Friends of the Ashmolean Museum

Total Page:16

File Type:pdf, Size:1020Kb

Load more

FRIENDS OF THE ASHMOLEAN MUSEUM SUMMER/AUTUMN 2018 MEMBERS’ LECTURES AT THE ASHMOLEAN MUSEUM All lectures will be presented in the Ashmolean Lecture Theatre, with a capacity of 100 on each occasion. HOW TO BOOK Lecture tickets can be booked online, over the phone, by post and in-person from the Museum. Online: www.ashmolean.org/members-events Phone: 01865 278 112 - our ticketing line By Post: please return the booking form with cheques In Person: from the Museum Ticket Desk or main Museum Shop We do not charge a booking fee regardless of which booking method you choose. 1. Art and Power in 14th century Siena Tue 14 August 4.15pm | £20 Drinks served after the lecture In the 14th century the beautiful Tuscan city of Siena was the heart of a rich and powerful city-state whose rulers believed in the power of art and architecture to express the wealth and status of their community. This exciting lecture by Diana Matthews will seek first to unravel the hidden messages of the architecture of the Palazzo Pubblico, the seat of government in Siena, and then to explore the meaning of the art programme in the great Council Chamber and in the Sala dei Nove, the inner sanctum of ‘the Nine’, with its fascinating frescoes. What was the origin of these ideas, and for whom were they intended? Organiser: Sue Hine 2. Fabulous Cathay - how it altered the dining tables of Europe Tue 11 September 3.30pm | £18 Hot drinks and cake served from 3pm and lecture starts at 3.30pm Dinah Reynolds is a renowned Gallery Lecturer in the Ashmolean Museum specialising in ceramics and she has worked in the Department of Western Art for over 40 years as a Voluntary Assistant. We shall hear how the arrival of porcelain from China and Japan (and then from within Europe) was used to create amazing displays on banqueting tables in the 17th and 18th centuries. Gardens, temples and even rivers appeared as table centrepieces in the grand houses of Europe. This illustrated talk will show some of the dramatic ‘tablescapes’ that emerged during this period. Organiser: Rosemary Wharton 3. Chinese Ceramics Fri 12 October 3.30pm | £18 Hot drinks and cake served from 3pm and lecture starts at 3.30pm Professor Shelagh Vainker, Curator of Chinese Art at the Ashmolean Museum and Fellow of St Hugh’s College, Oxford, will give a lecture based on her extensive research on Chinese Ceramics. Chinese ceramics have always been highly regarded and avidly collected, and the Ashmolean collection mainly comprises earthenware, high-fired ware and porcelain from China’s most famous kilns. It also includes the most important collection of greenware celadons outside China. Many of the 17th and 18th century porcelains the Museum now houses were acquired during the 19th century, although a few were presented by Elias Ashmole himself in 1683. Organiser: Sue Peach 4. From Giacometti to El-Salahi: Curating Modern Art Wed 24 October 4.30pm | £20 Drinks served after the lecture Dr Lena Fritsch, Curator of Modern and Contemporary Art at the Ashmolean Museum, will present the work of Swiss sculptor Alberto Giacometti (1901–66) and Oxford-based Sudanese artist Ibrahim El-Salahi (b.1930), both major figures of modern art. Giacometti was one of the great painter-sculptors of the 20th century. El-Salahi is a pioneer of African and Arab Modernism, and one of the most influential figures in Sudanese art today. The talk will focus on two exhibitions: the large-scale recent retrospective Giacometti at Tate Modern in 2017, and Ibrahim El-Salahi: A Sudanese Artist in Oxford at the Ashmolean at present. The latter casts fresh light on El-Salahi’s works by setting them in dialogue with select ancient Sudanese objects from the Ashmolean’s collection. Dr Fritsch will provide a ‘behind the scenes view’, talking about the joys as well as challenges of curating these exhibitions. Organiser: Tom Price 5. Charles Rennie Mackintosh and the Aesthetic Vision Thu 8 November 3.30pm | £18 Hot drinks and cake served from 3pm and lecture starts at 3.30pm Marking the 150th anniversary of Mackintosh’s birth, this illustrated talk by Dr Antony Buxton will explore the nature of Mackintosh’s work and legacy in the wider context of the decorative arts of the late 19th and early 20th century. The purity of line, form and colour in the designs of Charles Rennie Mackintosh can seem to stand as the work of timeless genius. Were his designs a unique vision or the result of collaboration and part of a wider response to the impoverishment of the arts by industrialisation, social convention and commercialisation? Dr Buxton is Lecturer on design and art history, material and domestic culture at Oxford University’s Department for Continuing Education. Organiser: Sue Hine 6. Spellbound: Magical thinking Past and Present Wed 21 November 4pm | £20 Drinks served after