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SCRIPTS CONSULTED Unless otherwise stated, all scripts can found in the core script collections at one of the following locations: The Margaret Herrick Library, Los Angeles (Labelled ‘MH’ below). The Writers Guild Foundation Library, Los Angeles (Labelled WGF). The University of California, Los Angeles’ Charles E. Young Research Library, Los Angeles (Labelled UCLA). The Lincoln Center for Performing Arts, New York (Labelled LPA). The British Film Institute Rueben Library, London (Labelled BFI).

Bergstein, Eleanor. Dirty Dancing , 23 September, 1985. MH. ——— Dirty Dancing , 3 September, 1986. WGF. Clement, Dick and Ian La Frenais. Across the Universe , revised through June- October 2005. MH. Dowd, Nancy. Buffalo Ghost , undated. Available as part of the Waldo Salt Papers, UCLA. Box 13, folder 9. Estevez, Emilio. Bobby , undated. MH. Foner, Naomi. Running on Empty . April 28, 1987. MH. Goldman, Bo and Michael Cimino. The Rose , 18 April, 1976. MH. Goldman, Bo. The Rose , 27 January, 1978. MH. Higgins, Colin. Hair , 20 September, 1974. UCLA. Howard, Gregory Allen. Remember the Titans , 12 December, 1999. WGF. Kasdan, Lawrence and Barbara Benedek. The Big Chill: First Draft , 16 July, 1982. WGF. 282 BIBLIOGRAPHY

——— The Big Chill: Revised Draft , 16 July, 1982. WGF. Kerby, Bill. Pearl (The Rose) , 1 April, 1974. WGF. Lanier, Kate. What’s Love Got to Do With It? (The Tina Turner Story) , 23 July, 1993. BFI Lasker, Laurence and Walter F. Parkes, Sneakers , 1984. Available in the Phil Alden Robinson Scripts collection, MH. Lee, Spike. Malcolm X , April 1992. MH ——— Malcolm X Shooting Script . Published in Lee and Wiley, By Any Means Necessary , pp. 169–312. Rivele, Stephen J. and Christopher Wilkinson, Ali , 3 May, 1999. MH. Rivele, Stephen J., Christopher Wilkinson and Oliver Stone, Nixon , shooting script. Published in Hamburg (ed.), Nixon , pp. 83–307. Robinson, Phil Alden. Sneakers , 1 March, 1985. MH. ——— Shoeless Joe , 22 January, 1986. Phil Alden Robinson Scripts Collection, MH. Box 2, folder 14. ——— Shoeless Joe , 14 February, 1986. MH. Box 2, folder 15. ——— Shoeless Joe , 8 September, 1987. MH. Box 3, folder 22. ——— Field of Dreams , 9 September, 1987. BFI. ——— Sneakers , 8 February, 1991. BFI. ——— Sneakers , 25 October, 1991. MH. Roth, Eric. Forrest Gump , 18 December, 1992. MH. Roos, Don. Love Field , 30 November, 1989. UCLA. ——— Love Field , 23 February, 1990. UCLA. Salt, Waldo. Going Home, 13 June, 1975. Salt’s extensive treatment cited in Chapter One. Salt Papers, UCLA. Box 14, folder 4. ——— Coming Home , 11 June, 1976. Salt Papers, UCLA. Box 16, folder 4. Salt, Waldo and Bob Jones, Coming Home , undated. Salt Papers, UCLA. Box 17, folder 4. Schamus, James. Taking Woodstock , August-September 2008. MH. Schamus, James. Taking Woodstock . In Schamus, Taking Woodstock , pp. 1–126. Stone, Oliver, Born on the Fourth of July , November 1977. BFI. ——— The Platoon , June 1984. MH. ——— The Platoon , February 1986. LPA. ——— The Doors, October 1989. WGF. ——— The Doors , 16 March 1990. BFI. Stone, Oliver and Zachary Sklar, JFK Shooting Script . Published in Stone and Sklar, JFK , pp. 1–185. Taylor, Tate. The Help , 9 November, 2009. WGF. Weller, Michael. Hair, 31 May, 1977. BFI. ——— Hair . 19 August, 1977. MH. INDEX

