Table of Contents Articles
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Christoph Weiditz, the Aztecs, and Feathered Amerindians
Colonial Latin American Review ISSN: 1060-9164 (Print) 1466-1802 (Online) Journal homepage: http://www.tandfonline.com/loi/ccla20 Seeking Indianness: Christoph Weiditz, the Aztecs, and feathered Amerindians Elizabeth Hill Boone To cite this article: Elizabeth Hill Boone (2017) Seeking Indianness: Christoph Weiditz, the Aztecs, and feathered Amerindians, Colonial Latin American Review, 26:1, 39-61, DOI: 10.1080/10609164.2017.1287323 To link to this article: http://dx.doi.org/10.1080/10609164.2017.1287323 Published online: 07 Apr 2017. Submit your article to this journal Article views: 82 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=ccla20 Download by: [Library of Congress] Date: 21 August 2017, At: 10:40 COLONIAL LATIN AMERICAN REVIEW, 2017 VOL. 26, NO. 1, 39–61 http://dx.doi.org/10.1080/10609164.2017.1287323 Seeking Indianness: Christoph Weiditz, the Aztecs, and feathered Amerindians Elizabeth Hill Boone Tulane University In sixteenth-century Europe, it mattered what one wore. For people living in Spain, the Netherlands, Germany, France, and Italy, clothing reflected and defined for others who one was socially and culturally. Merchants dressed differently than peasants; Italians dressed differently than the French.1 Clothing, or costume, was seen as a principal signifier of social identity; it marked different social orders within Europe, and it was a vehicle by which Europeans could understand the peoples of foreign cultures. Consequently, Eur- opeans became interested in how people from different regions and social ranks dressed, a fascination that gave rise in the mid-sixteenth century to a new publishing venture and book genre, the costume book (Figure 1). -
The History of Cartography, Volume 3
THE HISTORY OF CARTOGRAPHY VOLUME THREE Volume Three Editorial Advisors Denis E. Cosgrove Richard Helgerson Catherine Delano-Smith Christian Jacob Felipe Fernández-Armesto Richard L. Kagan Paula Findlen Martin Kemp Patrick Gautier Dalché Chandra Mukerji Anthony Grafton Günter Schilder Stephen Greenblatt Sarah Tyacke Glyndwr Williams The History of Cartography J. B. Harley and David Woodward, Founding Editors 1 Cartography in Prehistoric, Ancient, and Medieval Europe and the Mediterranean 2.1 Cartography in the Traditional Islamic and South Asian Societies 2.2 Cartography in the Traditional East and Southeast Asian Societies 2.3 Cartography in the Traditional African, American, Arctic, Australian, and Pacific Societies 3 Cartography in the European Renaissance 4 Cartography in the European Enlightenment 5 Cartography in the Nineteenth Century 6 Cartography in the Twentieth Century THE HISTORY OF CARTOGRAPHY VOLUME THREE Cartography in the European Renaissance PART 1 Edited by DAVID WOODWARD THE UNIVERSITY OF CHICAGO PRESS • CHICAGO & LONDON David Woodward was the Arthur H. Robinson Professor Emeritus of Geography at the University of Wisconsin–Madison. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2007 by the University of Chicago All rights reserved. Published 2007 Printed in the United States of America 1615141312111009080712345 Set ISBN-10: 0-226-90732-5 (cloth) ISBN-13: 978-0-226-90732-1 (cloth) Part 1 ISBN-10: 0-226-90733-3 (cloth) ISBN-13: 978-0-226-90733-8 (cloth) Part 2 ISBN-10: 0-226-90734-1 (cloth) ISBN-13: 978-0-226-90734-5 (cloth) Editorial work on The History of Cartography is supported in part by grants from the Division of Preservation and Access of the National Endowment for the Humanities and the Geography and Regional Science Program and Science and Society Program of the National Science Foundation, independent federal agencies. -
Beyond the Bosphorus: the Holy Land in English Reformation Literature, 1516-1596
BEYOND THE BOSPHORUS: THE HOLY LAND IN ENGLISH REFORMATION LITERATURE, 1516-1596 Jerrod Nathan Rosenbaum A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2019 Approved by: Jessica Wolfe Patrick O’Neill Mary Floyd-Wilson Reid Barbour Megan Matchinske ©2019 Jerrod Nathan Rosenbaum ALL RIGHTS RESERVED ii ABSTRACT Jerrod Rosenbaum: Beyond the Bosphorus: The Holy Land in English Reformation Literature, 1516-1596 (Under the direction of Jessica Wolfe) This dissertation examines the concept of the Holy Land, for purposes of Reformation polemics and apologetics, in sixteenth-century English Literature. The dissertation focuses on two central texts that are indicative of two distinct historical moments of the Protestant Reformation in England. Thomas More's Utopia was first published in Latin at Louvain in 1516, roughly one year before the publication of Martin Luther's Ninety-Five Theses signaled the commencement of the Reformation on the Continent and roughly a decade before the Henrician Reformation in England. As a humanist text, Utopia contains themes pertinent to internal Church reform, while simultaneously warning polemicists and ecclesiastics to leave off their paltry squabbles over non-essential religious matters, lest the unity of the Church catholic be imperiled. More's engagement with the Holy Land is influenced by contemporary researches into the languages of that region, most notably the search for the original and perfect language spoken before the episode at Babel. As the confusion of tongues at Babel functions etiologically to account for the origin of all ideological conflict, it was thought that the rediscovery of the prima lingua might resolve all conflict. -
