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SECOND EDITION THIRD EDITION If you taught... You’ll now need… Aeschylus I Aeschylus II Oresteia Aeschylus II Aeschylus I The Suppliant Maidens The Persians Seven against Thebes Prometheus Bound Euripides I Euripides I Alcestis The Medea The Heracleidae Hippolytus Euripides II: The Cyclops Euripides V Euripides II: Heracles Euripides III Euripides II: Iphigenia in Tauris Euripides III Euripides II: Helen Euripides IV Euripides III: Hecuba Euripides II Euripides III: Andromache Euripides II Euripides III: The Trojan Women Euripides III Euripides III: Ion Euripides III Euripides IV: Rhesus Euripides V Euripides IV: The Suppliant Women Euripides II Euripides IV: Orestes Euripides IV Euripides IV: Iphigenia in Aulis Euripides V Euripides V: Electra Euripides II Euripides V: The Phoenician Women Euripides IV Euripides V: The Bacchae Euripides V Sophocles I Sophocles I Oedipus the King Oedipus at Colonus Antigone Sophocles II Sophocles II Ajax The Women of Trachis Electra The Complete Greek Tragedies, Third Edition Edited by David Grene and Richmond Lattimore Third Edition edited by Mark Griffith and Glenn W. Most Aeschylus I Euripides IV Greek Tragedies 1 The Persians Helen Aeschylus: Agamemnon The Seven Against Thebes The Phoenician Women Aeschylus: Prometheus Bound The Suppliant Maidens Orestes Sophocles: Oedipus the King Prometheus Bound Euripides V Sophocles: Antigone Euripides: Hippolytus Aeschylus II The Bacchae The Oresteia Iphigenia in Aulis Greek Tragedies 2 Proteus The Cyclops Aeschylus: The Libation Bearers Euripides I Rhesus Sophocles: Electra Alcestis Sophocles I Euripides: Iphigenia Medea Antigone among the Taurians The Children of Heracles Oedipus the King Euripides: Electra Hippolytus Oedipus at Colonus Euripides: Trojan Women Euripides II Sophocles II Greek Tragedies 3 Andromache Ajax Aeschylus: The Eumenides Hecuba The Women of Trachis Sophocles: Philoctetes The Suppliant Women Electra Sophocles: Oedipus at Colonus Electra Philoctetes Euripides: The Bacchae Euripides: Alcestis Euripides III The Trackers Heracles The Trojan Women For a handy guide to the changes in Iphigenia among the Taurians the order of plays within the volumes, Ion please see the other side of this sheet. The University of Chicago Press / www.press.uchicago.edu.

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An Examination of the Correlation Between the Justification and Glorification of War in Charles Mee's Iphigenia
An Examination of the Correlation Between the Justification and Glorification of War in Charles Mee’s Iphigenia 2.0: A Director’s Approach Caroline Donica Table of Contents Chapter One: Charles Mee and the History Behind Iphigenia 2.0 4 Introduction 4 The Life and Works of Charles Mee 4 Just War 8 Production History and Reception 11 Survey of Literature 13 Conclusion 15 Chapter Two: Play Analysis 16 Introduction 16 Synopsis 16 Given Circumstances 24 Previous Action 26 Dialogue and Imagery 27 Character Analysis 29 Idea and Theme 34 Conclusion 36 Chapter Three: The Design Process 37 Introduction 37 Production Style 37 Director’s Approach 38 Choice of Stage 38 Collaboration with Designers 40 Set Design 44 Costumes 46 Makeup and Hair 50 Properties 52 Lighting 53 Sound 55 Conclusion 56 Chapter Four: The Rehearsal Process 57 Introduction 57 Auditions and Casting 57 Rehearsals and Acting Strategies 60 Technical and Dress Rehearsals 64 Performances 65 Conclusion 67 Chapter Five: Reflection 68 Introduction 68 Design 68 Staging and Timing 72 Acting 73 Self-Analysis 77 Conclusion 80 Appendices 82 A – Photos Featuring the Set Design 83 B – Photos Featuring the Costume Design 86 C – Photos Featuring the Lighting Design 92 D – Photos Featuring the Concept Images 98 Works Consulted 102 Donica 4 Chapter One Charles Mee and the History Behind Iphigenia 2.0 Introduction Charles Mee’s Iphigenia 2.0 is a significant work in recent theatre history. The play was widely recognized and repeatedly produced for its unique take on contemporary issues, popular culture, and current events set within a framework of ancient myths and historical literature.
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