A 'Fine Specimen of Neronian Brickwork' in Victorian London: How
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London, an Intimate Picture
i Class. M^ol:' Book. Copyright ]^^ COPYRIGHT DEPOSn^ LONDON AN INTIMATE PICTURE N By HENRY JAMES FORMA IN THE FOOTPRINTS OF HEINE THE IDEAL ITALIAN TOUR LONDON—AN INTIMATE PICTURE Horseguard at Entrance to Whitehall LONDON AN INTIMATE PICTURE BY HENRY JAMES FORMAN AUTHOR OF " THE IDEAL ITALIAN TOUR, " ETC. NEW YORK McBRIDE, NAST & COMPANY 1913 ^"^ y^<( Copyright, 1913, by McBeide, Nast & Co. Published, November, 1913 ©CI,A357790 TO FILSON YOUNG COXTEXTS PAGE I The Lure of Loxdox 1 II The Atmosphere of London . 7 III Trafalgar Square and the Strand . 14 IV A Walk in Pall Mall and Piccadilly 36 V Fleet Street and the Temple . 58 VI From St. Paul's to Charter House . 77 VII The City: Some Milton, Shakespeare and Dickens Land 95 VIII The To"vver 117 IX Whitehall and Westminster 127 X Galleries and Pictures 151 XI Here and There 171 XII The London of Homes . 185 THE ILLUSTRATIONS Horseguard at Entrance to Whitehall . Frontispiece Thames Embankment and Cleopatra's Needle . 2, Trafalgar Square 16 Waterloo Bridge^ showing entrance to subway . 24 St. Clement Danes Church 32 Piccadilly Circus 40 St. Mary le Strand 60 Queen Anne Statue, before St. Paul's .... 78 Sentry at Buckingham Palace 86 Fishing in the Green Park 98 St. Saviour's Church 112 On Tower Bridge 120 " " Westminster Bridge, showing Big Ben . .134 One of Landseer's Lions and the National Gallery . 154 The British Museum 172 Thomas Carlyle Statue on Chelsea Embankment . 194 LONDON AN INTIMATE PICTURE London: An Intimate Picture THE LURE OF LONDON those of us whose tongue is English, Lon- TOdon is the most romantic spot on earth. -
Sundials, Solar Rays, and St Paul's Cathedral
Extract from: Babylonian London, Nimrod, and the Secret War Against God by Jeremy James, 2014. Sundials, Solar Rays, and St Paul's Cathedral Since London is a Solar City – with St Paul's Cathedral representing the "sun" – we should expect to find evidence of solar rays , the symbolic use of Asherim to depict the radiant, life-sustaining power of the sun. Such a feature would seem to be required by the Babylonian worldview, where Asherim are conceived as conduits of hidden power, visible portals through which the gods radiate their "beneficent" energies into the universe. The spires and towers of 46 churches are aligned with the center of the dome of St Paul's Cathedral, creating 23 "solar rays". I was already familiar with this idea from my research into the monuments of Dublin, where church steeples and other Asherim are aligned in radial fashion around the "sun," the huge modern obelisk known as the Millennium Spire. As it happens, a total of 23 "solar rays" pass through the center of the dome of St Paul's Cathedral, based on the alignment of churches alone . Thus, in the diagram above, two churches sit on each line. If other types of Asherim are included – such as obelisks, monoliths, columns and cemetery chapels – the number is substantially greater. [The 46 churches in question are listed in the table below .] 1 www.zephaniah.eu The churches comprising the 23 "rays" emanating from St Paul's Cathedral 1 St Stephen's, Westbourne Park St Paul's Cathedral St Michael's Cornhill 2 All Souls Langham Place St Paul's Cathedral St Paul's Shadwell -
Famous People Associated with St Marylebone Church
