Joint Vienna Residence
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Punitive Damages and Collective Actions in Europe
Punitive damages and collective actions in Europe Vienna, 26 – 28 June 2014 European Lawyers' Union (UAE) XXVIII Congress Contact details: Michael Poduschka Mobile: 0043726253555 Email: [email protected] Walfischgasse 5, 1010 Wien Wien | Linz | Perg Punitive damages and collective actions in Europe Agenda for Friday 27 June 2014 – Kinsky Palace (Simultaneous interpretation services in English, German and French) 08.30 a.m.: Registration 09.00 a.m.: Welcoming and opening remarks Michael Poduschka (RA), Head of the UAE Regional Delegation for Austria and Attorney in Vienna, Linz and Perg Bruno Telchini (Avv), President of the European Lawyers' Union and Attorney in Bolzano, Italy Georg Kodek (Univ. Prof. Dr., LLM (Northwestern University), Judge at the Austrian Supreme Court of Justice, Professor at the Vienna University of Economics and Business (Institute for Civil and Corporate law). 10.00 a.m.: First session Punitive damages and collective actions in the USA and from the EU point of view Moderator: Claude Bontinck (Me), Honorary President of the UAE, Attorney in Brussels René Richardt (RA), Gansel Rechtsanwälte, Berlin. Graduated from Freie Universität Berlin (Faculty of Law) with focus on International Private Law and Comparison of Law; studied also at University of Connecticut, School of Law, Hartford, USA. Jacek Garstka, DG Justice, European Commission, Brussels. 11.30 a.m.: Coffee break 12.00 a.m.: Second session Punitive damages and collective actions in Austria Moderator: Andreas Riedler (Univ. Prof. Mag. Dr.), Professor of Civil Law at the University of Linz, Head of the Institute for Civil Law (Stv), Head of the Institute for Studies in Multimedia Law in Linz Peter Hadler (Mag.), Judge and President of the Vienna Commercial Court (Court before which are brought most of the collective actions in Austria) Georg Kathrein (SC Dr. -
Nexus Nexus Star
NEXUS English NEXUS STAR References AUDIO EXCELLENCE NEXUS, NEXUS Star TV and Radio Broadcast • 20th Century Fox LA, USA • RBB FS Berlin, Germany • ABC News Los Angeles, USA • RPP Radio Programas del Peru Lima, Peru • All India Radio New Delhi, India • RTL Studio Berlin, Germany • Anhui TV Hefei-Anhui, China • RTL 2 Paris, France • Antena 3 TV Madrid, Islas Baleares, Spain • SAT 1 Zurich, Switzerland • ASTRO Kuala Lumpur, Malaysia • Shanghai Education Television Shanghai, China • BBC Transmission Router London, United Kingdom • SFB Sender Freies Berlin Berlin, Germany • BBC North Manchester, United Kingdom • SR Saarländischer Rundfunk Saarbrücken, Germany • Bernama News TV Kuala Lumpur, Malaysia • Staatlicher Rundfunk Usbekistan Uzbekistan • BFM Radio Paris, France • Star RFM Kuala Lumpur, Malaysia • BR Bayerischer Rundfunk Munich, Germany • Studio Hamburg Hamburg, Germany • Cadena SER Madrid, Barcelona, Valencia, Spain • SWR Südwestrundfunk Stuttgart, Baden-Baden, • Canal Mundo Radio Madrid, Spain Germany • Canal+ Paris, France • Tele 5 Madrid, Spain • CBC Cologne Broadcasting Center Cologne, Germany • Tele Red Imagen Buenos Aires, Argentina • CBS New York, USA • Television Autonomica Valenciana Valencia, Spain • Chong-Qin TV Chong-Qin, China • TF 1 Paris, France • City FM Kuala Lumpur, Malaysia • TV 1 Napoli Naples, Italy • City Plus Kuala Lumpur, Malaysia • TV Tokyo Tokyo, Japan • ESPN Bristol, LA, USA • TVE Radio Televisión Espanola Madrid, Spain • ETABETA Rome, Italy • Unitel Unterföhring, Germany • Eurosport 2 Paris, France • Vatican -
