DOCSLIB.ORG

Download Schedule

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download Schedule NOVEMBER 9, Wednesday Badge PickUp Pre-Party Address: Club and Restaurant “Tuse”, 57b Surganova Street ("Europe" shopping center), Minsk 18:00 - 22:00 Get your badge and start networking day before! Sponsored by Chartboost What to expect: you can pick up your badge to avoid lines in the morning. Network and Additional registration to the Pre-Party is required! meet new friends, spend an unforgettable evening to the strains of great live bands. NOVEMBER 10, Thursday RED HALL ORANGE HALL YELLOW HALL BLUE HALL GREEN HALL PURPLE HALL Lerika Mallayeva, DevGAMM 10:00 - 10:10 Opening! Coffee Breaks Sponsor Technology & Development Extra Catering, wi-fi, charging stations Audio SUPERHOT: turning a game jam success into Keynote: you can find in (see map) a full game Business Lounge Platforms 10:10 - 11:00 Piotr Iwanicki, SUPERHOT Game Design VR The use of data-oriented Sound in World of Tanks Game Postmortems How the paper universe of programming paradigm in 2016: vision and approach to Fold the World was created Art & Animation 11:00 – 11:30 Unity games Alvina sound in AAA MMO Gregory Raikhman, Eon Rubalskaya, Vladimir Vyacheslav Skadorva, Alexey Miscellaneous Keynote: The Witcher 3: From concept to environment art Games Rotterdamskii, Interactive Moolt Tomanov, Wargaming.net Special Events Marta Dettlaff and Kacper Niepokólczycki, CD Projekt RED Twists and turns of developing Creating cloud backend for Dominating influencer music applications for iOS mobile multiplayer FPS marketing 11:30 – 12:00 Alex Parhimovich, Pavel Andrey Ivashentsev, Game Johan Lofstrom, Chartboost Insight Khasanov, Gismart iOS Workshop 12:00 – 12:30 Listen up, your game’s got Applied music: how to speak problems the composer's language Ilya Smirnov, Pixonic Artem Samoilenko, Limited to 30 people Practical guide to Pre-registration is required! Keynote: The journey of Samorost 3 optimization in Unity Independent Expert Lessons learned from being Jakub Dvorský, Amanita Design Valentin Simonov, Unity 12:30 – 13:00 in games production Sound drama in game projects. Technologies Slava Lukyanenka, Movie sound in games Vasily Wargaming.net Filatov, Sound Design Institute 13:00 – 15:00 Lunch Break Lunch Break Lunch Break Amazon Lumberyard: Game design technology: end-to-end solutions for Discussion Panel: New 15:00 – 15:30 easy solutions for complex game developers realities and form factors in problems Mike Hines, Amazon gamedev Vladimir Yatsukevich, Vizor Andrey Ivashentsev, Game Insight Dmitrii Kirillov, VRARLab 15:30 – 16:00 Oceanhorn - from mobile to Moving from Flash to HTML5 Google Apps & Games Speed Game Dating Simultaneous translation consoles Philipp Döschl, Gleb Khodorkovsky, Neuro.institute - converting large projects Alexander Lukichev, VRTech Track (Eng-Rus & Rus-Eng) FDG Entertainment Sergey Zapotilok, Vizor Google First Stream Unreal Engine 4: busting 10 Producing for indies Rami Jawhar Pre-registration is required! 16:00 – 16:30 most common myths Yaroslav Kravtsov, Rising Wave Mariusz Gasiewski Aleksey Savchenko, Epic Games Mladen Vlašić Keynote: Clustertruck: road Session in English to PS4 & Xbox One (no translation to Russian) Alex Nichiporchik, tinyBuild Getting investment: how-to Development specifics of 16:30 – 17:00 guide based on real cases MMO RTS made with Unity Sergey Kopov, HeroCraft Artem Durnev, Plarium Microsoft Technologies for Anti-Lynch: how to correct Convert this: peculiarities of Game Development – cross-platform mobile game Speed Game Dating 17:00 – 17:30 mistakes in your game Present and Future design development at Vizor Wi-FI: DevGAMM Romuald Zdebskiy, Microsoft Serge Himmelreich, ORC WORK Roman Chehowski, Vizor Second Stream Password: BlueStacks Vladimir Kovtun, Alawar ROCKING THE FUTURE... Artyom Volkov, Rocket Jump Game Designer's viewpoint: AI and navigation in games: Pre-registration is required! how to best prepare for Yaroslav Kravtsov, Rising Wave Want to be a better developer problems, solutions, mobile 17:30 – 18:00 change in the industry Sviatoslav Torik, Wargaming.net - play games! platform optimization Timur Тony Watkins, EA Games Alexandr Pashin, Silly Penguin Ilya Ostashko, AlternativaPlatform Eugene Shevchenko, Gameloft Kozanov, Double Dice Games Official After Party 20:00 – 00:00 Address: “Cotton Hall”, 15a Storojevskaya Street, Minsk Buses: departure from hotel 19:40 - 20:25 (8 times) Sponsored by DevGAMM Badge and ID required! 