the lecture, followed by a private view of the exhibition The Ashmolean’s next major exhibition Spellbound (commencing August) explores the ways in which our ancestors engaged with the supernatural, and what this tells us about their inner lives. It traces the origins and evolution of magic through objects and text across three historical eras: the medieval cosmos, the early modern community and the modern home. Highlights include The Somerset Witch ladder, mystical representations of angels and demons, and a modern recreation of a ‘spiritual midden’: a secular folk ritual in which large groups of personal artefacts were hidden in specific spaces in homes. Curators Professor Marina Wallace and Dr Sophie Page (UCL) will present this lecture. This cross- university initiative is in consultation with Dr Dan Hicks (Pitt Rivers Museum), and Dr Xa Sturgis. Organiser: Ros Nicholas MEMBERS’ TRIPS AND VISITS To book a place for these trips and visits, please return the accompanying booking form by post. Any queries or questions regarding these events should be directed to the Activities Team on [email protected] or 01865 278 172. 7. Broughton Castle, near Banbury Tue 21 August | £45 Depart from Taylorian 12.30pm, Water Eaton P&R 12.45pm | Return from Broughton Castle 5pm Broughton Castle is a stunning, fortified moated manor house in a glorious parkland setting. It has remained the private home of the Fiennes family since 1477. Our private guided tour will include the Great Hall, which incorporates the original hall built in 1306 and the Council Chamber used by William Fiennes and the Parliamentarians to plot against King Charles I. More recently, Broughton has featured in many films, notably Shakespeare in Love. The gardens have been nurtured back from dereliction by the present descendants, the 21st Lord and Lady Saye and Sele, and will be a blaze of colour. We may be lucky to hear from them directly. We finish with an extravagant afternoon tea in the castle’s Tearoom. Organiser: Rosemary Wharton. Tickets available: 51. Access: There is a 5 - 10 minute walk to/from the car park and toilets. There are a number of stairs on the tour, but there is the option to remain downstairs where there is seating. 8. St. Helen’s Church, Abingdon: The Painted Medieval Ceiling Thu 30 August | £17 Meet at destination at 10.50am. By bus: from Oxford take bus X3 or X13 from St. Aldate’s bus stop H1 (opposite the Post Office), alight in the centre of Abingdon at bus stop A7 and walk immediately left down West St. Helen’s Street to the Church. By car: there is a municipal car park near the Church but it is often very busy. Tour concludes at 1pm. We will be guided around the interior of this beautiful church, learn about its long history with various re-orderings, its splendid candelabra, Victorian Chancel and numerous stained glass windows. We will visit the Lady Chapel where we will have a talk on the Medieval Painted Ceiling of 52 panels painted in 1391, which has survived for over 600 years. The subject of the panels is based on St. Matthew’s Gospel 1:1-16, Kings of the House of David, interspersed with Prophets. Tea, coffee, cake and biscuits will be served during a break. Binoculars (not supplied) would be useful for looking at the Painted Ceiling. After the tour there are many cafés, restaurants and pubs nearby if lunch is required. Organiser: Sue Peach. Tickets available: 30. Access:The Church is an ancient building, and there may be some uneven flooring. 9. Chartwell, Kent Thu 6 September | NT Members £31, non NT Members £44 Depart from Redbridge P&R 7.45am, Taylorian 7.55am, Sandhills bus stop 8.15am | Return from Chartwell 4pm Chartwell was the principal residence of Winston Churchill from 1924 until his death in 1964. The house was built to make the most of its valley setting with views of the Weald of Kent. The interiors remain much as they were when Churchill lived there, including decorations in pale colours with floral chintz curtains made by Lady Churchill. Terraced gardens laid out by the Churchills overlook a lake. Refreshments will be served on arrival. Lunch (not included) will be available in the Landemare Café. There will be time to enjoy the garden after lunch. Organiser: Ros Nicholas. Tickets available: 55. Access: Access to the House is via a sloping path and 24 shallow steps. The car park is 250 metres from the House. Chartwell can be difficult to navigate for those with access requirements. 10. Walking around Spitalfields, London Wed 19 September | £38 Depart from Redbridge P&R 8am, Taylorian 8.15am, Sandhills bus stop 8.30am | Return from Spitalfields 3.30pm After morning coffee on arrival at Hawksmoor’s Christ Church, Spitalfields, enjoy a walking tour around the atmospheric Spitalfields streets accompanied by a guide from the Huguenot Society.
Recommended publications
  • 2004-2005 Ash Highlight Report 2005 4 5/12/05 09:12 Page 2

