Europacorp Announces Its 2016/2017 Half-Year Results
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The Roots of Environmental Crime in the Colombian Amazon
THE ROOTS OF ENVIRONMENTAL CRIME IN THE COLOMBIAN AMAZON IGARAPÉ INSTITUTE a think and do tank “Mapping environmental crime in the Amazon Basin”: Introduction to the series The “Mapping environmental crime in the markets, and the organizational characteristics Amazon Basin” case study series seeks to of crime groups and their collusion with understand the contemporary dynamics of government bodies. It also highlights the environmental crime in the Amazon Basin record of past and current measures to disrupt and generate policy recommendations for and dismantle criminal networks that have key-stakeholders involved in combating diversified into environmental crime across the environmental crime at the regional and Amazon Basin. domestic levels. The four studies further expose how licit and The Amazon Basin sprawls across eight illicit actors interact and fuel environmental countries (Bolivia, Brazil, Colombia, Ecuador, crime and degradation in a time of climate Guyana, Peru, Suriname, and Venezuela) emergency as well as of accelerated socio- and one territory (French Guiana). While political change across the region. They show the research and policy communities a mix of increased governmental attention have progressively developed a sounding and action to combat environmental crime in understanding of deforestation and recent years, mainly to reduce deforestation degradation dynamics in the region and the and illegal mining, as well as the weakening of ways in which economic actors exploit forest environmental protections and land regulations, resources under different state authorisation in which political and economic elites are either regimes, this series sheds light on a less complicit in or oblivious to the destruction of explored dimension of the phenomenon: the the Amazon forest. -
Annual Results FY 2019/2020
Annual results FY 2019/2020 Operating margin rate at 31%, increasing significantly compared with previous fiscal years Continued decrease in overheads : new drop of €14 M compared with 2018/2019 overheads, which were already €7 M lower than the previous fiscal year Net result of €(95) M, mainly due to non-recurring items linked to the restructuring : exceptional result of €(64) M including €(60) M with no cash impact Finalization of the financial restructuring with the completion after closing of the share capital increases reserved for the Vine and Falcon funds for €193 M Saint-Denis, 29 July 2020 – EuropaCorp, one of the leading independent film studios in Europe, film producer and distributor, reports its annual consolidated income, which ended on 31 March 2020, as approved by the Board of Directors at its meeting on 28 July 2020. Presentation IFRS 5* Profit & Loss – € million 31 March 2019 31 March 2020 Var. 31 March 2019 31 March 2020 Var. Revenue 150,0 69,8 -80,2 148,7 69,8 -78,9 Cost of sales -121,6 -48,3 73,3 -121,4 -48,3 73,1 Operating margin 28,4 21,4 -6,9 27,3 21,4 -5,8 % of revenue 19% 31% 18% 31% Operating income -79,0 -59,1 19,9 -71,2 -59,1 12,1 % of revenue -53% -85% -48% -85% 0 Net Income -109,9 -95,1 14,8 -109,9 -95,1 14,8 % of revenue -73% -136% -74% -136% * To be compliant with IFRS 5, the activity related to the exploitation of the catalog Roissy Films, sold in March 2019, has been restated within the consolidated FY 2018/19 for a better comparison. -
Boletín De Política Pública Y Fiscal
Boletín de Política Pública y Fiscal Año 4, Edición Nº 9 Junio de 2014 ISSN : 2248 - 6240 CAPITALISMO DE ESTADO CONTRA EL MERCADO: EL DESEMPEÑO DE LA ECONOMÍA LATINOAMERICANA EN LA ÚLTIMA DÉCADA Giuseppe De Corso, Gustavo Ramírez IMPACTO DEL USO DE LAS APLICACIONES TECNOLÓGICAS EN EL SERVICIO DE TAXI EN BOGOTÁ Carolina Perilla Gómez, Jonathan German Santos Sabogal, Nubia Lorena Sánchez Monsalve, Pilar Zorayda Ramos Ospina 2 Boletín de Política Pública y Fiscal Nº 9 Boletín de Política Pública y Fiscal Año 4 - Edición Nº 9 junio de 2014 ISSN : 2248 - 6240 Directivas Universidad Jorge Tadeo Lozano _______________________________ Cecília María Vélez White Rectora Editorial Fernando