A in fi lm, 13, 16, 17–18, 20–1, 23, 1963 26–8, 52–3, 55–6, 63, 64, 85, cultural representations of, 82, 97, 136–9, 142, 145–6, 158–9, 101–3, 114, 125, 126, 227 161–2, 199, 206, 213–14, 252, in public memory, viii, 115, 140, 263 157, 241, 252 in public memory, 8–9, 44, 137–9, 1968 155, 158, 202–3 cultural representations of, 100, Apocalypse Now , 16, 198 175, 195, 201, 206–9, 215, Apollo 13 , 176 217, 252, 267 Ardolino, Emile, 106 in public memory, 61, 195, 197 Ashby, Hal, xii, 10 Across the Universe , vi, xi, xiii, 174–5, 201–8, 210–18, 225, 232, 264 Affi rmative action, 98, 167, 173, B 182–7, 193, 194, 217 ‘Bad Radical’ as fi lm stereotype, 64, Ali , 183, 193, 226, 230–2, 265 72, 86, 87, 206, 235, 253 Alice’s Restaurant , 7 Bassett, Angela, 228 Altamont Speedway Free Festival, 7, Beatles, The, xviii, 14, 100, 101, 160, 30, 152 175, 178, 197, 201, 204–208, American Beauty , xvii, 179 210–214, 216–218 American Graffi ti , 6, 102 Benedek, Barbara, 46, 49, 50, 58 Animal House , 102, 210 Bergstein, Eleanor, 97, 99–101, 103, Anti-war movement, The, viii, 3 104, 106, 109–111, 125 and Vietnam veterans, 8–10, 52, Between the Lines , 50 55–6, 87–8, 136–9, 143, 200, Big Chill, The , xii, xiii, xvi, 44–5, 46, 202–3 49–58, 63, 68, 87

Big Lebowski , The, vi, xvii, 179–80 Costner, Kevin, vi, 52, 75, 76, 143, Bingham, Dennis, 175, 219, 229, 153, 154 256, 257, 265, 268 Coming Home , xii, xiv, xvi, 2, 3, 9–10, Black Panther Party, The, viii, 2, 51, 13–22, 23, 25, 29, 30, 31, 34, 82, 162, 174, 184, 228, 230, 36, 37, 88, 137, 263, 264 241, 249, 253 Company You Keep, The , 86–87 Bobby , xv, xvii, 195–6, 198–201, Conservatives, 23, 28, 33, 64, 71, 73, 206–10, 211, 215–18, 225, 243, 74, 105–106, 167, 174, 175, 264 182–183, 184, 185–187, Born on the Fourth of July , xv, 87, 96, 193–194, 200 135, 137–9, 141–4, 152, 153, idealisation of the 1950s (or 177, 264 “Fifties”), ix, 62, 165 Brown, James, 247, 265, 267 perspectives on the Sixties, viii, ix–x, Bruckheimer, Jerry, 167, 183–4, 194 xiv, xv, xvii, 2, 14–15, 21–22, Bulworth , xvii, 179 36, 44, 46–9, 60–61, 67–68, Burgoyne, Robert, x, xv, xx, xxii 127, 104–106, 134–136, 142–143, 140–1, 168, 170, 264–5, 268 145, 155–156, 161, 165–166, Burton, James Amos, xxi, xxii, 60, 91, 176–177, 196–198 93, 134, 145, 163, 168, 169, perspectives on the New Left, 8–9, 170, 172, 176, 219 21–22, 26, 37, 46–48, 50, 58, Bush, George H.W., 134, 139, 155, 63, 85, 87–88, 97–99, 139, 158, 196 202–203, 235 Bush, George W., 196–8, 202 perspectives on government- Busing , 167, 173, 182–183, 184, sponsored social programmes , 186–187, 193, 194, 217, 233 37, 48–49, 174, 182–183, Butler, The (see Lee Daniels’ The Butler ) 185–187, 193–194 Counterculture, The, vii, viii, 23, 261 and the 1960s, 1–3, 4, 5 C conservative demonisation of, ix, xvi, Cimino, Michael, 30, 36 14, 22, 36, 48–49, 60, 135, 137 Civil rights movement, The, in fi lm, xii, xvii, 7, 10–11, 12–13, in fi lm, vi, xii, xiv, xviii, 51, 60, 68, 15, 16, 17, 19–20, 23, 24–36, 77–8, 83, 103–104, 107, 116, 68, 70, 135, 140, 142–143, 117–119, 122, 125, 141, 161, 144–145, 146–153, 158, 162, 163–164, 167, 174, 181, 164–165, 166–167, 176, 178, 186, 188, 194, 195, 207, 217, 179–180, 195, 203–205, 226, 227–234, 236, 237–254, 211–214, 216, 247 255, 266 in public memory, vi, ix, 6, 7–8, 43, in public memory, viii, 6, 116, 167, 155, 202–205, 218, 262, 263 174, 181, 192, 226, 236, 253 ( see also hippies ) Clement, Dick, 175, 201, 204 Culture wars, vii, ix–x, xvi, xvii, 8, 30, Clinton, Bill, ix, 61, 86, 134, 135, 58, 60–61, 67–68, 73, 135, 153, 154, 155–159, 165–166, 167, 166, 176, 177, 179, 180–181, 176, 179, 182, 196, 225 196–198, 264 INDEX 285

