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Apache TOMCAT
LVM Data Migration • XU4 Fan Control • OSX USB-UART interfacing Year Two Issue #22 Oct 2015 ODROIDMagazine Apache TOMCAT Your web server and servlet container running on the world’s most power-efficient computing platform Plex Linux Gaming: Emulate Sega’s last Media console, the Dreamcast Server What we stand for. We strive to symbolize the edge of technology, future, youth, humanity, and engineering. Our philosophy is based on Developers. And our efforts to keep close relationships with developers around the world. For that, you can always count on having the quality and sophistication that is the hallmark of our products. Simple, modern and distinctive. So you can have the best to accomplish everything you can dream of. We are now shipping the ODROID-U3 device to EU countries! Come and visit our online store to shop! Address: Max-Pollin-Straße 1 85104 Pförring Germany Telephone & Fax phone: +49 (0) 8403 / 920-920 email: [email protected] Our ODROID products can be found at http://bit.ly/1tXPXwe EDITORIAL his month, we feature two extremely useful servers that run very well on the ODROID platform: Apache Tom- Tcat and Plex Media Server. Apache Tomcat is an open- source web server and servlet container that provides a “pure Java” HTTP web server environment for Java code to run in. It allows you to write complex web applications in Java without needing to learn a specific server language such as .NET or PHP. Plex Media Server organizes your vid- eo, music, and photo collections and streams them to all of your screens. -
Dual-Forward-Focus
Scroll Back The Theory and Practice of Cameras in Side-Scrollers Itay Keren Untame [email protected] @itayke Scrolling Big World, Small Screen Scrolling: Neural Background Fovea centralis High cone density Sharp, hi-res central vision Parafovea Lower cone density Perifovea Lowest density, Compressed patterns. Optimized for quick pattern changes: shape, acceleration, direction Fovea centralis High cone density Sharp, hi-res central vision Parafovea Lower cone density Perifovea Lowest density, Compressed patterns. Optimized for quick pattern changes: shape, acceleration, direction Thalamus Relay sensory signals to the cerebral cortex (e.g. vision, motor) Amygdala Emotional reactions of fear and anxiety, memory regulation and conditioning "fight-or-flight" regulation Familiar visual patterns as well as pattern changes may cause anxiety unless regulated Vestibular System Balance, Spatial Orientation Vestibulo-Ocular Reflex Natural image stabilizer Conflicting sensory signals (Visual vs. Vestibular) may lead to discomfort and nausea* * much worse in 3D (especially VR), but still effective in 2D Scrolling with Attention, Interaction and Comfort Attention: Use the camera to provide sufficient game info and feedback Interaction: Make background changes predictable, tightly bound to controls Comfort: Ease and contextualize background changes Attention The Elements of Scrolling Interaction Comfort Scrolling Nostalgia Rally-X © 1980 Namco Scramble © 1981 Jump Bug © 1981 Defender © 1981 Konami Hoei/Coreland (Alpha Denshi) Williams Electronics Vanguard -
Inside the Video Game Industry
Inside the Video Game Industry GameDevelopersTalkAbout theBusinessofPlay Judd Ethan Ruggill, Ken S. McAllister, Randy Nichols, and Ryan Kaufman Downloaded by [Pennsylvania State University] at 11:09 14 September 2017 First published by Routledge Th ird Avenue, New York, NY and by Routledge Park Square, Milton Park, Abingdon, Oxon OX RN Routledge is an imprint of the Taylor & Francis Group, an Informa business © Taylor & Francis Th e right of Judd Ethan Ruggill, Ken S. McAllister, Randy Nichols, and Ryan Kaufman to be identifi ed as authors of this work has been asserted by them in accordance with sections and of the Copyright, Designs and Patents Act . All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark notice : Product or corporate names may be trademarks or registered trademarks, and are used only for identifi cation and explanation without intent to infringe. Library of Congress Cataloging in Publication Data Names: Ruggill, Judd Ethan, editor. | McAllister, Ken S., – editor. | Nichols, Randall K., editor. | Kaufman, Ryan, editor. Title: Inside the video game industry : game developers talk about the business of play / edited by Judd Ethan Ruggill, Ken S. McAllister, Randy Nichols, and Ryan Kaufman. Description: New York : Routledge is an imprint of the Taylor & Francis Group, an Informa Business, [] | Includes index. Identifi ers: LCCN | ISBN (hardback) | ISBN (pbk.) | ISBN (ebk) Subjects: LCSH: Video games industry. -
Razer Fact Sheet