Kulturstatistik 2017 – Zusammenfassung
2017 KULTURSTATISTIK Herausgegeben von STATISTIK AUSTRIA Wien 2019 Impressum Auskünfte Für schriftliche oder telefonische Anfragen steht Ihnen in der Statistik Austria der Allgemeine Auskunftsdienst unter der Adresse Guglgasse 13 1110 Wien Tel.: +43 (1) 711 28-7070 e-mail: [email protected] Fax: +43 (1) 71128-7728 zur Verfügung. Herausgeber und Hersteller STATISTIK AUSTRIA Bundesanstalt Statistik Österreich 1110 Wien Guglgasse 13 Für den Inhalt verantwortlich Mag. Wolfgang Pauli Tel.: +43 (1) 711 28-7268 e-mail: [email protected] Umschlagfoto Cäcilia Bachmann Kommissionsverlag Verlag Österreich GmbH 1010 Wien Bäckerstraße 1 Tel.: +43 (1) 610 77-0 e-mail: [email protected] ISBN 978-3-903264-22-9 Das Produkt und die darin enthaltenen Daten sind urheberrechtlich geschützt. Alle Rechte sind der Bundesanstalt Statistik Österreich (STATISTIK AUSTRIA) vorbehalten. Bei richtiger Wiedergabe und mit korrekter Quellenangabe „STATISTIK AUSTRIA“ ist es gestattet, die Inhalte zu vervielfältigen, verbreiten, öffentlich zugänglich zu machen und sie zu bearbeiten. Bei auszugsweiser Verwendung, Darstellung von Teilen oder sonstiger Veränderung von Dateninhalten wie Tabellen, Grafiken oder Texten ist an geeigneter Stelle ein Hinweis anzubrin- gen, dass die verwendeten Inhalte bearbeitet wurden. Die Bundesanstalt Statistik Österreich sowie alle Mitwirkenden an der Publikation haben deren Inhalte sorgfältig recher- chiert und erstellt. Fehler können dennoch nicht gänzlich ausgeschlossen werden. Die Genannten übernehmen daher keine -
Broadcasting
Broadcasting tpc zürich ag: sport studio; control room 1, 2, 3, VR1, VR2 Zurich, Switzerland TSR Télévision Suisse Romande Geneva, Switzerland References: AURUS & NEXUS/NEXUS STAR TVE Radio Televisión Espanola: A4 Studio, Studio 10 + 11 Madrid, Spain Antena 3 Madrid (TV) Madrid, Spain (9 Main Consoles) WDR Westdeutscher Rundfunk: »Philharmonic Hall«; dubbing studio Astro (Malaysian satellite television): HD Sport channel; U+V (2 Main Consoles); dubbing studio S (2 Main Consoles); FS con- TV Studio 1, 2, 3 Kuala Lumpur, Malaysia trol room AB, Studio E Cologne; Studio B1/2 Bocklemund; dubbing Anhui TV 1000 m² + 1200 m² Studio Hefei-Anhui, China Dusseldorf Germany (2 Main Consoles) studio 1 + 2 BBC Scotland: Studio A & C Glasgow, United Kingdom BR Bayerischer Rundfunk: FM 1, FM 3 (TV); Radio Studio 1 + 2, References: CRESCENDO & NEXUS/NEXUS BR Residenz Munich; FS Studio Franken Nuremberg, Germany STAR Canal 9 Valencia, Spain ASTRO: HD Sport channel, Arena Studio Kuala Lumpur, Malaysia CCTV: Hall 1 + Studio 9 Beijing, China (3 Main Consoles) (2 Main Consoles) Crow TV Studio Tokyo, Japan Anhui TV: 1000 m²- + 1200 m² studio Hefei-Anhui, China (2 Main Deutschlandradio Berlin, Cologne, Germany Consoles) Deutsche Welle TV: Audio-control room 3 Berlin, Germany CCTV: news studios 06 + 07 Beijing, China (7 Main Consoles) FM 802: Radio Osaka, Japan (4 Main Consoles) Hangzhou TV Hangzhou, China (3 Main Consoles) France 2: TV Studio C; News Studio Paris, France HR Hessischer Rundfunk: TV control room 2 Frankfurt/Main; Fuji TV: DAV Studio; Studio A Tokyo, -
Views Winter 2015
