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Strawbs Strawberry Music Sampler No. 1 Mp3, Flac, Wma
Strawbs Strawberry Music Sampler No. 1 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Strawberry Music Sampler No. 1 Country: UK Released: 2001 Style: Folk Rock, Pop Rock MP3 version RAR size: 1209 mb FLAC version RAR size: 1818 mb WMA version RAR size: 1199 mb Rating: 4.3 Votes: 590 Other Formats: DMF MP2 VOX AHX ASF VQF VOC Tracklist 1 All I Need Is You 3:07 2 Stay Awhile With Me 2:42 3 Sail Away To The Sea 3:28 4 Two Weeks Last Summer 2:06 5 Nothing Else Will Do 2:16 6 Who Knows Where The Time Goes 4:10 7 I've Been My Own Worst Friend 2:43 8 I Turned My Face Into The Wind 2:42 9 On Growing Older 2:00 10 And You Need Me 3:16 11 Ah Me, Ah My 1:22 12 And You Need Me / Josephine, For Better Or For Worse 4:29 13 Just The Same In Every Way 3:01 14 How Everyone But Sam Was A Hypocrite 2:47 15 Young Again 2:57 16 Which Way The Wind Blows 2:52 17 Sweetling 3:05 Companies, etc. Distributed By – Pinnacle Phonographic Copyright (p) – Old School Songs Copyright (c) – Old School Songs Pressed By – RGM Media Limited Published By – SGO Music Publishing Ltd. Credits Written-By – David Cousins* (tracks: 1 to 5, 7 to 10, 12 to 14, 16), Sandy Denny (tracks: 6), Tony Hooper (tracks: 11, 15, 17) Notes "IN 1969 just 99 copies of this record were pressed on 12" vinyl as a publishing demo. -
Blues Notes October 2015
VOLUME TWENTY, NUMBER TEN • OCTOBER 2015 SELWYN BIRCHWOOD MARIA BSO Halloween Party MULDAUR Sat. Oct 31st Saturday @ 7 pm $10 Oct. 3rd 21st Saloon @ 6 pm Zoo Bar Lincoln, NE Oct. 1st ..................................................................Red Elvises ($10) Oct. 4th (Sunday @ 4 pm) ...The Nebraska Blues Challenge Finals ($5) Oct. 8th ................................................................ Eleanor Tallie ($10) Oct. 15th ................................................................ John Primer ($12) NEBRASKA BLUES CHALLENGE Oct. 22nd ...........................................Cedrick Burnside Project ($10) Oct. 29th .....................Gracie Curran & Her High Falutin’ Band ($10) FINALS COMPETITION Oct. 31st (Saturday @ 7 pm)..................... Halloween Party with the Selwyn Birchwood Band ($10) 21st Saloon, Omaha, NE Nov. 5th ................................................. The Bart Walker Band ($10) Sunday, Oct. 4th @ 4 pm • $5 cover Nov. 7th (Saturday @ 9 pm) ................................Sinners and Saints Nov. 12th ..................................................... Crystal Shawanda ($10) — More info inside — Nov. 19th ............................................. The Scottie Miller Band ($10) PAGE 2 BLUES NEWS • BLUES SOCIETY OF OMAHA Please consider switching to the GREEN VERSION of Blues Notes. You will be saving the planet while saving BSO some expense. Contact Becky at [email protected] to switch to e-mail newsletter delivery and get the scoop days before snail mail members! BLUES ON THE RADIO: -
A Conversation with Vassar Clements by Frank Goodman (Puremusic.Com, 8/2004)
A Conversation with Vassar Clements by Frank Goodman (Puremusic.com, 8/2004) Perhaps like many who will enjoy the interview that follows, among my first recollections of Vassar’s playing is the 1972 Nitty Gritty Dirt Band recording Will the Circle Be Unbroken. As long ago as that seems (and is), he’d already been at it for over twenty years! In 1949, although only 14 years old and still in school, he began playing with Bill Monroe, the father of bluegrass. Aside from a few years off early on to check out some other things, Vassar’s been playing music professionally ever since. He’s recognized as the most genre-bending fiddler