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230-Newsletter.Pdf
$5? The Poetry Project Newsletter Editor: Paul Foster Johnson Design: Lewis Rawlings Distribution: Small Press Distribution, 1341 Seventh Street, Berkeley, CA 94710 The Poetry Project, Ltd. Staff Artistic Director: Stacy Szymaszek Program Coordinator: Arlo Quint Program Assistant: Nicole Wallace Monday Night Coordinator: Macgregor Card Monday Night Talk Series Coordinator: Josef Kaplan Wednesday Night Coordinator: Stacy Szymaszek Friday Night Coordinator: Brett Price Sound Technician: David Vogen Videographer: Andrea Cruz Bookkeeper: Stephen Rosenthal Archivist: Will Edmiston Box Office: Courtney Frederick, Vanessa Garver, Jeffrey Grunthaner Interns/Volunteers: Nina Freeman, Julia Santoli, Alex Duringer, Jim Behrle, Christa Quint, Judah Rubin, Erica Wessmann, Susan Landers, Douglas Rothschild, Alex Abelson, Aria Boutet, Tony Lancosta, Jessie Wheeler, Ariel Bornstein Board of Directors: Gillian McCain (President), Rosemary Carroll (Treasurer), Kimberly Lyons (Secretary), Todd Colby, Mónica de la Torre, Ted Greenwald, Tim Griffin, John S. Hall, Erica Hunt, Jonathan Morrill, Elinor Nauen, Evelyn Reilly, Christopher Stackhouse, Edwin Torres Friends Committee: Brooke Alexander, Dianne Benson, Raymond Foye, Michael Friedman, Steve Hamilton, Bob Holman, Viki Hudspith, Siri Hustvedt, Yvonne Jacquette, Patricia Spears Jones, Eileen Myles, Greg Masters, Ron Padgett, Paul Slovak, Michel de Konkoly Thege, Anne Waldman, Hal Willner, John Yau Funders: The Poetry Project’s programs are made possible, in part, with public funds from The National Endowment for the Arts. The Poetry Project’s programming is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature; and are supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council. -
March 2021 ACADEMIC BIOGRAPHY Lynn Keller E-Mail: Rlkeller@Wisc
March 2021 ACADEMIC BIOGRAPHY Lynn Keller E-mail: [email protected] Education: Ph.D., University of Chicago, Chicago, Illinois, 1981 Dissertation: Heirs of the Modernists: John Ashbery, Elizabeth Bishop, and Robert Creeley, directed by Robert von Hallberg M.A., University of Chicago, Chicago, Illinois, 1976 B.A., Stanford University, Palo Alto, California, 1973 Academic Awards and Honors: Bradshaw Knight Professor of Environmental Humanities (while director of CHE, 2016-2019) Fellow of the John Simon Guggenheim Memorial Foundation, 2015-2016 Martha Meier Renk Bascom Professor of Poetry, January 2003 to August 2019; emerita to present UW Institute for Research in the Humanities, Senior Fellow, Fall 1999-Spring 2004 American Association of University Women Fellowship, July 1994-June 1995 Vilas Associate, 1993-1995 (summer salary 1993, 1994) Chancellor’s Award for Excellence in Teaching, 1989 University nominee for NEH Summer Stipend, 1986 Fellow, University of Wisconsin Institute for Research in the Humanities, Fall semester 1983 NEH Summer Stipend, 1982 Doctoral Dissertation awarded Departmental Honors, English Department, University of Chicago, 1981 Whiting Dissertation Fellowship, 1979-80 Honorary Fellowship, University of Chicago, 1976-77 B.A. awarded “With Distinction,” Stanford University, 1973 Employment: 2016-2019 Director, Center for Culture, History and Environment, Nelson Institute for Environmental Studies, UW-Madison 2014 Visiting Professor, Stockholm University, Stockholm Sweden, Spring semester 2009-2019 Faculty Associate, Center for Culture, History, and Environment, UW-Madison 1994-2019 Full Professor, English Department, University of Wisconsin-Madison [Emerita after August 2019] 1987-1994 Associate Professor, English Department, University of Wisconsin-Madison 1981-1987 Assistant Professor, English Department, University of Wisconsin-Madison 1981 Instructor, University of Chicago Extension (course on T.S. -
1 Matt Phillips, 'French Studies: Literature, 2000 to the Present Day