18+ Sign up at registration desk for a specific time NOVEMBER 11, Friday RED HALL ORANGE HALL YELLOW HALL BLUE HALL GREEN HALL PURPLE HALL 10:00 - 10:30 UX and interaction in virtual Game design analytics: case reality studies Pixel art as a tool, not a Extra Catering, wi-fi, charging stations Ciro Continisio, Konstantin Sakhnov, Rocket feature you can find in Business Lounge (see map) 10:30 - 11:00 Unity Technologies Jump Evgeniy Yudin, Zombie Dynamics How indie developer can The patient is rather alive Technology & Development conquer mobile tops with VK The Story of MSQRD than dead 11:00 – 11:30 Audio game platform Eugene Trufanov, Sergey Gonchar, Facebook Roman Evpakov, Armatur Intro to Unreal Engine 4: Platforms Indigo Bunting; Maxim Babichev,VK Games Building a game with the Game Design Animation in Spine. Tips & power of Blueprints Mobile Ads in names and VR Virtual Reality in 2016 from Sjoerd De Jong, Epic Games 11:30 – 12:00 Valve's point of view numbers tricks. 3D effects in 2D Unity Certification graphic Game Postmortems Chet Faliszek, Valve Slava Taraskin, Unity Ads Art & Animation Slava Borovik, Moona Group Pre-registration is Discussion Panel: Game required! Miscellaneous designer hunt or how Two ramens, one icon Special Events 12:00 – 12:30 The Final Station recruitment actually works Alexandra Romanova, Orc Work Intro to Unreal Engine 4: Ask details at Unity booth development process Michael Kuzmin, Herocraft Level building, lighting, post Andrew Rumak,Oleg Sergeev, Philipp Galdkov, Pixonic processing Sergey Brui, Vizor Do My Best Sjoerd De Jong, Epic Games 12:30 – 13:00 Tetiana Evdokimenko, Playrix The tale of lost time Ivan Slovtsov, Ice-Pick Lodge Maria Yartseva, Owl Studio Sergey Volkov, Spice IT Recruitment 13:00 – 15:00 Lunch Break Lunch Break Lunch Break Specification and feedback: 15:00 – 15:30 Fireside Chat: Script writer, producer and game designer from producer perspective How to create the right walk into a bar... Alexander Shtachenko, iLogos competition system for your game: methodology Leonid Sirotin, Independent Expert Delicious and useful GUI: Alex Nichiporchik, tinyBuild Aleksey Rehlov, Creative 15:30 – 16:00 cooking recipe Mobile Vera Velichko, Owl Studio Unity Certification From ancient China to post- Speed Interviews 16:00 – 16:30 The psychology of visual apocalypse: deep localization Pre-registration is Keynote: Gamejamming to Success: Surgeon Simulator, perception. Notes on a under the new setting A. Medov, required! Pre-registration at Career Worlds Adrift and Beyond match-3 fields by Playrix Inlingo Localization Studio Wall! Imre Jele, Bossa Studio Svetlana Sablina, Playrix How to develop understanding Ask details at Unity booth 16:30 – 17:00 while working with remote teams Semen Kovalev, Ubisoft Kiev 17:00 – 17:30 Voxels based on Madness Road 6 Years of BigWorld Engine Game Lynch Eugene Lavrinenko, Cells Games Evolution Caused by the Drink or Die! Success of World of Tanks 17:30 – 18:00 Game settings design Maksim Baryshnikov, Svyatoslav Kholod, Gameloft Wargaming.net People of the Year Awards 18:00 – 18:30 Organized by DTF.ru Simultaneous translation Session in English 18:30 – 19:15 DevGAMM Awards New and Improved! (Eng-Rus & Rus-Eng) (no translation to Russian) Coffee Breaks Sponsor Wi-FI: DevGAMM Bye-Bye Mingle Password: BlueStacks 19:15 – 20:00 Right after Awards Mingle Sponsor Unreal Party by Vizor and Epic Games Party Sponsors 21:00 – 00:00 Invitation and pre-registration only.