ever. “The Father of Hillbilly Jazz” is a handle that comes from several CDs he cut at that crossroads, but you can hear jazz and blues in any of the playing he’s done. He grew up listening to big band and Dixieland, and still listens to a lot of it today. Vassar says that many of the tunes he writes or passages he’ll fly into in a solo come from half remembered horn lines deep in his musical memory. Between his beginnings with Bill Monroe and the Circle album, Clements did many years with Jim and Jesse and then years with the late and much loved John Hartford, a lifelong friend who gave him the legendary fiddle he plays today. Circle turned a whole generation of hippies and acoustic music fans on to his music, and the children of that generation are following him today, as his popularity continues to recycle. -
Diana Davies Photograph Collection Finding Aid
Diana Davies Photograph Collection Finding Aid Collection summary Prepared by Stephanie Smith, Joyce Capper, Jillian Foley, and Meaghan McCarthy 2004-2005. Creator: Diana Davies Title: The Diana Davies Photograph Collection Extent: 8 binders containing contact sheets, slides, and prints; 7 boxes (8.5”x10.75”x2.5”) of 35 mm negatives; 2 binders of 35 mm and 120 format negatives; and 1 box of 11 oversize prints. Abstract: Original photographs, negatives, and color slides taken by Diana Davies. Date span: 1963-present. Bulk dates: Newport Folk Festival, 1963-1969, 1987, 1992; Philadelphia Folk Festival, 1967-1968, 1987. Provenance The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired portions of the Diana Davies Photograph Collection in the late 1960s and early 1970s, when Ms. Davies photographed for the Festival of American Folklife. More materials came to the Archives circa 1989 or 1990. Archivist Stephanie Smith visited her in 1998 and 2004, and brought back additional materials which Ms. Davies wanted to donate to the Ralph Rinzler Folklife Archives. In a letter dated 12 March 2002, Ms. Davies gave full discretion to the Center for Folklife and Cultural Heritage to grant permission for both internal and external use of her photographs, with the proviso that her work be credited “photo by Diana Davies.” Restrictions Permission for the duplication or publication of items in the Diana Davies Photograph Collection must be obtained from the Ralph Rinzler Folklife Archives and Collections. Consult the archivists for further information. Scope and Content Note The Davies photographs already held by the Rinzler Archives have been supplemented by two more recent donations (1998 and 2004) of additional photographs (contact sheets, prints, and slides) of the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's March on Washington, the Civil Rights Movement, the Georgia Sea Islands, and miscellaneous personalities of the American folk revival. -
Dan Hicks’ Caucasian Hip-Hop for Hicksters Published February 19, 2015 | Copyright @2015 Straight Ahead Media
Dan Hicks’ Caucasian Hip-Hop For Hicksters Published February 19, 2015 | Copyright @2015 Straight Ahead Media Author: Steve Roby Showdate : Feb. 18, 2015 Performance Venue : Yoshi’s Oakland Bay Area legend Dan Hicks performed to a sold-out crowd at Yoshi’s on Wednesday. The audience was made up of his loyal fans (Hicksters) who probably first heard his music on KSAN, Jive 95, back in 1969. At age 11, Hicks started out as a drummer, and was heavily influenced by jazz and Dixieland music, often playing dances at the VFW. During the folk revival of the ‘60s, he picked up a guitar, and would go to hootenannies while attending San Francisco State. Hicks began writing songs, an eclectic mix of Western swing, folk, jazz, and blues, and eventually