SEMPER DOESNJLEAD Account of a Reality
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Vista USD News
University of San Diego Digital USD USD Vista USD News 2-2-1984 Vista: February 2, 1984 University of San Diego Follow this and additional works at: https://digital.sandiego.edu/vista Digital USD Citation University of San Diego, "Vista: February 2, 1984" (1984). USD Vista. 925. https://digital.sandiego.edu/vista/925 This Newspaper is brought to you for free and open access by the USD News at Digital USD. It has been accepted for inclusion in USD Vista by an authorized administrator of Digital USD. For more information, please contact [email protected]. UNIVERSITY OF SAN DIEGO •.t- ^ CHE GO, i.«- c / Vol. XXII No. 14 February 2, 1984 T.G.'s: Battle Of The Beers by Shen Hirsch when ETK accepted the ASB's solved the needed sponsorship AK Psi on the other hand felt was not my fault. I have a stand For the first time in USD his offer to sponsor the Flanigan's. but added a great deal of credibil students should be given an alter ard procedure in which 1 list all tory the students will be given the ETK, Elman Tappa Kegga, was ity to ETK. native to Flanigan's. The popula the free ads on a log sheet and the advantage of a T.G. every Friday. founded by Ed DeMerlier, Vince When AK Psi proposed an tion of student participation had paying ads on another. When ETK, AK Psi and AMA have Kasperick, Tom Ehmann and addition to the agenda ETK was already notably declined from there are too many paying ads the now collaborated to present a Mike Harder as a response to the enraged. -
Dr. Earl Davis Is Always Busy with University of Texas at Austin and Completed His One Task Or Another
An Independent Student Newspaper Serving the University Community Since 1906 The University Echo <?3 • .-. W Volume/?f?/Issue The University of Tennessee at Chattanooga November II, 1983 SGA finances Romantics p.3 Arena action pp. 12-13 Mocs bushwhack VMI p. 19 Clockwise Irom upper left: Kenny Rogers, Gap Band member, one of the Righteous Brothers, New Edition singers. "Our Personnel Touch guarantees you quality service. Thanks tn Pi tWa Phi f„r rhi, pi.-t..,-,- I'II niri-fl ni-n rimis-.Li ^^'inrlniH Echo News 2 The Echo/November 11, 1983 No pay raise this year UTC faculty salaries below average By Sandy Fye Echo News Editor UTC will need $903,600 to bring faculty salaries up 155 and over stay, then there's no room for new faculty. to Southern Region Education Board (SREB) And we can't afford to retire. averages, according to information compiled by Dave To reach 1982-1983 fiscal year faculty pay "On the whole, I think we've got the best teaching Larson, vice chancellor of administration and finance, averages: faculty in the state," continued Printz. "But it makes in his "Planning for Excellence" report. 66 professors need an average of $2755 each you sort of sad that you can't afford to send your Because report figures were based on 1982-83 109 associate professors need an average of children somewhere else, so they won't be burdened SREB averages, much more money will be necessary $2330 each by having a parent on campus." to raise the salary level to the current average as the 85 assistant professors need an average of $2798 Printz said many former UTC faculty and staff UTC faculty did not receive pay raises for 1983 84, for each members have relocated to other jobs or out of the cost-of-living or otherwise. -
Heart Passionworks Mp3, Flac, Wma
Heart Passionworks mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Passionworks Country: Japan Released: 1988 Style: Hard Rock, Pop Rock MP3 version RAR size: 1807 mb FLAC version RAR size: 1332 mb WMA version RAR size: 1641 mb Rating: 4.8 Votes: 166 Other Formats: RA ASF AUD MMF WAV DTS AU Tracklist Hide Credits 1 How Can I Refuse 3:52 2 Blue Guitar 3:54 3 Johnny Moon 4:00 4 Sleep Alone 4:12 5 Together Now 3:50 Allies 6 4:44 Piano – David Paich 7 (Beat By) Jealousy 3:18 8 Heavy Heart 3:50 9 Love Mistake 3:28 10 Language Of Love 3:38 Ambush 11 3:14 Programmed By [Synthesizers] – Steve Porcaro Companies, etc. Phonographic Copyright (p) – CBS Inc. Copyright (c) – CBS Inc. Credits Acoustic Guitar – Nancy Wilson Art Direction – Tony Lane Backing Vocals – Ann Wilson, Howard Leese, Lynn Wilson (tracks: 6), Mark Andes, Nancy Wilson Bass – Mark Andes Drums – Denny Carmassi Engineer – Brian Foraker, Dennis Sager, Keith Olsen Guitar [Lead], Guitar [Rhythm] – Howard Leese, Nancy Wilson Lead Vocals – Ann Wilson, Nancy Wilson Mastered By – Greg Fulginiti Photography – Neal Preston Photography [Black & White Prints] – Isgo Lepejian Producer, Arranged By – Keith Olsen Synthesizer – David Paich (tracks: A1 to A3, B1, B5), Howard Leese, Nancy Wilson , Steve Porcaro (tracks: B6) Written-By – Ann Wilson (tracks: A1 to A5, B2, B3, B5, B6), Denny Carmassi (tracks: A1, A2), Howard Leese (tracks: A1, A2), Jonathan Cain (tracks: B1), Keith Olsen (tracks: B3), Mark Andes (tracks: A1, A2), Nancy Wilson (tracks: A1 to A3, A5, B3 to B5), Sue Ennis (tracks: -
Goodies Rule – OK?
