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Tactical Shipping and Scheduling at Polaroid with Dual Lead-Times
Tactical Shipping and Scheduling at Polaroid with Dual Lead-Times Kermit THREATTE and Stephen C. GRAVES, MIT This paper focuses on the development and validation of a tactical model that makes production-scheduling recommendations and specifies shipping options to reduce Abstract—We report on a project with Polaroid Corporation in total supply chain cost. The paper describes Polaroid, reviews which we developed a supply chain model to provide decision literature on inventory management with two replenishment support for planning production and transportation. Production modes, and develops a simple static network model that can be occurs in Asia to serve world-wide demand. Production planners used for decision support. We exercise the model by must determine both the production quantities as well as simulation to determine the relationship between whether to ship by sea or by air. We develop a model to optimize transportation costs, inventory costs, forecast error and a static version of this problem and then show how to use this manufacturing capacity in a typical framework where static model in a dynamic setting. We test the model with data production and shipping decisions are made periodically. from Polaroid and show its effectiveness. Index Terms—dual replenishment modes, inventory and Finally the paper recommends a course of action for Polaroid transportation planning, supply chain application, supply chain regarding model implementation. modeling II. BACKGROUND I. INTRODUCTION Polaroid is the leading instant imaging company in the world Many U.S. companies attempt to reduce labor costs by and is the only manufacturer of traditional instant cameras and 1 shifting production to overseas locations with lower wage film in the United States, with revenues in 2000 of $1.85 billion. -
Anxiety Among Customers and Other
Cambridge Centre for Social Innovation Research Report Summary THE ART OF THE PIVOT: MANAGING RELATIONSHIPS WITH STAKEHOLDERS WHEN CHANGING DIRECTION Dr Christian E. Hampel, Imperial College London Professor Paul Tracey, University of Cambridge & Professor Klaus Weber, Northwestern University Edited by Dr Michelle Fava Contents Key findings ........................................................................................................................... 1 Background ............................................................................................................................ 1 Emerging themes .................................................................................................................. 2 Implications and future research ......................................................................................... 5 About the project .................................................................................................................. 5 Key findings When entrepreneurs run into trouble, they are often advised to 'pivot' - radically transform their ventures' strategy, product offering or organisational identity – so that they can pursue a new direction. However, this case study of 'The Impossible Project' shows that pivoting is far from the simple option it is often portrayed to be. The risks are particularly acute where ventures rely heavily on resources from a core stakeholder group, such as a user community. In this case study of 'The Impossible Project' we show that pivoting can disrupt -
Newsletter-Q3 2019
NewsLetter Newsletter Team: E. Foote, July-September M. Hall, E. Kliem, W. Rosen [email protected] Polaroid Retirees Association 2019 THIS PUBLICATION IS SOLELY FOR THE USE OF THE PRA MEMBERSHIP POLAROID RETIREES ASSOCIATION, INC. P.O. BOX 541395, WALTHAM, MA 02454-1395 WEB SITE ADDRESS WWW.POLAROIDRETIREES.ORG Board of Letter from the President Dear PRA Members, Directors My three one-year terms as President of the Polaroid Retirees Association ended on June 11th. Officers Serving as the leader of this wonderful organization has been a true privilege, one which I'll always treasure. PRA members are committed to the success of our association. I've gotten to Elizabeth Foote know many more of you during my term as president, although not nearly as many as I'd like. President As I leave, I want to acknowledge the dedication and hard work of the members of your Board of Directors. Each brings a unique perspective and skill set to their role. I'm very confident that John Flynn this talented group will ensure the success of the PRA going forward. 1st Vice President I'm even more confident that our organization is in good hands with the election of Elizabeth Foote as our new President, and I wish her every success in her term of office. Arthur Aznavorian With best regards, 2nd Vice George Murray, PRA Past President President From Elizabeth Foote: Nino DiIanni Treasurer At the May Business and June board meetings, candidates were elected to serve your organiza- tion as it enters its 35th year. I thank this committed, energetic board for asking me to work Mary McCann with you as president, and I congratulate all those chosen. -