formed Dan Hicks and his Hot Licks. His offbeat humor filtered its way into his stage act. Today, with tongue firmly planted in cheek, Hicks sums up his special genre as “Caucasian hip-hop.” Over four decades later, Hicks still delivers a unique performance, and Wednesday’s show was jammed with many great moments. One of the evenings highlights was the classic “I Scare Myself,” which Hicks is still unclear if it’s a love song when he wrote it back in 1969. “I was either in love, or I’d just eaten a big hashish brownie,” recalled Hicks. Adding to the song’s paranoia theme, back-up singers Daria and Roberta Donnay dawned dark shades while Benito Cortez played a chilling violin solo complete with creepy horror movie sound effects. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
Appreciation of Popular Music 1/2
FREEHOLD REGIONAL HIGH SCHOOL DISTRICT OFFICE OF CURRICULUM AND INSTRUCTION MUSIC DEPARTMENT APPRECIATION OF POPULAR MUSIC 1/2 Grade Level: 10-12 Credits: 2.5 each section BOARD OF EDUCATION ADOPTION DATE: AUGUST 30, 2010 SUPPORTING RESOURCES AVAILABLE IN DISTRICT RESOURCE SHARING APPENDIX A: ACCOMMODATIONS AND MODIFICATIONS APPENDIX B: ASSESSMENT EVIDENCE APPENDIX C: INTERDISCIPLINARY CONNECTIONS Course Philosophy “Musical training is a more potent instrument than any other, because rhythm, harmony, and melody find their way into the inward place of our soul, on which they mightily fasten, imparting grace, and making the soul of him who is educated graceful.” - Plato We believe our music curriculum should provide quality experiences that are musically meaningful to the education of all our students. It should help them discover, understand and enjoy music as an art form, an intellectual endeavor, a medium of self-expression, and a means of social growth. Music is considered basic to the total educational program. To each new generation this portion of our heritage is a source of inspiration, enjoyment, and knowledge which helps to shape a way of life. Our music curriculum enriches and maintains this life and draws on our nation and the world for its ever- expanding course content, taking the student beyond the realm of the ordinary, everyday experience. Music is an art that expresses emotion, indicates mood, and helps students to respond to their environment. It develops the student’s character through its emphasis on responsibility, self-discipline, leadership, concentration, and respect for and awareness of the contributions of others. Music contains technical, psychological, artistic, and academic concepts. -
De Classic Album Collection
DE CLASSIC ALBUM COLLECTION EDITIE 2013 Album 1 U2 ‐ The Joshua Tree 2 Michael Jackson ‐ Thriller 3 Dire Straits ‐ Brothers in arms 4 Bruce Springsteen ‐ Born in the USA 5 Fleetwood Mac ‐ Rumours 6 Bryan Adams ‐ Reckless 7 Pink Floyd ‐ Dark side of the moon 8 Eagles ‐ Hotel California 9 Adele ‐ 21 10 Beatles ‐ Sgt. Pepper's Lonely Hearts Club Band 11 Prince ‐ Purple Rain 12 Paul Simon ‐ Graceland 13 Meat Loaf ‐ Bat out of hell 14 Coldplay ‐ A rush of blood to the head 15 U2 ‐ The unforgetable Fire 16 Queen ‐ A night at the opera 17 Madonna ‐ Like a prayer 18 Simple Minds ‐ New gold dream (81‐82‐83‐84) 19 Pink Floyd ‐ The wall 20 R.E.M. ‐ Automatic for the people 21 Rolling Stones ‐ Beggar's Banquet 22 Michael Jackson ‐ Bad 23 Police ‐ Outlandos d'Amour 24 Tina Turner ‐ Private dancer 25 Beatles ‐ Beatles (White album) 26 David Bowie ‐ Let's dance 27 Simply Red ‐ Picture Book 28 Nirvana ‐ Nevermind 29 Simon & Garfunkel ‐ Bridge over troubled water 30 Beach Boys ‐ Pet Sounds 31 George Michael ‐ Faith 32 Phil Collins ‐ Face Value 33 Bruce Springsteen ‐ Born to run 34 Fleetwood Mac ‐ Tango