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Proceedings 2005
LAC2005 Proceedings 3rd International Linux Audio Conference April 21 – 24, 2005 ZKM | Zentrum fur¨ Kunst und Medientechnologie Karlsruhe, Germany Published by ZKM | Zentrum fur¨ Kunst und Medientechnologie Karlsruhe, Germany April, 2005 All copyright remains with the authors www.zkm.de/lac/2005 Content Preface ............................................ ............................5 Staff ............................................... ............................6 Thursday, April 21, 2005 – Lecture Hall 11:45 AM Peter Brinkmann MidiKinesis – MIDI controllers for (almost) any purpose . ....................9 01:30 PM Victor Lazzarini Extensions to the Csound Language: from User-Defined to Plugin Opcodes and Beyond ............................. .....................13 02:15 PM Albert Gr¨af Q: A Functional Programming Language for Multimedia Applications .........21 03:00 PM St´ephane Letz, Dominique Fober and Yann Orlarey jackdmp: Jack server for multi-processor machines . ......................29 03:45 PM John ffitch On The Design of Csound5 ............................... .....................37 04:30 PM Pau Arum´ıand Xavier Amatriain CLAM, an Object Oriented Framework for Audio and Music . .............43 Friday, April 22, 2005 – Lecture Hall 11:00 AM Ivica Ico Bukvic “Made in Linux” – The Next Step .......................... ..................51 11:45 AM Christoph Eckert Linux Audio Usability Issues .......................... ........................57 01:30 PM Marije Baalman Updates of the WONDER software interface for using Wave Field Synthesis . 69 02:15 PM Georg B¨onn Development of a Composer’s Sketchbook ................. ....................73 Saturday, April 23, 2005 – Lecture Hall 11:00 AM J¨urgen Reuter SoundPaint – Painting Music ........................... ......................79 11:45 AM Michael Sch¨uepp, Rene Widtmann, Rolf “Day” Koch and Klaus Buchheim System design for audio record and playback with a computer using FireWire . 87 01:30 PM John ffitch and Tom Natt Recording all Output from a Student Radio Station . -
The Book of Audacity
THE BOOK OF AUDACITY Record, Edit, Mix, and Master with the Free Audio Editor by Carla Schroder San Francisco THE BOOK OF AUDACITY. Copyright © 2011 by Carla Schroder. All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval system, without the prior written permission of the copyright owner and the publisher. 15 14 13 12 11 1 2 3 4 5 6 7 8 9 ISBN-10: 1-59327-270-7 ISBN-13: 978-1-59327-270-8 Publisher: William Pollock Production Editor: Serena Yang Cover and Interior Design: Octopod Studios Developmental Editor: Tyler Ortman Technical Reviewer: Alvin Goats Copyeditor: Kim Wimpsett Compositor: Serena Yang Proofreader: Paula L. Fleming Indexer: Nancy Guenther For information on book distributors or translations, please contact No Starch Press, Inc. directly: No Starch Press, Inc. 38 Ringold Street, San Francisco, CA 94103 phone: 415.863.9900; fax: 415.863.9950; [email protected]; www.nostarch.com Library of Congress Cataloging-in-Publication Data Schroder, Carla. The book of Audacity : record, edit, mix, and master with the free audio editor / by Carla Schroder. p. cm. Includes bibliographical references. ISBN-13: 978-1-59327-270-8 ISBN-10: 1-59327-270-7 1. Audacity (Computer file) 2. Digital audio editors. I. Title. ML74.4.A84S37 2010 781.3’4536-dc22 2010037594 No Starch Press and the No Starch Press logo are registered trademarks of No Starch Press, Inc. Other product and company names mentioned herein may be the trademarks of their respective owners. -
Photo Editing