RAZER FACT SHEET Year Founded: 1998 Contact Information: Razer USA LTD Razer (Asia Pacific) PTE LTD 2035 Corte de Nogal, Suite 101 514 Chai Chee Lane, #07-05 Carlsbad, CA 92011 Singapore 469029 Tel: 760.579.0180 Tel: +65 6505 2188 Number of Employees: 400+ History: Razer was founded in coastal San Diego in the late ‘90s by lawyer- turned- competitive gamer Min-Liang Tan and pro NFL linebacker- turned-competitive gamer Robert Krakoff. The company, known for its neon green triple-snake logo, was the first online gaming- specific hardware company, credited with the advent of the gaming mouse, innovations with gaming keyboards and headphones, development of the first portable gaming laptops and tablet, and instrumental role in the development of global e- Sports. Management: Min-Liang Tan, co-founder, CEO and creative director Khaw Kheng Joo, COO Edwin Chan, CFO Robert Krakoff, co-founder, president Mike Dilmagani, SVP, Sales and Marketing Products: • Laptops Tablets and related peripherals Wireless and wired mice and mouse surfaces Mechanical and membrane keyboards Headsets and headphones Software – Audio, VOIP, and systems optimization Apparel Accessories Distribution: 70-plus countries worldwide, including the USA, Canada and Latin America; Asia-Pacific; China; EU; and South Africa Sponsored Personalities: Athene, YouTube personality Jason Somerville, professional poker player Nick Lentz, MMA fighter Scott Jorgensen, MMA fighter Swifty, YouTube personality Sponsored Teams: 3DMX Alliance Anexis Esports Blood Legion Counter -
GAME CAREER GUIDE July 2016 Breaking in the Easy(Ish) Way!
TOP FREE GAME TOOLS JULY 2016 GAME FROM GAME EXPO TO GAME JOB Indie intro to VR Brought to you by GRADUATE #2 PROGRAM JULY 2016 CONTENTS DEPARTMENTS 4 EDITOR’S NOTE IT'S ALL ABOUT TASTE! 96 FREE TOOLS FREE DEVELOPMENT TOOLS 2016 53 GAME SCHOOL DIRECTORY 104 ARRESTED DEVELOPMENT There are tons of options out there in terms INDIE DREAMIN' of viable game schools, and this list is just the starting point to get you acquainted with the schools near you (or far from you, if that’s what STUDENT POSTMORTEM you prefer!). 32 BEGLITCHED 72 VIRTUALLY DESIGNED NYU Game Center students Alec Thomson and Jennu Jiao Hsia discuss their IGF Award- VR has quickly moved from buzzword, to proto- winning match three game about insecurity type, to viable business. This guide will help you within computers, and within ourselves. get started in VR development, avoiding some common pitfalls. FEATURES 78 SOUNDS GOOD TO ME! 8 BREAKING IN THE EASY(ISH) WAY! Advice for making audio (with or without) How attending expos can land you a job. an audio specialist. 18 ZERO TO HERO Hey! You want to learn low poly modeling but 84 A SELLER’S MARKET don’t know where to start? Look no further! Marketing fundamentals for your first game. With this guide, we hope to provide a good introduction to not only the software, but 90 INTRO TO GAME ENGINES also the concepts and theory at play. A brief discussion of some of the newest and most popular DO YOU NEED A PUBLISHER? 34 game engines. -
Cave Story Ost Gravity
Cave story ost gravity click here to download Cave Story has a variety of interesting music (in org format) that was developed by Pixel through a program called OrgMaker. Pixel included a program called. Stream Cave Story 3D OST - Gravity by generallee21 from desktop or your mobile device. Cave Story Complete OST (Remastered). Top 10 Cave Story Music: Original, Remastered, New. Cave Gravity - Cave Story 3D Music Extended. Eyes Of. Download Link: www.doorway.ru?yngobyb72nc3r04 www.doorway.ru? c9f2zkq7a0w0f2p The Extended Version of Gravity. I DO NOT OWN THIS SONG, . DeceasedCrab, who did a Let's Play of Cave Story, says "Anyone who doesn't love the challenge in Cave Story+, with this song as the background music. the new version of Egg Corridor · Balrog's Theme · and Gravity with the drum track. Free Cave Story soundtracks, Cave Story MP3 downloads. Browse our great selection of Cave Story music. Unlimitted free downloads of your. Cave Story Tabs. Instrument. - Any -, Banjo, Bass Song Title sort icon · Game/ Anime · Tabber Gravity Guitar, Cave Story · Maximillian. Hero's End Guitar . md5sum: b3f1beed4ef7a7ce9cedccb. www.doorway.ru music/computer/microsoft/windows/www.doorway.ru Cave Story OST (Vinyl, LP, Album, Unofficial Release, Stereo) album Doukutsu Monogatari – Cave Story OST. Label: A3, Gravity, out Cave Story (Piano Selections) by Game Soundtrack Cat on Amazon Music. Cave Story Theme (Piano Version) Gravity (Cave Story) [Piano Version]. This music pack contains four variants of the Cave Story OST: Organya (Original) Gravity (Boss fight theme #1) peepee lol. Cemetery. Cave Story (Theme Song) Alpha Mix Plantation Version Steam Version, Alpha Mix, Plantation Gravity: Boss Battle (GBA) - The Spongebob Squarepants Movie. -
Mapping the Range of User Roles in Open Development Games Projects