Famous People Associated with St Marylebone Church The part of London, now known as Marylebone, has been connected to its parish church for eight centu- ries. In the Domesday Book, compiled in 1086, there are records of the district called Tybourn – a name which for hundreds of years had grim associations with the gallows, which stood a little way to the northeast of the site where Marble Arch now stands. About the year AD1200, a small church, probably of timber, was built on the fringe of the Middlesex for- est by the Tybourn stream which flowed from Highgate Hill to the Thames at Westminster. This little church was in every respect a country church. It stood near the place where the Tybourn stream crossed the Tybourn road (now called Oxford Street) and Stratford Place. The church was called St John the Evangelist at Tybourn, and it served the spiritual needs of the agricul- tural folk who tilled the lands of the Manor of Tybourn, which belonged to the Abbess and Convent of Barking. In the Domesday Book the Manor was valued at 52s. In the taxation record of Pope Nicholas IV, 1291, there is an entry: Middlesex, ecclesia de Tiborne £6 Maitland’s History of London, first published in 1739, says The village of Tybourne going into decay and its church denominated St John the Evangelist, left alone by the side of the Highway, it was robbed of its Books, Vestments, Bells, Images and other decorations, on which occasion the Parishioners petitioned Robert Braybrook, Bishop of London, for leave to take down their old, and to erect a new church elsewhere, which he readily agreed to, and granted them a faculty or licence of 23rd October anno 1400, by virtue of which they erected the new church. -
Archaeologia
ARCHAEOLOGIA: OR, MISCELLANEOUS TRACTS K ELATING TO ANTIQUITY. Downloaded from https://www.cambridge.org/core. IP address: 170.106.40.139, on 26 Sep 2021 at 05:13:38, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0261340900001995 ARCHAEOLOGIA: OR, MISCELLANEOUS TRACTS RELATING TO ANTIQUITY. PUBLISHED BY THE SOCIETY OF ANTIQUARIES OF LONDON. VOLUME XXIX. LONDON: PRINTED BY J. B. NICHOLS AND SON, 45, PARLIAMENT STREET. SOLD AT THE SOCIETY'S APARTMENTS IN SOMERSET PLACE, AND BY MESSRS. PAYNE AND FOSS, PALL MALL, AND W. PICKERING, PICCADILLY. MDCCCXLII. Downloaded from https://www.cambridge.org/core. IP address: 170.106.40.139, on 26 Sep 2021 at 05:13:38, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0261340900001995 TABLE OF CONTENTS. PAGE I. A Letter from JOHN GAGE ROKEWODE, Esq., F.R.S., Director, to HUDSON GURNEY, Esq., F.R.S., Vice President, with an Account ofthejinal Excavations made at the Bartlow Hills. 1—4 II. An Account of some Ancient Remains existing in the District adjacent to the confluence of the Wye and the Severn, in the Counties of Gloucester and Monmouth; namely, the probable line of the British Akeman Street, the southern termination of Ojfa's Dyke, the Earthworks of Buttindune, the leaden Fonts of Llancaut and Tidenham, and an identification of the Estrighoiel of Domesday: by GEORGE ORMEROD, Esq., D.C.L.. F.R.S., S.A., in a Letter to Sir HENRY ELLIS, K.H., F.R.S., Secretary. -
A Biographical Dictionary of Nineteenth Century Antique and Curiosity Dealers
This is a repository copy of A Biographical Dictionary of Nineteenth Century Antique and Curiosity Dealers. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/42902/ Book: Westgarth, MW (2009) A Biographical Dictionary of Nineteenth Century Antique and Curiosity Dealers. Regional Furniture, XXIII . Regional Furniture Society , Glasgow . Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ promoting access to White Rose research papers Universities of Leeds, Sheffield and York http://eprints.whiterose.ac.uk/ White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/42902/ Published book: Westgarth, MW (2009) A Biographical Dictionary of Nineteenth Century Antique and Curiosity Dealers. Regional Furniture, XXIII . Regional Furniture Society White Rose Research Online [email protected] 148132:97095_book 6/4/10 10:11 Page cov1 REGIONAL FURNITURE 2009 148132:97095_book 6/4/10 10:11 Page cov2 THE REGIONAL FURNITURE SOCIETY FOUNDED 1984 Victor Chinnery President Michael Legg Vice President COUNCIL David Dewing Chairman Alison Lee Hon. -
'James Gibbs's Autobiography Revisited'