1 Matt Phillips, ‘French Studies: Literature, 2000 to the Present Day’, Year’s Work in Modern Language Studies, 80 (2020), 209–260 DOI for published version: https://doi.org/10.1163/22224297-08001010 [TT] Literature, 2000 to the Present Day [A] Matt Phillips, Royal Holloway, University of London This survey covers the years 2017 and 2018 [H2]1. General Alexandre Gefen, Réparer le monde: la littérature française face au XXIe siècle, Corti, 2017, 392 pp., argues that contemporary French literature has undergone a therapeutic turn, with both writing and reading now conceived in terms of healing, helping, and doing good. G. defends this thesis with extraordinary thoroughness as he examines the turn’s various guises: as objects of literature’s care here feature the self and its fractures; trauma, both individual and collective; illness, mental and physical; mourning and forgetfulness, personal and historical; and endangered bonds, with humans and beyond, on local and global scales. This amounts to what G. calls a new ‘paradigme clinique’ and, like any paradigm shift, this one appears replete with contradictions, tensions, and opponents, not least owing to the residual influence of preceding paradigms; G.’s analysis is especially impressive when unpicking the ways in which contemporary writers negotiate their sustained attachments to a formal, intransitive conception of literature, and/or more overtly revolutionary political projects. His thesis is supported by an enviable breadth of reference: G. lays out the diverse intellectual, technological, and socioeconomic histories at work in this development, and touches on close to 200 contemporary writers. Given the broad, synthetic nature of the work’s endeavour, individual writers/works are rarely discussed for longer than a page, and though G.’s commentary is always insightful, specialists on particular authors or social/historical trends will surely find much to work with and against here. -
James Tate - Poems
Classic Poetry Series James Tate - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive James Tate(8 December 1943 -) James Tate is an American poet whose work has earned him the Pulitzer Prize and the National Book Award. He is a professor of English at the University of Massachusetts Amherst and a member of the American Academy of Arts and Letters. <b>Early Life</b> James Vincent Tate was born in Kansas City, Missouri. He received his B.A. from Kansas State University in 1965 and then went on to earn his M.F.A. from the University of Iowa in their famed Writer's Workshop. <b>Career</b> Tate has taught creative writing at the University of California, Berkeley and Columbia University. He currently teaches at the University of Massachusetts, Amherst, where he has worked since 1971. He is a member of the poetry faculty at the MFA Program for Poets & Writers, along with Dara Wier and Peter Gizzi. Dudley Fitts selected Tate's first book of poems, The Lost Pilot (1967) for the Yale Series of Younger Poets while Tate was still a student at the University of Iowa Writers' Workshop; Fitts praised Tate's writing for its "natural grace." Despite the early praise he received Tate alienated some of his fans in the seventies with a series of poetry collections that grew more and more strange. He has published two books of prose, Dreams of a Robot Dancing Bee (2001) and The Route as Briefed (1999). His awards include a National Institute of Arts and Letters Award, the Wallace Stevens Award, a Pulitzer Prize in poetry, a National Book Award, and fellowships from the Guggenheim Foundation and the National Endowment for the Arts. -
Baudelaire and the Rival of Nature: the Conflict Between Art and Nature in French Landscape Painting