Load more

Recommended publications
  • Guidelines on Successfully Porting Non-Immersive Games to Virtual
    Guidelines on Successfully Porting Non-Immersive Games to Virtual Reality: A Case Study in Minecraft John Porter III Matthew Boyer Andrew Robb Clemson University Clemson University Clemson University Clemson, SC, USA Clemson, SC, USA Clemson, SC, USA [email protected] [email protected] [email protected] ABSTRACT top 10 best seller list on the Steam marketplace after it was Virtual reality games have grown rapidly in popularity since released for pre-ordering. the first consumer VR head-mounted displays were released When porting a game to VR, one of the major challenges faced in 2016, however comparatively little research has explored by developers is adapting the controls of the non-immersive how this new medium impacts the experience of players. In game to work in the new immersive context. Several options this paper, we present a study exploring how user experience are open to developers. At the most basic level, developers can changes when playing Minecraft on the desktop and in im- change nothing and continue to allow users to play the game mersive virtual reality. Fourteen players completed six 45 using a keyboard or a gamepad. This method relies purely on minute sessions, three played on the desktop and three in VR. indirect input, as no aspect of the player’s bodily motion is The Gaming Experience Questionnaire, the i-Group presence used to interact with the game (expect for head motion). At the questionnaire, and the Simulator Sickness Questionnaire were most advanced level, developers can completely recreate the administered after each session, and players were interviewed controls to take full advantage of the motion controls afforded at the end of the experiment.
    [Show full text]
  • 10 Bad Ass Games DONG 3
    (Oldest to Newest) DONG 1: Top 6 Scariest The Cell: http://www.gameshed.com/Adventure-Games/The-Cell/play.html The House Horror: http://www.gamezhero.com/online-games/adventure-games/thehouse-horror.html exmortis: http://www.gameson.com.br/Jogos-Online/Terror/Exmortis.html Purgatorium: http://www.gameson.com.br/Jogos-Online/Terror/Purgatorium.html Bright in the Screen: http://www.newgrounds.com/portal/view/469443 Closure: http://www.newgrounds.com/portal/view/480006 DONG 2: 10 Bad ass games Dress-up Elf: http://www.badassflashgames.com/flash-arcade-game.php?gameid=34455&gamena... Mechanical Commando: http://www.newgrounds.com/portal/view/475495 Fish like a man: http://www.i-am-bored.com/bored_link.cfm?link_id=55253 Zombie Tower Defense:http://666games.net/Violent/Flash/Play/620/Zombie_Tower_Defense_3.html Zombie Bites: http://www.hairygames.com/play-zombie-bites.html Zombie Golf Riot: http://www.addictinggames.com/zombiegolfriot.html Penguinz: http://www.kongregate.com/games/LongAnimals/penguinz Curious Weltling: http://www.newgrounds.com/portal/view/390151 Tactical Assassin Substratum: http://armorgames.com/play/2500/tactical-assassin-substratum Gangsta Bean: http://www.addictinggames.com/gangstabean.html Kill Kar II: Revenge: http://www.newgrounds.com/portal/view/519830 DONG 3: Make Harry and Herimone kiss and other online games Harry and Hermione: http://www.buzzfeed.com/ashleybaccam/harry-potter-kiss-game-battle Kill the pop-ups: http://www2.b3ta.com/realistic-internet-simulator/ I Don't Even Know: http://www.i-am-bored.com/bored_link.cfm?link_id=32676
    [Show full text]
  • GAME CAREER GUIDE July 2016 Breaking in the Easy(Ish) Way!