Underwater Photography
aa webweb magazinemagazine UnderwaterUnderwater PhotographyPhotography Aug/Sept 2004 Fantasea CP-5 FlashTrax review Telephoto shots Ikelite/Nikon D70 Fuji F710 review Eumig Nautica Sealux/Nikon D70 Breatholding Book reviews Nexus/Nikon D70 Cabilao Classifieds ULCS Battery tester Turks & Caicos Parting shot Issue 20/1 Digital solutions INON UK Four strobes for the digital enthusiast. Choose the features you need including auto exposure and modelling lights. Two wide angle lenses for shooting large Versatile arm system subjects. puts precision lighting Optional dome control at your fingertips. port lets you use EZ clamps hold strobe your existing securely in high current, yet lens for provide instant adjustment superwide angle for creativity. photography. Official INON UK distributors: Four macro lenses Ocean Optics put extreme close up photography within your 13 Northumberland Ave, London WC2N 5AQ capabilities. Available in Tel 020 7930 8408 Fax 020 7839 6148 screw thread or fast E mail [email protected] www.oceanoptics.co.uk Issue 20/2 mount bayonet fit. Contents UnderwaterUnderwater PhotographyPhotography 4 Editorial a web magazine 23 FlashTrax review 35 Cabilao Aug/Sept 2004 5 News & Travel e mail [email protected] 11 New products by Peter Rowlands 44 Telephoto 24 Fuji F710 review by Nonnoy Tan 17 Ikelite/Nikon D70 39 Turks & Caicos by Alexander Mustard 49 Eumig Nautica by Peter Rowlands by Steve Warren 27 Breatholding by Will Postlethwaite 21 Battery tester by Bernardo Sambra 52 Book reviews Cover by 54 Classifieds by Tony Matheis Phillip Colla by Phillip Colla 56 Parting shot by Tony Sutton Issue 20/3 U/w photo competitions motorways at weekends). -
(12) United States Patent (10) Patent No.: US 6,602,656 B1 Shore Et Al
USOO6602656B1 (12) United States Patent (10) Patent No.: US 6,602,656 B1 Shore et al. (45) Date of Patent: Aug. 5, 2003 (54) SILVER HALIDE IMAGING ELEMENT 5.998,109 A 12/1999 Hirabayashi WITH RANDOM COLOR FILTER ARRAY 6,117,627 A 9/2000 Tanaka et al. 6,387,577 B2 5/2002 Simons ......................... 430/7 (75) Inventors: Joel D. Shore, Rochester, NY (US); Krishnan Chari, Fairport, NY (US); FOREIGN PATENT DOCUMENTS Dennis R. Perchak, Penfield, NY (US) JP 97145909 6/1997 (73) Assignee: Eastman Kodak Company, Rochester, * cited by examiner NY (US) Primary Examiner John A. McPherson (*) Notice: Subject to any disclaimer, the term of this (74) Attorney, Agent, or Firm Arthur E. Kluegel patent is extended or adjusted under 35 U.S.C. 154(b) by 0 days. (57) ABSTRACT Disclosed is an imaging element comprising a Single layer (21) Appl. No.: 10/225,608 containing a random distribution of a colored bead popula (22) Filed: Aug. 22, 2002 tion of one or more colors coated above one or more layers a 149 comprising light Sensitive Silver halide emulsion grains, (51) Int. Cl." ............................ G02B 5/20; G03C 1/825 wherein the population comprises beads of at least one color (52) U.S. Cl. .................. - - - - - - - - - - - - - - - - - - - 430/511; 430/7 in which at least 25% (based on projected area) of the beads (58) Field of Search ... - - - - - - - - - - - - 430/511, 7 of that color have an ECD less than 2 times the ECD of the Silver halide grains in Said one emulsion layer or in the (56) References Cited f emulsion layer in the case of more than one emulsion ayer U.S. -
In Polarized Lens Technology Contents
EXPERTS IN POLARIZED LENS TECHNOLOGY CONTENTS POLARIZED LENS TECHNOLOGY EXPLAINED 4 STRONG MARKET FOR POLARIZED LENSES 5 LENS POLARIZATION TECHNIQUES 7 POLAROID PTX4000 POLARIZING LENSES – THE NEW GENERATION 12 POLARIZED LENSES – VITAL FOR DRIVING SAFETY 16 POLAROIDPTX4000LENS HARD COAT PTX HIGH-ENERGY-ABSORBING LAYER UV-FILTER POLARIZER UV-FILTER PTX HIGH-ENERGY-ABSORBING LAYER HARD COAT UVPROTECTION 45 % 40 % 35 % 30 % 25 % 20 % 15 % 10 % 5 POLARIZED LENS STRONG MARKET 5 % 4 TECHNOLOGY EXPLAINED FOR POLARIZED LENSES 0 % 3 Polarizing lenses block harmful glare UVC UVBUVA VISIBLE LIGHT 2 Visible light waves from the sun travel in all directions. When this scattered More and more people understand the benefits of wearing polarized sunglasses. light meets a horizontal surface, like a road or water, a large portion of the light Already, one in five sunglass lenses sold worldwide is a polarized lens, 1 is reflected into the horizontal plane. This horizontally polarized light is seen as amounting to almost 60 million polarizing lenses. This is a major growth sector white glare and masks light which is useful to the human eye, reducing visibility. 0 within the sunglass market, with forecasts showing sales will continue to grow By obstructing normal vision glare makes everyday activities, such as driving, significantly over the coming years. uncomfortable and potentially hazardous. CONSUMER PERCEPTION ELIMINATING GLARE 5 SUNLIGHT TRAVELLING IN ALL DIRECTIONS USEFUL LIGHT 4 GLARE 3 2 1 Will ask about Importance of next time I buy I will recommend -
