Underwater Photography

Total Page:16

File Type:pdf, Size:1020Kb

Underwater Photography aa webweb magazinemagazine UnderwaterUnderwater PhotographyPhotography Aug/Sept 2004 Fantasea CP-5 FlashTrax review Telephoto shots Ikelite/Nikon D70 Fuji F710 review Eumig Nautica Sealux/Nikon D70 Breatholding Book reviews Nexus/Nikon D70 Cabilao Classifieds ULCS Battery tester Turks & Caicos Parting shot Issue 20/1 Digital solutions INON UK Four strobes for the digital enthusiast. Choose the features you need including auto exposure and modelling lights. Two wide angle lenses for shooting large Versatile arm system subjects. puts precision lighting Optional dome control at your fingertips. port lets you use EZ clamps hold strobe your existing securely in high current, yet lens for provide instant adjustment superwide angle for creativity. photography. Official INON UK distributors: Four macro lenses Ocean Optics put extreme close up photography within your 13 Northumberland Ave, London WC2N 5AQ capabilities. Available in Tel 020 7930 8408 Fax 020 7839 6148 screw thread or fast E mail [email protected] www.oceanoptics.co.uk Issue 20/2 mount bayonet fit. Contents UnderwaterUnderwater PhotographyPhotography 4 Editorial a web magazine 23 FlashTrax review 35 Cabilao Aug/Sept 2004 5 News & Travel e mail [email protected] 11 New products by Peter Rowlands 44 Telephoto 24 Fuji F710 review by Nonnoy Tan 17 Ikelite/Nikon D70 39 Turks & Caicos by Alexander Mustard 49 Eumig Nautica by Peter Rowlands by Steve Warren 27 Breatholding by Will Postlethwaite 21 Battery tester by Bernardo Sambra 52 Book reviews Cover by 54 Classifieds by Tony Matheis Phillip Colla by Phillip Colla 56 Parting shot by Tony Sutton Issue 20/3 U/w photo competitions motorways at weekends). In addition they could Editorial swim in any direction in a 180° arc from the shore so by my reckoning the search area at the end of the UwP has made a point of trying to help first day would be well over 15,000 square miles. I promote many of the underwater photography who wish to compete and I myself have entered think that gives the culprit a pretty good chance of competitions which take place annually throughout them in the past when I was young, eager and fleeing the bullet. the year but recent discussions on the internet wanted to become known. The father of the victim was quoted as saying forums have highlighted the possible copyright Now that I am older, less eager and well that he held no hard feelings towards the shark problems involved. known for all the wrong reasons I really don’t see which, at such a tragic time, was highly Most competition entry forms come with more why underwater photography should be commendable. He accepted that his son was in the pages of regulations than most entrants can be competitive. In competitions, for every winner there shark’s territory and suffered as a consequence. bothered to read but a careful scan of these rules can are dozens of bitter losers who lose the abiity to We all know the oft-quoted statistic that more reveal some worrying and often flagrant attitudes enjoy their own underwater photography by trying people die per year choking on peanuts than are towards the entrant’s copyright protection. to achieve a grading for their work. killed by sharks but peanuts aren’t, to my In truth most well established competitions are So that’s why I gave up entering competitions - knowledge, an endangered species and anyway I respectful of the entrant’s copyright and only ask because I don’t see it as a competitive hobby and I always buy smoothe peanut butter. that they be allowed to use the winning entries to couldn’t face being beaten by the new kids on the promote the current and next competitions. This block. seems fair enough to me except in the case where a Larson on the web diving magazine organises the competition and Shark attacks saves itself a tidy sum by being able to reproduce I am a huge fan of cartoonist Gary Larson and the winning images in its publication. A recent fatality in Australia involving a surfer used to pay for and include one of his marine However there are other competitions, one of and most likely a Great White shark was a tragic related cartoons in every issue of the original which we feature in this very issue whose rules state event and my sympathies go out to all those Underwater Photography magazine from 1987 - “Use of Photos by the NC Aquariums—All entered affected. 