All recommendations are from: http://www.mediabistro.com/10000words/7-essential-multimedia-tools-and-their_b376 Photo Editing Paid Free Photoshop Splashup Photoshop may be the industry leader when it comes to photo editing and graphic design, but Splashup, a free online tool, has many of the same capabilities at a much cheaper price. Splashup has lots of the tools you’d expect to find in Photoshop and has a similar layout, which is a bonus for those looking to get started right away. Requires free registration; Flash-based interface; resize; crop; layers; flip; sharpen; blur; color effects; special effects Fotoflexer/Photobucket Crop; resize; rotate; flip; hue/saturation/lightness; contrast; various Photoshop-like effects Photoshop Express Requires free registration; 2 GB storage; crop; rotate; resize; auto correct; exposure correction; red-eye removal; retouching; saturation; white balance; sharpen; color correction; various other effects Picnik “Auto-fix”; rotate; crop; resize; exposure correction; color correction; sharpen; red-eye correction Pic Resize Resize; crop; rotate; brightness/contrast; conversion; other effects Snipshot Resize; crop; enhancement features; exposure, contrast, saturation, hue and sharpness correction; rotate; grayscale rsizr For quick cropping and resizing EasyCropper For quick cropping and resizing Pixenate Enhancement features; crop; resize; rotate; color effects FlauntR Requires free registration; resize; rotate; crop; various effects LunaPic Similar to Microsoft Paint; many features including crop, scale -
Datapond – Data Driven Music Builder
DataPond – Data Driven Music Builder DataPond Data Driven Music Builder Over the past couple of months I have been attempting to teach myself to read music. This is something that I have been meaning to do for a long time. In high school the music teachers seemed to have no interest in students other than those with existing natural talent. The rest of us, they just taught appreciation of Bob Dylan. I can't stand Bob Dylan. So I never learned to read music or play an instrument. Having discovered the enjoyment of making stringed instruments such as the papermaché sitar, the Bad-Arse Mountain Dulcimer, a Windharp (inspired by this one), and a couple of other odd instruments. More recently I made a Lap Steel Slide guitar based on the electronics described in David Eric Nelson's great book “Junkyard Jam Band” and on Shane Speal's guide on building Lapsteels. I built mine out of waste wood palette wood and it connects to an old computer speaker system I pulled out of my junk box and turned to the purpose. It ended up sounding pretty good – to my ear at least. Anyway, I have instruments-a-plenty, but didn't know how to play'em so I decided to teach myself music. The biggest early challenge was reading music. I'm sure it would have been easier if a mathematician had been involved in designing the notation system. To teach myself I decided that reading sheet music and transcribing it into the computer would be a good way of doing it. -
How to Create Music with GNU/Linux
How to create music with GNU/Linux Emmanuel Saracco [email protected] How to create music with GNU/Linux by Emmanuel Saracco Copyright © 2005-2009 Emmanuel Saracco How to create music with GNU/Linux Warning WORK IN PROGRESS Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is available on the World Wide Web at http://www.gnu.org/licenses/fdl.html. Revision History Revision 0.0 2009-01-30 Revised by: es Not yet versioned: It is still a work in progress. Dedication This howto is dedicated to all GNU/Linux users that refuse to use proprietary software to work with audio. Many thanks to all Free developers and Free composers that help us day-by-day to make this possible. Table of Contents Forword................................................................................................................................................... vii 1. System settings and tuning....................................................................................................................1 1.1. My Studio....................................................................................................................................1 1.2. File system..................................................................................................................................1 1.3. Linux Kernel...............................................................................................................................2 -
Schwachstellen Der Kostenfreien Digital Audio Workstations (Daws)