This preview contains the first part ofChapter 14, covering the year 1976 and part of Appendix A which covers the first few episodes in Series Six of The Goodies THE GOODIES SUPER CHAPS THREE 1976 / SERIES 6 PREVIEW Kaleidoscope Publishing The Goodies: Super Chaps Three will be published on 8 November 2010 CONTENTS Introduction ..........................................................................................................................................................................................................................7 ‘Well – so much for Winchester and Cambridge’ (1940-63) ...............................................................................................9 ‘But they’re not art lovers! They’re Americans!’ (1964-65) .............................................................................................23 ‘It’s a great act! I do all the stuff!’ (1965-66) ...................................................................................................................................31 ‘Give these boys a series’ (1967) .....................................................................................................................................................................49 ‘Our programme’s gonna be on in a minute’ (1968-69)THE .......................................................................................................65 ‘We shall all be stars!’ (1969-70) .....................................................................................................................................................................87 -
17167 Worldcon Butler.Pdf
Canterbury Christ Church University’s repository of research outputs http://create.canterbury.ac.uk Please cite this publication as follows: Butler, A.M. (2015) Disfigured myth: the destruction of London in postmillennial SF film. Foundation: The International Review of Science Fiction, 44 (122). pp. 20-32. ISSN 0306-4964258. Link to official URL (if available): This version is made available in accordance with publishers’ policies. All material made available by CReaTE is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Contact: [email protected] London Death Drives: The Destruction of London in 2000s British SF Film Andrew M Butler There is a moment in Reign of Fire (Rob Bowman, 2002) when Quinn Abercromby (Christian Bale) climbs a wall from a river and gazes across at a semi-destroyed Palace of Westminster and says, “Well, this town’s gone to Hell.” It is not the only landmark to have survived several decades of destruction by dragons: Tower Bridge has also made it through. In this essay I wish to explore the symbolism and meaning of such landmarks, drawing upon ideas of Charles Peirce, Roland Barthes and Sigmund Freud, within the context of a number of twenty-first century British science-fiction films, notably Reign of Fire, 28 Days Later (Danny Boyle 2002), 28 Weeks Later (Juan Carlos Fresnadillo, 2007) and Children of Men (Alfonso Cuarón, 2006).1 It has to be admitted that the phenomena does not begin here. The late nineteenth-century invasion narratives are situated within the south east of England and H.G. -
AUGUST 1984 LH: I Wanted to Sit In, If Conway Would Let Me
VOL. 8, NO. 8 Cover Photo by Robert Herman FEATURES LEVON HELM During the late '60s and early '70s, Bob Dylan and The Band were musically a winning combination, due in part to the drumming and singing talents of Levon Helm. The Band went on to record many classics until their breakup in 1976. Here, Levon discusses his background, his work with Dylan and The Band, and the various projects he has been involved with during the past few years. by Robyn Flans 8 THOMMY PRICE Price, one of the hottest new drummers on the scene today, is cur- rently the power behind Billy Idol. Before joining Idol, Thommy Carneau had a five-year gig with Mink DeVille, followed by a year with Fred Scandal. In this interview, Thommy reveals the