William Aslet, ‘James Gibbs’s autobiography revisited’, The Georgian Group Journal, Vol. XXV, 2017, pp. 113–130 TEXT © THE AUTHORS 2017 JAMES GIBBS’S AUtobiographY REVISITED WILLIAM ASLET ames Gibbs (1682–1754) was one of the most claim that the manuscript comprises ‘Memorandums Jimportant architectural figures in eighteenth- for his own use’ has been taken at face value. After an century England. Taught by Carlo Fontana, the most outline of his biography, I will begin by arguing that fashionable Roman architect of his day, Gibbs ‘had Gibbs intended to publish the manuscript, having a professional training at the fountain-head of Italian composed it during his final years. Following this, baroque that was unique among contemporary I will place the manuscript in the literary context of architects’.1 He was the architect of the London mid eighteenth-century England, contending that churches of St. Mary-le-Strand and St. Martin- it was composed as a piece of travel writing. I will in-the-Fields; the Senate House, Cambridge, and conclude that it was in this manuscript that Gibbs the Radcliffe Library, Oxford; houses that include hoped to preserve his legacy. From this, Gibbs will Sudbrook, Surrey, and Ditchley, Oxfordshire; and emerge as an architect who sought to immortalise was the author of two highly influential books,A himself through books as much as through buildings. Book of Architecture and Rules for Drawing the Several Parts of Architecture. Critical assessment of Gibbs is, however, complicated by the fact that our knowledge of his biography is largely limited AUTHORSHIP AND DATING to a single document currently in Sir John Soane’s The Gibbs manuscript comprises 162 pages (81 Museum, London, henceforth referred to as the folios) and is of a quarto size, bound in leather. -
Northbank Book
STRANDS OF HISTORY Northbank Revealed Clive Aslet Strands of History Northbank Revealed by Clive Aslet First published in 2014 by Wild Research, 40 Great Smith Street, London SW1P 3BU www.wildsearch.org © Wild Research 2014 All rights reserved The Northbank BID West Wing, Somerset House, Strand, London WC2R 1LA www.thenorthbank.org ISBN 978-0-9576966-2-4 Printed in Poland by ? ‘Looking to Northumberland House, and turning your back upon Trafalgar Square, the Strand is perhaps the finest street in Europe, blending the architecture of many periods; and its river ways are a peculiar feature and rich with associations.’ Benjamin Disraeli, Tancred: or, The New Crusade, 1847 ‘I often shed tears in the motley Strand for fullness of joy at so much life... Have I not enough, without your mountains?’ Charles Lamb, turning down an invitation from William Wordsworth to visit him in the Lake District Contents Foreword 10 Chapter One: The River 14 Chapter Two: The Road 26 Chapter Three: Somerset House 40 Chapter Four: Trafalgar Square 50 Chapter Five: Structural Strand: Charing Cross Station and Victoria Embankment 58 Chapter Six: Serious Strand: The Law Courts 64 Chapter Seven: Playful Strand: Shopping, Hotels and Theatres 72 Chapter Eight: Crown Imperial: The Strand Improvement Scheme 82 Chapter Nine: Art Deco and Post War 94 Chapter Ten: The Future 100 Image Acknowledgements 108 Further Reading 110 About Wild Research 111 7 8 About the Author Acknowledgements Clive Aslet is an award-winning writer and Maecenas molestie eros at tempor malesuada. journalist, acknowledged as a leading authority Donec eu urna urna. -
Savoy House & Milford House
SAVOY HOUSE & MILFORD HOUSE 190 Strand is a luxurious new development of apartments, townhouses and penthouses in an area of central London internationally acknowledged as the Capital’s theatre, nightlife, shopping and cultural heartland, with international embassies, law courts and the River Thames close by. CONTENTS A World Class Location 04 Cosmopolitan London Living 08 Connecting London 10 The Garden Bridge 12 London’s Famous Address 14 Cocktails & Cuisine 16 Culture & Leisure 18 Fashion & Retail 20 Location Map 22 Iconic Landmark 24 Site Plan 26 First Class Living 28 Warm Welcome 34 Business & Pleasure 40 Leisure Facilities 42 Impressive Interiors 46 Specification 62 Savoy House Floor Plans 64 Milford