    2004-2005 Ash Highlight Report 2005 4 5/12/05 09:12 Page 2

    Ash highlight Report 2005 4 5/12/05 09:20 Page c AshmoleanAshmoleanThe HIGHLIGHTS OF THE ANNUAL REPORT 2004-05 Ash highlight Report 2005 4 5/12/05 09:10 Page i Ash highlight Report 2005 4 5/12/05 09:10 Page ii The Museum is open from Tuesday to Saturday throughout the year from 10am to 5pm, on Sundays from 12 noon to 5pm, and until 7.30pm on Thursdays during the summer months. A fuller version of the Ashmolean’s Annual Report, including the Director’s Report and complete Departmental and Staff records is available by post from The Publications Department, Ashmolean Museum, Oxford OX1 2PH. To order, telephone 01865 278010 Or it can be viewed on the Museum’s web site: http://www.ashmol.ox.ac.uk/annualreport It may be necessary to install Acrobat Reader to access the Annual Report. There is a link on the web site to facilitate the downloading of this program. Ash highlight Report 2005 4 5/12/05 09:10 Page 1 University of Oxford AshmoleanThe Museum HIGHLIGHTS OF THE Annual Report 2004-2005 Ash highlight Report 2005 4 5/12/05 09:12 Page 2 VISITORS OF THE ASHMOLEAN MUSEUM as at 31 July 2005 Nicholas Barber, CBE (Chairman) The Vice-Chancellor (Dr John Hood) Pro-Vice-Chancellor (Academic Services and University Collections) (Prof Paul Slack) The Assessor (Dr Frank Pieke) Professor Alan K Bowman The Rt Hon The Lord Butler of Brockwell Professor Barry W Cunliffe, CBE James Fenton The Lady Heseltine Professor Martin J Kemp Professor Paul Langford Sir Peter M North, DCL The Rt Hon The Lord Rothschild, OM, GBE The Rt Hon The Lord Sainsbury of Preston Candover, KG The Rt Hon Sir Timothy Sainsbury Andrew Williams Cover Illustration: Four tiles, Spanish, c.1580–1600.
  • Collections Development Policy

    Collections Development Policy

    Collections Development Policy Acquisition and disposal of collections Contents 1 Relationship to other relevant policies/plans of the organisation ......................................... 3 2 History of the collections ...................................................................................................... 4 3 An overview of the current collections.................................................................................. 4 4 Themes and priorities for future collecting ........................................................................... 7 5 Themes and priorities for rationalisation and disposal ........................................................... 8 6 Legal and ethical framework for acquisition and disposal of items ........................................ 9 7 Collecting policies of other museums ................................................................................... 9 8 Archival holdings .................................................................................................................. 9 9 Acquisition .......................................................................................................................... 10 10 Human Remains ................................................................................................................ 11 11 Biological and geological material ...................................................................................... 11 12 Archaeological material ....................................................................................................
  • The Afterglow in Egypt Teachers' Notes