responsibilities of by working with a top act, his experiences with music video, and how Photo the rock 'n' roll life-style is not all glamour. by Connie Fisher 14 BOB MOSES Bob Moses is truly an original personality in the music world. Although he is known primarily in the jazz idiom for his masterful drumming, he is also an active composer and artist. He talks about his influences, his technique, and the philosophies behind his Jachles various forms of self-expression. by Chip Stern 18 Michael by DRUMMING IN ATLANTIC CITY Photo by Rick Van Horn 22 Malkin WILL DOWER Rick Australian Sessionman by by Rick Van Horn 24 Photo CLUB SCENE ON THE MOVE COLUMNS Attention To Detail James D. Miller and Bob Pignatiello. 78 by Rick Van Horn 90 IN THE STUDIO EDUCATION DRUM SOLOIST Jim Plank CONCEPTS Philly Joe Jones: "Lazy Bird" by Ted Dyer 84 Drummers And Put-Downs by Dan Tomlinson 96 by Roy Burns 28 REVIEWS EQUIPMENT LISTENER'S GUIDE ON TRACK 46 by Peter Erskine and Denny Carmassi 30 PRODUCT CLOSE-UP NEWS ROCK PERSPECTIVES Remo PTS Update Beat Study #13 by Bob Saydlowski, Jr. -
The Dictionary Legend
THE DICTIONARY The following list is a compilation of words and phrases that have been taken from a variety of sources that are utilized in the research and following of Street Gangs and Security Threat Groups. The information that is contained here is the most accurate and current that is presently available. If you are a recipient of this book, you are asked to review it and comment on its usefulness. If you have something that you feel should be included, please submit it so it may be added to future updates. Please note: the information here is to be used as an aid in the interpretation of Street Gangs and Security Threat Groups communication. Words and meanings change constantly. Compiled by the Woodman State Jail, Security Threat Group Office, and from information obtained from, but not limited to, the following: a) Texas Attorney General conference, October 1999 and 2003 b) Texas Department of Criminal Justice - Security Threat Group Officers c) California Department of Corrections d) Sacramento Intelligence Unit LEGEND: BOLD TYPE: Term or Phrase being used (Parenthesis): Used to show the possible origin of the term Meaning: Possible interpretation of the term PLEASE USE EXTREME CARE AND CAUTION IN THE DISPLAY AND USE OF THIS BOOK. DO NOT LEAVE IT WHERE IT CAN BE LOCATED, ACCESSED OR UTILIZED BY ANY UNAUTHORIZED PERSON. Revised: 25 August 2004 1 TABLE OF CONTENTS A: Pages 3-9 O: Pages 100-104 B: Pages 10-22 P: Pages 104-114 C: Pages 22-40 Q: Pages 114-115 D: Pages 40-46 R: Pages 115-122 E: Pages 46-51 S: Pages 122-136 F: Pages 51-58 T: Pages 136-146 G: Pages 58-64 U: Pages 146-148 H: Pages 64-70 V: Pages 148-150 I: Pages 70-73 W: Pages 150-155 J: Pages 73-76 X: Page 155 K: Pages 76-80 Y: Pages 155-156 L: Pages 80-87 Z: Page 157 M: Pages 87-96 #s: Pages 157-168 N: Pages 96-100 COMMENTS: When this “Dictionary” was first started, it was done primarily as an aid for the Security Threat Group Officers in the Texas Department of Criminal Justice (TDCJ). -
Stan's Donuts
NORTH AMERICA NORTH THE ALI GROUP MAGAZINE ISSUE 7 | JANUARY 2019 STAN’S DONUTS: BRINGING A WHOLE LOT OF EXCITEMENT TO CHICAGO CRAFT ON DRAFT JOYRIDE PARTNERS WITH BEVERAGE-AIR ALI GROUP Let me extend my heartiest You will also learn how a welcome to this, the seventh successful Chicago-based edition of Aliworld North chain serves creative, deli- America magazine. cious (and highly profitable) Looking through the sto- donuts. And, by combining ries in this issue reminds me a perfectly prepared and of the fact that even though delivered product with a we all have our own individ- culture based on “doing good” ual problems and concerns, in the communities it serves, many of you face the same we will show you how a pizza issues regardless of location. chain differentiates itself from Everyone faces labor-related the competition. This issue challenges, including