publication, including cover and interior designs, are owned either by the Smithsonian Institution, by contributing authors, or by third parties. Fair use of materials is permitted for personal, educational, or noncommercial purposes. Users must cite author and source of content, must not alter or modify copyrighted content, and must comply with all other terms or restrictions that may be applicable. Users are respon- sible for securing permission from a rights holder for any other use. Library of Congress Cataloging- in- Publication Data Names: Madden, Odile (Odile Marguerite), editor. | Smithsonian Institution Scholarly Press, publisher. | MCI Symposium (2012 : Washington, D.C.) Title: The Age of Plastic: ingenuity and responsibility : proceedings of the 2012 MCI Symposium / edited by Odile Madden [and four others]. Other titles: Proceedings of the 2012 MCI Symposium | Smithsonian contributions to museum conservation ; no. 7. 1949–2359 Description: Washington, D.C. : Smithsonian Institution Scholarly Press, 2017. | Series: Smithsonian contributions to museum conservation, ISSN 1949- 2359 ; number 7 | Includes bibliographical references and index. Identifiers: LCCN 2017013949 Subjects: LCSH: Plastics—History—Congresses. | Plastics—Technological innovations—Congresses. | Plastics— Environmental aspects—Congresses. | Plastics—Conservation—Congresses. | Plastics—Social aspects—Congresses. Classification: LCC TP1116 .A34 2017 | DDC 668.4—dc23 | SUDOC SI 1.57:7 LC record available at https:// lccn .loc .gov /2017013949 ISSN: 1949- 2367 (online); 1949- 2359 (print) Publication date (online): 25 August 2017 c The paper used in this publication meets the minimum requirements of the American National Standard for Permanence of Paper for Printed Library Materials Z39.48–1992. Contents PREFACE by Odile Madden, A. Elena Charola, and Robert J. Koestler v ACKNOWLEDGMENTS vii Balancing Ingenuity and Responsibility in the Age of Plastic 1 Odile Madden INNOVATION Designing Plasticity 19 Bill Moggridge “Astonish the World with . Your New Fiber Mixture”: Producing, Promoting, and Forgetting Man- Made Protein Fibers 35 Mary M. Brooks Is It Real? Imitation and Originality in Plastics 51 Robert Friedel TRANSFORMATION Advanced Materials Used in Space Suit Construction 61 Bill Ayrey and Linda Hewes Separating Good Plastic from Bad Plastic in Conservation Biology 77 Pierre Comizzoli Plastic and Food Culture 85 Cory Bernat Ford’s Driving Role in the Bio- Based Materials Age 99 Debbie Mielewski, Ellen Lee, Angela Harris, and Cynthia Flanigan RESPONSIBILITY Conservation of Plastics at the Smithsonian American Art Museum 109 Lucian H. Shockey Jr. iv • SMITHSONIAN CONTRIBUTIONS TO MUSEUM CONSERVATION Preserving Plastic: Challenges in the Conservation of Modern Art Objects 125 Thea van Oosten Engineered Self- Disassembly: A Plastic That Turns into Gravel 141 Molly McGath and Odile Madden Midway: A Message from the North Pacific Gyre 147 Jan Vozenilek Debris in the Marine Environment 155 Nancy Wallace and Dianna Parker Closing the Loop with Plastics 157 Mike Biddle Falling in and out of Love: Our Troubled Affair with Plastic 165 Susan Freinkel INDEX 173 Preface he papers compiled in this volume are based on the symposium “The Age of Plastic: Ingenuity + Responsibility,” which was hosted by the Museum Conser- vation Institute (MCI) in June 2012. The symposium was conceived to docu- Tment the important relationship between plastic materials and culture from a cross- disciplinary perspective. With previous material ages, the so-called Stone, Bronze, and Iron, robust scholarship links the historical, cultural, and technological develop- ments to the material for which each era is named. In the Age of Plastic, the technological and cultural shifts are ongoing and have been so abrupt that they have yet to be studied through the same lens. Yet plastic has had sufficient impact that we will want to docu- ment it, and our knowledge will be richer if we begin the documentation now while it is happening. The papers compiled here can be considered a set of eyewitness accounts. It is appropriate that this work happen at the Smithsonian, our national museum and arguably