1989. photographs will become the property of the North However I have to question the human Imagine my surprise when I asked for a similar Carolina Aquariums and may be used without response to this attack for the authorities announced request for UwP and received the following reply: further compensation for a variety of purposes that they were going to try and find the culprit and “Unfortunately, Mr. Larson has a blanket including, blah blah blah etc etc”. Basically they do shoot it. policy that does not permit his cartoons to appear in what they like with the pictures. Such a response beggars belief from at least any electronic format”. Now I make no excuses for promoting such a two points of view. Firstly Great Whites, as I Well, at the risk of being sued, do you competition because firstly it is, without doubt, a understand it, are an officially endangered species remember the one of the two bears in the wood and worthy cause and secondly the rules are plain and and so really ought not be shot for doing what one of them has a large ring of target circles on his simple and make no bones about what will happen comes naturally to them and secondly how will they chest and the other bear says “Bummer of a to an entrant’s photographs. In short, each entrant know which shark did the attack? birthmark, Hal”. must enter with their eyes open and make sure they Sharks can reputably cover up to 100 miles a It’s just not the same, is it? are fully informed and accept the consequences. day (which is faster than we can do on most of our Competitions provide a healthy venue for those [email protected] Issue 20/4 News, Travel & Events Visions in the Sea Ocean Optics/INON digital seminar October 23rd 2004, London Europe’s first conference buying digital outfits so they can devoted exclusively to digital take up underwater photography. underwater photography is being We are catering for them but held in London in October. also more serious users of top- Visions in the Sea is now in of-the range digital SLR’s.” Alex Mustard, marine biologst and its eighth year. Previous Speakers range from divers Peter Rowlands, digital guru and UwP contributor conferences have been who use modestly priced founder of UwP magazine concerned primarily with using compact cameras to seasoned film to take photographs and award winning experts who beneath the waves. However, will share their experience and Peter Rowlands Alex Mustard this year, the focus is entirely secrets with the audience. digital. The conference is being Peter is a digital guru whose Alex is a marine biologist The conference is staged by held at the Waterloo campus of been working out a lot recently and one of the UK’s most Ocean Optics, the specialist King’s College London in judging by his photo. He has creative and imaginative retailer of underwater Stamford Street, SE1 9NN, on been involved in underwater underwater photographers,. He photographic equipment based Saturday, October 23. Speakers photography for over 30 years is also UwP’s most prolific in London. Said Optic’s Steve include Peter Rowlands, Alex and is a true convert to digital contributor and is on the Warren: “The content of Visions Mustard, Charles Hood, Will committee of BSoUP. this year reflects the significant Postlethwaite and Dave Lloyd. increase in the number of people Issue 20/5 They will examine the digital evolution and its implications for underwater photography, how to evolve techniques to make the best use of digital cameras, how to take high impact photographs, light filtration and the use of colour filters as well as how they use laptops and other digital storage Charles Hood, Senior Correspondent devices to download their for Dive magazine and UwP Will Postlethwaite, Cornish cool dude pictures while they are on dive contributor and UwP contributor trips and expeditions. Charles Hood Photoshop wizard Dave Lloyd is the Art Editor at UK’s Dive magazine Full details of the Charles is digital photo- conference can be journalist whose trademark Will Postlethwaite Dave Lloyd obtained from pictures of sharks, whales and Ocean Optics, dolphins have been widely Will is a Cornwall based Photoshop wizard Dave 13 Northumberland published. He is the author of diving instructor who has Lloyd is the Art Editor at UK’s Dive guide to Cornwall and is extensive experience using a Dive magazine and will draw on Avenue, Senior Correspondent to UK’s variety of digital cameras to his wide design experience to London WC2N 5AQ. Dive magazine. take photographs around the UK demonstrate how underwater Charles uses digital cameras as well as in much warmer images can be improved and for all his magazine work and is waters like the Red Sea, South modified with this popular Tel 020 7930 8408 shortly moving up to a full size Africa, the Maldives and programme. chip camera. Indonesia. email [email protected] www.oceanoptics.co.uk Issue 20/6 Cathy Church’s Portugese pdf Underwater A full service Photography magazine dive travel agency journey specializing in photography “My Underwater Photo trips Journey” is a long over-due portfolio of Cathy Church’s Travel with the Pros: favorite images from around the Clay Wiseman, Jack & Sue Drafahl, world.