The Quest Towards a Non-Destructive Identification Method for Polaroid Integral Film Types
The quest towards a non-destructive identification method for Polaroid integral film types. The quest towards a non-destructive identification method for Polaroid integral film types. Master Thesis, Conservation and Restoration of Cultural Heritage, Photography. Student: Tessa Maillette de Buy Wenniger, 10452575. Information and source image cover page: Stages of the development of an SX-70 film. The subject in the Thesis Supervisor: Katrin Pietsch (UvA) image is crystalline silver nitrate seen through crossed polarisers at 80x. University of Amsterdam, Amsterdam. Land, Edwin, Howard Rogers and Vivian Walworth. "One- Date: July 2020. step Photography", 261. All figures and tables etcetera made by the author unless stated otherwise. 1 Tessa Maillette de Buy Wenniger, UvA, 2020. The quest towards a non-destructive identification method for Polaroid integral film types. Table of content Acknowledgements .............................................................................................................................3 Abstract (Nederlands) .........................................................................................................................4 Abstract (English) ...............................................................................................................................4 Introduction .........................................................................................................................................5 Research objective. ....................................................................................................................... -
Part 2 Photography
This is the Comprehensive Digital & General Photography Review Certified Digital Designer Professional Certification Examination Review Within this presentation – We will use specific names and terminologies. These will be related to specific products, software, brands and trade names. ADDA does not endorse any specific software or manufacturer. It is the sole decision of the individual to choose and purchase based on their personal preference and financial capabilities. the Profession It is about the world vision and expression through a lens It is about how light and color can change the results It is about images which can cause us feel emotions or to act or react It is about images – manipulated in multiple ways It is mental conception – transferred through graphical effects It is about creating memories with digital media It is expressing complicated ideas through visual applications THIS is what we call DIGITAL PHOTOGRAPHY ADDA Professional Certification Series Digital & General Photography Section ADDA Professional Certification Series – Digital & General Photography Acronyms ADDA American Digital Design Association American Design Drafting Association SLR Single Lens Reflex Camera DSLR Digital Single Lens Reflex Camera ISO International Standards Organization. Used instead of ASA as prefix to a cameras sensitivity to light The scale is identical to the ASA scale back in the film days . LCD Liquid Crystal Display TTL Through the Lens CCD Charge Coupled Device. More commonly known as the camera sensor. ADDA Professional Certification Series – Digital & General Photography Acronyms RAW Raw image format, contains minimally processed data from the image sensor of a digital camera or image scanner. Raw files are so named because they are not yet processed and ready to be used with a bitmap graphics editor , computer, or printing machine. -
Polaroid After Digital: Technology, Cultural Form, and the Social Practices of Snapshot Photography Buse, P
Polaroid after digital: technology, cultural form, and the social practices of snapshot photography Buse, P http://dx.doi.org/10.1080/10304310903363864 Title Polaroid after digital: technology, cultural form, and the social practices of snapshot photography Authors Buse, P Type Article URL This version is available at: http://usir.salford.ac.uk/id/eprint/18795/ Published Date 2010 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. Polaroid into digital: Technology, cultural form, and the social practices of snapshot photography At its Annual Meeting in 1991, the Polaroid Corporation distributed, as part of its Shareholders’ package, a loose sheet devoted to ‘Photo-Document Integration’. Beneath an image depicting a Polaroid camera, a Polaroid print, a scanner, a computer, and a laser printer, the document details how in the future ‘image- dependent businesses’ will rely on ‘converting … images into digital data files that can be easily integrated with other computer data.’ (see Figure 1)1 By any measure it is a melancholy document. It successfully predicts the technological future but cannot see that the full arrival of this future will render the Polaroid image obsolete. In the new media landscape so accurately sketched out by the document, melancholics are of course thin on the ground: one of the pleasant, even narcotic, effects of new media, for those who have access to them, is a forgetfulness about the once new older forms they have replaced. -