Schwachstellen der kostenfreien Digital Audio Workstations (DAWs) BACHELORARBEIT zur Erlangung des akademischen Grades Bachelor of Science im Rahmen des Studiums Medieninformatik und Visual Computing eingereicht von Filip Petkoski Matrikelnummer 0727881 an der Fakultät für Informatik der Technischen Universität Wien Betreuung: Associate Prof. Dipl.-Ing. Dr.techn Hilda Tellioglu Mitwirkung: Univ.Lektor Dipl.-Mus. Gerald Golka Wien, 14. April 2016 Filip Petkoski Hilda Tellioglu Technische Universität Wien A-1040 Wien Karlsplatz 13 Tel. +43-1-58801-0 www.tuwien.ac.at Disadvantages of using free Digital Audio Workstations (DAWs) BACHELOR’S THESIS submitted in partial fulfillment of the requirements for the degree of Bachelor of Science in Media Informatics and Visual Computing by Filip Petkoski Registration Number 0727881 to the Faculty of Informatics at the Vienna University of Technology Advisor: Associate Prof. Dipl.-Ing. Dr.techn Hilda Tellioglu Assistance: Univ.Lektor Dipl.-Mus. Gerald Golka Vienna, 14th April, 2016 Filip Petkoski Hilda Tellioglu Technische Universität Wien A-1040 Wien Karlsplatz 13 Tel. +43-1-58801-0 www.tuwien.ac.at Erklärung zur Verfassung der Arbeit Filip Petkoski Wienerbergstrasse 16-20/33/18 , 1120 Wien Hiermit erkläre ich, dass ich diese Arbeit selbständig verfasst habe, dass ich die verwen- deten Quellen und Hilfsmittel vollständig angegeben habe und dass ich die Stellen der Arbeit – einschließlich Tabellen, Karten und Abbildungen –, die anderen Werken oder dem Internet im Wortlaut oder dem Sinn nach entnommen sind, auf jeden Fall unter Angabe der Quelle als Entlehnung kenntlich gemacht habe. Wien, 14. April 2016 Filip Petkoski v Kurzfassung Die heutzutage moderne professionelle Musikproduktion ist undenkbar ohne Ver- wendung von Digital Audio Workstations (DAWs). -
Awoken Icon Theme - Installation & Customizing Instructions 1
Awoken Icon Theme - Installation & Customizing Instructions 1 AWOKEN ICON THEME Installation & Customizing Instructions Alessandro Roncone mail: [email protected] homepage: http://alecive.deviantart.com/ Awoken homepage (GNOME Version): link kAwoken homepage (KDE Version): link Contents 1 Iconset Credits 3 2 Copyright 3 3 Installation 3 3.1 GNOME........................................................3 3.2 KDE..........................................................4 4 Customizing Instructions 4 4.1 GNOME........................................................4 4.2 KDE..........................................................5 5 Overview of the customization script6 5.1 How to customize a single iconset..........................................7 6 Customization options 8 6.1 Folder types......................................................8 6.2 Color-NoColor.................................................... 11 6.3 Distributor Logos................................................... 11 6.4 Trash types...................................................... 11 6.5 Other Options.................................................... 11 6.5.1 Gedit icon................................................... 11 6.5.2 Computer icon................................................ 11 6.5.3 Home icon................................................... 11 6.6 Deprecated...................................................... 12 7 How to colorize the iconset 13 8 Icons that don't want to change (but I've drawed) 14 9 Conclusions 15 9.1 Changelog...................................................... -
Avlinux MX Edition (AVL-MXE) User Manual
AVLinuxAVLinux MXMX EditionEdition (AVL-MXE)(AVL-MXE) UserUser ManualManual Prepared by: Glen MacArthur DISCLAIMER (PLEASE READ) : Debian/GNU Linux comes with no guarantees so consequentially neither does AVL-MXE. I accept no responsibility for any hardware/software malfunctions or data loss resulting from its use. It is important to note that the AVL-MXE ISO may contain software that is non-free and may be distributed under special licensing arrangements with the original developers, re-distributing the AVL-MXE ISO with the non-free content included is a violation of these licenses. AVL-MXE may potentially contain Multimedia Codecs that may be under patent in certain countries, it is the Users responsibility to know the law as