Recommended publications
  • (12) United States Patent (10) Patent No.: US 6,602,656 B1 Shore Et Al
    USOO6602656B1 (12) United States Patent (10) Patent No.: US 6,602,656 B1 Shore et al. (45) Date of Patent: Aug. 5, 2003 (54) SILVER HALIDE IMAGING ELEMENT 5.998,109 A 12/1999 Hirabayashi WITH RANDOM COLOR FILTER ARRAY 6,117,627 A 9/2000 Tanaka et al. 6,387,577 B2 5/2002 Simons ......................... 430/7 (75) Inventors: Joel D. Shore, Rochester, NY (US); Krishnan Chari, Fairport, NY (US); FOREIGN PATENT DOCUMENTS Dennis R. Perchak, Penfield, NY (US) JP 97145909 6/1997 (73) Assignee: Eastman Kodak Company, Rochester, * cited by examiner NY (US) Primary Examiner John A. McPherson (*) Notice: Subject to any disclaimer, the term of this (74) Attorney, Agent, or Firm Arthur E. Kluegel patent is extended or adjusted under 35 U.S.C. 154(b) by 0 days. (57) ABSTRACT Disclosed is an imaging element comprising a Single layer (21) Appl. No.: 10/225,608 containing a random distribution of a colored bead popula (22) Filed: Aug. 22, 2002 tion of one or more colors coated above one or more layers a 149 comprising light Sensitive Silver halide emulsion grains, (51) Int. Cl." ............................ G02B 5/20; G03C 1/825 wherein the population comprises beads of at least one color (52) U.S. Cl. .................. - - - - - - - - - - - - - - - - - - - 430/511; 430/7 in which at least 25% (based on projected area) of the beads (58) Field of Search ... - - - - - - - - - - - - 430/511, 7 of that color have an ECD less than 2 times the ECD of the Silver halide grains in Said one emulsion layer or in the (56) References Cited f emulsion layer in the case of more than one emulsion ayer U.S.
    [Show full text]
  • Killed Polaroid ?
    Who Killed Polaroid ? Copyright Michael E. Gordon 2010 The Polaroid Corporation had been one of the most exciting, controversial and misunderstood companies of all time. Some might argue that it was seriously mismanaged throughout its convoluted history. Others might believe that its "growing pains" were unavoidable and to be expected for a $ 2.3 billion cutting-edge technology company. Polaroid filed for bankruptcy in 2001 and was dismembered, piece by painful piece. The remainder of the Company was acquired by an investment group in 2002, sold again to another investment group, and finally laid to rest permanently. Did this just happen, or did someone kill Polaroid? The Polaroid Corporation was founded in 1937 by Dr. Edwin Land (1909 – 1991) to commercialize his first product: polarizing light material. This unique 3-layered sheet structure found use in light control, glare reduction, 3D movies, and a variety of military applications such as goggles, smart bombs and target finders. Land was in his late 20s when he launched Polaroid. During the Second World War, the company grew rapidly. By 1949, under the relentless leadership of Dr. Land, Polaroid had developed and commercialized the Land Camera - the first instant black and white camera and film system capable of producing exceptional photos in 60 seconds. This was followed by several other break-through products, including the instant color peel- apart system (1963); SX-70 absolute on-step color photography (1972); and the Polavision instant movie camera, film and projector system (1975). Polavision was a financial disaster (-$500M) due to the complexity of the technology and the simultaneous emergence of magnetic video Dr.
    [Show full text]
  • Newsletter-Q4 2020
    NewsLetter Newsletter Team: E. Foote, M. Hall, E. Kliem, W. Rosen October - December [email protected] Polaroid Retirees Association 2020 THIS PUBLICATION IS SOLELY FOR THE USE OF THE PRA MEMBERSHIP POLAROID RETIREES ASSOCIATION, INC. P.O. BOX 541395, WALTHAM, MA 02454-1395 WEB SITE ADDRESS WWW.POLAROIDRETIREES.ORG Letter from the President Dear PRA members and alumnae of the finest corporation one could ask to be employed by, Board of We were led by a genius with vision, entrepreneurial excellence and a unique concern that all the employees of the corporation be afforded the opportunity to grow in depth and broadness Directors of knowledge. He was special and the company reflected this uniqueness in an extraordinary & Officers way. Which one of us was not better off leaving Polaroid than when we joined the company? My name is Ed Wade and I am the new president of the PRA, Polaroid Retirees Association, President replacing Elizabeth Foote who for past year led the Board of Directors of the PRA. Elizabeth Ed Wade led us in a manner where all issues and concerns were addressed and resolved while maintain- ing the pleasant atmosphere of care and concern, sustaining the Polaroid culture. 1st Vice President John Flynn I spent 31 years at Polaroid, mainly involved with Film Manufacturing and Industrial Products, often travelling to Scotland, Holland and Mexico, an extraordinary experience working with 2nd Vice President and meeting many members that I now consider friends and associates. The PRA is a venue Arthur Aznavorian that enables us to sustain these relationships through our business and luncheon meetings held twice annually.
