Festival Cine Sans Frontieres 2017
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
International Casting Directors Network Index
International Casting Directors Network Index 01 Welcome 02 About the ICDN 04 Index of Profiles 06 Profiles of Casting Directors 76 About European Film Promotion 78 Imprint 79 ICDN Membership Application form Gut instinct and hours of research “A great film can feel a lot like a fantastic dinner party. Actors mingle and clash in the best possible lighting, and conversation is fraught with wit and emotion. The director usually gets the bulk of the credit. But before he or she can play the consummate host, someone must carefully select the right guests, send out the invites, and keep track of the RSVPs”. ‘OSCARS: The Role Of Casting Director’ by Monica Corcoran Harel, The Deadline Team, December 6, 2012 Playing one of the key roles in creating that successful “dinner” is the Casting Director, but someone who is often over-looked in the recognition department. Everyone sees the actor at work, but very few people see the hours of research, the intrinsic skills, the gut instinct that the Casting Director puts into finding just the right person for just the right role. It’s a mix of routine and inspiration which brings the characters we come to love, and sometimes to hate, to the big screen. The Casting Director’s delicate work as liaison between director, actors, their agent/manager and the studio/network figures prominently in decisions which can make or break a project. It’s a job that can't garner an Oscar, but its mighty importance is always felt behind the scenes. In July 2013, the Academy of Motion Pictures of Arts and Sciences (AMPAS) created a new branch for Casting Directors, and we are thrilled that a number of members of the International Casting Directors Network are amongst the first Casting Directors invited into the Academy. -
Kino Kultur Haus
HAUS KINO KULTUR OKTOBER 2018 ÖSTERREICH ZWISCHEN 1948 GESTERN UND MORGEN SURVIVING IMAGES Theater, Film, Musik, Oper, Tanz. Leidenschaftliche Kulturberichterstattung, die alle Stücke spielt, täglich im STANDARD und auf derStandard.at. Kultur_allgemein_110x155.indd 1 28.11.17 10:40 METRO KINOKULTURHAUS PROGRAMM VON 4. OKTOBER BIS 8. NOVEMBER er Oktober – beginnt heuer mit 1948, einem Jahr, das eine Dekade nach dem D»Anschluss« für die heimische Filmindustrie eine Zäsur markierte, in dem die Kinoleinwand Projektionsfläche bot für erste (selbst)kritische Reflexionen. Was mit der Shoah beinahe völlig ausgelöscht wurde, sollte in stummen Filmbildern überleben: im Rahmen der diesjährigen Viennale geht das Filmarchiv Austria mit Surviving Images den Spuren jüdischer Lebenswelten nach und präsentiert damit einen neuen Restaurierungs- und Sammlungsschwerpunkt. Exemplarisch dafür steht die restau- rierte Fassung von DIE STADT OHNE JUDEN, für deren musikalische Neuvertonung keine Geringere als Olga Neuwirth zeichnet, die mit der Uraufführung im Wiener Konzerthaus für ein weiteres Highlight sorgt. Was es bedeutet, wenn junge Israelis ausgerechnet in der Heimat des Holocaust ihre Zukunft sehen, zeigt BACK TO THE FATHERLAND, unser Kinostart. Ein Neuanfang, der – wie so oft – mit einer Reise in die Vergangenheit startet. Ernst Kieninger und das Filmarchiv-Team AUSSTELLUNG DIE STADT OHNE | bis 30.12. 02 DIE STADT OHNE JUDEN ON TOUR | 11.10.–7.11. 05 RETROSPEKTIVEN 1948 – ÖSTERREICH ZWISCHEN GESTERN UND MORGEN 10 4.10.-23.10. V’18: SURVIVING IMAGES | 26.10.–8.11. 28 KINOSTART BACK TO THE FATHERLAND | 12.10.–23.10. 42 FILM | UNIVERSITÄT SELBSTERMÄCHTIGUNG IM ISRAELISCHEN FILM 44 9.10.–16.10. PROGRAMMSCHIENEN SECOND LIFE | 4.10.–23.10. -