Load more

Recommended publications
  • Design of Autonomous Coupling Mechanism for Modular Reconfigurable Lunar Rovers
    Dartmouth College Dartmouth Digital Commons ENGS 88 Honors Thesis (AB Students) Other Engineering Materials Spring 6-6-2021 Design of Autonomous Coupling Mechanism for Modular Reconfigurable Lunar Rovers Christopher Lyke [email protected] Follow this and additional works at: https://digitalcommons.dartmouth.edu/engs88 Part of the Engineering Commons Dartmouth Digital Commons Citation Lyke, Christopher, "Design of Autonomous Coupling Mechanism for Modular Reconfigurable Lunar Rovers" (2021). ENGS 88 Honors Thesis (AB Students). 30. https://digitalcommons.dartmouth.edu/engs88/30 This Thesis (Senior Honors) is brought to you for free and open access by the Other Engineering Materials at Dartmouth Digital Commons. It has been accepted for inclusion in ENGS 88 Honors Thesis (AB Students) by an authorized administrator of Dartmouth Digital Commons. For more information, please contact [email protected]. DESIGN OF AUTONOMOUS COUPLING MECHANISM FOR MODULAR RECONFIGURABLE LUNAR ROVERS by CHRIS LYKE Bachelor of Arts Honors Thesis Thayer School of Engineering Dartmouth College Hanover, New Hampshire Date: __________________________ Approved:______________________ Advisor’s Signature ______________________________ Author’s Signature Abstract Modular reconfigurable robotics consist of modules that can join together to form larger entities capable of changing their morphologies for improved versatility, robustness, and cost. Coupling mechanisms play a key role in these systems, as they are the component connecting the modules and enabling the robot to change shape. Coupling mechanisms also define the structure, rigidity, and function of modular systems. This paper details the development of the autonomous coupling mechanism for SHREWs, a modular reconfigurable system of rovers designed to explore the permanently shadowed regions of the Moon.
    [Show full text]
  • J Ohn F. a Ndrews
    J OHN F . A NDREWS OBE JOHN F. ANDREWS is an editor, educator, and cultural leader with wide experience as a writer, lecturer, consultant, and event producer. From 1974 to 1984 he enjoyed a decade as Director of Academic Programs at the FOLGER SHAKESPEARE LIBRARY. In that capacity he redesigned and augmented the scope and appeal of SHAKESPEARE QUARTERLY, supervised the Library’s book-publishing operation, and orchestrated a period of dynamic growth in the FOLGER INSTITUTE, a center for advanced studies in the Renaissance whose outreach he extended and whose consortium grew under his guidance from five co-sponsoring universities to twenty-two, with Duke, Georgetown, Johns Hopkins, North Carolina, North Carolina State, Penn, Penn State, Princeton, Rutgers, Virginia, and Yale among the additions. During his time at the Folger, Mr. Andrews also raised more than four million dollars in grant funds and helped organize and promote the library’s multifaceted eight- city touring exhibition, SHAKESPEARE: THE GLOBE AND THE WORLD, which opened in San Francisco in October 1979 and proceeded to popular engagements in Kansas City, Pittsburgh, Dallas, Atlanta, New York, Los Angeles, and Washington. Between 1979 and 1985 Mr. Andrews chaired America’s National Advisory Panel for THE SHAKESPEARE PLAYS, the BBC/TIME-LIFE TELEVISION canon. He then became one of the creative principals for THE SHAKESPEARE HOUR, a fifteen-week, five-play PBS recasting of the original series, with brief documentary segments in each installment to illuminate key themes; these one-hour programs aired in the spring of 1986 with Walter Matthau as host and Morgan Bank and NEH as primary sponsors.