it applies to their own respective countries before downloading or installing AVL-MXE. 1 Bookmarks ➔ About This Manual ➔ G etting Help ➔ A New Chapter for AV L inux ! ➔ AVL-MXE Features at a Glance ➔ Included Trusted Debian Repositories ➔ External/Independent Software in AVL-MXE ➔ Specific AVL-MXE Tools and Packages ➔ Known Issues in AVL-MXE ➔ Downloading the AVL-MXE ISO File ➔ Running AVL-MXE as a ‘LiveISO’ ➔ The Network Assistant for WiFi ➔ Installing AVL-MXE ➔ Installation Suggestions ➔ The AVL-MXE Assistant ➔ The Kernel Conundrum ➔ XFCE4 with Openbox ➔ Slim Login Manager ➔ Getting Around in XFCE4 ➔ Thunar File Manager ➔ QT5 Configuration Tool ➔ MX-Snapshot in AVL-MXE ➔ Software Installation Notes ➔ Audio and MIDI in AVL-MXE ➔ Initial Setup of Ardour and Mixbus32C ➔ Running Windows Audio Software ➔ Saving and Restoring JACK Connections ➔ Commercial Software Demos in AVL-MXE ➔ Thanks and Acknowledgements 2 About This Manual This is a new User Manual for a new project, it is currently a Work-In-Progress and will be for some time I’m sure. -
Rosegarden MUSIC Goes Gold! Submitted By: Fervent Software Friday, 18 February 2005
Rosegarden MUSIC goes Gold! Submitted by: Fervent Software Friday, 18 February 2005 LONDON, FEBRUARY 16th 2005 -- The Rosegarden team and Fervent Software are delighted to announce the 1.0 release of Rosegarden MUSIC, an audio and MIDI sequencer and musical notation editor for Linux. This release marks the completion of nearly five years of solid development effort and sets a precedent for music composition software. Never before has such a powerful and complete piece of music software been made available with its entire source code published! Rosegarden MUSIC combines simplicity with power in the most comprehensive piece of Linux music software yet assembled and it's the only Linux application to offer full composition and recording capabilities to musicians who want to use classical notation. http://www.rosegardenmusic.com/ Fervent Software, the company that has backed the development of Rosegarden MUSIC, is now selling the Studio to Go! product bundled complete with this high-quality piece of music software. Additionally, the Studio to Go! package includes selected top quality Linux audio applications carefully packaged in a self configuring Linux Live CD environment. This means that you have access to the best music composition and recording applications at any time on any PC without the need for installation. Fervent Software's Studio to Go! includes Rosegarden MUSIC 1.0.1 (enhanced) and integrates many other applications such as the Ardour Digital Audio Workstation, Audacity audio editor, the award-winning Hydrogen drum machine, JAMin mastering, Lilypond score typesetting software, soft synths, plugins and bundled VST instruments. All of these applications can be connected together using the JACK Audio Server, and all this comes complete with instructions, tutorials and demo material and 30 days support in an easy to use package that will run without installation on Windows PCs. -
Studioware: Applications List Studioware: Applications List
2021/07/27 06:26 (UTC) 1/4 Studioware: Applications List Studioware: Applications List This is the full list of applications and supporting libraries/plugins etc. plus their location in git and on our package server: audio/amps/guitarix2 audio/codecs/lame audio/desktop/evince audio/development/guile1.8 audio/development/libsigc++ audio/development/libsigc++-legacy12 audio/development/ntk audio/development/phat audio/development/pysetuptools audio/development/scons audio/development/scrollkeeper audio/development/vamp-plugin-sdk audio/drums/hydrogen audio/editors/audacity audio/editors/denemo audio/editors/mscore audio/editors/rosegarden audio/effects/jack-rack audio/effects/rakarrack audio/graphics/fontforge audio/graphics/frescobaldi audio/graphics/goocanvas audio/graphics/lilypond audio/graphics/mftrace audio/graphics/potrace audio/graphics/pygoocanvas audio/graphics/t1utils audio/libraries/atkmm audio/libraries/aubio audio/libraries/cairomm audio/libraries/clalsadrv audio/libraries/clthreads audio/libraries/clxclient audio/libraries/dssi audio/libraries/fltk audio/libraries/glibmm audio/libraries/gnonlin audio/libraries/gst-python audio/libraries/gtkmm audio/libraries/gtksourceview audio/libraries/imlib2 audio/libraries/ladspa_sdk audio/libraries/lash audio/libraries/libavc1394 SlackDocs - https://docs.slackware.com/ Last update: 2019/04/24 17:34 (UTC) studioware:applications_list https://docs.slackware.com/studioware:applications_list audio/libraries/libdca audio/libraries/libgnomecanvas audio/libraries/libgnomecanvasmm audio/libraries/libiec61883 -
