The Life of William Morris
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'William Morris
B .-e~ -. : P R I C E T E N CENTS THE NEW ORDER SERIES: NUMBER ONE ‘William Morris CRAFTSMAN, WRITER AND SOCIAL RBFORM~R BP OSCAR LOVELL T :R I G G S PUBLISHED BY THE OSCAR L. TRIGGS PUBLISHING COMPANY, S58 DEARBORN STREET, CHICAGO, ILL. TRADE SUPPLIED BY THE WESTERN NRWS COMIPANY, CHICAGO TEN TEN LARGE VOLUMES The LARGE VOLUMES Library dl University Research RELIGION, PHILOSOPHY SOCIOLOGY, SCIENCE HISTORY IN ORIGINAL DOCUMENTS The Ideas That Have Influenced Civilization IN THE ORIGINAL DOCUMENTS Translated and Arranged in Chronological or Historical Order, so that Eoglish Students may read at First Hand for Themselves OLIVER J. THATCHER, Ph. D. Dcparfmmt of Hisfory, University of Chicago, Editor in Chid Assisted by mme than 125 University Yen, Specialists in their own fields AN OPINION I have purchased and examined the Documents of the ORIGINAL RESEARCH LIBRARY edited by Dr. Thatcher and am at once impressed with the work as an ex- ceedingly valuable publication, unique in kind and comprehensive in scope. ./ It must prove an acquisition to any library. ‘THOMAS JONATHAN BURRILL. Ph.D., LL.D., V&e-Pres. of the University of NZinois. This compilation is uniquely valuable for the accessi- bility it gives to the sources of knowledge through the use of these widely gathered, concisely stated, con- veniently arranged, handsomely printed and illustrated, and thoroughly indexed Documents. GRAHAM TAYLOR, LL.D., Director of The Institute of Social Science at fhe Universify of Chicago. SEND POST CARD FOR TABLE OF CONTENTS UNIVERSITY RESEARCH EXTENSION AUDITORIUM BUILDING, CHICAGO TRIGGS MAGAZINE A MAGAZIiVE OF THE NEW ORDER IN STATE, FAMILY AND SCHOOL Editor, _ OSCAR LOVELL TRIGGS Associates MABEL MACCOY IRWIN LEON ELBERT LANDONE ‘rHIS Magazine was founded to represent the New Spirit in literature, education and social reform. -
The Harmony of Structure: the Earthly Paradise
CHAPTER I THE HARMONY OF STRUCTURE: THE EARTHLY PARADISE In the following analysis of The Earthly Paradise I shall try to show first what was Morris's purpose throughout the composition of the work, and secondly, what was his actual achievement, with its significance for English poetry. In bringing together in The Earthly Paradise stories and legends from various cultures and various periods, Morris did not set out to point the contrast between the classical, the medieval and the saga methods, which could have been done only by a strict preservation or reproduction of the methods of each type. He aimed rather at showing the contribution of each tradition to the common literary fund of Western Europe — especially of English literary tradition — as it crystallised towards the end of the Middle Ages, in the time of Chaucer, as he says explicitly himself, if not indeed — as internal evidence may perhaps lead us to conclude — during the century of Caxton and Malory, just after Chaucer's death. In the light of more discriminate modem examination of the Middle Ages, we may incline to think that the atmosphere which Morris evokes in The Earthly Paradise is that of the very end of the Middle Ages, just before Renaissance classicism was to make familiar a different, more scholarly attitude towards classical tra dition, and to render less easy the acceptance of popular traditional forms and methods (cf. infra pp. 26-7). Morris was thus deliberately returning to the historical moment at which he considered the national cultural tradition had last existed in a pure form unspoilt by the "pride of pedantry"9 which he judged guilty of divorcing culture from the mass of the nation. -
以『前拉菲爾派』為例 Representation of Shakespeare’S Women in Pre-Raphaelite Art
國立臺灣師範大學國際與社會科學學院歐洲文化與觀光研究所 碩士論文 Graduate Institute of European Cultures and Tourism College of International Studies and Social Sciences National Taiwan Normal University Master Thesis 莎士比亞女角的再現 - 以『前拉菲爾派』為例 Representation of Shakespeare’s Women in Pre-Raphaelite Art 許艾薇 Ivy Tang 指導教授﹕陳學毅 博士 Dr. Hsueh-I CHEN 中華民國 107 年 06 月 June 2018 Acknowledgement This thesis could not have been written without the assistance of and support from numerous individuals. First and foremost, I would like to thank Professor Hsueh-I Chen for his generous encouragement, consistent guidance, and full support for the completion of this project. I am hugely appreciative to Professor Chen for encouraging me when I faced doubts and questioned myself throughout the process. I am grateful for the guidance and assistance that Professor Dinu Luca provided in the early stages of this thesis. I am fortunate for his close attention and assistance throughout the shaping of this thesis. My appreciation also goes to my thesis committee members Professor Louis Lo and Professor Candida Syndikus, for their careful examination of my thesis. Their comments and advice helped me to consider new interdisciplinary approaches in the study. I thank Professor Lo for the guidance since undergraduate for whom had first introduced me to the study of Ophelia’s madness and representations. Professor Syndikus’s careful reading and probing questioning added depth and coherence to my thesis. This thesis has benefited from the above individual’s vast knowledge of literature, Shakespeare, British art, philosophical theories, Victorian studies, sensitive editing, insightful interpretations of paintings, and sensitive editing. Without the help of them, this thesis would not have been able to be completed. -