Earliest Known Maps #100 TITLE
Earliest Known Maps #100 TITLE: The Earliest Known Map DATE: 6,200 B.C. AUTHOR: unknown DESCRIPTION: The human activity of graphically translating one’s perception of his world is now generally recognized as a universally acquired skill and one that pre-dates virtually all other forms of written communication. Set in this pre-literate context and subjected to the ravages of time, the identification of any artifact as “the oldest map”, in any definitive sense, becomes an elusive task. Nevertheless, searching for the earliest forms of cartography is a continuing effort of considerable interest and fascination. These discoveries provide not only chronological benchmarks and information about geographical features and perceptions thereof, but they also verify the ubiquitous nature of mapping, help to elucidate cultural differences and influences, provide valuable data for tracing conceptual evolution in graphic presentations, and enable examination of relationships to more “contemporary primitive” mapping. As such, there are a number of well- known early examples that appear in most standard accounts of the history of cartography. The most familiar artifacts put forth as “the oldest extant cartographic efforts” are the Babylonian maps engraved on clay tablets. These maps vary in scale, ranging from small-scale world conceptions to regional, local and large-scale depictions, down to building and grounds plans. In detailed accounts of these cartographic artifacts there are conflicting estimates concerning their antiquity, content and significance. Dates quoted by “authorities” may vary by as much as 1,500 years and the interpretation of specific symbols, colors, geographic locations and names on these artifacts often differ in interpretation from scholar to scholar. -
Viewer—Qualities That Both Appealed to an International Market, Particularly Spain, and Correlated with Contemporary Devotional Practices
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 Fashioning Schongauer: The Appropriation of Martin Schongauer's Engravings in Aragón Carolina Alarcon Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF VISUAL ARTS, THEATRE AND DANCE FASHIONING SCHONGAUER: THE APPROPRIATION OF MARTIN SCHONGAUER’S ENGRAVINGS IN ARAGÓN By CAROLINA ALARCON A Thesis submitted to the Department of Art History in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2011 The members of the committee approve the thesis of Carolina Alarcon defended on April 4, 2011. ____________________________ Stephanie Leitch (Professor Directing Thesis) ____________________________ Paula Gerson (Committee Member) ____________________________ Jack Freiberg (Committee Member) Approved: ____________________________ Adam Jolles, Chair, Department of Art History ____________________________ Sally McRorie, Dean, College of Visual Arts, Theatre and Dance The Graduate School has verified and approved the above-named committee members. ii ACKNOWLEDGEMENTS First and foremost, I would like to thank Dr. Stephanie Leitch for introducing me to the world of prints. Her continued support, sage advice and enthusiastic encouragement made this project possible and enjoyable. The other two members of my committee, Dr. Paula Gerson and Dr. Jack Freiberg, provided valuable advice at the beginning of this study and again during the defense. Their participation is much appreciated. I would also like to thank two scholars working in Spain, Dr.a Maria del Carmen Lacarra Ducay and Alberto Aceldegui Apesteguia, both of whom were extremely generous with their time and advice for this project. -
Maps and Meanings: Urban Cartography and Urban Design
Maps and Meanings: Urban Cartography and Urban Design Julie Nichols A thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy The University of Adelaide School of Architecture, Landscape Architecture and Urban Design Centre for Asian and Middle Eastern Architecture (CAMEA) Adelaide, 20 December 2012 1 CONTENTS CONTENTS.............................................................................................................................. 2 ABSTRACT .............................................................................................................................. 4 ACKNOWLEDGEMENT ....................................................................................................... 6 LIST OF FIGURES ................................................................................................................. 7 INTRODUCTION: AIMS AND METHOD ........................................................................ 11 Aims and Definitions ............................................................................................ 12 Research Parameters: Space and Time ................................................................. 17 Method .................................................................................................................. 21 Limitations and Contributions .............................................................................. 26 Thesis Layout ....................................................................................................... 28 -