Gradu 4.0 LOPULLINEN
"Leikimme ja sitten aloimme tehä musiikkia." Tutkielma yläkoulun oppilaiden musiikinteko-ohjelmien käyttötaustasta ja kokemuksista musiikintekoprojektista. Antti Sunell Maisterintutkielma Musiikkikasvatus Syyslukukausi 2013 2 3 1. Johdanto! 5 2. Teoreettinen tausta! 10 2.1 Katsausta kirjallisuuteen ja aikaisempaan tutkimukseen! 10 2.2 Musiikin tekemisen uusimpia oppimisnäkemyksiä: Scott Watson, Amy Burns ja Barbara Freedman.! 14 2.3 Luovuus! 17 2.3.1 Luovuuden flow ja optimaalinen kokemus! 18 2.4 Tutkimuksen koulukritiikki ja luova luokkahuone! 19 2.5 Motivaatio ja flow! 22 2.5.1 Motivaatio! 22 2.5.2 Sisäisen ja ulkoisen motivaation tasapainottaminen! 23 2.5.3 Flow! 24 2.6 Yhteistoiminnallinen oppiminen ja sosiokonstruktiivinen oppiminen! 24 3. GarageBand - intuitiivinen musiikinteko-ohjelma! 26 3.1 Musiikinteko-ohjelma - nimityksiä! 26 3.2 GarageBand! 27 4. Tutkimusasetelma! 32 4.1 Tutkimustehtävä! 32 4.2 Tutkimusmenetelmä! 34 4.2.1 Kyselylomaketutkimus! 34 4.2.2 Tutkimus tapaustutkimuksena ja otantatutkimuksena! 36 4.3 Aineiston analyysi! 37 4.3.1 Tilastollinen analyysi oppilaiden musiikkiteknologisesta taustasta! 37 4.3.2 Laadullinen analyysi projektin kokemuksesta! 38 4 4.4 Tutkimuksen luotettavuus! 39 5. Tutkielman tulokset! 41 5.1 Oppilaiden musiikkiteknologinen tausta! 41 5.1.1 Oppilaiden aikaisempi musiikinteko-ohjelmien käyttö! 41 5.1.2 Oppilaiden saama aiempi musiikinteko-ohjelman käytön opetus! 43 5.2 Oman musiikin tekeminen harrastuksena! 47 5.2.1 Musiikinteko-ohjelmien käyttö! 48 5.2.2 Oman musiikin tekeminen! 51 5.3 Mahdolliset flow-kokemukset projektin aikana! 53 5.3.1 Ajantunteen hämärtyminen! 54 5.3.2 Tekniset ongelmat, opettajan tuen tarve! 59 5.3.3 Työskentelykokemuksen mielekkyys! 59 5.4 Motivaatio omatoimiseen harrastamiseen! 62 5.5 Tutkimuksen johtopäätökset! 63 6. -
Linux Audio Conference 2019
Proceedings of the Linux Audio Conference 2019 March 23rd – 26th, 2019 Center for Computer Research in Music and Acoustics (CCRMA) Stanford University, USA “In Ping(uins) e trust! Published by CCRMA, Stanford University, California, US March 2019 All copyrights remain with the authors http://lac.linuxaudio.org/2019 ISBN 978-0-359-46387-9 Credits Layout: Frank Neumann and Romain Michon Typesetting: LATEX and pdfLaTeX Logo Design: The Linuxaudio.org logo and its variations copyright Thorsten Wilms c 2006, imported into "LAC 2014" logo by Robin Gareus Thanks to: Martin Monperrus for his webpage "Creating proceedings from PDF files" ii Partners and Sponsors Linuxaudio.org iii iv Foreword Welcome everyone to LAC 2019 at CCRMA! For the second time in its seventeen year history, the Linux Audio Conference (LAC) is hosted in the United Stated of America by the Center for Computer Research in Mu- sic and Acoustics (CCRMA) at Stanford University. With its informal workshop-like at- mosphere, LAC is a blend of scientific and technical papers, tutorials, sound installations, and concerts centered on the free GNU/Linux operating system and open-source free soft- ware for audio, multimedia, and musical applications. LAC is a unique platform during which members of this community gather to exchange ideas, draft new projects, and see old friends. In these times of increasing political tensions and of rising extremism throughout the world, we believe that emphasizing and promoting the universality of this type of event is of the utmost importance. The Linux audio community exists worldwide; we believe it should remain a priority to diversify LAC’s geographical location from year to year for the benefit of those who can’t afford to travel to the other side of the world.