    [Show full text]
  • Technical Memorandum
    NASA Technical Memorandum NASA TM-82563 3EVELOPMEYT OF AN IMPROVED PROTECTIVE COVERILIGHT BLOCK FOR MULTlLAYEFi INSULATION By L. M. Thompson, Dr. J. M. S;uikey, Don Wilkes? 2nd Dr. Randy Humphries Materials arid Processes Laboratory October 1983 (YASA-TM-02503) DEYELOPHiiL? OF AN IYPBCVEI) B84- 15269 PROTECTIVE CQVEh/LIGHI BLCCK EGP MULTILAYEfi i&SiJLAl!IUAl (bASA) LO p HC A02/nP A01 CSCL 11E Unc~as Gr)/L7 1803b National keronauflcs and .Space Admr i;!rat $?r8 George C. Marshall Space Flight Center AISFC - Form 3190 (Rev. Msv 1983) TECdNICAL REPORT STANDARD TITLE PAGE 1. REPORT NO. 12. GOVERNmNT ACCESSION NO. 13. RECIPIENT'S CATALOG NO. NASA TM-825b3 I 4. TITLE AND SUBTITLE 5. REPORT DATE Development of an Inlproved hatective Cover/Llght October 1983 Block for Multdayer Insulation 6. PERFORMING 0RGANIZATIZ)N ClOE 7. AUTHm(S) L. M. Thompson, Dr. J. M. Stuckey, Don Wilkcs and 8. PERFORMING ORGANIZATION REPORT U Dr,dv Hunlphries -- 9. PERFORMING ORGANIZATION NAME AND ADDRESS 10. WORK UNIT NO. I George C. Marshall Space Flight Center 1 1. CONTRACT OR GRANT NO. Marshall Space Flight Center, Alabama 358 12 13. TYPE OF REPOR; % PERIOD COVERED 12 SPONSORING AGENCY NAME AND ADORESS I Technical Memorandum National Aeronautics and Space Administration I Washington, D.C. 20546 1.1. SPONSORING AGENCY CODE I -l 15. SUPPLEMENTARY NOTES 1I 1 Prepared by Materials and Processes Laboratory. Science md Engineering This task was directed toward demonstrating the feasibilit~.of using a scrim-reinforced. single metallized. 4mil Tedlar film as a replacement for the Teflon coated Beta-c!oth/single metallized 3-mil Kapton film prexntly used as the protective coverllight block for multilayer insulation (MLI) on the Orbiter, Spacelab, and other space applications.
    [Show full text]
  • Exhibition of Italian Avant-Garde Art on View at Columbia's Wallach
    6 C olumbia U niversity RECORD October 5, 2001 Exhibition of Italian Avant-Garde Art on View at Columbia’s Wallach Gallery An exhibition of Italian 63—a peculiar combination of avant-garde art will be on photography, painting and col- view at Columbia’s Wallach lage in which a life-sized Art Gallery from Oct. 3 to image of the artist, traced from Dec. 8. The exhibition, “Arte a photograph onto thin, Povera: Selections from the translucent paper, is glued on Sonnabend Collection,” will an otherwise empty mirrored draw together major works by panel. Giovanni Anselmo, Pier Paolo The exhibition is drawn Calzolari, Jannis Kounellis, from the rich holdings of the Mario Merz, Giulio Paolini, gallerist Illeana Sonnabend. Michelangelo Pistoletto, Sonnabend has long been rec- Mario Schifano and Gilbert ognized as one of the foremost Zorio, most of which have collectors and promoters of rarely been exhibited in the American art from the 1950s, United States '60s, and '70s. Lesser-known In the late 1960s, a number is her devotion to an entirely of artists working in Italy pro- different artistic phenome- duced one of the most authen- non—the Italian neo-avant- tic and independent artistic garde—which is equally interventions in Europe. impressive. Striking in its Grouped together under the comprehensiveness, the col- term "Arte Povera" in 1967 by lection was assembled by the critic Germano Celant in ref- Sonnabend and her husband, erence to the use of materials— Michael. natural and elemental—the Claire Gilman, a Ph.D. can- artists delivered a powerful and didate in Columbia's depart- timely critique of late mod- ment of art history and arche- ernism, specifically minimalism.