TITLE: Mesopotamian City Plan for Nippur DATE: 1,500 B.C
City Plan for Nippur #101 TITLE: Mesopotamian City Plan for Nippur DATE: 1,500 B.C. AUTHOR: unknown DESCRIPTION: This Babylonian clay tablet, drawn around 1,500 B.C. and measuring 18 x 21 cm, is incised with a plan of Nippur, the religious center of the Sumerians in Babylonia during this period. The tablet marks the principal temple of Enlil in its enclosure on the right edge, along with storehouses, a park and another enclosure, the river Euphrates, a canal to one side of the city, and another canal running through the center. A wall surrounds the city, pierced by seven gates which, like all the other features, have their names written beside them. As on some of the house plans, measurements are given for several of the structures, apparently in units of twelve cubits [about six meters]. Scrutiny of the map beside modern surveys of Nippur has led to the claim that it was drawn to scale. How much of the terrain around Nippur has been included cannot be known because of damage to the tablet, nor is there any statement of the plan’s purpose, although repair of the city’s defenses is suggested. As such, this tablet represents possibly the earliest known town plan drawn to scale. Nippur city map drawn to scale Examples of city maps, some quite fragmentary, are preserved for Gasur (later called Nuzi), Nippur, Babylon, Sippar, and Uruk. The ancient Mesopotamian city stands as the quintessential vehicle of self-identification in that fundamentally urban civilization. Our knowledge of a Meso- 1 City Plan for Nippur #101 potamian conception of “citizenship” is unfortunately quite poor, but a member of the community was identified as ”one of the city,” and so the equivalent expression of the term “citizen,” or something perhaps similar to it, is tied to the concept and word for the city. -
Methodology for Producing a Hand-Drawn Thematic City Map
Master Thesis Methodology for Producing a Hand-Drawn Thematic City Map submitted by: Alika C. Jensen born on: 27.08.1992 in Dayton, Ohio, USA submitted for the academic degree of Master of Science (M.Sc.) Date of Submission 16.10.2017 Supervisors Prof. Dipl.-Phys. Dr.-Ing. habil. Dirk Burghardt Technische Universität Dresden Univ.Prof. Mag.rer.nat. Dr.rer.nat. Georg Gartner Technische Universität Wien Statement of Authorship Herewith I declare that I am the sole author of the thesis named „Methodology for Producing a Hand-Drawn Thematic City Map“ which has been submitted to the study commission of geosciences today. I have fully referenced the ideas and work of others, whether published or unpublished. Literal or analogous citations are clearly marked as such. Dresden, 16.10.2017 Signature Alika C. Jensen 2 Contents Title............................................................................................................................................1 Statement of Authorship...........................................................................................................2 Contents....................................................................................................................................3 Figures.......................................................................................................................................5 Terminology..............................................................................................................................7 1 Introduction...........................................................................................................................8 -
The-Gutenberg-Museum-Mainz.Pdf