BAUDELAIRE AND THE RIVAL OF NATURE: THE CONFLICT BETWEEN ART AND NATURE IN FRENCH LANDSCAPE PAINTING _______________________________________________________________ A Thesis Submitted to the Temple University Graduate Board _______________________________________________________________ In Partial Fulfillment Of the Requirements for the Degree MASTER OF ARTS _______________________________________________________________ By Juliette Pegram January 2012 _______________________ Dr. Therese Dolan, Thesis Advisor, Department of Art History Tyler School of Art, Temple University ABSTRACT The rise of landscape painting as a dominant genre in nineteenth century France was closely tied to the ongoing debate between Art and Nature. This conflict permeates the writings of poet and art critic Charles Baudelaire. While Baudelaire scholarship has maintained the idea of the poet as a strict anti-naturalist and proponent of the artificial, this paper offers a revision of Baudelaire‟s relation to nature through a close reading across his critical and poetic texts. The Salon reviews of 1845, 1846 and 1859, as well as Baudelaire‟s Journaux Intimes, Les Paradis Artificiels and two poems that deal directly with the subject of landscape, are examined. The aim of this essay is to provoke new insights into the poet‟s complex attitudes toward nature and the art of landscape painting in France during the middle years of the nineteenth century. i ACKNOWLEDGEMENTS I am indebted to Dr. Therese Dolan for guiding me back to the subject and writings of Charles Baudelaire. Her patience and words of encouragement about the writing process were invaluable, and I am fortunate to have had the opportunity for such a wonderful writer to edit and review my work. I would like to thank Dr. -
Y 2 0 ANDRE MALRAUX: the ANTICOLONIAL and ANTIFASCIST YEARS DISSERTATION Presented to the Graduate Council of the University Of
Y20 ANDRE MALRAUX: THE ANTICOLONIAL AND ANTIFASCIST YEARS DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By Richard A. Cruz, B.A., M.A. Denton, Texas May, 1996 Y20 ANDRE MALRAUX: THE ANTICOLONIAL AND ANTIFASCIST YEARS DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY By Richard A. Cruz, B.A., M.A. Denton, Texas May, 1996 Cruz, Richard A., Andre Malraux: The Anticolonial and Antifascist Years. Doctor of Philosophy (History), May, 1996, 281 pp., 175 titles. This dissertation provides an explanation of how Andr6 Malraux, a man of great influence on twentieth century European culture, developed his political ideology, first as an anticolonial social reformer in the 1920s, then as an antifascist militant in the 1930s. Almost all of the previous studies of Malraux have focused on his literary life, and most of them are rife with errors. This dissertation focuses on the facts of his life, rather than on a fanciful recreation from his fiction. The major sources consulted are government documents, such as police reports and dispatches, the newspapers that Malraux founded with Paul Monin, other Indochinese and Parisian newspapers, and Malraux's speeches and interviews. Other sources include the memoirs of Clara Malraux, as well as other memoirs and reminiscences from people who knew Andre Malraux during the 1920s and the 1930s. The dissertation begins with a survey of Malraux's early years, followed by a detailed account of his experiences in Indochina. -
Lana Turner Journal
LanaTurner No. 11. Art by Ashwini Bhat, Judith Belzer, BrianShields... LANA TURNER a journal of poetry & opinion #11 by Alain Badiou, Joyelle McSweeney, Essays Display until February Amge Mlinko, Andrew Joron, Farid Matuk... 24, 2018 Poetry by Jorie Graham,Rae Armantrout, Reina Mariía Rodríguez, Aditi Machado, Jacek Guturow... 1 2 Lana Turner a journal of poetry & opinion, no. 11 editors: calvin bedient & david lau Lana Turner: a Journal of Poetry & Opinion is published annually, usually in early November. Price, US $15. To purchase number 11 and see other options, please visit our website, LanaTurnerJournal.com. We accept electronic submissions only; send to [email protected], and only during the months of January, February, and March. We prefer poems in one attachment, with the author’s name at the beginning of the title. No PDF’s, please, unless accompanied by a Word document. Newsstand & select bookstore distribution through Disticor Magazine Distribution Service (disticor.com). Please ask your favorite independent bookstore to order the magazine. Lana Turner™ is a trademark of The Lana Turner Trust, licensed by CMG Worldwide: www.CMGWorldwide.com. Our thanks to David Cormier for the pre-flight wrap-up. Kelley Lehr read copy. ISSN 1949 212X 1 Contents Number eleven 1. Poems Introduction: Writing the Between (6) Aditi Machado, 11 Mary Cisper, 68 Andrew Zawacki, 17 Paul Eluard (Carlos Lara, translator), 72 Jamie Green, 21 Karleigh Frisbie, 77 Douglas Kearney, 26 Michael Farrell, 82 Susan McCabe, 31 C L Young, 85 Mars Tekosky, 34 Felicia Zamora, 90 Kevin Holden, 40 Peter Eirich, 94 Mark Anthony Cayanan, 47 Jonathan Stout, 96 Mark Francis Johnson, 53 Engram Wilkinson, 98 Jacek Gutorow (Piotr Florczyk, Joseph Noble, 100 translator), 60 2. -