D Field of Dreams , vi, viii, xiii, xiv, xvi, Daniels, Lee, vi, xiii, 228, 242–243, 45, 58, 59, 60, 63, 65–69, 266, 267 75–80, 83, 84, 86–87, 103, 216, Davis, Viola, 227, 244 263 Deer Hunter, The , 16, 30 ‘Fifties, The’ as political and cultural Democratic Party, vi, 59, 61, 86, 100, concept, ix, 17, 19, 21, 23, 102, 113, 134, 138, 155–158, 196, 115, 156, 165 197, 202, 212–213, 225, Fonda, Jane, xii, xiv, 3, 9–10, 15, 17, 235–236, 241, 254, 264 18–19, 20, 21, 22, 69, 203, 243 Dern, Bruce, 16, 17–18 Foner, Naomi, xiii, xiv, 59, 63–65, 69, Dirty Dancing , xii, xvii, 95–97, 70, 74 101–112, 114, 116, 119, 120, Forman, Miloš, xii, 1, 3, 4, 22, 25, 125–126, 193, 216, 263, 264 26–27 Doors, The , xii, xiii, xvii, 60, 134–136, Forrest Gump , xii, xiii, xiv, xv, xvii, 87, 140, 141, 142–153, 166–167, 96, 126, 133–135, 154–167, 177, 213, 216, 263 177, 206, 216, 226, 243, 262, Do the Right Thing , 189, 229 263 Dreamgirls , 195, 226, 232–233, 265 DuVernay, Ava, 266, 267 Dylan, Bob, vii, 78, 110, 175, 179, G 197, 247 Get on Up , 226, 247, 265, 267 Ghosts of Mississippi , vi Gitlin, Todd , 60, 61, 68, 88, 89, 91, E 93, 115, 131 Easy Rider , 7 Goldman, Bo , xii, 30, 36 Estevez, Emilio, 175, 195–196, Good Sixties/Bad Sixties (in public 198–201, 206–207, memory), viii, 6, 156, 175, 197, 209, 217 202, 235 Express, The , 193, 195, 226, 232, Guerrero, Ed, xxi, 127, 229, 230, 233–234 256, 257 Grace of My Heart , 178 Grease , 102, 106 F Grey, Jennifer, 96, 106 Feminist movement, The, viii, ix, 2, 3, 11–13, 44, 96, 104–106 and abortion rights, 20, 104–106 H backlash against, xvii, 11–12, 44, Hair (musical), 1, 4–5, 22, 24 48, 60, 97–99 Hair (fi lm), vi, xi, xii, xvi, 2–3, 10–11, and fi lm, xvi–xvii, 12–13, 19–21, 13, 19, 22–29, 30, 31, 32, 36–37 25, 33, 53, 88, 99–101, 114, Hairspray (2007), v, 195, 232 116, 125–126, 162, 179–180, Hanks, Tom, xiii, 133, 154–155, 159, 195, 207, 263 163, 176, 178, 189 286 INDEX