Not just users: Mapping the range of user roles in open development games projects Luke Thominet Florida International University Miami, FL, USA [email protected] ABSTRACT love what you’re doing, and they’re not playing a lot, Open video game development systems provide a useful model but they might be writing fanfction, they might be for designing an engaging user experience (UX) research project. drawing, they might be doing other things, and they’re While UX research has typically framed people simultaneously as not actually just a hardcore player. [19] research subjects and users of a technology, some work has also At the 2015 Game Developers Conference, a panel of experienced problematized each of these categorizations. For instance, UX prac- developers discussed their experiences with open development titioners have questioned the framing of people as generic users, projects. In the quote above, Jamie Cheng described how partici- and participatory design has repositioned participants as co-owners pants in these projects were doing a lot more than just playing the of the results of research. This article ofers a complimentary per- game. This paper expands on this observation to review the broad spective by applying the concept of user roles to the activity of range of roles that user-participants adopt in open development participation in open development. Open development, which is the systems. prolonged process where incomplete games are publicly released Broadly speaking, open development is publicly distributing an and iterated on based on player feedback, is fundamentally a UX incomplete game, sharing information about the game develop- research process. -
Amended Final Draft
Independent or Indie? Creative Autonomy and Cultural Capital in Independent Video Game Production Martin Graham Smith A thesis submitted in fulfilment of the requirements of the Manchester Metropolitan University for the degree of Master of Arts (By Research) Manchester Institute for Research and Innovation in Art and Design (MIRIAD) May 2016 ABSTRACT The use of the word ‘indie’ in relation to video games has shifted from referring to games made independently of a large publisher to being a more nebulous term that is harder to define but that is clearly used at times to refer to games other than those made without the financial assistance of publishers. This thesis seeKs to contribute to the ongoing debate in academic writing on video games as to the meaning of the phrase ‘indie games’. The thesis combines textual and institutional analysis to contextualise the modern indie game by investigating the history of independent video game production in the UK and USA from the 1970s to the modern day, with reference to how changes in technology have shaped independent video game production over time. Alternative models of production that existed before the indie games of the mid-2000s onwards are an under researched area, and this thesis argues that a number of independent counter trends to dominant industry practices set precedents for many of the features of later indie games, in terms of content, style, distribution methods, and models of production. The thesis also contains a case study into the publisher-funded indie games of Jenova Chen and Thatgamecompany which investigates the conflicting definitions of indie in academic writing on video games and other forms of media, arguing that as with indie in cinema, indie in games functions as a form of cultural capital for the audience and developers. -
Graveyard Keeper. a Review by Kathrin Trattner, 250
Untitled. Photographer: Pawel Kadysz (https://stocksnap.io/photo/OZ4IBMDS8E). Special Issue Video Gaming and Death edited by John W. Borchert Issue 09 (2018) articles Introduction to a Special Issue on Video Gaming and Death by John W. Borchert, 1 Death Narratives: A Typology of Narratological Embeddings of Player's Death in Digital Games by Frank G. Bosman, 12 No Sympathy for Devils: What Christian Video Games Can Teach Us About Violence in Family-Friendly Entertainment by Vincent Gonzalez, 53 Perilous and Peril-Less Gaming: Representations of Death with Nintendo’s Wolf Link Amiibo by Rex Barnes, 107 “You Shouldn’t Have Done That”: “Ben Drowned” and the Uncanny Horror of the Haunted Cartridge by John Sanders, 135 Win to Exit: Perma-Death and Resurrection in Sword Art Online and Log Horizon by David McConeghy, 170 Death, Fabulation, and Virtual Reality Gaming by Jordan Brady Loewen, 202 The Self Across the Gap of Death: Some Christian Constructions of Continued Identity from Athenagoras to Ratzinger and Their Relevance to Digital Reconstitutions by Joshua Wise, 222 reviews Graveyard Keeper. A Review by Kathrin Trattner, 250 interviews Interview with Dr. Beverley Foulks McGuire on Video-Gaming, Buddhism, and Death by John W. Borchert, 259 reports Dying in the Game: A Perceptive of Life, Death and Rebirth Through World of Warcraft by Wanda Gregory, 265 Graveyard Keeper. A Review Kathrin Trattner Abstract Review of the game Graveyard Keeper. Keywords: Graveyard Keeper, indie gaming, management simulation, death, postmortality, capitalism, gamevironments To cite this article: Trattner, K., 2018. Graveyard Keeper. A Review. gamevironments 9, 250-258. Available at http://www.gamevironment.uni-bremen.de. -
CAVE STORY™3D Is Now Shipping to Gamestop and Other North American Retailers!