    [Show full text]
  • Admins Step up Recruiting Efforts Org. Donates $4,000 to Banaa
    GREEN ROOF PAGE 4 GREEK WEEK PAGE 9 E Street features new eco-friendly project Multicultural Greek-letter groups join event MONDAY The GW November 3, 2008 ALWAYS ONLINE: WWW.GWHATCHET.COM Vol. 105 • Iss. 23 Hatchet AN INDEPENDENT STUDENT NEWSPAPER - SERVING THE GW COMMUNITY SINCE 1904 GW and the nation's capital prepare for Election Day 2008 Inside the Election Guide... Students face voting problems B1 B5 Your election night drinking game Varying absentee ballot rules GWHATCHET.COM The Hatchet has a fun way to confuse young voters H Visit The Hatchet online for make the most of election night updated Election Day coverage, Nominees address college B3 including blogging and multime- B6 GW alumni in Congress affordability policies dia on local and national races. Former students who are in the The candidates' views on higher-ed political spotlight Offi cials defend MPD transfer KAZAKHCULTURE Admins they support the Metropolitan ing Saturday afternoon that the ANC considers Police Department’s recent de- decision to move Lanciano was cision to move a beloved lieu- not a punishment. step up hearing to study tenant out of Foggy Bottom. “It’s not that he wasn’t do- Lt. Phillip Lanciano, a po- ing a good job, not that he did lice offi cer who often worked anything to upset (Chief of Po- Lanciano move closely with GW and the neigh- lice Cathy Lanier),” Klein said. recruiting by Nick Marell and borhood, was abruptly reas- He said Lanciano was one Justine Karp signed to the 6th District in of the more experienced offi cers Hatchet Staff Writers Southeast last week without in the force and Lanier felt “she public explanation from MPD.
    [Show full text]
  • THE ITALIAN SALE 20Th Century Italian Art at Christie's London This
    For Immediate Release 1 September 2006 Contact: Milena Sales +44 207 389 2664 [email protected] THE ITALIAN SALE 20th Century Italian Art at Christie’s London this October Giorgio de Chirico (1888-1978) Lucio Fontana (1899-1968), Concetto spaziale, Mobili nella valle, 1927 Attese, 1963 (estimate: £500,000-£800,000) (estimate: £900,000-1,300,000) The Italian Sale Christie’s London 16 October 2006 at 7pm London – Christie's is pleased to announce the sixth sale of 20th Century Italian Art will take place on Monday 16 October 2006 at 7pm. Italian art continues to capture the interest and enthusiasm of private collectors and institutions worldwide and is currently an area of market growth. This autumn’s selection of Italian art will include major paintings and sculptures from Italy’s foremost modern and contemporary artists with examples spanning the key artistic movements of important Italian 20th century art. “20th Century Italian art is increasingly sought after on the international market and yet is still enticingly undervalued. Our high profile and selective sale in London this October will offer excellent opportunities for established and new collectors and institutions from all over the world,” said Olivier Camu, International Director, Christie’s London and a specialist in charge of the sale. “The highlight of the sale is a group of sculptures and paintings by Lucio Fontana, eloquent and elegant works that cover the range of his Spatialist adventures. Other highlights include a number of museum- quality paintings and sculptures by artists such as Giorgio de Chirico, Piero Manzoni, Pino Pascali, Mario Merz, and Alighero Boetti,” continued Mariolina Bassetti, a specialist in charge of the sale and Director of Modern and Contemporary Italian art, Christie’s Italy.