    [Show full text]
  • Copyright National Academy of Sciences. All Rights Reserved. Memorial Tributes: Volume 7
    Memorial Tributes: Volume 7 EDWIN HERBERT LAND 128 Copyright National Academy of Sciences. All rights reserved. Memorial Tributes: Volume 7 EDWIN HERBERT LAND 129 EDWIN HERBERT LAND 1909–1991 WRITTEN BY STANLEY H. MERVIS SUBMITTED BY THE NAE HOME SECRETARY EDWIN HERBERT LAND—inventor, scientist, entrepreneur, teacher, visionary, and public servant—was born in Bridge-port, Connecticut, on May 7, 1909, and died in Cambridge, Massachusetts, on March 1, 1991, at the age of eighty-one. He was educated at the Norwich Academy and Harvard University. While still a freshman at Harvard, Land was intrigued with the natural phenomena of polarized light and was challenged simultaneously by the difficulty of using it in science and the impossibility of using it in applied science for industry because the then-available light polarizers were Nicol prisms, large single crystals, heavy, expensive, and necessarily limited in size. There were no "sheet" polarizers. Land conceived the idea of making in sheet form the optical equivalent of a large, single crystal by suspending submicroscopic polarizing particles in plastic or glass and orienting these polarizing particles in a transparent sheet. Following a leave of absence to pursue his ideas, he returned to Harvard bringing with him his new light polarizer. In 1932 at a Harvard physics colloquium he announced a "new polarizer for light in the form of an extensive synthetic sheet," a polarizer known as "J-sheet." He later took another leave of absence to devote himself entirely to research in polarized light. Although he never graduated, Land returned to Harvard on many occasions as a lecturer, and to receive an honorary doctor of science degree in 1957.
    [Show full text]
  • (12) United States Patent (10) Patent No.: US 6,607,873 B2 (*) Notice
    USOO66O7873B2 (12) United States Patent (10) Patent No.: US 6,607,873 B2 Chari et al. (45) Date of Patent: Aug. 19, 2003 (54) FILM WITH COLOR FILTER ARRAY 4,971,869 A 11/1990 Plummer 6,117,627 A 9/2000 Tanaka et al. (75) Inventors: Krishnan Chari, Fairport, NY (US); Sidney J. Bertucci, Rochester, NY FOREIGN PATENT DOCUMENTS (US); Michael J. Simons, Ruislip (GB) DE 1811 983 6/1970 EP O 935 168 A2 8/1999 (73) Assignee: Eastman Kodak Company, Rochester, NY (US) OTHER PUBLICATIONS (*)* ) Notice: Subject tot any disclaidisclaimer, the tterm off thisthi AyrM. J. Simons, USSN “Method00sossi of (DSO552)Making a Random id Mar Color 15, 2001.Filter past isis''S alusted under 35 M. J. Simons, “Film With Random Color Filter Array”, a -- y yS. USSN 09/808,873 (D-80554) filed Mar. 15, 2001. M. J. Simons, “Random Color Filter Array”, USSN 09/810, (21) Appl. No.: 09/922,273 787 (D-80555) filed Mar. 16, 2001. (22) Filed: Aug. 3, 2001 * cited by examiner (65) Prior Publication Data Primary Examiner John A. McPherson US 2003/0054264 A1 Mar. 20, 2003 (74) Attorney, Agent, or Firm Arthur E. Kluegel (51) Int. Cl. ........................... G03C 1/825; G02B5/20 (57) ABSTRACT (52) U.S. Cl. ............................................ 430/511; 430/7 (58) Field of Search ...................................... so. 511 aDisclosed light Sensitive is a color layer, film and comprising (3) a water (1) permeable a support color layer, filter (2) (56) References Cited array (CFA) layer comprising a continuous phase transpar ent binder containing a random distribution of colored U.S.