Librairie Pierre PREVOST
Librairie Pierre PREVOST Liste n°46-1 – Petite bibliothèque littéraire 75, rue Michel-Ange Tel : 01 40 56 97 98 75016 PARIS Mob : 06 80 20 81 70 e-mail : [email protected] ----------------------------------------------------------------------------------------------------------------------------------- 01-BAINVILLE. Jacques. 180 € 03-BARRES. Maurice. 130 € Jaco et Lori. Dix jours en Italie. Paris. Grasset. 1927. 1 volume in-8 carré, demi- Paris. Crès. 1916. 1 volume in-16, demi-maroquin maroquin à coins bleu nuit, dos lisse, tête dorée. noirs à coins, plats bordés d’un double filet à froid, Couvertures et dos conservés. Reliure signée De dos lisse, tête dorée. Couvertures et dos conservés. Septime. 274 pp., (1) p. Reliure signée Greuzevault. Edition originale. 1 des 56 exemplaires numérotés sur Edition originale. vélin d’Arches. Exemplaire non rogné. 1 des 70 exemplaires numérotés sur japon impérial. Exemplaire à belles marges. Carnet de voyage en Italie pendant la Première Guerre 02-BARBIER. Auguste. 280 € mondiale. Ex-libris de Carlos Mayer, gravé par Stern ; timbre des Iambes. Librerias Martin Fierro. Paris. Urbain Canel et Ad. Guyot. 1832. 1 volume in-8, demi-veau glacé brun à coins, dos lisse orné et passé, couvertures conservées. Reliure signée 04-BENOIST-MECHIN. Jacques. 120 € Yseux Sr. de Simier. La musique et l’immortalité dans l’oeuvre de XXX pp., 144 pp., (1) p., 1 p. bl. Marcel Proust. Paris. Kra. 1926. 1 volume in-8 carré, demi- maroquin rouge, large bande centrale sur les plats, Edition originale des poèmes satiriques. tête dorée. Cette édition contient une préface, attribuée à Philarète Chasles, et deux pièces, Tentation et Couvertures et dos l’Iambe IX, qui ne seront pas reprises ensuite. -
Nine Lives of Neoliberalism
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Plehwe, Dieter (Ed.); Slobodian, Quinn (Ed.); Mirowski, Philip (Ed.) Book — Published Version Nine Lives of Neoliberalism Provided in Cooperation with: WZB Berlin Social Science Center Suggested Citation: Plehwe, Dieter (Ed.); Slobodian, Quinn (Ed.); Mirowski, Philip (Ed.) (2020) : Nine Lives of Neoliberalism, ISBN 978-1-78873-255-0, Verso, London, New York, NY, https://www.versobooks.com/books/3075-nine-lives-of-neoliberalism This Version is available at: http://hdl.handle.net/10419/215796 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative -
Conforming to Heaven Organizational Principles of the Shuō Wén Jiě Zì
Conforming to Heaven Organizational Principles of the Shuō wén jiě zì Rickard Gustavsson S1581066 [email protected] Supervisor: Dr. P. van Els MA Thesis Asian Studies: Chinese Studies Faculty of Humanities Leiden University Word count: 14,879 (excluding appendices) 14 July 2016 1 Table of contents 1. INTRODUCTION .......................................................................................................................... 3 1.1 RESEARCH TOPIC ........................................................................................................................ 3 1.2 LITERATURE REVIEW ................................................................................................................... 4 1.3 METHODOLOGY AND OBJECTIVES ............................................................................................... 10 2. THE 一 YĪ SECTION ................................................................................................................... 12 2.1 THE 一 YĪ RADICAL .................................................................................................................... 12 2.2 元 YUÁN ................................................................................................................................... 14 2.3 天 TIĀN ..................................................................................................................................... 15 2.4 丕 PĪ ....................................................................................................................................... -