in the night 35 Prince ‐ Sign O'the times 36 Lou Reed ‐ Transformer 37 Simple Minds ‐ Once upon a time 38 U2 ‐ Achtung baby 39 Doors ‐ Doors 40 Clouseau ‐ Oker 41 Bruce Springsteen ‐ The River 42 Queen ‐ News of the world 43 Sting ‐ Nothing like the sun 44 Guns N Roses ‐ Appetite for destruction 45 David Bowie ‐ Heroes 46 Eurythmics ‐ Sweet dreams 47 Oasis ‐ What's the story morning glory 48 Dire Straits ‐ Love over gold 49 Stevie Wonder ‐ Songs in the key of life 50 Roxy Music ‐ Avalon 51 Lionel Richie ‐ Can't Slow Down 52 Supertramp ‐ Breakfast in America 53 Talking Heads ‐ Stop making sense (live) 54 Amy Winehouse ‐ Back to black 55 John Lennon ‐ Imagine 56 Whitney Houston ‐ Whitney 57 Elton John ‐ Goodbye Yellow Brick Road 58 Bon Jovi ‐ Slippery when wet 59 Neil Young ‐ Harvest 60 R.E.M. -
DECEMBER 9,1978 RECORDS TAP AIUNG-MARK Zuropes L 99
DECEMBER 9,1978 RECORDS TAP AIUNG-MARK zuropes l Music Business Roper-A Morgon-Grompion Publication ■ 70p 99% Fruin unrepentant on London tests OF RECORD By TERRI ANDERSON A MARKETING EXPERIMENT run recently by WEA has proved DEALERS almost embarrassingly successful. There was puzzlement and indignation in the business and the retail trade when two previously unheard-of singles from the WEA stable charted in adjacent positions RECEIVE last week. But, as WEA md John Fruin told Goody (Atlantic LV 3) and No MUSIC WEEK MW, the chart entries are an Goodbyes by Curtis Mayfield (NOP Market Research) unexpected bonus, as a result of a (Atlantic LV 1, although Mayfield's marketing experiment which was product usually appears on aimed at achieving something quite Curtom). They entered the chart in different. the 64 and 65 positions respectively. The singles in question are The LV prefix stands for longer This week Number 1 Dee Jay, by Goody versions — both singles are 12-inch. MUSIC INDUSTRY news(pp 1- Their positions this week are 55 and 4), Tipshect 8, two pages of 65 respectively. retailing news 12, 13, First of the Feeling among dealers seems to be new disco coverage 14, CBS wages summed up by Alexander Muir, of Publishing 16, Broadcasting 18, Queen Anne Street, Dunfermline. International News 20, Talent He says: "So far as I can find out, 22, Needlctime 25. Classical 38, BONEY M's recent arrival in Dublin coincided with their version of Mary's Wayne's war LV 1 and LV 3 have not as yet been Riva feature 40, LP reviews 45, Boy Child topping the Irish chart. -
HITS of the WEEK SINGLES SLEEPERS ALBUMS JOHN LENNON, "STAND by ME" (Prod
HITS OF THE WEEK SINGLES SLEEPERS ALBUMS JOHN LENNON, "STAND BY ME" (prod. by PAUL DAVIS, "MAKE HER MY BABY" (prod. by JIMI HENDRIX, "CRASH LANDING." Re- John Lennon) (Hill & Range/Trio/ Paul Davis/Bullet Prod.) (Web IV, cent relocation of Hendrix studio tapes APT Ent., BMI). Ben E. King's '61 BMI). That "Ride 'Em Cowboy" man spawns this first of four sets to be re- follow-up to "Spanish Harlem" be- is gunning for an even bigger giant leased over the next two years. Pop comes Lennon's first oldies single this time. Gentle upper sits tall in roots flourish with blues blossoms as outing. Culled from his "Rock 'N' the smash saddle, galloping into Hendrix' genius remains strikingly im- Roll" album after heavy AM air- pop territory from a subtly intoxi- pressive. "Somewhere Over the Rain- play, John takes his "Stand" with cating southern direction. Make it a bow," "Stone Free Again" and the a happy and healthy hit posture. hit for his "Baby" and one more for title track are simply spectacular. Re- Apple 1881. the road! Bang 717. prise MS 2204 (Warner Bros.) (6.98). PAUL ANKA, "I DON'T LIKE TO SLEEP ALONE" RICK DERRINGER, "HANG ON SLOOPY" (prod. ALICE COOPER, "WELCOME TO MY (prod. by Rick Hall/Fame Prod. w. by Rick Derringer) (Wren/Robert NIGHTMARE." This eventful album Paul Anka Prod.) (Spanka, BMI). Mellin, BMI). Rick first scored with marking the ever -so -lovely Alice's Long-awaited third Anka single un- this one as part of the McCoys. Now April 25 television special whirls the der the UA banner is bound to rival he parlays it into a '75 monster via Cooper charisma through the grooves. -