House Floor Plans 86 The Team 108 Sustainability at 190 Strand 109 St Edward – Designed for Life 110 Our Commitment to the Future 111 1 3 Computer generated image is indicative only CANARY WHARF THE CITY TOWER BRIDGE THE SHARD ST PAUL’S CATHEDRAL TATE MODERN MILLENNIUM BRIDGE BLACKFRIARS BRIDGE OXO TOWER KING’S COLLEGE LONDON OLD BANK OF ENGLAND VICTORIA ROYAL COURTS EMBANKMENT OF JUSTICE NATIONAL THEATRE RIVER THAMES ST CLEMENT DANES CHURCH LONDON SCHOOL OF ECONOMICS & POLITICAL SCIENCE ST MARY LE STRAND CHURCH ALDWYCH SOMERSET HOUSE WATERLOO BRIDGE STRAND ALDWYCH THEATRE LYCEUM THEATRE In the heart of Central London, 190 Strand is just moments from the River Thames, A WORLD CLASS Covent Garden, the Houses of Parliament and Trafalgar Square. Perfectly located for access to culture and entertainment, fashion and shopping, hotels and fine dining, as well LOCATION as being within close proximity to a range of London’s educational centres of excellence. -
Pickering & Chatto Catalogue 789 English Books And
PICKERING & CHATTO CATALOGUE 789 ENGLISH BOOKS AND MANUSCRIPTS Pickering & Chatto (Antiquarian Booksellers since 1820) 144-146 New Bond St London W1S 2TR England Tel. +44 (0)20 7491 2656 Fax. +44 (0)20 7499 2479 email. [email protected] web. www.pickering-chatto.com Please contact Ed Smith or Edmund Brumfitt with any enquiries. All prices are in Pounds Sterling; we accept Mastercard, Visa, and American Express. Terms: 30 Days Bankers: Butterfield Bank [UK] Ltd, 99 Gresham Street, London EC2V 7NG Account No. 32425131 Sort Code. 40-52-26 William Pickering Ltd VAT No. GB 896 1174 90 P ICKERING & C HATTO Ross-on Wye Charity School 1 [ABSTRACT]. ABSTRACT OF THE CONVEYANCE AND DEED OF TRUST, for establishing Walter Scott’s charity school, in the parish of Ross, in the county of Hereford, dated 28th August, 1798. Walter Scott died in London, 4th 12th Month, 1786, aged 70. Ross: Printed by Farror and Dobles, Booksellers. [1839]. £ 185 FIRST EDITION. 8vo, pp. 32; stab sewn, as issued; inscribed presentation copy from the editor, Nathanial Morgan. Born in Ross in 1716 the son of a poor tradesman, Walter Scott attended the local Charity School, a Blue Coat school funded through public subscriptions and intended for the “instruction of poor boys and girls in the parish of Ross-on-Wye in the Christian Religion according to the doctrines and usages of the Church of England”. In 1785, the year before his death, Walter returned to visit Ross-on-Wye and was distressed to find his old school in a very neglected state. -
Church Crawling
Church Crawling with Barbara Pym ‘Her books are indubitably “churchy”, partly in the sense that church-going frequently occurs and clergymen are among her best characters, and partly from the tacit and unproselytizing assumption that the world divides into those who do and those who do not attend their parish church. The ethos is always decently Anglican, but this too is taken for granted and no hint of doctrinal or emotional problems is intruded upon the reader. Religion, for Miss Pym’s characters, involves no anguish of conscience (“social” or personal), no dark night of the soul, but decisions about what vestments should be worn on Mid-Lent Sunday, what shall be served for luncheon on Fridays in the clergy-house, who is to query that enigmatic entry in the Church accounts, and “that rather delicate affair of the altar brasses and the unpleasantness between Miss Jenner and Miss Beard”. … Her treatment of religion suggests, in fact, a rather unusually strong, though reserved, religious sense. (Robert Smith, ‘How Pleasant to Know Miss Pym’, Ariel, Vol. 2 No. 4, October 1971, p. 66; quotation from Some Tame Gazelle) ‘Barbara was brought up and remained throughout her life a member of the Church of England, and to her all its churches were places of devotion and interest. When after War service and her mother’s death she came to live with her sister in London, and “already well into churchgoing” as her sister has written, she became a regular worshipper at St Gabriel’s Church, Warwick Square, Pimlico. … ‘About this time [ca. -