INSPIRATION AND RESOURCES QRCA FOR QUALITATIVE RESEARCH WINTER 2015 VOLUME 14 • NUMBER 2 VIEWS RESEARCH IN THE TOOLBOX: What America Really Wanted to MIDDLE EAST Hear in September’s Republican Debate CHANGING TRENDS, AttITUDES, TECH TALK: How to Incorporate AND CONSUMER BEHAVIOR Eyetracking into Your Qualitative Research Studies TRAVEL WISE: Vienna Inside Out: Must-Dos, Must-Sees, and Must-Eats in the Host City for QRCA’s 2016 International Conference QRCA WINTER 2015 THE OFFICIAL PUBLICATIONVIEWS OF THE QUALITATIVE RESEARCH CONSULTANTS ASSOCIATION TABLE OF CONTENTS 13 Research in the Middle East? “Aiwa,” You Can! GLOBAL: The Middle East provides unique opportunities for companies across the globe. Due to the vast cultural differences, doing research in the Middle East has its own set of challenges. Familiarizing yourself with the nuances of their work culture can help ease the research process. Aiwa, you can! 18 21 24 What America Really Want- How to Incorporate Vienna Inside Out: Must-Dos, ed to Hear in September’s Eyetracking into Your Must-Sees, and Must-Eats in Republican Debate Qualitative Research Studies the Host City for QRCA’s 2016 TOOLBOX: Does social media offer a TECH TALK: Eyetracking is certainly International Conference path for quick direction insights even among the more time-consum- TRAVEL WISE: Vienna, Austria is the without access to a private consumer ing and costly usability research site for the QRCA 2016 Worldwide panel? Yes it does. methods. But you can periodically Conference, April 13-15. Discover the integrate it in your mix of methods must-dos, must-sees, and must-eats without too much extra effort and in our beautiful and charming confer- add a new layer of insights. -
Cozy in Vienna the Austrian Capital's Hidden Heart Streets Ahead
mercedes-magazine.ca i s s n 1925-4148 14·FALL/WINTER streets Ahead Behind the wheel of the S-Class Coupe Orient Express Canada’s new Chinese food rethink ThE ranch cozy in vienna Getaways go zen in B.C.’s The Austrian capital’s hidden heart cowboy country jetset Finding Gemütlichkeit in Vienna Among the Austrian capital’s coziest venues, we go in search of that intangible sense of well-being that the German language so aptly captures. words NATASHA MEKHAIL W What is the feeling of the colour blue? I’m contemplating this question over a frothy café latte in the tiny Blue Bar of Vienna’s Hotel Sacher, where the plush velvet booths are deep navy, the walls a silk brocade of peacock, the marble tables veined cobalt and even the 19th-century damsels in the oil paintings clothed in teal and azure. The hotel’s long-time former owner, Anna Sacher, understood atmosphere. Blue is the calm of water, of the sky in sunlight. Perhaps because it is the predominant colour of our world, even its coolest shades produce a warm emotion. Presiding over her elegant hotel, cigar in hand and a cluster of French bulldogs in tow, Sacher not only ) had exacting standards (a culture that remains firmly ight (r intact at Austria’s top hotel nearly 140 years later), she ek o was also able to create spaces that guests could feel ekk o instantly at home in. In short, she created gemütlichkeit. K E d In English it takes a whole sentence to describe what T r in the German language can be summed up in that ha b ge one succinct word. -
Working for the IAEA