The Gutenberg Museum Mainz --------------------------------------------------------------------- Two original A Guide Gutenberg Bibles and many to the other documents from the dawn of the age of printing Museum ofType and The most beautiful Printing examples from a collection of 3,000 early prints Printing presses and machines in wood and iron Printing for adults and children at the Print Shop, the museum's educational unit Wonderful examples of script from many countries of the world Modern book art and artists' books Covers and illustrations from five centuries Contents The Gutenberg Museum 3 Johannes Gutenberg- the Inventor 5 Early Printing 15 From the Renaissance to the Rococo 19 19th Century 25 20th Century 33 The Art and Craftmanship of the Book Cover 40 Magic Material Paper 44 Books for Children and Young Adults 46 Posters, Job Printing and Ex-Libris 48 Graphics Techniques 51 Script and Printing in Eastern Asia 52 The Development of Notation in Europe and the Middle East 55 History and Objective of the Small Press Archives in Mainz 62 The Gutenberg Museum Print Shop 63 The Gutenberg Society 66 The Gutenberg-Sponsorship Association and Gutenberg-Shop 68 Adresses and Phone Numbers 71 lmpressum The Gutenberg Museum ~) 2001 The Cutcnlx~rg Museum Mainz and the Cutcnbc1g Opposite the cathedral in the heart of the old part ofMainz Spons01ship Association in Germany lies the Gutenberg Museum. It is one of the oldest museums of printing in the world and This guide is published with tbc kind permission of the attracts experts and tourists from all corners of the globe. Philipp von Zahc1n publisher's in Mainz, In r9oo, soo years after Gutenberg's birth, a group of citi with regard to excLrpts of text ;md illustrations zens founded the museum in Mainz. -
3D Printing and 3D Scanning of Our Ancient History: Preservation and Protection of Our Cultural Heritage and Identity
INTERNATIONAL JOURNAL OF ENERGY AND ENVIRONMENT Volume 8, Issue 5, 2017 pp.441-456 Journal homepage: www.IJEE.IEEFoundation.org TECHNICAL PAPER 3D printing and 3D scanning of our ancient history: Preservation and protection of our cultural heritage and identity Maher A.R. Sadiq Al-Baghdadi Center of Preserving of the Cities Heritage and Identity, International Energy and Environment Foundation, Najaf, P.O.Box 39, Iraq. Received 12 June 2017; Received in revised form 12 Aug. 2017; Accepted 17 Aug. 2017; Available online 1 Sep. 2017 Abstract 3D printing and 3D scanning are increasingly used in archeology and in cultural heritage preservation. These 3D technologies provide museum curators, researchers and archeologists with new tools to capture in 3D ancient objects, artifacts or art pieces. They can then study, replicate, restore or simply archive them with much more details than traditional 2D pictures. It is even possible to 3D scan entire archeological sites to get a full 3D mapping. Iraq is too rich in ancient cultural heritage but unfortunately much of the hundreds of thousands of artifacts remain in archives of the museums worldwide. Having the exact copies of these ancient artifacts will allow the audience here to learn more about our heritage. The Center of Preserving of the Cities Heritage and Identity (CPCHI) at International Energy and Environment Foundation (IEEF) started a roadmap in preserving our ancient history with 3D scanning, 3D virtual reality, and 3D printing technologies. As part of the project create high-quality 3D replicas of our cultural heritage, which are located in our museums and sites, and most of them are spread around the world, and then exhibit it in several venues throughout our country Iraq. -
A First Edition of Breydenbach's Itinerary Author(S): William M. Ivins, Jr
A First Edition of Breydenbach's Itinerary Author(s): William M. Ivins, Jr. Source: The Metropolitan Museum of Art Bulletin, Vol. 14, No. 10 (Oct., 1919), pp. 215-221 Published by: The Metropolitan Museum of Art Stable URL: http://www.jstor.org/stable/3253592 Accessed: 05/09/2009 07:56 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=mma. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. The Metropolitan Museum of Art is collaborating with JSTOR to digitize, preserve and extend access to The Metropolitan Museum of Art Bulletin. -
Divercity – Global Cities As a Literary Phenomenon
Melanie U. Pooch DiverCity – Global Cities as a Literary Phenomenon Lettre Melanie U. Pooch received her doctoral degree at the University of Mannheim, Germany. Her research interests include Corporate Responsibility and North American cultural, urban, and literary studies in a globalizing age. Melanie U. Pooch DiverCity – Global Cities as a Literary Phenomenon Toronto, New York, and Los Angeles in a Globalizing Age The original version of this manuscript was submitted as a doctoral dissertation to the University of Mannheim. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Natio- nalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de © 2016 transcript Verlag, Bielefeld All rights reserved. No part of this book may be reprinted or reproduced or uti- lized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any infor- mation storage or retrieval system, without permission in writing from the publisher. Cover layout: Kordula Röckenhaus, Bielefeld Cover illustration: New York City 2007 by Michela Zangiacomi Busch, Sulz- burg; © M.U. Pooch Printed in Germany Print-ISBN 978-3-8376-3541-6 PDF-ISBN 978-3-8394-3541-0 Contents Acknowledgements | 7 1 Introduction | 9 2 Globalization and Its Effects | 15 2.1 Mapping Globalization | 15 2.2 Global Consensus | 18 2.3 Global Controversies | 23 3 Global Cities as Cultural Nodal Points