Paul Jeffery, 'Unbuilt Gibbs a Fresh Look at His Designs for the 1711 Act
Paul Jeffery, ‘Unbuilt Gibbs a Fresh Look at his Designs for the 1711 Act Church Commissioners’, The Georgian Group Jounal, Vol. IV, 1994, pp. 11–19 TEXT © THE AUTHORS 1994 UNBUILT GIBBS A FRESH LOOK AT HIS DESIGNS FOR THE 1711 ACT CHURCH COMMISSIONERS Paul Jeffery ames Gibbs, of Scottish descent, was born in 1682 and died in 1754 at the age of 71 after a long and successful career, mostly connected with the design and construction of private houses, but including some important churches and public buildings.1 He left several Jportfolios of drawings containing a record of his numerous large scale designs, not all of which were built, together with many examples of his smaller-scale work in designing garden buildings, ornaments and monuments of all kinds. On his death these drawings were bequeathed to the Radcliffe Library in Oxford and are now in the Ashmolean Museum. The collection includes a number of drawings for churches whose intended sites have not, so far, been identified. Most of these are from the first decade of his architectural career in Britain and were produced when he was one of the surveyors to the Commissioners appointed under an Act of 1711 for the Building of Fifty New Churches.2 He was appointed to this post in 1713, succeeding William Dickinson who had resigned, and in competition with John James.3 Almost immediately, he was concerned with designs for the site near the maypole in the Strand, and completed the church for the Commissioners, after the foundations had been laid to a design by Thomas Archer.4 His best known parish church is St Martin-in-the-Fields (1722-26) for the Commissioners appointed under an Act of 1720.5 His work includes also the steeple for St Clement Danes (1719-20) and the Oxford or Marylebone chapel, later St Peter, Vere Street, (1721-24) for Edward Harley, Earl of Oxford. -
Performance and Display at the First Meeting of the British Archaeological Association, Canterbury, 1844
Performance and display at the first meeting of the British Archaeological Association, Canterbury, 1844 Gabriel Moshenska Abstract The congress of the British Archaeological Association in Canterbury in September 1844 was the first archaeological conference in Britain. This paper examines the visual practices of performance and display incorporated within the congress, focusing on three events: a trip to watch a barrow excavation; a visit to the Faussett collection of antiquities; and an unrolling of an Egyptian mummy. Through an analysis of these events the paper examines the ways in which members of the nascent British archaeological community in the early Victorian era learned how to observe archaeology within the correct social, intellectual and spatial frames. Keywords History of archaeology; public archaeology; public understanding of science; visual culture. Introduction In September of 1844 the British Archaeological Association held its first annual congress, a weeklong event in and around the city of Canterbury that allowed the members of the nascent society to meet, present their work and take part in scholarly and social activities. The congress remains a landmark in the history of British archaeology and within Victorian intellectual history more widely, marking a period of fast-growing popular interest in archaeology and antiquity that saw the formation of numerous regional and national learned societies and printing clubs (Levine 1986; Morrell and Thackray 1981). The Canterbury congress of the British Archaeological Association (hereafter BAA) was by most accounts a resounding success and a source of great excitement and entertainment for the archaeological attendees and residents of Canterbury, with an invigorating programme of talks, demonstrations, excursions and dances.