Oguerekhian Addeh
Oguerekhian Addeh projects.vrac.iastate.edu /REU2015/ OMG. LAST DAY, OMG. (and pictures, of course) Posted on August 3, 2015 by oaddeh That’s a slightly more exaggerated recounting of how I felt on Friday. How did two and a half months go by? Did someone push me into a time machine while I wasn’t looking? I think I understand how Squidward feels now. But, speaking of the future, I feel like this program has set me in a good place as I continue into mine. No matter how much I think I know about grad school, I learned even more here. I now have a better idea about what qualities to seek while looking for HCI programs. I love how interdisciplinary and applicable HCI can be. This summer has even helped me clear up what I want to study, at least for this upcoming year (honors thesis, yeah!). I’m actually excited to start a literature review and think of creative testing methodologies. In other words, I side with Alex in that this has been one of the best summers ever. I loved how everyone had a different personality, but that we got along so well. (Props to Sarah for dealing with all of our spongebob quotes this summer although she secretly hates anthropomorphic sea-sponges. She took more One last spongebob reference for the road than one for the team; she took 20.) I love how we all supported each other. I would say that I’ll try to stay in touch, but I won’t. These last few days exercising have taught me some differences between try and do. -
WCXR 2004 Songs, 6 Days, 11.93 GB
Page 1 of 58 WCXR 2004 songs, 6 days, 11.93 GB Artist Name Time Album Year AC/DC Hells Bells 5:13 Back In Black 1980 AC/DC Back In Black 4:17 Back In Black 1980 AC/DC You Shook Me All Night Long 3:30 Back In Black 1980 AC/DC Have a Drink on Me 3:59 Back In Black 1980 AC/DC Dirty Deeds Done Dirt Cheap 4:12 Dirty Deeds Done Dirt… 1976 AC/DC Squealer 5:14 Dirty Deeds Done Dirt… 1976 AC/DC Big Balls 2:38 Dirty Deeds Done Dirt… 1976 AC/DC For Those About to Rock (We Salute You) 5:44 For Those About to R… 1981 AC/DC Highway to Hell 3:28 Highway to Hell 1979 AC/DC Girls Got Rhythm 3:24 Highway to Hell 1979 AC/DC Beating Around the Bush 3:56 Highway to Hell 1979 AC/DC Let There Be Rock 6:07 Let There Be Rock 1977 AC/DC Whole Lotta Rosie 5:23 Let There Be Rock 1977 Ace Frehley New York Groove 3:04 Ace Frehley 1978 Aerosmith Make It 3:41 Aerosmith 1973 Aerosmith Somebody 3:46 Aerosmith 1973 Aerosmith Dream On 4:28 Aerosmith 1973 Aerosmith One-Way Street 7:02 Aerosmith 1973 Aerosmith Mama Kin 4:29 Aerosmith 1973 Aerosmith Rattkesnake Shake (live) 10:28 Aerosmith 1971 Aerosmith Critical Mass 4:52 Draw the Line 1977 Aerosmith Draw The Line 3:23 Draw the Line 1977 Aerosmith Milk Cow Blues 4:11 Draw the Line 1977 Aerosmith Livin' on the Edge 6:21 Get a Grip 1993 Aerosmith Same Old Song and Dance 3:54 Get Your Wings 1974 Aerosmith Lord Of The Thighs 4:15 Get Your Wings 1974 Aerosmith Woman of the World 5:50 Get Your Wings 1974 Aerosmith Train Kept a Rollin 5:33 Get Your Wings 1974 Aerosmith Seasons Of Wither 4:57 Get Your Wings 1974 Aerosmith Lightning Strikes 4:27 Rock in a Hard Place 1982 Aerosmith Last Child 3:28 Rocks 1976 Aerosmith Back In The Saddle 4:41 Rocks 1976 WCXR Page 2 of 58 Artist Name Time Album Year Aerosmith Come Together 3:47 Sgt.