finding contains these stories and and retaining qualified team many others that showcase members. Ever-increasing just some of the ways that we food costs affect your bot- at Ali Group listen to our cus- tom line. New ordering and tomers and go beyond simply delivery systems change the providing them with products way you produce and serve that meet their needs. food. And kitchen sizes continue to shrink to I’m very pleased that this issue will introduce accommodate a growing front-of-house area. you to the first seven winners of The Berti As always, we at Ali Group have a continual Foundation scholarships. These talented stu- focus on designing and producing products dents are the children of Ali Group employees, that help you meet those challenges. -
DERKÉTA Stacks Explorer Documentation ! ! ! ! Devin Smith Late Summer 2018
! DERKÉTA Stacks Explorer Documentation ! ! ! ! Devin Smith Late Summer 2018 Modern connotations of the word “epic” are in some ways misleading when we turn to the Homeric poems, the texts that began the Western epic tradition. The Greek word epos means simply “word” or “story” or “song.” It is related to a verb meaning “to say” or “to tell,” which is used (in a form with a prefix) in the first line of the poem. The narrator commands the Muse, “Tell me”: enn-epe. An epic poem is, at its root, simply a tale that is told. The Odyssey is grand or (in modern terms) “epic” in scope: it is over twelve thousand lines long. The poem is elevated in style, composed entirely in a regular poetic rhythm, a six-beat line (dactylic hexameter), and its vocabulary was not that used by ordinary Greeks in everyday speech, in any time or place. The language contains a strange mixture of words from different periods of time, and from Greek dialects associated with different regions. A handful of words in Homer were incomprehensible to Greeks of the classical period. The syntax is relatively simple, but the words and phrases, in these combinations, are unlike the way that anybody ever actually spoke. The style is, from a modern perspective, strange: it is full of repetitions, redundancies, and formulaic expressions. These mark the poem’s debt to a long tradition of storytelling and suggest that we are in a world that is at least partly continuous with a distant, half-forgotten past... !1 !2 !3 Translator’s Note The Prelinger Library is a small, appropriation-friendly library and communal space which lives on the second floor of a multi-unit building in Soma (its neighbors include several dance studios, which keeps the diagetic soundtrack surprising). -
New Acts: Labels Play Lt Tight by PAUL GREI\ Signings Is Brighter Than It :Rs During in Fixing Mechanical Payments
NEW 1JMPLJT[FI UFTWA1L WAFTB See Page 30 SM 14011 E8049GRE CM_ YMONT00 MAAF4 MONTY GREENLY 03 10 NEWSPAPER 374G ELM UCY z LONG LEACH CA 90P07 L A Billboard Publication The International Newsweekly Of Music & Home Entertainment Oct. 8, 1983 $3 (U.S.) SALE PRICE $150 MIL LAWYERS, MANAGERS COMPLAIN Polytram Seeking New Acts: Labels Play lt Tight By PAUL GREI\ signings is brighter than it :rs during In fixing mechanical payments. Buyer For Chappell and SAM SUTHERLAND the deepest trough of the recession. record companies are now often de- licensing arrange- LOS ANGELES -New artists may There's also general agreement ihat manding a special By IRV EICHTMAN re- be playing a central role in rebuild- de facto artist roster "freezes," in evi- ment whereby songwriting acts NEW YORK -Chappell Music Indications are that PolyGram will ing the record /tape marketplace, but dence as recently as the last quarter ceive only fractional payment of the for and its associated companies are be- not reveal a potential buyer when its most major labels are still hanging of 1982, have now relaxed. 