Working for the IAEA A Guide for US Citizens 2018 Edition Working for the IAEA A Guide for US Citizens 2018 Edition From the Editors This Guidebook is intended to provide practical information for United States citizens embarking on or considering an assignment at the International Atomic Energy Agency (IAEA) in Vienna, Austria. Since its first appearance in 1989, the Guidebook has been revised frequently to reflect changes occurring at the IAEA, within the United States Support Program to IAEA Safeguards (USSP), and in Vienna. The 2018 Edition reflects these changes at the time of publication. Nevertheless, IAEA salaries, allowances, and other benefits change, as do telephone numbers, addresses, and websites. Currency exchange rates, prices, and store hours in Vienna inevitably fluctuate. We regret any inconvenience this may cause our readers. The 2018 Edition of the Guidebook was prepared by the International Safeguards Project Office (ISPO) under the auspices of the USSP and was published by Brookhaven National Laboratory (BNL). Jeanne Anderer, Ben Dabbs Editors November 2018 Working for the IAEA: A Guide for US Citizens 2018 Edition Prepared by the International Safeguards Project Office (ISPO) under the auspices of the United States Support Program to IAEA Safeguards (USSP) International Safeguards Project Office (ISPO) Brookhaven National Laboratory 30 Bell Avenue, Building 490C Upton, New York 11973‑5000, USA Telephone: (631) 344‑5902 Fax: (631) 344‑5266 Web: bnl.gov/ispo facebook.com/ISPObnl youtube.com/IAEAvideo Printed by Brookhaven -
Vienna Historic Trail Was Established by Troop 427 in 1989, the City of Vienna Still Maintains Its Old Fashioned Charms and History
VIENNA, AUSTRIA HISTORIC TRAIL VIENNA, AUSTRIA HISTORIC TRANSATLANTICTRAIL COUNCIL How to Use This Guide This Field Guide contains information on the Vienna Historical Trail designed by a members of Troop 427 of Vienna. The guide is intended to be a starting point in your endeavor to learn about the history of the sites on the trail. Remember, this may be the only time your Scouts visit Vienna in their life so make it a great time! While TAC tries to update these Field Guides when possible, it may be several years before the next revision. If you have comments or suggestions, please send them to [email protected] or post them on the TAC Nation Facebook Group Page at https://www.facebook.com/groups/27951084309/. This guide can be printed as a 5½ x 4¼ inch pamphlet or read on a tablet or smart phone. Front Cover: MariaTheresienplatz Front Cover Inset: Staatsoper (State Opera House) VIENNA, AUSTRIA 2 HISTORIC TRAIL Table of Contents Getting Prepared……………………… 4 What is the Historic Trail…………5 Historic Trail Route……………. 6-15 Trail Map…………………….………..16-17 Quick Quiz…………………………………18 B.S.A. Requirements…………..…… 19 Notes……………………………..……20-23 VIENNA, AUSTRIA HISTORIC TRAIL 3 Getting Prepared Just like with any hike (or any activity in Scouting), the Historic Trail program starts with Being Prepared. 1. Review this Field Guide in detail. 2. Check local conditions and weather. 3. Study and Practice with the map and compass. 4. Pack rain gear and other weather-appropriate gear. 5. Take plenty of water. 6. Make sure socks and hiking shoes or boots fit correctly and are broken in. -
Historic Centre of Vienna