    TOP FREE GAME TOOLS JULY 2016 GAME FROM GAME EXPO TO GAME JOB Indie intro to VR Brought to you by GRADUATE #2 PROGRAM JULY 2016 CONTENTS DEPARTMENTS 4 EDITOR’S NOTE IT'S ALL ABOUT TASTE! 96 FREE TOOLS FREE DEVELOPMENT TOOLS 2016 53 GAME SCHOOL DIRECTORY 104 ARRESTED DEVELOPMENT There are tons of options out there in terms INDIE DREAMIN' of viable game schools, and this list is just the starting point to get you acquainted with the schools near you (or far from you, if that’s what STUDENT POSTMORTEM you prefer!). 32 BEGLITCHED 72 VIRTUALLY DESIGNED NYU Game Center students Alec Thomson and Jennu Jiao Hsia discuss their IGF Award- VR has quickly moved from buzzword, to proto- winning match three game about insecurity type, to viable business. This guide will help you within computers, and within ourselves. get started in VR development, avoiding some common pitfalls. FEATURES 78 SOUNDS GOOD TO ME! 8 BREAKING IN THE EASY(ISH) WAY! Advice for making audio (with or without) How attending expos can land you a job. an audio specialist. 18 ZERO TO HERO Hey! You want to learn low poly modeling but 84 A SELLER’S MARKET don’t know where to start? Look no further! Marketing fundamentals for your first game. With this guide, we hope to provide a good introduction to not only the software, but 90 INTRO TO GAME ENGINES also the concepts and theory at play. A brief discussion of some of the newest and most popular DO YOU NEED A PUBLISHER? 34 game engines.
    [Show full text]
  • OMG Game Library
    OMG Game Library Title Platform Arcade Archives VS. SUPER MARIO BROS. Nintendo Switch Arms Nintendo Switch ATV Drift & Tricks Nintendo Switch Bendy and the Ink Machine Nintendo Switch Carnival Games Nintendo Switch Donkey Kong Country: Tropical Freeze Nintendo Switch FIFA 20 Nintendo Switch Guacamelee! One-Two Punch Collection Nintendo Switch Just Dance 2019 Nintendo Switch Just Dance 2020 Nintendo Switch Just Dance 2021 Nintendo Switch Let’s Sing: Country Nintendo Switch Mario & Sonic at the Olympic Games: Tokyo 2020 Nintendo Switch Mario Kart 8 Deluxe Nintendo Switch Mario Kart 8 Deluxe Nintendo Switch Mario Kart Live: Home Circuit Nintendo Switch Monopoly for Nintendo Switch Nintendo Switch Mortal Kombat 11 Nintendo Switch Namco Museum Arcade Pac Nintendo Switch NBA 2K Playgrounds 2 Nintendo Switch NBA 2K20 Nintendo Switch New Super Mario Bros. U Deluxe Nintendo Switch PBA Pro Bowling Nintendo Switch Pokkén Tournament DX Nintendo Switch Rocket League Nintendo Switch Super Mario 3D All-Stars Nintendo Switch Super Smash Bros. Ultimate Nintendo Switch WWE 2K Battlegrounds Nintendo Switch Bait Oculus Quest 2 Beat Saber Oculus Quest 2 Creed Oculus Quest 2 Pistol Whip Oculus Quest 2 Racket Fury Oculus Quest 2 Real Fishing Oculus Quest 2 Stat Wars : Tales from the galaxy Oculus Quest 2 SUPERHOT Oculus Quest 2 Madden NFL 20 PlayStation 4 Ace Combat 7: Skies Unknown PlayStation 4 Apex Legends - Bloodhound Edition PlayStation 4 1 OMG Game Library Assetto Corsa Competizione PlayStation 4 Astro Bot Rescue Mission PlayStation 4 Batman Arkham VR
    [Show full text]
  • Graveyard Keeper. a Review by Kathrin Trattner, 250
    Untitled. Photographer: Pawel Kadysz (https://stocksnap.io/photo/OZ4IBMDS8E). Special Issue Video Gaming and Death edited by John W. Borchert Issue 09 (2018) articles Introduction to a Special Issue on Video Gaming and Death by John W. Borchert, 1 Death Narratives: A Typology of Narratological Embeddings of Player's Death in Digital Games by Frank G. Bosman, 12 No Sympathy for Devils: What Christian Video Games Can Teach Us About Violence in Family-Friendly Entertainment by Vincent Gonzalez, 53 Perilous and Peril-Less Gaming: Representations of Death with Nintendo’s Wolf Link Amiibo by Rex Barnes, 107 “You Shouldn’t Have Done That”: “Ben Drowned” and the Uncanny Horror of the Haunted Cartridge by John Sanders, 135 Win to Exit: Perma-Death and Resurrection in Sword Art Online and Log Horizon by David McConeghy, 170 Death, Fabulation, and Virtual Reality Gaming by Jordan Brady Loewen, 202 The Self Across the Gap of Death: Some Christian Constructions of Continued Identity from Athenagoras to Ratzinger and Their Relevance to Digital Reconstitutions by Joshua Wise, 222 reviews Graveyard Keeper. A Review by Kathrin Trattner, 250 interviews Interview with Dr. Beverley Foulks McGuire on Video-Gaming, Buddhism, and Death by John W. Borchert, 259 reports Dying in the Game: A Perceptive of Life, Death and Rebirth Through World of Warcraft by Wanda Gregory, 265 Graveyard Keeper. A Review Kathrin Trattner Abstract Review of the game Graveyard Keeper. Keywords: Graveyard Keeper, indie gaming, management simulation, death, postmortality, capitalism, gamevironments To cite this article: Trattner, K., 2018. Graveyard Keeper. A Review. gamevironments 9, 250-258. Available at http://www.gamevironment.uni-bremen.de.