    The Afterglow in Egypt Teachers' Notes

    Teacher guidance notes The Afterglow in Egypt 1861 A zoomable image of this painting is available by William Holman Hunt on our website to use in the classroom on an interactive whiteboard or projector oil on canvas 82 x 37cm www.ashmolean.org/learning-resources These guidance notes are designed to help you use paintings from our collection as a focus for cross- curricular teaching and learning. A visit to the Ashmolean Museum to see the painting offers your class the perfect ‘learning outside the classroom’ opportunity. Starting questions Questions like these may be useful as a starting point for developing speaking and listening skills with your class. What catches your eye first? What is the lady carrying? Can you describe what she is wearing? What animals can you see? Where do you think the lady is going? What do you think the man doing? Which country do you think this could be? What time of day do you think it is? Why do you think that? If you could step into the painting what would would you feel/smell/hear...? Background Information Ideas for creative planning across the KS1 & 2 curriculum The painting You can use this painting as the starting point for developing pupils critical and creative thinking as well as their Hunt painted two verions of ‘The Afterglow in Egypt’. The first is a life-size painting of a woman learning across the curriculum. You may want to consider possible ‘lines of enquiry’ as a first step in your cross- carrying a sheaf of wheat on her head, which hangs in Southampton Art Gallery.
  • Museums and Galleries of Oxfordshire 2014

    Museums and Galleries of Oxfordshire 2014 includes 2014 Museum and Galleries D of Oxfordshire Competition OR SH F IR X E O O M L U I S C MC E N U U M O S C Soldiers of Oxfodshire Museum, Woodstock www.oxfordshiremuseums.org The SOFO Museum Woodstock By a winning team Architects Structural Project Services CDM Co-ordinators Engineers Management Engineers OXFORD ARCHITECTS FULL PAGE AD museums booklet ad oct10.indd 1 29/10/10 16:04:05 Museums and Galleries of Oxfordshire 2012 Welcome to the 2012 edition of Museums or £50, there is an additional £75 Blackwell andMuseums Galleries of Oxfordshire and Galleries. You will find oftoken Oxfordshire for the most questions answered2014 detailsWelcome of to 39 the Museums 2014 edition from of everyMuseums corner and £75correctly. or £50. There is an additional £75 token for ofGalleries Oxfordshire of Oxfordshire, who are your waiting starting to welcomepoint the most questions answered correctly. Tokens you.for a journeyFrom Banbury of discovery. to Henley-upon-Thames, You will find details areAdditionally generously providedthis year by we Blackwell, thank our Broad St, andof 40 from museums Burford across to Thame,Oxfordshire explore waiting what to Oxford,advertisers and can Bloxham only be redeemed Mill, Bloxham in Blackwell. School, ourwelcome rich heritageyou, from hasBanbury to offer. to Henley-upon- I wouldHook likeNorton to thank Brewery, all our Oxfordadvertisers London whose Thames, all of which are taking part in our new generousAirport, support Smiths has of allowedBloxham us and to bring Stagecoach this Thecompetition, competition supported this yearby Oxfordshire’s has the theme famous guidewhose to you, generous and we supportvery much has hope allowed that us to Photo: K T Bruce Oxfordshirebookseller, Blackwell.
  • Saving Manet for the Nation: Summary Evaluation