    [Show full text]
  • Docusext Bemis
    DOCUSEXT BEMIS ED 200 724 028 401 AUTHOR Knox, Kathleen TITLE Polaroid Corporation's TuitionAssistance elan: A Case Study. Worker Education andTraining Policies Project. INSTITUTION National Inst. for Work and Learning,Washington, D.C. %BONS AGENCI National Inst. of Education(DHEW) Washington, D.C. PUB DATE Sep 79 CONTRACT 400-76-0125 NOTE 60p.: For related documentssee CE 028 398-412. AVAILABLE FROM National Institute for Work andLearning, Suite 301, 1211 Connecticut Ave N.W. Washington, DC 20036 (Order No.: CS3, $5.50). EDRS PRICE MF01 Plus Postage_. PC Not Availablefrom EDRS. DESCRIPTORS Adult Education: Case Studies;Educational Opportunities: Employer Attitudes;*Enrollment: Higher Education; IndustrialTraining: *Labor Education; *Motivation Techniques;On the Job Training: Postsecondary Education;Professional Personnel: Professional Training:Skilled Workers: Supervisory Training: TechnicalEducation; *Trade and Industrial Education; TrainingAllowances; *Tuition Grants IDENTIFIERS *Polaroid Corporation ABSTRACT A study was conducted to determinethe factors that account for the sustained and unusually high rate of participationin tuition-assisted education byPolaroid employees. Informationas gathered by interviews with Polaroidmanagement officials in the Human Resources Development Group:staff of the Education andCareer Planning Department; and employeeswho have participated in the program: review of internal policy: andlibrary research. The study examines the structure, provisions,and administration of thecompany plan; the experience and motivationsof plan managers and plan participants: and the corporatecontext in which the plan operates. Findings show that thecompany has a systematic and comprehensive series of courses and programs for itshourly and salaried employees, including internal and externalprograms, organizational development, and career and education counseling.The Tuition Assistance Plan is an integrated component of this overallemployee development program.
    [Show full text]
  • Wunderkino Ii-Final Schedule Of
    13th Annual Northeast Historic Film Summer Symposium Wunderkino II On the Varieties of Cinematic Experience July 26-28, 2012 (“National Museum of Natural History, Washington, DC” courtesy of Mark Neumann) Wunderkino (“wonder-cinema”) are moving images that ignite our curiosity by engaging, and helping us to rethink questions about creativity, complexity, rarity, and the multiple uses and understandings we may find in amateur and non-commercial films. The 2012 Northeast Historic Film (NHF) Summer Symposium revisits the idea of Wunderkino to inform and expand our understanding of amateur and non-theatrical film. In 2011, the NHF Summer Symposium focused on assembling a “cabinet of cinematic curiosities.” This year we draw from the wide range of approaches that scholars, artists, filmmakers, and archivists are bringing to the study and use of amateur and non-theatrical film. SCHEDULE OF PRESENTATIONS Thursday July 26 6:30 PM Opening Reception Screenings From NHF Getting Your Snacks Straight: Intermission Reels from NHF’s Donald C. Brown Jr. Collection Walter Forsberg—Moving Image Archiving and Preservation Program, Tisch School of the Arts, New York University, New York City, NY More than mere ‘Coming Attractions’-style teaser trailers for upcoming feature films, the snipe film category encompasses such assorted skeletal trailer reel elements, as: ‘tags’ and ‘daters’; concessions advertisements; theatre policy notices; holiday well- wishing messages from local businesses; Soundie-style musical interludes; and, countdown clocks—essentially everything other than the promos for feature films that one generally associates with the term, ‘trailer.’ Snipes, these “other” kinds of trailers, are an oft-overlooked genre of independent and industrial film.
    [Show full text]
  • Small-Gauge and Amateur Film Bibliography Edited by Margaret A
    Small-Gauge and Amateur Film Bibliography Edited by Margaret A. Compton. Compiled by Margaret A. Compton, Katie Trainor, Karan Sheldon, Dwight Swanson, and William O’Farrell This bibliography has its genesis in the Association of Moving Image Archivists (AMIA) Small Gauge Task Force formed in 2000. In preparation for AMIA’s 2001 conference held in Portland, Oregon, which emphasized small-gauge film, Sheldon (Northeast Historic Film) and Trainor (then with the George Eastman House’s film preservation school) compiled the original bibliography with input from Compton (University of Georgia Media Archives). Many entries came from Alan Kattelle’s library, which Trainor was cataloguing. Compton expanded with O’Farrell (National Archives of Canada) and Swanson (Northeast Historic Film). The purpose was to offer a starting place for archivists and researchers interested in understanding amateur and small-gauge moving images. The objectives were to round up the first-ever overview of books and periodicals in the field, to share information on publications collected by institutions and individuals, and to foster new scholarship. The bibliography makes clear that, from the earliest days of cinema, non-professionals had an interest in making their own films, documenting their own lives, and telling stories on film. Although movie studios were leading the way, numerous publications directed the amateur into the world of cameras, film stock, scenario writing, and other production details. The field grew rapidly and stayed constant for decades, with only a slight drop in publications during World War II, as well as a drop after home video gained popularity. Many of the books listed are out of print or were unavailable for review.