Copete Saldarriaga Decano Facultad de Ciencias Económicas-Administrativas El Boletín de Política Pública y Fiscal presenta en este nuevo número un con- junto de artículos de gran interés y actualidad: el primero es un trabajo ti- tulado Capitalismo de Estado contra el mercado: el desempeño de la economía Comité Editorial _______________________________ latinoamericana en la última década, de los profesores Giuseppe De Corso y Gustavo Ramírez, cuyo objetivo es examinar el comportamiento cuantita- Editor Giuseppe Bernardo de Corso tivo de algunas de las principales economías de Suramérica en la primera Coordinador Observatorio de Política década del siglo XXI, a la luz de las diferencia en la escogencia de políticas Fiscal (OPF)-UJTL económicas. El segundo escrito se interna en un tema vital para la ciudad de Gustavo Ramírez Valderrama Bogotá, como lo es el análisis de un importante segmento del sistema de Director Posgrados Ciencias Administrativas movilidad de la capital. El enfoque se orienta al estudio de la conexión entre Facultad de Ciencias Económicas- el servicio de taxis y los nuevos dispositivos tecnológicos de comunicación. -
Download-To-Own and Online Rental) and Then to Subscription Television And, Finally, a Screening on Broadcast Television
Exporting Canadian Feature Films in Global Markets TRENDS, OPPORTUNITIES AND FUTURE DIRECTIONS MARIA DE ROSA | MARILYN BURGESS COMMUNICATIONS MDR (A DIVISION OF NORIBCO INC.) APRIL 2017 PRODUCED WITH THE ASSISTANCE OF 1 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Acknowledgements This study was commissioned by the Canadian Media Producers Association (CMPA), in partnership with the Association québécoise de la production médiatique (AQPM), the Cana- da Media Fund (CMF), and Telefilm Canada. The following report solely reflects the views of the authors. Findings, conclusions or recom- mendations expressed in this report are those of the authors and do not necessarily reflect the views of the funders of this report, who are in no way bound by any recommendations con- tained herein. 2 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Executive Summary Goals of the Study The goals of this study were three-fold: 1. To identify key trends in international sales of feature films generally and Canadian independent feature films specifically; 2. To provide intelligence on challenges and opportunities to increase foreign sales; 3. To identify policies, programs and initiatives to support foreign sales in other jurisdic- tions and make recommendations to ensure that Canadian initiatives are competitive. For the purpose of this study, Canadian film exports were defined as sales of rights. These included pre-sales, sold in advance of the completion of films and often used to finance pro- duction, and sales of rights to completed feature films. In other jurisdictions foreign sales are being measured in a number of ways, including the number of box office admissions, box of- fice revenues, and sales of rights. -
Gait Parameters in a Sample of Healthy Colombian
84 Rev. Fac. Med. 2020 Vol. 68 No. 1: 84-91 ORIGINAL RESEARCH DOI: http://dx.doi.org/10.15446/revfacmed.v68n1.71690 Received: 13/04/2018 Accepted: 03/09/2018 Revista de la Facultad de Medicina Gait parameters in a sample of healthy Colombian adults aged between 18 and 25 years: a cross-sectional study Parámetros de la marcha en una muestra de adultos sanos colombianos entre 18 y 25 años, un estudio transversal José Ricardo Duque-Ramírez1,2, José David Vélez-Uribe1, Nicolás Eugenio Gómez-Suárez1,2, Rubén Darío Manrique-Hernández3 1 Universidad CES - Faculty of Physiotherapy- Health and Movement Research Group - Medellín - Colombia. 2 Universidad EIA - Biomedical Engineering Research Group - Medellín - Colombia. 3 Universidad CES - Faculty of Medicine - Epidemiology and Biostatistics Research Group - Medellín - Colombia. Corresponding author: José Ricardo Duque-Ramírez. Grupo de Investigación Movimiento y Salud, Facultad de Fisioterapia, Universidad CES. Calle 10A No. 22-04, building: C, office: docentes 1. Telephone number: +57 4 4440555, ext.: 1420. Medellín. Colombia. Email: [email protected]. Abstract Introduction: Gait analysis is fundamental for assessing the functional capacity and motor Duque-Ramírez JR, Vélez-Uribe JD, Gó- skills of any individual. Therefore, a reliable and specific analysis method is necessary to study mez-Suárez NE, Manrique-Hernández RD. Gait parameters in a sample of heal- gait in different populations. However, the reference values of gait parameters currently used in thy Colombian adults aged between 18 Colombia come from studies conducted on population groups from other countries or regions. and 25 years: a cross-sectional study. Objective: To identify the reference values of gait kinematic parameters in healthy Colombian Rev. -