    Saving Manet for the Nation: Summary Evaluation

    SAVING MANET FOR THE NATION: SUMMARY EVALUATION Bridget McKenzie & Susanne Buck July 2016 2 CONTENTS 2012 TO 2016 Summary evaluation of the engagement programme About the programme ........................................... 3 accompanying the Ashmolean Museum’s acquisition of Manet’s portrait of Mlle Claus, 2012 to 2016. Alongside The project timeline ................................................ 4 saving the painting for the nation, the Ashmolean intended to try out new ways of working and build Breadth of engagement ........................................... 5 relationships with new audiences. This tells the story of On tour - a nationwide audience .............................. 6 this adventure, and shares lessons for the sector to help Education - a wide range of visitors ........................... 7 plan similar programmes around acquisitions for public Depth of engagement ............................................... 8 collections. Community projects ................................................. 9 Me myself and Manet ............................................... 10 Beyond the balcony .................................................. 11 Strengthening engagement ..................................... 12 Interpreting Fanny Claus ............................................ 13 Oucomes and learning .............................................. 15 Challenges and lessons for the sector .................... 17 Appendices ............................................................... 18 3 ABOUT THE PROGRAMME AIMS OF THE ACQUISITION
  • Oxford & Blenheim Palace

    Oxford & Blenheim Palace

    Oxford & Blenheim Palace Oxford, the ‘city of dreaming spires’, is home to one of the most famous universities in the world. Its superb architecture, museums and lively student population make it a great place to visit at any time of the year. The university dominates the city centre, but each college has its own character. The city itself boasts some excellent museums, galleries and attractions as well as numerous fine shops and restaurants. The rivers Thames and the Cherwell offer the opportunity of punting, and open green spaces such as University Parks and the University Botanic Gardens provide a break from the hustle and bustle. Oxford University is not a The Bodleian Library is the campus but a collection of main research library of the 38 colleges and six halls University of Oxford. It is also scattered around the city a copyright deposit library centre alongside the shops and its collections are used and offices of commercial by scholars from around the Oxford. The most famous world. The buildings within University colleges are Trinity, the central site include Duke Balliol and Christ Church. Humfrey’s Library above Many of the scenes in the the Divinity School, the Old Harry Potter feature films Schools Quadrangle with are shot in various locations its Great Gate and Tower, of Christ Church College, the the Radcliffe Camera, most stunning of them all. Britain’s first circular library The University The Bodleian Library (as pictured left), and the Clarendon Building. The Ashmolean Museum of Art Blenheim Palace, just 20 and Archaeology is the world’s minutes from Oxford, is first university museum.
  • Elizabeth Price: a Restoration the Contemporary Art Society Award

    Elizabeth Price: a Restoration the Contemporary Art Society Award

    Ashmolean Museum of Art and Archaeology University of Oxford press release Beaumont Street Oxford OX1 2PH www.ashmolean.org 14 March 2016, for immediate release: Elizabeth Price: A RESTORATION The Contemporary Art Society Award 18 March–15 May 2016 Elizabeth Price, winner of the 2013 Contemporary Art Society Award, has created a new work in response to the collections and archives of the Ashmolean and Pitt Rivers museums, in partnership with the Ruskin School of Art, Oxford, where Price teaches. The new commission is a fifteen-minute, two-screen digital video which employs the museums’ photographic and graphic archives. It is a fiction, set to melody and percussion, which is narrated by a ‘chorus’ of museum administrators. The film opens with the records of Arthur Evans’s excavation of the Cretan city of Knossos. The administrators use Evans’s extraordinary documents and photographs to figuratively reconstruct the Knossos Labyrinth within the museum’s computer server. They then imagine its involuted space as a virtual chamber through which a wide range of artefacts from the two museums digitally flow, clatter and cascade. Elizabeth Price at the Contemporary Art Society Awards, 2013 Elizabeth Price says: ‘It has been a great pleasure and privilege to work with the museums, to have such a unique opportunity to delve into their archives and draw upon the knowledge and expertise of their staff. In my film I have tried to reflect upon the objects that the two museums hold and exhibit, through the history of their repeated depiction in photographs, prints and drawings. In this history of images and interpretations we see the objects change – and this is the basis for the story I have imagined.’ Turner Prize winner, Elizabeth Price, is an artist who uses images, text and music to explore archives and collections.
  • Notes and News