Textileartscouncil William Morrisbibliography V2
TAC Virtual Travels: The Arts and Crafts Heritage of William and May Morris, August 2020 Bibliography Compiled by Ellin Klor, Textile Arts Council Board. ([email protected]) William Morris and Morris & Co. 1. Sites A. Standen House East Grinstead, (National Trust) https://www.nationaltrust.org.uk/standen-house-and-garden/features/discover-the- house-and-collections-at-standen Arts and Crafts family home with Morris & Co. interiors, set in a beautiful hillside garden. Designed by Philip Webb, taking inspiration from the local Sussex vernacular, and furnished by Morris & Co., Standen was the Beales’ country retreat from 1894. 1. Heni Talks- “William Morris: Useful Beauty in the Home” https://henitalks.com/talks/william-morris-useful-beauty/ A combination exploration of William Morris and the origins of the Arts & Crafts movement and tour of Standen House as the focus by art historian Abigail Harrison Moore. a. Bio of Dr. Harrison Moore- https://theconversation.com/profiles/abigail- harrison-moore-121445 B. Kelmscott Manor, Lechlade - Managed by the London Society of Antiquaries. https://www.sal.org.uk/kelmscott-manor/ Closed through 2020 for restoration. C. Red House, Bexleyheath - (National Trust) https://www.nationaltrust.org.uk/red-house/history-at-red-house When Morris and Webb designed Red House and eschewed all unnecessary decoration, instead choosing to champion utility of design, they gave expression to what would become known as the Arts and Crafts Movement. Morris’ work as both a designer and a socialist were intrinsically linked, as the creation of the Arts and Crafts Movement attests. D. William Morris Gallery - Lloyd Park, Forest Road, Walthamstow, London, E17 https://www.wmgallery.org.uk/ From 1848 to 1856, the house was the family home of William Morris (1834-1896), the designer, craftsman, writer, conservationist and socialist. -
Mariana De John Everett Millais
REVISTA CÍRCULO CROMÁTICO Notas de Historia del Arte y Pintura Mariana de John Everett William Shakespeare. En “Medida por medida” Shakespeare nos presenta a la Millais joven Mariana, cuya dote se pierde en un naufragio y provoca que su prometido se Celia Ramiro Chulvi1 niegue a casarse con ella. Abandonada por Universitat de València su amado Ángelo, se sume en la tristeza y la soledad, viviendo aislada en una pequeña casa granero. Si bien Mariana acaba obteniendo su final feliz en la historia de Shakespeare, a los prerrafaelitas les interesa mucho más el momento álgido de su dolor. Millais, en esta como en otras ocasiones, se inspira directamente en los versos del poeta Lord Tennyson. Este poeta escribe poesías a partir de obras anteriores como historias de Shakespeare o leyendas artúricas, dándole el ambiente lánguido característico del Prerrafaelismo. John Everett Millais, Mariana, 1851. She only said: “My life is dreary, Óleo sobre madera, 59.7 cm x 49.5 cm. Tate Britain Museum. He cometh not”, she said. She said: “I am aweary, aweary, 2 John Everett Millais, miembro I would that I were dead!”.4 fundador de la Hermandad Prerrafaelita,3 exhibía en 1851 esta obra cuya Tennyson nos ofrece una Mariana protagonista nace entre las páginas de triste, desesperanzada y nostálgica. Anhela 1 Graduada en Historia del Arte por la Universitat 3 Prettejohn, Elisabeth, The Art of the Pre- de València, España. Redactora en La Cámara del Raphaelites, Princeton University Press, Arte, web de Historia del Arte. Contacto: Princeton, 2000. [email protected] 4 Publicado en 1830 en Poems, Chiefly Lyrical. -
Salubrious Living