Raisin in the Sun Quotations for Writing the Family & The
RAISIN IN THE SUN QUOTATIONS FOR WRITING THE FAMILY & THE AMERICAN DREAM WALTER: DREAMS OF SUCCESS: • Walter talks about the missed business opportunity with Charlie Atkins. P.32 • Complains that he has nothing to pass on to Travis. “I have been married eleven years and I got a boy who sleeps in the livingroom -- and all I got to give him is stories about how rich white people live…” p. 34 • To Mama: “Do you know what this money means to me? Do you know what this money can do for us? Mama—Mama—I want so many things.” P. 73 • Mama: “Son, how come you talk so much ‘bout money?” Walter: “Because, it is life, Mama!” Mama: “Oh—so now its life. Money is life. Once upon a time freedom use to be life—now its money. I guess the world really do change…” Walter: “No—it was always money, Mama. We just didn’t know about it.” p. 74 • “Listen, man, I got some plans that could turn this city upside down. I mean think like he does. Big. Invest big, gamble big, hell, lose big if you have to, you know what I mean. It’s hard to find a man on this whole Southside who understands my kind of thinking—you dig?” p. 84 • Walter to George: “And you—ain’t you bitter, man? Ain’t you just about had it yet? Don’t you see no stars gleaming that you can’t reach out and grab? … Here I am a giant—surrounded by ants. Ants who can’t even understand what it is the giant is talking about” p.85 • Walter to Travis: “Just tell me where you want to go to school and you’ll go. -
The FAO Journal VOLUME XIII, NUMBER 1 February 2010
The FAO Journal VOLUME XIII, NUMBER 1 February 2010 Defeating Islamists at the Ballot Reflections on the fall of The Wall The AKP’s Hamas Policy Transformation of Turk Foreign Policy and the Turk view of the West 4th Generation War on Terror The ―New Great Game‖ for the Modern Operator Mentorship - Leaving a Legacy The US-Indonesia Military Relationship Dynamic Cooperation for Common Security Interests Service Proponent Updates and Book Reviews DISCLAIMER: Association’s International Affairs Journal (a none-profit publication The Foreign Area Officer Association’s Journal for US Regional and International Affairs professionals) is printed by the Foreign Area Officer Association, Mount Vernon, The FAO Journal VA. The views expressed within are those of the various authors, not of the Depart- Politico-Military Affairs - Intelligence - Security Cooperation ment of Defense, the Armed services or any DoD agency, and are intended to advance the profession through thought, dialog and Volume XIII, Edition Number 1 academic discussion. The contents do not reflect a DoD position and are not intended Published February 2010 to supersede official government sources. ISSN 1551-8094 Use of articles or advertisements consti- tutes neither affirmation nor endorsement by FAOA or DoD. PURPOSE: To publish a journal for dis- seminating professional knowledge and Inside This Issue: furnishing information that promotes under- standing between U.S. regional and interna- tional affairs specialists around the world and improve their effectiveness in advising Defeating Islamists at the Ballot Pg 4 decision-makers. It is intended to forge a By: Khairi Abaza and Dr. Soner Cagaptay closer bond between the active, reserve, and retired FAO communities. -
Guide Technique César 2016