    [Show full text]
  • Schedule Devgamm Online
    Red Stage Orange Stage Devtodev Stage Green Stage Unity Stage Streaming Stage Technology & May 14 GMT +3 Development 9:55 10:00 Opening by Lerika Mallayeva Art & Visuals New approach to reach core Power to the Artists: The Game Studies audience by psychology Evolution of 2D Game Tools 10:00 10:30 Aleksandr Odaynik, humanteq. Rus Scammell, Unity io Technologies Interactive Cognitive Art – (RU) Game Design Review (EN) Envisioning Information of Code quality of game engines: is it Game Design & Narrative Complex Interfaces really that bad? Let’s Work Together! How to Artyom Volkov, Hattori Graphics debugger RenderDoc: Ivana Randelshofer, Ubisoft George Gribkov, PVS-Studio improve your game with your vs breaking graphics down to the Düsseldorf (RU) players. Spaceship Commander last detail 10:30 11:00 (EN) Cooking Diary Case (RU) Sergey Kormishin, Igor Petrov, MYTONA CoreMission.net (RU) (RU) 11:00 11:15 B R E A K Mix Designing Real-time Dashboards to Analytics User segmentation, RFM support eSports spectating analysis or "fishing dialogue" 11:15 11:45 Sven Charleer, Freelance UX / Streaming Showcase Kate Nagornaya, Belka Games Game Design Review Dashboard / Dataviz R&D The Art of the Pitch Deck (RU) Automating game testing: War (EN) Christopher Wulf, Those Awesome Anna Kersar, AppQuantum Robots experience Guys Pacing the Flow of Information in vs Eugene Demidenko, Pixonic Business & Marketing Alan Dang, Genvid Technologies AAA Games: From the Open World "Whales" in free-to-play games Jumpy Quads (RU) of Horizon Zero Dawn, to the (EN) Vasiliy
    [Show full text]
  • Evolution of the Youtube Personas Related to Survival Horror Games
    Toniolo EVOLUTION OF THE YOUTUBE PERSONAS RELATED TO SURVIVAL HORROR GAMES FRANCESCO TONIOLO CATHOLIC UNIVERSITY OF MILAN ABSTRACT The indie survival horror game genre has given rise to some of the most famous game streamers on YouTube, especially titles likes Amnesia: The Dark Descent (Frictional Games 2010), Slender: The Eight Pages (Parsec Productions 2012), and Five Nights at Freddy’s (Scott Cawthon 2014). The games are strongly focused on horror tropes including jump scares and defenceless protagonists, which lend them to displays of overemphasised emotional reactions by YouTubers, who use them to build their online personas in a certain way. This paper retraces the evolution of the relationship between horror games and YouTube personas, with attention to in-game characters and gameplay mechanics on the one hand and the practices of prominent YouTube personas on the other. It will show how the horror game genre and related media, including “Let’s play” videos, animated fanvids, and “creepypasta” stories have influenced prominent YouTuber personas and resulted in some changes in the common processes of persona formation on the platform. KEY WORDS Survival Horror; Video Game; YouTube; Creepypasta; Fanvid; Let’s Play INTRODUCTION Marshall & Barbour (2015, p. 7) argue that “Game culture consciously moves the individual into a zone of production and constitution of public identity”. Similarly, scholars have studied – with different foci and levels of analysis – the relationships between gamers and avatars in digital worlds or in tabletop games by using the concept of “persona” (McMahan 2003; Waskul & Lust 2004; Isbister 2006; Frank 2012). Often, these scholars were concerned with online video games such as World of Warcraft (Filiciak 2003; Milik 2017) or famous video game icons like Lara Croft from the Tomb Raider series (McMahan 2008).