    Notes and News

    Notes and News ARCHAEOLOGICAL NOTES, 1951 A . PREHISTORIC, ROMAN AND SAXON Bampum, Oxon. Mr. F. W. Shallcross reported the discovery of sherds of Romano-British coarse pottery and one fragment ofSarnian ware (Drag. Form 18/3 1) during building operations in the village. The site has since been concreted in. Cassingwn, Oxon. (Smith's Pit II. Nat. Grid 42/450099.) A fragment of tusk and a tooth of mammoth were dredged from the clay underlying the gravel, and presented to the Department of Geology together with similar past finds from this pit. An Anglo-Saxon iron spearhead, with traces of the wooden shaft in the socket was found in top-soil. It is in the Ashmolean Museum (1951.126). FIG. 17 COMPTON BEAUCHAMP, BERKS. Sherds of Iron Age A :2 pottery from Knighton Hill (p. 80) Scale: i In June and July, Mr. H.J. Case and Mr.J. H. Hedgelyexcavated the area of the gap in the big enclosure-ditch (PL. IX, A, and see Oxonimsia, VIl, 106-7) leading to the ford over the Evenlode just downstream from the present mill. There was no made-up road or any gate structure. Finds in the lowest filling of the ditches, besides the contracted burials of a woman and a child, included a few pieces of the latest non-Belgic local Iron Age pottery; stratified above was Belgic pottery. Then came Late Belgic corresponding to some of the finds from Alchester; this layer was post·conquest, and represented a prosperous period with plentiful food refuse. Above was 2nd-century Roman, and finally 2nd- and 3rd-century Roman pottery.
  • Ancient Egypt Detectives

    Ancient Egypt Detectives

    Ancient Egypt Detectives Key Stage: 2 National Curriculum Length of session: Subject Area/s: 1 hour and 30 minutes History, geography, potential for cross-curricular work Max group size: 30 pupils plus 3 supporting adults Session outline Learning Outcomes In this interactive session pupils use • Appreciation that Ancient Egyptians evidence in the Egypt Galleries to were real people discover more about life and beliefs in Ancient Egypt . • Knowledge and understanding of how archaeologists use clues left Activity 1:What can we learn from behind by ancient people to discover archaeological evidence? more about their lives and beliefs • How did the early Ancient Egyptians including the afterlife. live? What did they eat? What would they have needed in their daily • Reflection on similarities and life? Pupils search for clues in the differences between life in Ancient gallery, to discover how the Ancient Egypt and today in England. Egyptians looked, lived and worked. Activity 2: Three Powerful Egyptians. • Awareness of the skills developed • Pupils take on the role of detectives by craftspeople in Ancient Egypt to explore Ancient Egyptian sculpture, buildings and objects to • Improved observation, speaking find out more about these people’s and reasoning skills life and beliefs. • Pupils will handle original artefacts to discover more about life in Ancient Egypt. Activity 3: Who’s Who? Detective Game • Pupils will use evidence boxes to figure out which powerful Egyptian’s belongings they have in their box. Activity 4: Draw and review. What new discoveries have we made today about life in Ancient Egypt? What skills have we used to help us find out more? For more information and to book: Education Department Ashmolean Museum Beaumont Street Oxford OX1 2PH T.
  • Transforming Digital Access to Our Collections

    Transforming Digital Access to Our Collections

    Transforming digital access to our collections Jon Ray Marcus Cheetham Programme Manager Project Manager University of Oxford – Gardens, Libraries and Museums Museum of Natural History Pitt Rivers Museum Bodleian Libraries Museum of the History Ashmolean Museum Botanic Garden of Science of Art and Archaeology & Arboretum 2 OUR AUDIENCE Engaged Expertise Conforming Cultural Facilitators Escapists Explorers Producers Learners Consumers KEY THEMES RESEARCH, DIGITAL SEARCH & TEACHING & ESTATE & DIGITISATION DISCOVERY PUBLIC PRESERVATION ENGAGEMENT SUSTAINABILITY 4 Current State – Museum Systems Museum CMS DAMS Collections Picture Online Sales Natural History Axiell EMu Axiell EMu Bespoke & Beta Manual + Axiell IMu Pitt Rivers FileMaker FileMaker & File Bespoke Manual Server History of Axiell EMu File Server Bespoke + Axiell Manual Science IMu Ashmolean Museums Plus File Server Bespoke Manual • Only MNH and MHS are both using the same CMS • PRM are using FileMaker – a generic database platform • Only MNH have a DAMS – not fully utilised as yet • All have moved, or are moving, to Oxford’s enterprise web publishing platform. This doesn’t support collections integration 5 Projects & Scope – Museum Systems . 5 Separate projects. Scope: . Natural History – Collections Online solution . Pitt Rivers – CMS, DAMS, Collections Online . History of Science – DAMS, Collections Online . Ashmolean – CMS, DAMS, Collections Online & Picture Library . Digital Preservation – Strategy & digital audits Aug 17 We are here Autumn 18 Natural History Analysis Collections
  • Your Event at the Ashmolean Inspiring Minds Since 1683