WHC Nomination Documentation File Name: 1033.pdf UNESCO Region: EUROPE AND THE NORTH AMERICA __________________________________________________________________________________________________ SITE NAME: Historic Centre of Vienna DATE OF INSCRIPTION: 16th December 2001 STATE PARTY: AUSTRIA CRITERIA: C (ii)(iv)(vi) DECISION OF THE WORLD HERITAGE COMMITTEE: Excerpt from the Report of the 25th Session of the World Heritage Committee The Committee inscribed the Historic Centre of Vienna on the World Heritage List under criteria (ii), (iv), and (vi): Criterion (ii): The urban and architectural qualities of the Historic Centre of Vienna bear outstanding witness to a continuing interchange of values throughout the second millennium. Criterion (iv): Three key periods of European cultural and political development - the Middle Ages, the Baroque period, and the Gründerzeit - are exceptionally well illustrated by the urban and architectural heritage of the Historic Centre of Vienna. Criterion (vi): Since the 16th century Vienna has been universally acknowledged to be the musical capital of Europe. While taking note of the efforts already made for the protection of the historic town of Vienna, the Committee recommended that the State Party undertake the necessary measures to review the height and volume of the proposed new development near the Stadtpark, east of the Ringstrasse, so as not to impair the visual integrity of the historic town. Furthermore, the Committee recommended that special attention be given to continuous monitoring and control of any changes to the morphology of the historic building stock. BRIEF DESCRIPTIONS Vienna developed from early Celtic and Roman settlements into a Medieval and Baroque city, the capital of the Austro- Hungarian Empire. It played an essential role as a leading European music centre, from the great age of Viennese Classicism through the early part of the 20th century. -
Sachertorte and Its Namesake Hotel
Ertorte by Lucy Cordan LOlO2|2OOT03:35 PM AV EE :urean Tastino Room :urean Traveler SACHERTORTEAND ITSNAMESAKE HOTEL :ussion ggrseE text @2007 by Lucy Gordan tact.lls Vienna, March 29,2OO7 MaD tia Kt Like the Hassler in Rome, the Sacher Hotel in Vienna is one of the few top hotels wortdwide to have atways Area Wine Writers been family-run. The Sacher is also unusual in another way. While most great hotels became famous for their hospitality first and then their cuisine, the Sacher Hotel owes its take-off $ to a cake. In actual fact, the hotel was opened in 1876 by the Eduard Sacher, the son of the inventive pastry chef Franz. ov{.\lt to the generosity of the Austria Tourist Board in New york, the Tourist Board, and ReinerHeilmann, the ManagingDirector of Bl Sacher Wien. Sacher Hotel, Lucy Gordan visited the off-limits nna Sacher bakery and Franz's present-day successor, Alfred Buxbaum, for tar Service, Total -Traveler.com, His charming wife Tamara, also a Sacher Hotel ury Hotel Sacher \Men was the translator, 1na lhw 6m/Sachervienna : How many Sachcrtortc head chcfs havc thcre becn all : That's a difficult question. I've held this position since 2003. Before nna Hotel for 27 years it was a Mr. Pflieger. I began to work at the Sacher [os, Customer Ratings under him in 1989, when I was 19. eviews. Save on eb in Menna. : A brief history of the Sachcrtorte? Expedra.com : The first Sachertorte was created by Franz Sacher, a 16-year-old pprentice chef at the court of the Austrian State Chancellor prince Wenzel von Mitternich. -
Irgendwie Musste Man Ja Geld Verdienen. Bericht