    [Show full text]
  • A Walk Through MGM National Harbor
    A Walk Through MGM National Harbor Timeless design, impeccable service and spectacular amenities combine to create a new generation of resort experiences: MGM National Harbor, the first luxury gaming destination in the Capital Region. Guests will be drawn into the bold, forward-looking design and breathtaking spaces as they discover excitement at every turn: restaurants by some of the region’s most celebrated chefs, an intimate theater showcasing the hottest acts in entertainment, an immersive spa escape, luxurious rooms and suites and much more. MGM National Harbor will be the ultimate destination, whether for an evening of entertainment or an indulgent weekend getaway. Architecture Situated on a hill overlooking the Potomac River, MGM National Harbor serves as a landmark to the community and gateway into Maryland. The overarching vision of the resort draws inspiration from Washington D.C.’s monumental architecture while also incorporating the natural beauty of the surrounding area, including vistas of the Potomac River and annual cherry tree bloom. While respecting the District’s historic sense of place highlighted by classical structures, MGM National Harbor embodies a modern and bold design that complements the sense of timelessness created by the Nation’s Capital buildings. Designed by architecture visionaries HKS Hospitality Group, MGM National Harbor’s architectural unfolds as guests explore the space, from the series of grand steps leading up to the lobby to its glistening knife-like tower rising vertically toward the sky. In designing the resort, it was important to not only pay homage to surrounding architectural marvels, but also to include MGM Resort’s legacy by incorporating trademark elements from Las Vegas resorts such as Bellagio, ARIA and MGM Grand.
    [Show full text]
  • Introduction*
    Introduction* CLAIRE GILMAN If Francesco Vezzoli’s recent star-studded Pirandello extravaganza at the Solomon R. Guggenheim Museum and the Senso Unico exhibition that ran con- currently at P.S.1 Contemporary Art Center are any indication, contemporary Italian art has finally arrived.1 It is ironic if not entirely surprising, however, that this moment occurs at a time when the most prominent trend in Italian art reflects no discernible concern for things Italian. Rather, the media-obsessed antics of Vezzoli or Vanessa Beecroft (featured alongside Vezzoli in Senso Unico) are better understood as exemplifying the precise eradication of national and cultural boundaries that is characteristic of today’s global media culture. Perhaps it is all the more fitting, then, that this issue of October returns to a rather different moment in Italian art history, one in which the key practition- ers acknowledged the invasion of consumer society while nonetheless striving to keep their distance; and in which artists responded to specific national condi- tions rooted in real historical imperatives. The purpose of this issue is twofold: first, to give focused scholarly attention to an area of post–World War II art history that has gained increasing curatorial exposure but still receives inadequate academic consideration. Second, in doing so, it aims to dismantle some of the misconceptions about the period, which is tra- ditionally divided into two distinct moments: the assault on painting of the 1950s and early ’60s by the triumverate Alberto Burri, Lucio Fontana, and Piero Manzoni, followed by Arte Povera’s retreat into natural materials and processes.
    [Show full text]
  • Bringing Space Textiles Down to Earth by Fi Forrest
    Feature Bringing Space Textiles Down to Earth By Fi Forrest DOI: 10.14504/ar.19.2.1 extiles are an essential part of the space industry. Every gram sent into orbit costs hundreds of thousands of dol- lars, so textiles must be lightweight as well as strong, and Tresistant to extremes of heat, cold, and ultraviolet radiation that they never have to experience down here on Earth. With the US National Aeronautics and Space Administration’s (NASA) recent announcement of a lunar spaceport—the Gate- way Project—and manned missions to Mars being proposed by Elon Musk, the next generation of space textiles are GO.1,2 In space you find textiles everywhere, from the straps that hold you in place during take-off to the parachute on your re-entry. Diapers are in your underwear, you might work in an inflat- able module on the International Space Station (ISS) and even that flag on the moon was specially designed in nylon. In space everything acts, and reacts, differently. Whether in low-gravity environments like the moon, or micro-gravity on the ISS, even the way moisture wicks away from the human body is different. Disclaimer: Responsibility for opinions expressed in this article is that of the author and quoted persons, not of AATCC. Mention of any trade name or proprietary product in AATCC Review does not constitute a guarantee or warranty of the product by AATCC and does not imply its approval to the exclusion of other products that may also be suitable. March/April 2019 Vol. 19, No.