The Director's Idea
The Director’s Idea This Page is Intentionally Left Blank The Director’s Idea The Path to Great Directing Ken Dancyger New York University Tisch School of the Arts New York, New York AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • OXFORD • PARIS • SAN DIEGO SAN FRANCISCO • SINGAPORE • SYDNEY • TOKYO Focal Press is an imprint of Elsevier Acquisitions Editor: Elinor Actipis Project Manager: Paul Gottehrer Associate Editor: Becky Golden-Harrell Marketing Manager: Christine Degon Veroulis Cover Design: Alisa Andreola Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford OX2 8DP, UK Copyright © 2006, Elsevier Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone: (ϩ44) 1865 843830, fax: (ϩ44) 1865 853333, E-mail: [email protected]. You may also complete your request on-line via the Elsevier homepage (http://elsevier.com), by selecting “Support & Contact” then “Copyright and Permission” and then “Obtaining Permissions.” Recognizing the importance of preserving what has been written, Elsevier prints its books on acid-free paper whenever possible. Library of Congress Cataloging-in-Publication Data Application submitted British Library Cataloguing-in-Publication -
Stefan Zweig Farewell to Europe
Austria’s Official Entry for the Best Foreign Language Film - 89th Academy Awards® A DOR FILM, X FILME CREATIVE POOL, IDÉALE AUDIENCE, MAHA PRODUCTION STEFAN ZWEIG FAREWELL TO EUROPE A film by: Maria Schrader Starring: Josef Hader, Barbara Sukowa, Aenne Schwarz, Matthias Brandt, Charly Huebner, Stephen SInger Screenplay: Maria Schrader and Jan Schomburg press contact in US: SashaBerman at Shotwell Media 310-450-5571 [email protected] Table of Contents Short synopsis & press note …………………………………………………………………… 3 Cast ……............................................................................................................................ 4 Crew ……………………………………………………………………………………………… 6 Long Synopsis …………………………………………………………………………………… 7 Persons Index…………………………………………………………………………………….. 14 Interview with Maria Schrader ……………………………………………………………….... 17 Backround ………………………………………………………………………………………. 19 In front of the camera Josef Hader (Stefan Zweig)……………………………………...……………………………… 21 Barbara Sukowa (Friderike Zweig) ……………………………………………………………. 22 Aenne Schwarz (Lotte Zweig) …………………………….…………………………………… 23 Behind the camera Maria Schrader………………………………………….…………………………………………… 24 Jan Schomburg…………………………….………...……………………………………………….. 25 Danny Krausz ……………………………………………………………………………………… 26 Stefan Arndt …………..…………………………………………………………………….……… 27 Contacts……………..……………………………..………………………………………………… 28 ! ! ! ! ! ! ! Technical details Austria/Germany/France, 2016 Running time 106 Minutes Aspect ratio 2,39:1 Audio format 5.1 ! 2! “Each one of us, even the smallest and the most insignificant, -
Television Academy Awards
2020 Primetime Emmy® Awards Nomination Press Release Outstanding Character Voice-Over Performance Big Mouth • How To Have An Orgasm • Netflix • Netflix Maya Rudolph as Connie the Hormone Monstress Central Park • Episode One • Apple TV+ • 20th Century Fox Television Leslie Odom, Jr. as Owen Crank Yankers • Bobby Brown, Wanda Sykes & Kathy Griffin • Comedy Central • Kimmelot, ITV, Central Productions, LLC Wanda Sykes as Gladys The Mandalorian • Chapter 8: Redemption • Disney+ • Lucasfilm Ltd. Taika Waititi as IG-11 The Simpsons • Better Off Ned • FOX • Gracie Films in association with 20th Century Fox Television Nancy Cartwright as Bart Simpson, Nelson, Ralph, Todd The