    [Show full text]
  • Polish Game Industry
    THE GAME INDUSTRY REPORT 2020 OF POLAND W ASD Enter Shift Alt Ctrl W A S D The game industry of Poland — Report 2020 Authors: Eryk Rutkowski Polish Agency for Enterprise Development Jakub Marszałkowski Indie Games Poland, Poznan University of Technology Sławomir Biedermann Polish Agency for Enterprise Development Edited by Sławomir Biedermann, Jakub Marszałkowski Cooperation: Ministry of Development Ministry of Culture and National Heritage Expert support: Game Industry Conference Published by the Polish Agency for Enterprise Development Pańska 81/83, 00-834 Warsaw, Poland www.parp.gov.pl © Polish Agency for Enterprise Development 2020 ISBN 978-83-7633-434-9 The views expressed in this publication are those of the authors and do not necessarily coincide with activities of the Polish Agency for Enterprise Development. All product names, logos and brands mentioned in this publication are the property of their respective owners. Printing of this publication has been co-financed from the European Regional Development Fund in the framework of the Smart Growth Operational Programme. 4 Table of contents Overview of the gaming sector .............................................................................................................. 7 A game has to stir up emotions Success story of 11 bit studios ............................................................................................................... 11 Global game market growth estimates and drivers ................................................................... 13 To diversify
    [Show full text]
  • GOG-API Documentation Release 0.1
    GOG-API Documentation Release 0.1 Gabriel Huber Jun 05, 2018 Contents 1 Contents 3 1.1 Authentication..............................................3 1.2 Account Management..........................................5 1.3 Listing.................................................. 21 1.4 Store................................................... 25 1.5 Reviews.................................................. 27 1.6 GOG Connect.............................................. 29 1.7 Galaxy APIs............................................... 30 1.8 Game ID List............................................... 45 2 Links 83 3 Contributors 85 HTTP Routing Table 87 i ii GOG-API Documentation, Release 0.1 Welcome to the unoffical documentation of the APIs used by the GOG website and Galaxy client. It’s a very young project, so don’t be surprised if something is missing. But now get ready for a wild ride into a world where GET and POST don’t mean anything and consistency is a lucky mistake. Contents 1 GOG-API Documentation, Release 0.1 2 Contents CHAPTER 1 Contents 1.1 Authentication 1.1.1 Introduction All GOG APIs support token authorization, similar to OAuth2. The web domains www.gog.com, embed.gog.com and some of the Galaxy domains support session cookies too. They both have to be obtained using the GOG login page, because a CAPTCHA may be required to complete the login process. 1.1.2 Auth-Flow 1. Use an embedded browser like WebKit, Gecko or CEF to send the user to https://auth.gog.com/auth. An add-on in your desktop browser should work as well. The exact details about the parameters of this request are described below. 2. Once the login process is completed, the user should be redirected to https://www.gog.com/on_login_success with a login “code” appended at the end.
    [Show full text]
  • Elenco-Giochi-Usati.Pdf
    Elenco aggiornato il 09/07/2021 Il servizio di ritiro usato è un'attività che viene svolta SOLO in Negozio Recati nel Negozio più vicino a te per conoscere la valutazione dei giochi. L'elenco e le valutazioni sono soggette a variazioni; Il ritiro dei giochi usati è a discrezione del Negozio, il gioco deve essere in buone condizioni, completo di scatola e manuale e in versione Europea (PAL). Il codice ean deve corrispondere; EAN TITOLO PIATTAFORMA 45496420178 1-2 SWITCH NSW NINTENDO SWITCH 45496426347 51 WORLDW GAMES NSW NINTENDO SWITCH 5060327535468 A.O.T. 2 FINAL BATT. NSW NINTENDO SWITCH 3307216112006 AC 3+AC LIBER.REM. NSW NINTENDO SWITCH 3307216148401 AC REBEL COLLECTION NSW NINTENDO SWITCH 5060146468428 ALADDIN & LION KING NSW NINTENDO SWITCH 45496425463 ANIMAL CROSS.NEW H.NSW NINTENDO SWITCH 3499550384352 AO TENNIS 2 NSW NINTENDO SWITCH 5060327534409 AOT 2 NSW NINTENDO SWITCH 3499550362077 AQUA MOTO RACING NSW NINTENDO SWITCH 45496420352 ARMS SWITCH NINTENDO SWITCH 45496424701 ASTRAL CHAIN NSW NINTENDO SWITCH 5060327535314 ATELIER LULUA NSW NINTENDO SWITCH 45496428594 AVANCE WARS 1+2 NSW NINTENDO SWITCH 45496421472 BAYONETTA 