Haysbert, Dennis, 117, 122 Jones, James Earl, vi, 45, 75, 77, 86 Hayden, Tom, 61, 91, 115, 131 Joplin, Janis, 5–6, 11–12, 13, 14, 15, Heart of Dixie , 78, 116, 125, 174, 19, 29, 30, 36, 204, 244, 267 193, 245 Help, The (novel), xviii, 227, 236, 237, 239–240, 248 K Help, The (fi lm), vi, xviii, 218, Kasdan, Lawrence, xiii, 46, 49–50, 225–228, 234, 236–241, 52–53, 54, 56, 58 244–249, 254–255, 265 Kennedy, John F., vii, xvii, xviii, 30, Higgins, Colin, 10–11, 25 43, 97, 100, 112, 117, 118, 120, Hippies, vi, xvi, 1–3, 7, 10, 12–13, 15, 121–122, 124, 125, 133, 142, 16, 18, 21, 23–31, 33, 35, 36, 143, 144, 153, 162, 175, 177, 48, 60, 70, 76, 80, 135, 137, 178, 179, 198, 225, 235, 239, 140, 142–144, 146, 147, 150, 253, 254, 262 152, 153, 158, 161, 164, 165, in public memory, viii, xiii, xv, 6, 48, 176, 178, 179, 203, 207, 209, 101, 102, 113–116, 119, 140, 211, 212, 217, 235, 247, 261, 141, 156, 157–158, 195 263 . See also the counterculture Kennedy, Robert F., 18, 43, 195, 196, Historical fi lms , x–xii, xv, 104, 135, 197, 198, 199, 200, 207, 208, 237, 265, 266 209, 210, 211, 215, 216, 217 Hoffman, Abbie, 14, 16, 46, 159, Kerby, Bill, 5, 10–13, 29, 30, 36 161, 261 Kilmer, Val, xiii, 143, 148, 150 Howard, Gregory Allen, xiii, 167, King, Martin Luther, 6, 14, 43, 78, 174, 176, 180, 181–187, 190, 101, 113, 116, 117, 156, 162, 194, 198, 217, 231 163, 182–183, 188, 197, 198, 200, 215, 225, 229, 230, 233, 234, 235, 239, 252, 253, 262, I 266 I’m Not There , 174, 175, 195, 264, Krämer, Peter, xx, 3, 9, 15, 38, 39, 40, 265 41, 209, 224

J L Jahnson, Randall, 136, 140, 145, 148 La Frenais, Ian, 175, 201, 204 Jenkins, Philip, vi, xvi, xix, xxii, 14, 40, Lee Daniels’ The Butler , vi, xiii, xviii, 128, 242, 259 218, 226–227, 228, 234, 236, JFK , xv, xvii, 60, 96, 113, 114, 241–244, 249–255, 264, 265 140–141, 142, 143, 144, 152, Lee, Spike, 189, 228, 229–230, 234, 153, 166, 177, 198, 267 242, 266 Johnson, Lyndon B., 2, 26, 30, 48, Lembcke, Jerry, xx, 3, 4, 9, 16, 18, 113, 161, 163, 207, 235, 252, 38, 39, 41 253, 254, 262, 265, 266 Lennon, John , 43, 162, 178 INDEX 287