    Your Event at the Ashmolean Inspiring Minds Since 1683

    YOUR EVENT AT THE ASHMOLEAN INSPIRING MINDS SINCE 1683 From the wonder of the Collections to the dedicated Events Team who will work with you through each stage of planning, the Ashmolean provides a stunning setting for a very special event. The spectacular spaces available for hire offer a diverse range of event venue options for clients; from the contemporary to the classical, all displaying a world-renowned collection that encompasses five millennia of art and history. Your guests will leave inspired. It was clear from the pre-event comms and on arrival that the Ashmolean is indeed a safe place to attend an event. Amy EVENTS REIMAGINED Whilst we need to maintain physical distance from each other, we don’t have to be unsocial. The Ashmolean offers a range of creative solutions for you to engage your clients and networks. A private view of the exhibition led by an expert as part of your virtual event; a thematic virtual tour of the collection that links to your business theme; a hybrid treasure hunt through the galleries where your guests direct a hunter in the galleries; care-packs delivered to your client’s door from the fabulous Museum shops. Our creative Event Team will work with you, and our technology partners, to deliver a unique and memorable experience. ENTERTAINING AT THE ASHMOLEAN MUSEUM A simply fabulous evening and The Ashmolean’s venue spaces are available for exclusive hire on any day of the week from the thank-yous are pouring in. 17:00. The Museum is also available for breakfast events from 08:30 to 10:00 each morning.
  • Leaflet Amend Copy 20/11/15 10:27 Page 1

    Leaflet Amend Copy 20/11/15 10:27 Page 1

    PTR1002 Print Room Leaflet 2015 V3:leaflet amend copy 20/11/15 10:27 Page 1 Drawings & Prints THE WESTERN ART PRINT ROOM PTR1002 Print Room Leaflet 2015 V3:leaflet amend copy 20/11/15 10:27 Page 2 Works held in the collection include: Altdorfer Goya Pissarro Bakst Grünewald Poole Beerbohm Guardi Poussin Benois Guercino Raphael Blake Hermes Rembrandt Bosch Holloway Rossetti Boucher Holman Hunt Rowlandson Burne-Jones Ingres Rubens Canaletto A. & G. John Ruskin Carracci Korovin Sandby Claude Lear Sickert Cotman Leonardo Spencer Cox Michelangelo Tanner Cozens Millais Tiepolo Degas Nash Tintoretto Desmet Van Ostade Titian Dürer Palmer J.M.W. Turner Friedrich Pasternak Underwood Gainsborough Perugino Watteau Girtin Piper and many others PTR1002 Print Room Leaflet 2015 V3:leaflet amend copy 20/11/15 10:27 Page 3 visiting the PRINT ROOM Since works on paper fade quickly when exposed to light and are extremely fragile, the Ashmolean’s excellent and wide-ranging collection of British and other European watercolours, drawings and prints is kept for consultation in the Print Room. This is situated in the Department of Western Art within the museum. 3 PTR1002 Print Room Leaflet 2015 V3:leaflet amend copy 20/11/15 10:27 Page 4 The Print Room The Print Room is open to members of the public, students and visiting scholars alike for the study and enjoyment of drawings and prints from the collection. There is normally no need to make an appointment, but since space is limited it may be advisable to do so if you are making a special journey to the museum.