2 NSW NINTENDO SWITCH 5060528033459 BEN 10: POWER TRIP NSW NINTENDO SWITCH 5026555067973 BIOSHOCK THE COLLECTION NINTENDO SWITCH 8023171043265 BLOODSTAINED NSW NINTENDO SWITCH 5026555068093 BORDERLANDS LEGENDARY C. NINTENDO SWITCH 45496425937 BRAIN TRAINING NSW NINTENDO SWITCH 45496426125 BRAVELY DEFAULT II NSW NINTENDO SWITCH 5030946124008 BURNOUT PARAD RE.NSW NINTENDO SWITCH 3391892009743 C. TSUBASA RISE OF NSW NINTENDO SWITCH 45496422349 CAPTAIN TOAD NSW NINTENDO SWITCH 5026555067386 CARNIVAL GAMES NSW NINTENDO SWITCH 5051891149618 CARS 3 NS NINTENDO SWITCH 3760156486413 CATS AND DOG NSW NINTENDO SWITCH 5030917294211 CRASH BANDICOOT 4 NSW NINTENDO SWITCH 5030917236778 CRASH BANDICOOT NSW NINTENDO SWITCH 5030917269844 CRASH TEAM RAC.
    [Show full text]
  • Level Design in Virtual Reality
    Level Design in Virtual Reality Veikka Saaristo BACHELOR’S THESIS November 2020 Degree Programme in Business Information Systems Game Development ABSTRACT Tampereen ammattikorkeakoulu Tampere University of Applied Sciences Degree Programme in Business Information Systems Game Development SAARISTO, VEIKKA: Level Design in Virtual Reality Bachelor's thesis 68 pages November 2020 This thesis studies level design methodology and best practices regarding both traditional and virtual reality level design, as well as the author’s own professional experience as a virtual reality level designer with the objective of creating a custom map extension to Half-Life: Alyx (Valve 2020). The purpose of this thesis was to introduce virtual reality level design and to display how virtual reality levels are designed and created through a documented example. The thesis focuses on methods and practices that are applicable to work outside of a specific engine or editor. Data was collected from various sources, including several online publications, the individual views of industry professionals, developer websites of headset fabricators, and from literature. The map extension was created as a part of this thesis. It was developed using Valve’s own Hammer editor, which enabled building the level based on an original design. In addition to theory, this thesis addresses the design and creation of this map extension, offering excerpts from the process in form of in-editor screenshots and descriptions. During the creation of this thesis, the superiority of the Hammer editor compared to other editors and game engines used before was noted due to its first-class built-in level design tools. Learning a new work environment from the beginning and the choice of virtual reality headset used in the development proved challenging as the older Oculus Rift headset caused issues while working with a game as new as the one used as the case study.
    [Show full text]
  • Spatial Communication in Videogame Environments
    by Gregory Martin Whistance-Smith A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Digital Humanities University of Alberta © Gregory Martin Whistance-Smith, 2019 Videogame environments constitute a vast expansion of the built environment, offering new worlds to explore and new spaces for engaging in a range of activities. While often framed by their activities, these virtual spaces are also meaningful for how they communicate values and shape behaviour, much as physical ones do. Theories of embodied cognition argue that human cognitive processes are grounded in our body-based engagement with the world, and they provide a robust way into analyzing how spaces communicate to their inhabitants and interactors. Using analyses of nine videogames, this study argues that virtual environments communicate spatially through the design of their interactive affordances, and how these evoke cognitive schemas, metaphors, and frames through interactions within the space. The nine works span three types of virtual environments: spaces designed (1) as rich worlds to explore (e.g. gardens), (2) as settings for meaningful action (e.g. workplaces), and (3) as scaffolds for training new modes of perception (e.g. installation artworks). These categories address players’ differing forms of engagement with each type of space, and the comparative analyses between works (within and across categories) capture a range of spatial communication strategies by revealing important commonalities and differences between works. Together, the analyses reveal the semiotic strategies used to create meaningful virtual places, while also suggesting approaches to designing meaningful built environments of all sorts. ` This thesis was a significant undertaking that I could not have completed without support from many sources.
    [Show full text]