GESCHÄFTSBERICHT BURGTHEATER GMBH 16/17 2016/2017 Irgendwie musste man ja Geld verdienen. Bericht Burg Terézia Mora Ein europäisches Abendmahl Vorwort Torquato Tasso Johann Wolfgang Goethe Erstmals startete das Burgtheater mit einer Offenen Burg in die Spielzeit – Torquato Tasso und wurde gestürmt: Rund 11.700 Menschen besuchten am ersten Oktober wochen ende das Haus bei freiem Eintritt. Die Offene Burg wurde Programm: Mit An gebo ten für Menschen aller Altersgruppen wurde die bisherige Stellt sich kein Junge Burg erweitert, mit einem Rechercheprojekt ging sie in die Stadt: Hunderte Menschen aus dem 21. und 22. Bezirk erarbeiteten gemeinsam mit Künstler*innen der Burg Projekte zu Themen aus der Orestie, welche am edler Mann mir Saisonende im Burgtheater präsentiert wurden. Mit brisanten Themen im heutigen Kontext bewies das künstlerische Programm vor die Augen, Haltung: religiösen Wahn und Bigotterie klagte Millers Hexenjagd an, Integra tion und Alltagsrassismus verhandelte Geächtet von Ayad Akhtar, ausgezeich net mit dem Nestroy „Bestes Stück/Autorenpreis“. Die Themen Macht und Der mehr gelitten, Volkswille wurden in Shakespeares Coriolan untersucht und Goethes Künstler drama Torquato Tasso stellte die Frage nach dem Stellenwert von Kunst. Um die kleinste Einheit im Ringen um Macht ging es bei Becketts Endspiel – als ich jemals litt, ein herausragender Erfolg für Nicholas Ofczarek und Michael Maertens. Großes antikes Theater stand mit Aischylos’ Dramentrilogie Die Orestie und Damit ich mich mit mit Die Perser auf dem Spielplan. Einen Schwerpunkt bildeten Autor*innen unserer Zeit unter anderem mit Ferdinand Schmalz (der herzerlfresser) und René Pollesch (Carol Reed) sowie mit dem zentralen Projekt Ein europäisches ihm vergleichend Abendmahl. Nach der Wahl zum „Schauspieler des Jahres 2017“ durch das Fachmagazin Theater heute konnte Joachim Meyerhoff mit der Uraufführung Die Welt im Rücken nach dem Roman von Thomas Melle auch den Nestroy fasse? „Bester Schauspieler“ erringen. -
Wozu Das Theater?! Eine Darbietung Der Darstellenden Künste
Nr. 11 | Brückengeneration 5 | Feber · März 2019 | Euro 5,50 Österreichische Post AG | PZ16Z040851P Amt der Kärntner Landesregierung Abteilung 14 – Kunst und Kultur Burggasse 8, 9021 Klagenfurt Wozu das Theater?! Eine Darbietung der darstellenden Künste. www.bruecke.ktn.gv.at Kärntens ältester Theaterzettel Der älteste, noch erhaltene Theaterzettel unseres Landes stammt aus dem Jahre 1746 und kündigt ein in Kärnten spielendes Attila-Drama an. Darin geht es um die „jämmerliche Verwüstung und Zerstörung der vormals herrlichen berühmten und großen Stadt Sala“, die man an Stelle Virunums annahm. Dass die Aufführung in Klagenfurt stattgefunden hat, geht aus dem finalen Vers des papiernen Reliktes hervor: „Laß dich heut Clagenfurt nicht Geld und Zeit gereuen / Es wird diß Schau-Spihl dich mit Hertzens-Lust erfreuen!“ ● Foto: Kärntner Landesarchiv | Dietrichstein Sch. 496/96/5 Markus Guschelbauer: Rasenstück II Der 1974 in Friesach geborene Künstler lebt und arbeitet in Wien. Zu seinen bevorzugten Medien gehören Fotografie, wie Video und rauminstallative Arbeiten. Das Thema Landschaft und deren Darstellung in der bildenden Kunst, sowie der theoretische und praktische Diskurs über Natur, bilden das Hauptanliegen in Guschelbauers künstlerischer Praxis. Foto: Markus Guschelbauer vor<w>ort Homo ludens Der spielende Mensch versucht sich am Spiel des Lebens [ohne Generalprobe]. Der Begriff „Spieltrieb“ verrät uns, dass das Verlangen nach dem Spiel ein angeborenes Grundbedürf- nis und Verhalten des Menschen ist. Das Spiel ermöglicht uns das Lernen durch Versuch und Irrtum. Es eröffnet uns den alternativen Zugriff auf Wirklichkeit und Handlungsfreiheit – wir können „aus der Rolle fallen“. Das Leben führt alle Formen des <selbst>dar- stellenden Spiels auf: es ist Komödie, Tragödie, Drama oder Dramolett, Lustspiel ..