Liberals, xii, 2, 8, 9, 14, 15, 23, 37, 143, 156, 176, 180, 197, 198, 48, 49, 67, 68, 69, 74, 86, 99, 202, 203, 206 101, 103, 107, 109, 110, 125, use of in Sixties fi lms , 15, 23, 24, 145, 152, 155, 156, 167, 25, 27, 33, 54–55, 58, 69–72, 180–181, 195, 196–197, 198 74, 77, 107, 109–110, 112, perspectives on the Sixties, viii, ix–x, 144, 145, 146, 148, 149, 150, xiv, xv, 17, 22, 35, 45, 50, 58, 157, 178, 195, 204, 207, 208, 61, 62, 85, 97, 99, 105, 106, 211, 212, 217, 218, 230, 134, 135, 139, 142, 143, 153, 232–233, 244, 264, 265–266, 154, 161, 165, 166, 178, 184, 267 186, 199–200, 217, 235, 263, Musical, The, v, xi, 4, 10, 23–24, 25, 264 27, 58, 201, 205 Long Walk Home, The , 60, 78, 104, Mr Holland’s Opus , 177–178 116, 125, 174, 193 Love and Mercy , 266 Love Field , xiii, xiv, xvii, 96–97, 104, N 112, 113–126, 174, 193, 245, Nixon , 141, 176, 177, 231 263, 264 Nixon, Richard, viii, 2, 6, 7, 8, 9, 30, Lucas, George, 6, 102 35, 48, 79, 82, 113, 118, 137, Lumet, Sidney, xii, 69, 70, 71, 229 140, 143, 146, 163, 242, 243, 262

M Mad Men , 261–262 O Malcolm X , 96, 164, 188, 189, Obama, Barack, vi, ix, 225–226, 227, 228–230, 231, 232, 242 228, 233–236, 241, 254, 262 Manson, Charles, 43, 204 Ochs, Phil, 110, 200 Marcus, Daniel, vi, vii, xix, 48, 88, 89, 91, 128, 166, 168, 176, 180, 219 Memory . See public memory P Men Who Stare at Goats, The , 195 Pearl Midler, Bette, 5, 29, 30, 35 See The Rose Midnight Cowboy , 14, 17, 23 Perlstein, Rick, 6, 8, 38, 39 Mississippi Burning , vi, 60, 62, 78, Pfeiffer, Michelle, xiii, xiv, 117, 120, 116, 174 184 Monteith, Sharon, xviii, xix, xxi, xxii, Platoon , vi, 60, 62, 87, 96, 103–104, 78, 93, 94, 104, 116, 126, 129, 135, 137–139, 141, 143, 144, 132, 218, 256 152, 153, 177, 198, 264 Morrison, Jim, xvii, 6, 29, 133, 134, Poitier, Sidney, 83, 249, 252–253 135, 136, 140, 143–144, 145, Prefontaine , 178 146–153, 166 Presley, Elvis, 156–157, 166 Music, vii, xi, 1, 2, 6, 11, 14, 29, 31, Public memory, vi, vii–viii, 2, 8, 45, 34, 35, 51, 64, 67, 76, 106, 136, 56, 87, 113, 114, 116, 135, 175, 288 INDEX