Simpsons • Frinkcoin • FOX • Gracie Films in association with 20th Century Fox Television Hank Azaria as Professor Frink, Moe, Chief Wiggum, Carl, Cletus, Kirk, Sea Captain Outstanding Animated Program Big Mouth • Disclosure The Movie: The Musical! • Netflix • Netflix Nick Kroll, Executive Producer Andrew Goldberg, Executive Producer Mark Levin, Executive Producer Jennifer Flackett, Executive Producer Joe Wengert, Co-Executive Producer Kelly Galuska, Supervising Producer Gil Ozeri, Supervising Producer Ben Kalina, Supervising Producer Shannon Prynoski, Supervising Producer Chris Prynoski, Supervising Producer Anthony Lioi, Supervising Producer Mike L. Mayfield, Co-Supervising Director Nate Funaro, Produced by Emily Altman, Producer / Writer Victor Quinaz, Writer Bob Suarez, Director David Bastian, Animation Timer Edgar Larrazabal, Animation Timer Maureen Mlynarczyk, Animation -
The Acid House a Film by Paul Mcguigan
100% PURE UNCUT IRVINE WELSH The Acid House a film by Paul McGuigan a Zeitgeist Films release The Acid House a film by Paul McGuigan based on the short stories from “The Acid House” by Irvine Welsh Starring Ewen Bremner Kevin McKidd Maurice Roëves Martin Clunes Jemma Redgrave Introducing Stephen McCole Michelle Gomez Arlene Cockburn Gary McCormack Directed by Paul McGuigan Screenplay by Irvine Welsh Director of Photography Alasdair Walker Editor Andrew Hulme Costume Designers Pam Tait & Lynn Aitken Production Designers Richard Bridgland & Mike Gunn Associate Producer Carolynne Sinclair Kidd Produced by David Muir & Alex Usborne FilmFour presents a Picture Palace North / Umbrella Production produced in association with the Scottish Arts Council National Lottery Fund, the Glasgow Film Fund and the Yorkshire Media Production Agency UK • 1999 • 112 mins • Color • 35mm In English with English subtitles Dolby Surround Sound a Zeitgeist Films release The Acid House a film by Paul McGuigan Paul McGuigan’s THE ACID HOUSE is a surreal triptych adapted by Trainspotting author Irvine Welsh from his collection of short stories. Combining a vicious sense of humor with hard- talking drama, the film reaches into the hearts and minds of the chemical generation, casting a dark and unholy light into the hidden corners of the human psyche. Part One The Granton Star Cause The first film of the trilogy is a black comedy of revenge, soccer and religion that come together in one explosive story. Boab Coyle (STEPHEN McCOLE) thinks he has it all, a ‘tidy’ bird, a job, a cushy number living at home with his parents and a place on the kick-about soccer team the Granton Star. -
Written and Directed by Jeremy Podeswa Produced by Robert Lantos Based Upon the Novel by Anne Michaels Runtime: 105 Minutes to D
Written and Directed by Jeremy Podeswa Produced by Robert Lantos Based upon the novel by Anne Michaels Media Contacts: New York Agency: Los Angeles Agency: IDP/Samuel Goldwyn Films Donna Daniels Lisa Danna New York: Amy Johnson Melody Korenbrot Liza Burnett Fefferman Donna Daniels PR Block-Korenbrot, Inc. Jeff Griffith-Perham 20 West 22nd St., Suite 1410 North Market Building Samuel Goldwyn Films New York, NY 1010 110 S. Fairfax Ave., #310 1133 Broadway – Suite 926 T: 347.254.7054 Los Angeles, CA 90036 New York, NY 10010 [email protected] T: 323.634.7001 T: 212.367.9435 [email protected] [email protected] F: 212.367.0853 [email protected] [email protected] [email protected] LA: Mimi Guethe T: 310.860.3100 F: 310.860.3198 [email protected] Runtime: 105 minutes To download press notes and photography, please visit: www.press.samuelgoldwynfilms.com USER NAME: press LOG IN: golden! 