Les Guides de l’Académie & 2016 césar Les chefs de postes Costumes, Décors, Montage, Photo, Son et les sociétés de prestations techniques des films de la production française sortis en 2015 Académie des Arts et Techniques du Cinéma 11 rue de l’Avre - 75015 Paris www.academie-cinema.org Couvertures Technique 2016.indd 1 18/12/2015 12:56 Ce guide recense les chefs de postes Costumes, Décors, Montage, Photo, et Son ayant collaboré soit aux films éligibles au César 2016 du Meilleur Film, soit aux films de coproduction française et d’expression originale française éligibles au César 2016 du Meilleur Film étranger. à ce titre, ces chefs de postes concourent pour le César 2016 des Meilleurs Costumes, des Meilleurs Décors, du Meilleur Montage, de la Meilleure Photo, et du Meilleur Son. Sont également recensées dans ce guide, les sociétés de prestations techniques ayant collaboré à au moins un de ces films. Toutes les informations contenues dans ce guide sont compilées à partir des documents édités par les dispositifs grand public de référencement cinéma, les sociétés de production, et le CNC. AssociationAssociation pour pour la la Promotion Promotion du du Cinéma Cinéma Elles n’ont comme seul objet que de faciliter le vote des membres de 1111 rue rue de de l’Avre l’Avre - -75015 75015 Paris Paris PrésidentPrésident : Alain: Alain Terzian Terzian l’Académie. DirecteurDirecteur de de la la publication publication : Alain: Alain Rocca Rocca ConceptionConception : Maria: Maria Torme Torme et et Jérôme Jérôme Grou-Radenez Grou-Radenez L’APC fait ses meilleurs efforts pour en vérifier l’exactitude, mais ne pourra RéalisationRéalisation et et impression impression : Global: Global Rouge Rouge / /Les Les Deux-Ponts Deux-Ponts en aucun cas être tenue responsable des éventuelles informations inexactes GuideGuide imprimé imprimé sur sur papier papier labellisé labellisé issu issu de de forêts forêts gérées gérées durablement durablement contenues dans ce guide. -
Emergency! FREE REGISTRY SERVICE
FINAL-1 Sat, Dec 30, 2017 5:14:57 PM Your Weekly Guide to TV Entertainment for the week of January 6 - 12, 2018 OLD FASHIONED SERVICE Emergency! FREE REGISTRY SERVICE Connie Britton, Angela Bassett and Peter Krause star in “9-1-1” Massachusetts’ First Credit Union When tragedy strikes, police officer Athena Located at 370 Highland Avenue, Salem John Doyle Grant (Angela Basset, “What’s Love Got to Do St. Jean's Credit Union INSURANCEDoyle Insurance AGENCY With It,” 1993), paramedic Bobby Nash (Peter 3 x 3 Voted #1 1 x 3 Krause, “Six Feet Under”) and other first re- Serving over 15,000 Members • A Part of your Community since 1910 Insurance sponders answer the call in “9-1-1,” airing Agency Wednesday, Jan. 10, on Fox. The new drama Supporting over 60 Non-Profit Organizations & Programs from the creators of “Glee” and “American Serving the Employees of over 40 Businesses Horror Story” follows first responders as they Auto • Homeowners • Business • Life Insurance struggle to balance their high pressure careers 978.219.1000 www.stjeanscu.com 978-777-6344 with their personal lives. Offices also located in Lynn, Newburyport & Revere Federally Insured by NCUA www.doyleinsurance.com FINAL-1 Sat, Dec 30, 2017 5:14:58 PM 2 • Salem News • January 6 - 12, 2018 First responders struggle to save the day and themselves in Fox’s ‘9-1-1’ By Kyla Brewer ment deal with 20th Century Fox work, Bassett is best known for Resnick in 2016. In addition to her feld,” “Cybill” and “Sports Night” TV Media Studios. -
FY2013/2014 Consolidated Results: the Group Maintains a High Level of Operating Margin (€57.7 Millions)
FY2013/2014 consolidated results: the Group maintains a high level of operating margin (€57.7 millions) The operating margin remains high (€57.7 million, an operating margin ratio of 27.3% at 31 March 2014) International sales increased and performance of the TV series segment continued to improve The Group has continued its external growth operations, in particular through the launch of the Multiplex business line and the founding of a distribution joint venture in the USA, which lead to a reduced operating income for the financial year The statutory auditors have stated that they will issue a qualified opinion due to a divergence between their technical analysis and that of the Company over the recognition timing for the $45 million of revenue related to a buy-out agreement with Fox. The net income is impacted by a non-recurring expense (primarily