Canterbury Christ Church University’s repository of research outputs http://create.canterbury.ac.uk Please cite this publication as follows: Butler, A.M. (2015) Disfigured myth: the destruction of London in postmillennial SF film. Foundation: The International Review of Science Fiction, 44 (122). pp. 20-32. ISSN 0306-4964258. Link to official URL (if available): This version is made available in accordance with publishers’ policies. All material made available by CReaTE is protected by intellectual property law, including copyright law. Any use made of the contents should comply with the relevant law. Contact:
[email protected] London Death Drives: The Destruction of London in 2000s British SF Film Andrew M Butler There is a moment in Reign of Fire (Rob Bowman, 2002) when Quinn Abercromby (Christian Bale) climbs a wall from a river and gazes across at a semi-destroyed Palace of Westminster and says, “Well, this town’s gone to Hell.” It is not the only landmark to have survived several decades of destruction by dragons: Tower Bridge has also made it through. In this essay I wish to explore the symbolism and meaning of such landmarks, drawing upon ideas of Charles Peirce, Roland Barthes and Sigmund Freud, within the context of a number of twenty-first century British science-fiction films, notably Reign of Fire, 28 Days Later (Danny Boyle 2002), 28 Weeks Later (Juan Carlos Fresnadillo, 2007) and Children of Men (Alfonso Cuarón, 2006).1 It has to be admitted that the phenomena does not begin here. The late nineteenth-century invasion narratives are situated within the south east of England and H.G.