November 8, 2011 For Immediate Release CAVE STORY™3D is now shipping to Gamestop and other North American retailers! Santa Ana, Calif. – NIS America is proud to announce that today is the official release date for the highly anticipated Cave Story 3D for the Nintendo 3DS™ console in North America! Cave Story fans across the U.S. and Canada will now be able to experience this epic tale in a whole new world of depth and excitement. With newly added content for its 3DS release, along with a selectable classic “2D” mode, prepare for a whole new perspective for this awesome story. ABOUT CAVE STORY 3D About NIS America Cave Story 3D is a side scrolling action adventure game inspired by the fan-favorite 2D original. In 2003, NIS America was Now in a full 3D world, Cave Story takes the proven 2D action, exploration into stereoscopic established in Southern California to bring exciting, awesomeness. You wake up in a cave with no idea who you are or where you came from, but one-of-a-kind Japanese culture you know you must help a cute race of rabbit-like creatures beat the crap out of some crusty old to North America. NIS doctor. America’s team members devote themselves to the fans. Their respect for their fans is As you advance through the game, you’ll learn the origin of the Mimiga world and even your at the heart of everything they own. Like the critically acclaimed Pixel masterpiece, Cave Story 3D is a combination of high- do. As an established speed shooting action scenes with heavy emphasis on platforming, exploration, light puzzle entertainment publisher in the solving as well as a deep storyline. -
Schedule Devgamm Online
Red Stage Orange Stage Devtodev Stage Green Stage Unity Stage Streaming Stage Technology & May 14 GMT +3 Development 9:55 10:00 Opening by Lerika Mallayeva Art & Visuals New approach to reach core Power to the Artists: The Game Studies audience by psychology Evolution of 2D Game Tools 10:00 10:30 Aleksandr Odaynik, humanteq. Rus Scammell, Unity io Technologies Interactive Cognitive Art – (RU) Game Design Review (EN) Envisioning Information of Code quality of game engines: is it Game Design & Narrative Complex Interfaces really that bad? Let’s Work Together! How to Artyom Volkov, Hattori Graphics debugger RenderDoc: Ivana Randelshofer, Ubisoft George Gribkov, PVS-Studio improve your game with your vs breaking graphics down to the Düsseldorf (RU) players. Spaceship Commander last detail 10:30 11:00 (EN) Cooking Diary Case (RU) Sergey Kormishin, Igor Petrov, MYTONA CoreMission.net (RU) (RU) 11:00 11:15 B R E A K Mix Designing Real-time Dashboards to Analytics User segmentation, RFM support eSports spectating analysis or "fishing dialogue" 11:15 11:45 Sven Charleer, Freelance UX / Streaming Showcase Kate Nagornaya, Belka Games Game Design Review Dashboard / Dataviz R&D The Art of the Pitch Deck (RU) Automating game testing: War (EN) Christopher Wulf, Those Awesome Anna Kersar, AppQuantum Robots experience Guys Pacing the Flow of Information in vs Eugene Demidenko, Pixonic Business & Marketing Alan Dang, Genvid Technologies AAA Games: From the Open World "Whales" in free-to-play games Jumpy Quads (RU) of Horizon Zero Dawn, to the (EN) Vasiliy -
Video Game Music: Structure and Analysis 1 Unit P/NP Wed 6-7Pm 128 Morrison Hall
Video Game Music: Structure and Analysis 1 Unit P/NP Wed 6-7pm 128 Morrison Hall Daniel Raban [email protected] Not long after the inception of the video game medium, music was introduced to enhance the gaming experience. As the video game medium evolved, video game music has flourished into a distinctive genre. In this course, we will address questions such as “What is the unique sound of the video game music genre?,” “How is music integrated into video games?,” and “How has video game music changed over time?” We will analyze common structures in video game music and their relationship to their context, both in-game and historically. A previous familiarity with basic music theory will not be assumed but will be a helpful background for this course. We will begin the course with elements and examples of early video game music and proceed to study music of multiple eras simultaneously, structuring each session around the analysis of a particular facet of the genre. As the course progresses, students will develop a basic musical vocabulary, collection of examples, and repertoire of analytical tools through which they can understand and appreciate video game music. The course will not focus on the influence of notable examples of video game music on the genre; rather, representative examples of musical elements and historical trends will paint a more general picture though which students will be able to determine the significance of video game music pieces not discussed in class. The course sessions will consist of lecture and discussion portions; participation in class discussions will be required.