Reconstructing an Instant Camera Kenzie Mayer Dr. Dann ASR C
Reconstructing an Instant Camera Kenzie Mayer Dr. Dann ASR C Block May 2015 Abstract: The goal of this project was to reconstruct the shutter of an old Polaroid camera, so that it would function again to take pictures. The old Polaroid was purchased to ensure quality lenses, the correct size film holder, and a stable frame. The Arduino-based circuit to control the shutter consisted of a push button, which allowed current to flow through the rest of the circuit when pressed, a potentiometer, which provided a variable resistance and therefore a variable voltage drop value to be passed back to the Arduino, a relay, which was switched on by an Arduino signal, and a solenoid, which opened and closed for a variable amount of time that was proportional to the potentiometer value. The amount of time the solenoid was open represented the shutter speed of the camera. After months of work, the camera produced quality instant photographs. The final Arduino code allowed for a shutter speed between 250 and 2000 milliseconds. 2 Table of Contents I. Introduction ……..… 3 II. History ……………. 4 III. Theory …..………… 7 IV. Design ……..………. 13 V. Results ……..……….. 24 VI. Conclusion ……..…... 25 VII. Acknowledgments …. 25 VIII. Bibliography ……….. 26 IX. Appendix ………..….. 27 3 I. Introduction The instant camera varies from other popular cameras because it immediately dispenses film that develops within seconds, whereas digital cameras, the most popular type of cameras on the market, store files to memory cards. Cameras in general have a great impact on today’s world. Being able to physically capture memories has personal benefits as well as more global, widespread benefits. -
Edwin H. Land by David P
CLICK HERE FOR MAGAZINE PAGES ChemMatters April 1984 Page 12 © Copyright 1984, American Chemical Society PROFILE Edwin H. Land by David P. Robson The other students drifted out of the laboratory as soon as they finished the assigned experiment, but one young man remained. He fiddled with a pair of tourmaline crystals, buttonsized pieces of mineral that looked like dirty glass. Holding them up to the light, he rotated one against the other and watched the illumination turn from bright to dark. At age 17, Edwin Land was beginning a lifelong involvement with crystals and light. Land knew that the light was extinguished because it was polarized. Much of the light around us is polarized, but our eyes are not sensitive to this quality and can detect it only with the aid of a special filter, such as tourmaline. Thus made visible, polarized light has many uses. Tourmaline, however, is an uncooperative mineral. It is found in nature, but only in small pieces. Edwin Land dreamed of large polarizing sheets, the size of a window, which would open up dozens of new uses. But how could he make such a giant filter? Inspiration came from an old book about the kaleidoscope, that charming toy which looks like a telescope and produces changing colored patterns. In early kaleidoscopes, the patterns were generated by chips of colored glass. Later, Sir David Brewster suggested making the colors by “optical interference” using polarized light. As Edwin Land described it: The kaleidoscope was the television of the 1850s and no respectable home would be without a kaleidoscope in the middle of the library. -
Newsletter-Q4 2020
NewsLetter Newsletter Team: E. Foote, M. Hall, E. Kliem, W. Rosen October - December [email protected] Polaroid Retirees Association 2020 THIS PUBLICATION IS SOLELY FOR THE USE OF THE PRA MEMBERSHIP POLAROID RETIREES ASSOCIATION, INC. P.O. BOX 541395, WALTHAM, MA 02454-1395 WEB SITE ADDRESS WWW.POLAROIDRETIREES.ORG Letter from the President Dear PRA members and alumnae of the finest corporation one could ask to be employed by, Board of We were led by a genius with vision, entrepreneurial excellence and a unique concern that all the employees of the corporation be afforded the opportunity to grow in depth and broadness Directors of knowledge. He was special and the company reflected this uniqueness in an extraordinary & Officers way. Which one of us was not better off leaving Polaroid than when we joined the company? My name is Ed Wade and I am the new president of the PRA, Polaroid Retirees Association, President replacing Elizabeth Foote who for past year led the Board of Directors of the PRA. Elizabeth Ed Wade led us in a manner where all issues and concerns were addressed and resolved while maintain- ing the pleasant atmosphere of care and concern, sustaining the Polaroid culture. 1st Vice President John Flynn I spent 31 years at Polaroid, mainly involved with Film Manufacturing and Industrial Products, often travelling to Scotland, Holland and Mexico, an extraordinary experience working with 2nd Vice President and meeting many members that I now consider friends and associates. The PRA is a venue Arthur Aznavorian that enables us to sustain these relationships through our business and luncheon meetings held twice annually.