192, 226, 242, 252, 262 . See also Rydell, Mark, xii the anti-war movement, the civil rights movement, the feminist movement, John F. Kennedy and S the Vietnam War Salt, Waldo, xii, 13–14, 15, 16, 18, 19, 22 Selma , 218, 226, 266 R Shampoo , 7 Ray , 195, 226, 232, 265 Sheen, Charlie, 95–96, 138, 198 Reagan, Ronald, ix, xvi, 2, 37, 44, Sheen, Martin, 198, 199, 206, 207 47–49, 59, 98, 105, 109, 157, Sneakers , xiii, xvi, 45, 58, 59, 62–63, 162, 184, 241, 243, 253, 262 67, 81–86, 87 Redford, Robert, 45, 62, 81–82, 83, Spencer, Octavia, 246 86, 87 Stockett, Kathryn, 227, 236, 237, Remember the Titans , xiii, xv, xvii, 167, 240, 248, xviii 173–174, 176, 180–188, Stone, Oliver, xiii, xv, xvii, 103, 190–195, 196, 201, 204, 217, 113–114, 133–134, 135, 218, 226, 231, 233, 264 136–145, 146, 147, 148, 149, Republican Party, vi, 48, 61, 82, 86, 150, 152, 153, 166, 167, 177, 113, 134, 137–138, 155–156, 196, 231, 267 166, 175, 181, 182, 183, 196, Strong, Danny, 228, 236, 241, 242, 235, 241, 254, 264 267 Return of the Secaucus 7 , 50 Students for a Democratic Society Robinson, Phil Alden, xiii, 59, 60, 63, (SDS), xiii, 6, 46, 59, 61, 162, 65, 66–69, 74, 80, 81, 85 179, 213 Rolling Stones, The, 7, 14, 18, 55, Sturken, Marita, vii, xix, xxi, 42, 115, 152, 197 127, 140, 169, 170 Roos, Don, 114, 117–119 Summer of Love, The, 1, 152, 200, Rose, The , xii, xv, xvi, 2, 3, 5–6, 10, 211 11–13, 29–37, 88, 145, 146, 150, 151, 213, 216, 263 Rosenstone, Robert, x, xii, xx, 127, T 141, 170, 237, 258, 266, 268 Taking Woodstock , vi, 195, 205, 244, Roth, Eric, xiii, 133, 135, 153, 154, 264 155, 156, 157, 158, 159, 161, Taylor, Tate, 227, 228, 236–238, 239, 163, 167 240, 241, 244, 246, 247, 248, Rubin, Jerry, 44, 46, 80 249, 255, 265, 267 Running on Empty , xii, xiii, xiv, xvi, Taymor, Julie, xiii, 175, 176, 45, 58, 59, 63–65, 69–74, 75, 201–202, 204, 206, 211, 213, 84, 87, 88, 263 217 Ryan, Meg, 146–147, 148 That Thing You Do , 178 INDEX 289

V Weather Underground, The, viii, 46, Vietnam War, The, xii, 3, 5, 8–10, 47, 59, 86, 235 100, 105, 198 Weller, Michael, 3, 22, 24, 25, 26, 27 in fi lm, vii, xv, 4, 13, 14, 16–22, 25, Whitaker, Forest, xiii, 227, 243, 249 26, 27, 32, 35, 52, 53, 56, 60, Without Limits , 178 64, 72, 73, 96, 107, 136–139, Women’s liberation, vi, viii, xvi, xvii, 3, 140, 141, 143, 145–146, 147, 12, 16, 25, 96, 97, 105, 114, 151, 158, 159, 161, 165, 167, 125, 162 . See also the feminist 178, 199, 202, 206, 211, 214, movement 231, 252, 263, 265 Woodstock, 7, 30, 78, 134, 211, 244 in public memory, vi, viii, xiii, 6, Wright, Robin, 161 9–10, 44, 113, 138–139, 155, 197 ( see also The Anti–war movement ) X Vietnam Veterans Against the War, 9, X, Malcolm, 162, 188, 189, 228–230, 203 231, 252, 253 Voight, Jon, xii, 17–18 Von Bothmer, Bernard, vi, viii, xviii, 48, 88, 89, 168, 171, 196, 219, Y 220, 222, 256, 257 Youth International Party (Yippie), 3, 44, 46, 159

W Washington, Denzel, xiii, xiv, 117, Z 188–190, 230 Zemeckis, Robert, xiii, 133, 159–160