Salubrious Living 00. Salubrious Living - Introduction 01. The Search for Youth 02. The Myth of Medical Progress 03. The Hygienic System 04. The Nature of Disease 05. The Foods of Civilization 06. The Foods of Primitive Man 07. Don't Cook Your Foods 08. The Fruitarian Diet 09. How to Plan Your Meals 10. The Best Sources of Minerals and Vitamins 11. Soil and Food 12. Nature's Supreme Healing Agency 13. The Value of Heliotherapy 14. Building Strength and Health Through Exercise 15. Some Common Ailments 16. Why Lose Your Teeth? 17. Better Vision Without Glasses 18. Building Strong Feet 19. Keep Your Hair 20. The Needs of Infants and Growing Children 21. To Build Beauty You Must Build Health 22. Eugenics and the Survival of the White Race Author: Ben Klassen Format: Paperback Creativity Book Publisher Pub. Date: 1982 Food Chart Copyright © 2003 by World Church of Creativity Salubrious Living - Introduction The term "Salubrious Living" is a nomenclature I have coined as part and parcel of a very important facet of our religious creed and program set forth by the CHURCH OF THE CREATOR. The word "salubrious" comes from the Latin word "salubris" meaning "healthy; wholesome; sound; useful; vigorous". Webster's dictionary defines the English derivative "salubrious" as: 1. favorable to, or promoting health or well being; invigorating; 2. spiritually wholesome; conducive to good results". It is in this context of fully promoting the health and well being of the White Race that we use this term in its true literal meaning. We of the CHURCH OF THE CREATOR want to differentiate this term from "Natural Hygiene popularly used for many decades by health practitioners devoted to this worthy art and science. -
2018 Annual Report
2A018 nnual Report Details Trustees, staff and volunteers The William Morris Society PRESIDENT WMS VOLUNTEER ROLES Registered address: Jan Marsh (to 12 May 2018) Journal Editor: Owen Holland Kelmscott House Lord Sawyer of Darlington (from 12 May 2018) Magazine Editor: Susan Warlow 26 Upper Mall Librarian: Penny Lyndon Hammersmith TRUSTEES Journal Proofreader: Lauren McElroy London W6 9TA Martin Stott, Chair (to 12 May 2018) Stephen Bradley, Chair (from 12 May 2018) The William Morris Society is extremely Tel: 020 8741 3735 Rebecca Estrada-Pintel, Vice Chair fortunate to be able to draw on a wide range Email: [email protected] Andrew Gray, Treasurer of expertise and experience from our www.williammorrissociety.org Natalia Martynenko-Hunt, Secretary volunteers, who contribute many hundreds of Philip Boot (from 12 May 2018) hours of their time to help with welcoming TheWilliamMorrisSociety Jane Cohen visitors to the museum, delivering education @WmMorrisSocUK Serena Dyer (to 12 May 2018) sessions to schools and families, giving printing williammorrissocietyuk Michael Hall demonstrations, answering enquiries, Kathy Haslam (to 12 May 2018) cataloguing and caring for our collections, Registered Charity number 1159382 Jane Ibbunson (from 12 May 2018) office administration, serving refreshments and Fiona Rose maintaining our garden. John Stirling (from 12 May 2018) We are grateful to all who give up their time The Trustee Board operates through five to help with the work of the Society. committees. These are: Finance and General -
GENDER STUDIES 19(1)/2020 1 10.2478/Genst-2021-0001
GENDER STUDIES 19(1)/2020 10.2478/genst-2021-0001 SISTERS OF INSPIRATION. FROM SHAKESPEAREAN HEROINE TO PRE-RAPHAELITE MUSE DANA PERCEC West University of Timișoara [email protected] Abstract: The paper aims to make a connection between the female models of the Pre-Raphaelite Brotherhood and the portrayal of Shakespearean heroines, given that the 19th-century school of painting was using the Bard not only as a source of legitimation and authority, but also as a source of displacement, tackling apparently universal and literary subjects that were in fact disturbing for the Victorian sensibilities, such as love and eroticism, neurosis and madness, or suicide. As more recent scholarship has revealed, the women behind the Brotherhood, while posing as passive and contemplative, objects on display for the public gaze, had more agency and mobility than the average Victorian women. Keywords: Pre-Raphaelite brotherhood, female models, Victorian sensibilities, Shakespearean heroines, sisterhood. 1. Introduction The Pre-Raphaelite movement has received a lot of critical attention both in artistic terms and in terms of the literary sources of inspiration this school of painting used. The founders, Dante Gabriel Rossetti, John Everett Millais, and William Holman Hunt were members of the same generation of young imaginative artists, but even half a century after the first PRB exhibition in 1848, a late Pre-Raphaelite like John William Waterhouse had the same technical and aesthetic approach. Escapist and nostalgic, the Pre-Raphaelite painting favours medieval settings, Biblical or mythological themes, lavish costumes and vivid colours. Above all, it brings to the forefront the female subject: beautiful young women in a melancholy pose, enigmatic and inactive, statuesque and aloof. -
Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
ANNUAL REPORT | 2019 | 2 Welcome