1 FUGITIVE PIECES THE CAST Jakob Stephen Dillane Athos Rade Sherbedgia Alex Rosamund Pike Michaela Ayelet Zurer Jakob (young) Robbie Kay Ben Ed Stoppard Naomi Rachelle Lefevre Bella Nina Dobrev Mrs. Serenou Themis Bazaka Jozef Diego Matamoros Sara Sarah Orenstein Irena Larissa Laskin Maurice Daniel Kash Ioannis Yorgos Karamichos Allegra Danae Skiadi 2 FUGITIVE PIECES ABOUT THE STORY A powerful and unforgettably lyrical film about love, loss and redemption, FUGITIVE PIECES tells the story of Jakob Beer, a man whose life is transformed by his childhood experiences during WWII. The film is based on the beloved and best-selling novel by Canadian poet Anne Michaels. -
Sing Street (Dir
Nick Davis Film Discussion Group May 2016 Sing Street (dir. John Carney, 2016) On Camera Cosmo Ferdia Walsh-Peelo: His first movie; a performing musician since age 12 Raphina Lucy Boynton: Miss Potter (06); BBC’s Sense and Sensibility (08) Brendan, brother Jack Reynor: What Richard Did (12), Glassland (15), with Toni Collette Band members First movie for pretty much all of them; no other projects currently lined up Mother Maria Doyle Kennedy: The Commitments (91), TV’s Orphan Black (13-16) Father Aiden Gillen: Some Mother’s Son (96), with Helen Mirren; The Wire (04-08) Schoolmaster Don Wycherly: Veronica Guerin (03), with Cate Blanchett; lots of Irish TV Off Camera Director-Writer John Carney: Oscar winner Once (06; 07 in US); Begin Again (13; 14 in US) Cinematography Yaron Orbach: Begin Again; Please Give (10); Orange Is the New Black (14-15) Film Editing Andrew Marcus: moved from Merchant Ivory to song-and-dance movies Art Direction Alan McDonald: The Best Exotic Marigold Hotel (11), Philomena (13) Earlier films by John Carney: November Afternoon (1996) – Small Irish drama about two couples and buried family secrets Park (1999) – Mystery drama about a woman’s date to meet a good friend who never shows up On the Edge (2001) – Comedy about patients on a suicide ward (!); starring Cillian Murphy Once (2006) – Carney’s breakthrough; Oscar for Best Original Song; later a Broadway musical; story of an Irish street musician (Glen Hansard) and a young Czech immigrant in Dublin (Markéta Irglová) who also plays music; they record an album together.. -
PROGRAMME CHÂTEAU-ARNOUX Ollé De La Fura Dels Baus
CHÂTEAU-ARNOUX LUNDI 26 SEPT Association de Gestion du Cinématographe 20 H 15 N°297 Opéra en direct : NORMA Centre culturel S. Signoret - 04160 CHATEAU-ARNOUX - [email protected] de Vincenzo Bellini SON NUMERIQUE - Salles Chaplin, Truffaut, Douchet - Cinéma classé Art et Essai, 3 H 10 - Chef d' orches- Recherche, labels Découverte, Jeune public et Patrimoine tre : Antonio Pappano - CHÂTEAU-ARNOUX Réalisateur: Àlex Ollé - SAINT AUBAN Antonio Pappano dirige www.le-cinematographe.fr une nouvelle production du chef - d'œuvre de l' opéra de Bellini, dirigée par Àlex PROGRAMME CHÂTEAU-ARNOUX Ollé de La Fura dels Baus. Int : Sonya Yoncheva, Joseph Calleja, Sonia Du 21 sept au 4 oct 2016 Ganassi, Brindley Sherratt, David Junghoon Kim, Vlada Borovko … La prêtres- se Norma a eu DU 20 AU 25 SEPTEMBRE : 5 èmes Rencontres Objectifs Nature une liaison illici- te avec Pollione, Vend 23 Sept officier dans les 18 H 30 forces d' occupa- Conférence avec tion de sa terre, et a eu Pierre Micheletti deux enfants avec lui. Suivie du film Pollione est maintenant GUERRE, CLIMAT ET MIGRATION... fatigué de Norma et en présence retrouve la jeune prêtres- Mer 21 Sept - 18 H 30 de la journaliste + débat avec Christine Oberdorff se Adalgisa... J.Marc Bonvoisin Jeu 22 Sept - 9H00 Jeu 22 Sept Jeu 22 Sept du CNRS CINE-PTIT DEJ 18 H 30 21 H 15 DIM 25 SEPT 18 H 30 Soirée de clôture L’ODYSSEE de Jérôme Salle AV. PREMIERE Promenons-nous Suivie d’un débat avec avec les petits loups L’ATTRAPE REVES François Dorado , Sam 24 Sept plongeur et Sam 24 Sept Sam 24 Sept 18 -