non-cash) of €10.1 million, which is due to the partial cancellation of the free share plan Saint-Denis, 26 June 2014 – EuropaCorp, the producer and distributor of feature films and one of the leading independent film studios in Europe, today announces its consolidated annual results at 31 March 2014, which the Board of Directors approved on 25 June 2014, for FY2013/2014. Consolidated results adjusted for the impact of Consolidated results the cancelled part of the free share plan ** Consolidated financial FY FY Change FY statements (€m) 2013/14* 2012/13 2013/2014 2013/14 Revenue 211.8 185.8 26.0 211,8 Cost of sales -154.1 -129.7 -24.4 -154.1 Operating margin 57.7 56.1 1.6 57.7 % of revenue -
Europacorp Announces Financial Results 2015/2016
EUROPACORP ANNOUNCES FINANCIAL RESULTS 2015/2016 A transitional year marked by: Net loss of €27.7 million primarily due to: o Reduced revenue with only 5 films in distribution, and only one film globally distributed; o Non-recurring expenses of €20.4 million Operating margin level maintained at a high level of 25.3% Significant volume of English language films in post-production and ready for worldwide distribution in coming months Saint-Denis, July 1st, 2016 – EuropaCorp, one of the leading independent film studios in Europe, film producer and distributor, today reports its annual consolidated income for FY2015/2016, which ended on March 31st, 2016, as approved by the Board of Directors at its meeting on June 28th, 2016. Consolidated annual income € million FY2015/2016 FY2014/2015 Δ 12 months Revenue 147.3 226.9 (79.6) Cost of Sales (110.0) (155.4) 45.4 Operating margin (before overhead) 37.3 71.5 (34.2) % of revenue 25.3% 31.5% (6.2) pts Operating profit (22.3) 19.5 (41.8) % of revenue -15.1% 8.6% (23.7) pts Net income (Group share) (27.7) 16.2 (43.9) Equity 155.2 184.7 (29.5) 1 WorldReginfo - 9b699450-ffb0-434b-998d-fcefa9a30a5f Consolidated annual revenues1 are down 35% from prior fiscal year when Taken 3 and Lucy generated significant revenues Revenue from International sales was €55.5 million or 37.7% of total revenue. Revenue from Theatrical distribution in France and the U.S. was €9.8 million or 6.6% of total revenue. Revenue from Home Entertainment in France and the U.S. -
The Phenomenological Aesthetics of the French Action Film
Les Sensations fortes: The phenomenological aesthetics of the French action film DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Matthew Alexander Roesch Graduate Program in French and Italian The Ohio State University 2017 Dissertation Committee: Margaret Flinn, Advisor Patrick Bray Dana Renga Copyrighted by Matthew Alexander Roesch 2017 Abstract This dissertation treats les sensations fortes, or “thrills”, that can be accessed through the experience of viewing a French action film. Throughout the last few decades, French cinema has produced an increasing number of “genre” films, a trend that is remarked by the appearance of more generic variety and the increased labeling of these films – as generic variety – in France. Regardless of the critical or even public support for these projects, these films engage in a spectatorial experience that is unique to the action genre. But how do these films accomplish their experiential phenomenology? Starting with the appearance of Luc Besson in the 1980s, and following with the increased hybrid mixing of the genre with other popular genres, as well as the recurrence of sequels in the 2000s and 2010s, action films portray a growing emphasis on the importance of the film experience and its relation to everyday life. Rather than being direct copies of Hollywood or Hong Kong action cinema, French films are uniquely sensational based on their spectacular visuals, their narrative tendencies, and their presentation of the corporeal form. Relying on a phenomenological examination of the action film filtered through the philosophical texts of Maurice Merleau-Ponty, Paul Ricoeur, Mikel Dufrenne, and Jean- Luc Marion, in this dissertation I show that French action cinema is pre-eminently concerned with the thrill that comes from the experience, and less concerned with a ii political or ideological commentary on the state of French culture or cinema.