2A019 nnual Report Details Trustees, staff and volunteers The William Morris Society PRESIDENT STAFF Registered address: Lord Sawyer of Darlington Curator: Helen Elletson Kelmscott House Curator (parental leave cover, 26 Upper Mall TRUSTEES from August 2019): Theresa Kneppers Hammersmith Stephen Bradley, Chair Society Manager: Cathy De’Freitas London W6 9TA Rebecca Estrada-Pintel, Vice Chair Finance Manager: Penny McMahon Andrew Gray, Treasurer Volunteer Development and Outreach Officer Tel: 020 8741 3735 Natalia Martynenko-Hunt, Secretary (from September 2019): Miranda Poliakoff Email: [email protected] Philip Boot www.williammorrissociety.org Jane Cohen (to May 2019) VOLUNTEER ROLES Richard de Peyer (co-opted Oct 2019) Magazine Editor: Sarah Wilson TheWilliamMorrisSociety Michael Hall Journal Editor: Owen Holland @WmMorrisSocUK Jane Ibbunson (to Oct 2019) Journal Proofreader: Lauren McElroy williammorrissocietyuk Fiona Rose Librarian: Penny Lyndon John Stirling Registered Charity number 1159382 The William Morris Society is extremely The Trustee Board operates through five fortunate to be able to draw on a wide range of committees. These are: expertise and experience from our volunteers, Finance and General Purposes, who contribute many hundreds of hours of Collections, Library and Display, their time to help with welcoming visitors to the Education and Publications, museum, leading guided tours, delivering Marketing, Communications and Membership education sessions to schools and families, and Business Development. giving printing demonstrations, answering enquiries, cataloguing and caring for our collections, office administration, serving refreshments and maintaining our garden as well as giving invaluable time to our committee work and special projects. We are grateful to all who give up their time to help with the work of the Society. -
William Morris and the Society for the Protection of Ancient Buildings: Nineteenth and Twentieth Century Historic Preservation in Europe
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 6-2005 William Morris and the Society for the Protection of Ancient Buildings: Nineteenth and Twentieth Century Historic Preservation in Europe Andrea Yount Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the European History Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Yount, Andrea, "William Morris and the Society for the Protection of Ancient Buildings: Nineteenth and Twentieth Century Historic Preservation in Europe" (2005). Dissertations. 1079. https://scholarworks.wmich.edu/dissertations/1079 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. WILLIAM MORRIS AND THE SOCIETY FOR THE PROTECTION OF ANCIENT BUILDINGS: NINETEENTH AND TWENTIETH CENTURY IDSTORIC PRESERVATION IN EUROPE by Andrea Yount A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of History Dale P6rter, Adviser Western Michigan University Kalamazoo, Michigan June 2005 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. NOTE TO USERS This reproduction is the best copy available. ® UMI Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3183594 Copyright 2005 by Yount, Andrea Elizabeth All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
The Composition of the Lunar Crust: Radiative Transfer Modeling and Analysis of Lunar Visible and Near-Infrared Spectra
THE COMPOSITION OF THE LUNAR CRUST: RADIATIVE TRANSFER MODELING AND ANALYSIS OF LUNAR VISIBLE AND NEAR-INFRARED SPECTRA A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN GEOLOGY AND GEOPHYSICS DECEMBER 2009 By Joshua T.S. Cahill Dissertation Committee: Paul G. Lucey, Chairperson G. Jeffrey Taylor Patricia Fryer Jeffrey J. Gillis-Davis Trevor Sorensen Student: Joshua T.S. Cahill Student ID#: 1565-1460 Field: Geology and Geophysics Graduation date: December 2009 Title: The Composition of the Lunar Crust: Radiative Transfer Modeling and Analysis of Lunar Visible and Near-Infrared Spectra We certify that we have read this dissertation and that, in our opinion, it is satisfactory in scope and quality as a dissertation for the degree of Doctor of Philosophy in Geology and Geophysics. Dissertation Committee: Names Signatures Paul G. Lucey, Chairperson ____________________________ G. Jeffrey Taylor ____________________________ Jeffrey J. Gillis-Davis ____________________________ Patricia Fryer ____________________________ Trevor Sorensen ____________________________ ACKNOWLEDGEMENTS I must first express my love and appreciation to my family. Thank you to my wife Karen for providing love, support, and perspective. And to our little girl Maggie who only recently became part of our family and has already provided priceless memories in the form of beautiful smiles, belly laughs, and little bear hugs. The two of you provided me with the most meaningful reasons to push towards the "finish line". I would also like to thank my immediate and extended family. Many of them do not fully understand much about what I do, but support the endeavor acknowledging that if it is something I’m willing to put this much effort into, it must be worthwhile.