Focus 2017 World Film Market Trends Tendances Du Marché Mondial Du Film Pages Pub Int Focus 2010:Pub Focus 29/04/10 10:54 Page 1
7 1 0 FOCUS 2 S D N E M R L I T F T D E L K R R O A M TEND ANCES W DU MAR CHÉ MONDIAL DU FILM Eur opean Au diovisua l Obs ervator y Box Offi ce Access one of the most dynamic and fastest growing film and television markets in the world through the Dubai Film Market. /Open doors to new markets /Tap into an audience of 414 million people /Forge partnerships with industry leaders from over 75 countries Vidsuitb uasifi lamt fethste.c oUm AE Pavilliodn ubaifilmfestival dubaifilm dif f Village International Riviera 136 # 17 Unloc k focus 2017 World Film Market Trends Tendances du marché mondial du film Pages Pub int Focus 2010:Pub Focus 29/04/10 10:54 Page 1 ISSN: 1962-4530 Lay-out: Acom*Europe | © 2011, Marché du Film | Printed: Global Rouge, Les Deux-Ponts Imprimé sur papier labélisé issu de forêts gérées durablement. Imprimé sur papier labelisé issu de forêts gérées durablement. Printed on paper from sustainably managed forests. Printed on paper from sustainably managed forests. 2 Editors Martin Kanzler ([email protected]) Julio Talavera Milla ([email protected]) Film Analysts, Department for Market Information, European Audiovisual Observatory Editorial assistants, LUMIERE Database Laura Ene, Valérie Haessig, Patrizia Simone Lay-out: Acom* Media (Paris) © 2017, Marché du Film Printed: Global Rouge (Les Deux-Ponts) 2 Editorial As a publication of the Marché du Film, FOCUS FOCUS, une publication du Marché du Film, sera will be an essential reference for professional une référence incontournable pour tous les partici- attendees this year. -
WARNER BROS. DE LANE LEA Adrian Rhodes
WARNER BROS. DE LANE LEA Adrian Rhodes - Re-recording Mixer/Sound Designer BAFTA Nomination for Best Sound – The Enfield Haunting BAFTA Award for Best Sound - The Hollow Crown: Richard II BAFTA Nomination for Best Sound – Mad Dogs Series 1 BAFTA Nomination for Best Sound for film - The Full Monty AFI Nomination for Best Sound – Ned Kelly British Animation Award for Best Use of Sound - Stickman RTS Nomination for Best Sound - Sword of Honour RTS Award for Best Sound any other programme - A Close Shave MPSE Golden Reel Nomination for Best Sound Editing - Shaun The Sheep MPSE Golden Reel Nomination for Best Sound Editing – The Pirates! Band of Misfits MSPSE Golden Reel Award for Best Sound - Wallace & Gromit In The Curse of The Were Rabbit MPSE Golden Reel Award for Re-recording - High Fidelity MPSE Golden Reel Award for Best Sound Editing -Tomorrow Never Dies MPSE Golden Reel Nomination for Best Sound Editing - The Borrowers MPSE Golden Reel Nomination for Best Sound Editing - The Avengers MPSE Golden Reel Award for Re-recording - The Borrowers GRAMMY nomination Best World Music Album - Music from Inala Film Date Title Director 2017 Early Man Nick Park Supervsing Sound Editor & Re-recording Mixer 2016 Ethel & Ernest Roger Mainwood Sound Editor & Re-recording Mixer 2016 Urban Hymn Michael Caton Jones Sound Editor & Re-recording Mixer 2016 Special Correspondent Ricky Gervais Re-recording Mixer 2015 Shaun The Sheep Movie Richard Starzak/Mark Burton Supervsing Sound Editor 2015 Dough John Goldsmidt Sound Editor & Re-recording Mixer 2013 Sxtape