    [Show full text]
  • Industria, Manifattura, Artigianato
    SIRBeC scheda PSTRL - ST110-00476 Polaroid Polavision Land Player - visore di pellicole Polavision - Industria, manifattura, artigianato Polaroid Corporation Link risorsa: https://www.lombardiabeniculturali.it/scienza-tecnologia/schede/ST110-00476/ Scheda SIRBeC: https://www.lombardiabeniculturali.it/scienza-tecnologia/schede-complete/ST110-00476/ SIRBeC scheda PSTRL - ST110-00476 CODICI Unità operativa: ST110 Numero scheda: 476 Codice scheda: ST110-00476 Visibilità scheda: 2 Utilizzo scheda per diffusione: 03 Tipo scheda: PST Livello ricerca: C CODICE UNIVOCO Codice regione: 03 Numero catalogo generale: 01970110 Ente schedatore: R03/ Museo Nazionale della Scienza e della Tecnologia "Leonardo da Vinci" Ente competente: S27 RELAZIONI RELAZIONI CON ALTRI BENI Tipo relazione: correlazione Tipo scheda: PST Codice bene: 0301970092 Codice IDK della scheda correlata: ST110-00603 ALTRI CODICI Altro codice: COMFTC/MNST OGGETTO OGGETTO Definizione: visore di pellicole Polavision Denominazione: Polaroid Polavision Land Player CATEGORIA Pagina 2/7 SIRBeC scheda PSTRL - ST110-00476 Categoria principale: Industria, manifattura, artigianato Altra categoria: Fotografia Parole chiave: movie camera LOCALIZZAZIONE GEOGRAFICO-AMMINISTRATIVA LOCALIZZAZIONE GEOGRAFICO-AMMINISTRATIVA ATTUALE Stato: Italia Regione: Lombardia Provincia: MI Nome provincia: Milano Codice ISTAT comune: 015146 Comune: Milano COLLOCAZIONE SPECIFICA Denominazione struttura conservativa - livello 1: Museo Nazionale della Scienza e della Tecnologia "Leonardo da Vinci" CRONOLOGIA CRONOLOGIA
    [Show full text]
  • King's Research Portal
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by King's Research Portal King’s Research Portal Document Version Peer reviewed version Link to publication record in King's Research Portal Citation for published version (APA): Balsom, E. (2016). Instant Failure: Polaroid's Polavision, 1977–80. Grey Room, 66. Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim.
    [Show full text]
  • Polaroid's Polavision, 1977–1980
    King’s Research Portal DOI: 10.1162/GREY_a_00210 Document Version Publisher's PDF, also known as Version of record Link to publication record in King's Research Portal Citation for published version (APA): Balsom, E. (2017). Instant Failure: Polaroid's Polavision, 1977–80. Grey Room, 66, 6-31. https://doi.org/10.1162/GREY_a_00210 Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim.
    [Show full text]
  • The Reproduction of Colour RWG HUNT
    The Reproduction of Colour R.W.G. HUNT Visiting Professor of Colour Science at the University of Derby Formerly Assistant Director of Research, Kodak Limited, Harrow The Reproduction of Colour When the rainbow appears in the clouds, I will see it and remember the everlasting covenant between Me and all living beings on earth. Genesis 9:16 Wiley–IS&T Series in Imaging Science and Technology Series Editor: Michael A. Kriss Formerly of the Eastman Kodak Research Laboratories and the University of Rochester Reproduction of Colour (6th Edition) R. W. G. Hunt Colour Appearance Models (2nd Edition) Mark D. Fairchild Published in Association with the Society for Imaging Science and Technology The Reproduction of Colour R.W.G. HUNT Visiting Professor of Colour Science at the University of Derby Formerly Assistant Director of Research, Kodak Limited, Harrow Copyright © 2004 John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex PO19 8SQ, England Telephone (+44) 1243 779777 Email (for orders and customer service enquiries): [email protected] Visit our Home Page on www.wileyeurope.com or www.wiley.com First Published 1957, revised 1961. Second Edition 1967. Third Edition 1975. Fourth Edition 1987. Fifth Edition 1995. © Robert Hunt All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except under the terms of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London W1T 4LP, UK, without the permission in writing of the Publisher.
    [Show full text]