4.25 cents per song fee now called ing put up for sale by the PolyGram announcement is made. Finding a tough in negotiating new artist deals. However, label negotiators now under the provisions of the Copyright Group. purchaser is viewed as a longterm Most attorneys, managers and seek to minimize contractual risks Law of 1976. Most sources say labels Substantiating widespread rumors process, since a general consensus business affairs executives surveyed and contain investments through a seek to hold fees to 75% of the full rate, or just over three throughout the year, official word of holds that sale of Chappell would agree t hat the outlook for new act number of strategics: mechanical PolyGram's intention to divest itself command a selling price of about cents. -
1200 Micrograms 1200 Micrograms 2002 Ibiza Heroes of the Imagination 2003 Active Magic Numbers 2007 the Time Machine 2004
#'s 1200 Micrograms 1200 Micrograms 2002 Ibiza Heroes of the Imagination 2003 Active Magic Numbers 2007 The Time Machine 2004 1349 Beyond the Apocalypse 2004 Norway Hellfire 2005 Active Liberation 2003 Revelations of the Black Flame 2009 36 Crazyfists A Snow Capped Romance 2004 Alaska Bitterness the Star 2002 Active Collisions and Castaways 27/07/2010 Rest Inside the Flames 2006 The Tide and It's Takers 2008 65DaysofStati The Destruction of Small 2007 c Ideals England The Fall of Man 2004 Active One Time for All Time 2008 We Were Exploding Anyway 04/2010 8-bit Operators The Music of Kraftwerk 2007 Collaborative Inactive Music Page 1 A A Forest of Stars The Corpse of Rebirth 2008 United Kingdom Opportunistic Thieves of Spring 2010 Active A Life Once Lost A Great Artist 2003 U.S.A Hunter 2005 Active Iron Gag 2007 Open Your Mouth For the Speechless...In Case of Those 2000 Appointed to Die A Perfect Circle eMOTIVe 2004 U.S.A Mer De Noms 2000 Active Thirteenth Step 2003 Abigail Williams In the Absence of Light 28/09/2010 U.S.A In the Shadow of A Thousand Suns 2008 Active Abigor Channeling the Quintessence of Satan 1999 Austria Fractal Possession 2007 Active Nachthymnen (From the Twilight Kingdom) 1995 Opus IV 1996 Satanized 2001 Supreme Immortal Art 1998 Time Is the Sulphur in the Veins of the Saint... Jan 2010 Verwüstung/Invoke the Dark Age 1994 Aborted The Archaic Abattoir 2005 Belgium Engineering the Dead 2001 Active Goremageddon 2003 The Purity of Perversion 1999 Slaughter & Apparatus: A Methodical Overture 2007 Strychnine.213 2008 Aborym -
July 1987 • Issue 79 ~R~I".:" R Mdst Any Other Animal Td the Left 'Of a Chicken and Meaning An'other
BULK RATE u. S. POSTAGE PAID Permit No. 2419 Kansas City, MO ITCH FREE! RONNIE SPECTOR REGINA BELLE UNFINISHED BUSINESS ALL BY MYSELF UnfInished ~~ On A Rooftop oangerous (With Bangles' Susanna HofIs) WhoCan= r~ Money) ~ Hear the BEST NEW BIATSat . MODERN MUSIC MONDAYS SURFACE [!!] FROM CBS RECORDS 2 KC Pitch • JULY f~.·";".·.-:... · ~'t!. -~ the loose ! KC pITCH! On ~ f; well, GQd help Us all. JACK CASHILL So hQW do yQU make sure that you d'On't fall I~r.·· ..':. prey to this, the smarmiest 'Of all epidemics? Irony Deficieny In "crisis!' When a baby seal bites the dust - Dr F'Or starters, yQU can practice saying one thing ~ir .July 1987 • Issue 79 ~r~I".:" r mDst any other animal tD the left 'Of a chicken and meaning an'Other. It's a good exercise t'O i~~~ ~4' ~: ~~~~}~i~~~~~~~ ~. ~ li':~ ~,t..... .lr' -ti'~-t1",•. ~~j"\J - fDlks in Lawrence cQnsider it an "'Outrage!' loosen up YDur soul. As a secDnd step you Mid-America ".<4, 4128 Broadway ~~ When bible-thumpers dDn't like the slant 'Of a might imagine a 10,000,000 strong chorus of ~ Kansas City, Missouri 64111 ,;t ob Geldof has not yet set a con m'Ovie they haven't seen, they just sort 'Of turn dusty, dessicated, sw'Olien-bellied, fly-covered ~.. ~ (816) 561-1580 f~~~ cert date on our behalf, but rumor purple and denounce it as "blasphemY.' When Ethiopians sitting on your shoulder. Then the ~~ Publisher Hal Brody ~ has it that he soon will. The pro a middle manager can't get a job he wants, he next time the water level is SQ low that you have ~'1 Executive Editor Donna TrusseD ~~ blem is that severe.