    [Show full text]
  • UJB Prohibits Delts from Serving Alcohol Until March Chief of Staff
    Experimenting Thirty years of resea interesting results al THE CHRONICLE Research Unit. See pa WEDNESDAY, DECEMBER 4, 1991 DUKE UNIVERSITY DURHAM. NORTH CAROLINA CIRCULATION: 15.000 VOL. 87, NO. 64 UJB prohibits Delts from serving alcohol until March By MICHAEL SAUL event registration policy violation pus facility. fraternal bonds by engaging in Robinson Clark, the fraternity's The Undergraduate Judicial and disorderly conduct. This sanction is the first one more non-alcohol-related activi­ president. Clark declined further Board has prohibited Delta Tau The board defined "sponsoring" that allows a fraternity to con­ ties," according to the board's writ­ comment. Delta fraternity from sponsoring as individually or corporately tinue sponsoring non-alcohol re­ ten opinion. The sanctions stem from inci­ or hosting any event at which funding an event where alcohol is lated social events instead of sim­ The board has also required dents at two different parties held alcohol is present until March 15. present, and it defined "hosting" ply prohibiting social functions each current brother to complete this semester, as well as the The board found the fraternity as an alcohol event taking place altogether. 25 hours of community service. fraternity's failure to fulfill a prior guilty of two counts of contempt, at any Delta Tau Delta fraternity "The board hopes to encourage The fraternity is planning to board sanction. an alcohol policy violation, an room, commons room or off-cam­ the fraternity to strengthen its appeal the board's decision, said
    [Show full text]
  • Export / Import: the Promotion of Contemporary Italian Art in the United States, 1935–1969
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2016 Export / Import: The Promotion of Contemporary Italian Art in the United States, 1935–1969 Raffaele Bedarida Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/736 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by RAFFAELE BEDARIDA A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 RAFFAELE BEDARIDA All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy ___________________________________________________________ Date Professor Emily Braun Chair of Examining Committee ___________________________________________________________ Date Professor Rachel Kousser Executive Officer ________________________________ Professor Romy Golan ________________________________ Professor Antonella Pelizzari ________________________________ Professor Lucia Re THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT EXPORT / IMPORT: THE PROMOTION OF CONTEMPORARY ITALIAN ART IN THE UNITED STATES, 1935-1969 by Raffaele Bedarida Advisor: Professor Emily Braun Export / Import examines the exportation of contemporary Italian art to the United States from 1935 to 1969 and how it refashioned Italian national identity in the process.
    [Show full text]
  • Galleria Massimo Minini
    GALLERIA MASSIMO MININI Via Apollonio 68 – 25128 Brescia tel. 030383034 [email protected] www.galleriaminini.it GIOVANNI ANSELMO BIOGRAPHY b. 1934, Borgofranco D’Ivrea, Turin, IT Lives and works in Turin, IT SELECTED SOLO EXHIBITIONS 2019 Entrare nell’opera, Accademia Nazionale di San Luca, Roma, IT 2018 Mentre i disegni misurano, la luce focalizza, i colori e le pietre sono peso vivo, Tucci Russo Studio per l’Arte Contemporanea, Torre Pellice, Torino, IT 2017 Senza titolo, invisibile, dove le stelle si avvicinano di una spanna in più, mentre oltremare appare verso Sud-Est, e la luce focalizza…, Fondazione Querini Stampalia, Venezia, IT 2016 Giovanni Anselmo - Paolo Mussat Sartor, Galleria Minini, Brescia, IT Mentre la mano indica, la luce focalizza, nella gravitazione universale di interferisce, la terra si orienta, le stelle si avvicinano di una spanna in più..., Castello di Rivoli Museo di Arte Contemporanea, Torino, IT Archivi 1 - Giovanni Anselmo, Galleria d'Arte Moderna e Contemporanea, Torino, IT 2015 While earth finds its bearing and the light focuses, ultramarine blue appears towards overseas, Fischer Gallery, Berlin, DE Anselmo – Laib – Spalletti, Galleria Lia Rumma, Milano, IT Mentre la mano indica, la terra si orienta, le stelle si avvicinano di una spanna in più, i grigi si alleggeriscono fin verso oltremare, la luce focalizza, l'aura della pittura appare..., Musée d’Art Moderne et Contemporain, Saint-Étienne, FR 2014 Mentre la terra si orienta e la luce focalizza..., Palazzo Riso, Palermo, IT Il panorama verso oltremare
    [Show full text]