Selected Criticism, Jeffery Jullich
Selected Criticism Jeffrey Jullich Publishing the Unpublishable 017 ©2007 /ubu editions Series Editor: Kenneth Goldsmith /ubu editions www.ubu.com 2 TABLE OF CONTENTS Aaron Shurin: The Paradise of Forms 5 Standard Schaefer: Nova 9 Leslie Scalapino: New Time 12 Cole Swensen: Try 15 Susan Howe / Susan Bee: Bed Hangings I 17 Graham Foust: As in Every Deafness 24 Rae Armantrout: Up to Speed 25 Michael Scharf: Verité 26 Drew Gardner: Sugar Pill 29 SELECTED BUFFALO POETICS LISTSERV POSTS Class and poetry 39 Lyn Hejinian's 'deen' 41 D=E=E=N 42 A Barnard report: Hannah Weiner 45 Spaced-out 47 Questions on a HOW TO value 49 Submission crucible 52 $3.50 Summer vacation in Scandinavia 54 Alternative 56 Farm implements and rutabagas in a landscape 58 Polyverse by Lee Ann Brown 60 Cut-ups and homosexualization of the New York School (I) 63 Cut-ups and homosexualization of the New York School (II) 65 Simon Perchik 67 Marilyn Monroe - the Emma Lazarus of her day 69 classical meter in contemporary "free verse" poetry Meter Anthology Cola 70 New Formalist Language Poetry 72 Language Prosody - ex. 2: Dochmiacs 74 Language Prosody - ex. 3: hypodochmiacs in Susan Howe's Pierce Arrow 76 Language Prosody - ex. 4: adonics 78 Language Prosody - ex. 5: H.D., Helen in Egypt 85 Timothy McVeigh's face 89 Hannah Weiner's hallucinations and schizophrenia in poetry Hannah's visions 93 Hannah's visions - Barrett Watten's 'Autobiography Simplex' 95 Hannah's visions 99 eulogy for Tove Janesson (Finnish author of the Mummintroll books) 103 3 creative writing pedagogy 104 -
French and Francophone Studies 1
French and Francophone Studies 1 www.brown.edu/academics/french-studies/undergraduate/honors- French and Francophone program/). Concentration Requirements Studies A minimum of ten courses is required for the concentration in French and Francophone Studies. Concentrators must observe the following guidelines when planning their concentration. It is recommended that Chair course choices for each semester be discussed with the department’s Virginia A. Krause concentration advisor. The Department of French and Francophone Studies at Brown promotes At least four 1000-level courses offered in the Department of 4 an intensive engagement with the language, literature, and cultural and French and Francophone Studies critical traditions of the French-speaking world. The Department offers At least one course covering a pre-Revolutionary period 1 both the B.A. and the PhD in French and Francophone Studies. Courses (i.e., medieval, Renaissance, 17th or 18th century France) cover a wide diversity of topics, while placing a shared emphasis on such as: 1 language-specific study, critical writing skills, and the vital place of FREN 1000A Littérature et intertextualité: du Moyen-Age literature and art for intellectual inquiry. Undergraduate course offerings jusqu'à la fin du XVIIème s are designed for students at all levels: those beginning French at Brown, FREN 1000B Littérature et culture: Chevaliers, those continuing their study of language and those undertaking advanced sorcières, philosophes, et poètes research in French and Francophone literature, culture and thought. Undergraduate concentrators and non-concentrators alike are encouraged FREN 1030A L'univers de la Renaissance: XVe et XVIe to avail of study abroad opportunities in their junior year, through Brown- siècles sponsored and Brown-approved programs in France or in another FREN 1030B The French Renaissance: The Birth of Francophone country.