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a p r o d u c t i o n a n n a p u r n a p i c t u r ES

STEVE C H A N N I N G M A R K CARELL TATUM RUFFALO

INTERNATIONAL SALES INTERNATIONAL PRESS

ANNAPURNA INTERNATIONAL PR WORKS INTERNATIONAL Alyson Dewar & Melody Monfreda [email protected] [email protected]

A FILM BY

134 MINUTES SYNOPSIS

Based on true events, tells the dark and fascinating story of the unlikely and ultimately tragic relationship between an eccentric multi- millionaire and two champion wrestlers.

When Olympic Gold Medal winning wrestler () is invited by wealthy heir () to move on to the du Pont estate and help form a team to train for the 1988 Seoul Olympics at his new state-of-the-art training facility, Schultz jumps at the opportunity, hoping to focus on his training and finally step out of the shadow of his revered brother, Dave (). Driven by hidden needs, du Pont sees backing Schultz’s bid for Gold and the chance to “coach” a world-class wrestling team as an opportunity to gain the elusive respect of his peers and, more importantly, his disapproving mother ().

Flattered by the attention and entranced by du Pont’s majestic world, Mark comes to see his benefactor as a father figure and grows increasingly dependent on him for approval. Though initially supportive, du Pont’s mercurial personality turns and he begins to lure Mark into an unhealthy lifestyle that threatens to undermine his training. Soon du Pont’s erratic behavior and cruel psychological game-play begin to erode the athlete’s already shaky self-esteem. Meanwhile du Pont becomes fixated on Dave, who exudes the confidence both he and Mark lack, knowing that these are things even his money cannot buy. Fueled by du Pont’s increasing paranoia and alienation from the brothers, the trio is propelled towards a tragedy no one could have foreseen..

FOXCATCHER is a rich and moving story of brotherly love, misguided loyalty and the corruption and emotional bankruptcy that can accompany great power and wealth. As with Academy Award® nominee Bennett Miller’s previous feature films, CAPOTE and , he explores large themes in society through his complex character portraits of real people. A B OU T T H E PRODUCTION

All of Bennett Miller’s films, including something beneath the story, that I sensed his first, the documentary THE CRUISE, wasn’t strange at all. In fact the opposite.” are centered on real people with vivid While his initial impulse to take on the personalities in unusual circumstances. project was immediate, the subsequent And despite the stockpile of evidence time and energy Miller ended up pouring that was collected during the years of into it was expansive. As he had previously preparation for FOXCATCHER, in the done with CAPOTE and MONEYBALL, end those stark facts become the seeds for Miller embarked on a research journey drama, and many of them, as the have that would last several years. “I wanted to indicated, were distilled and transformed learn what hadn’t been known about the through the process. “It’s fact to fiction as story and that takes time. It takes years a vehicle back to truth, says Miller. Some and it takes interest and care, he says. months after CAPOTE was released I This is a story with some uncomfortable received a letter from Harper Lee. She said truths, everyone I spoke with seemed to be the film was a demonstration of fiction as guarding some aspect of what happened.” a means towards truth. There was, as she pointed out, a great deal in the film that we Miller traveled all over the country—to had invented, but that ‘The film told the Iowa, , Colorado, Missouri, and truth about Truman.’ That’s what I have —to find materials and to tried to do with FOXCATCHER.” interview dozens of people including Mark Schultz, Dave’s widow Nancy, their Miller first heard about the story of and fellow wrestlers, people who had eccentric multi-millionaire John worked for du Pont, police, and anyone Eleuthère du Pont (Steve Carell) and a who had lived any part of the story. In pair of world champion wrestler brothers, addition to all the first-person accounts, he Mark (Channing Tatum) and assembled a trove of video of both du Pont (Mark Ruffalo) when executive producers and the Schultz brothers. Michael Coleman and Tom Heller showed him a newspaper article about the story. While Dave was only a little older than “The circumstances seemed comical and Mark, they didn’t have a typical brother absurd, but the outcome was horrible and relationship. Their parents split up early, real, says Miller. The deeply strange things and Dave took on a parental role for Mark that happened down there were unlike as they moved between their parents’ anything I had personally experienced and homes, fending for themselves. Mark had yet they felt immediately familiar. There an incredible love, reverence, and need was something about the story, or perhaps for his brother—he relied upon him for emotional support, a partner to wrestle connection between them and what some important to him because it was a vocation “There were certain affectations that were with, and as a coach—but at the same people might call a codependency which of his own choosing. It didn’t apply to any specific to him which I thought were time he was very jealous of Dave’s success, became unhealthy as they moved into other part of his upbringing. His mother important, says Carell. I listened to his and his inner turbulence escalated as the world. As Dave started transitioning, was not a fan of wrestling, thought it was cadence and how he spoke. Not only how the years went by. “Mark was always that embarking on his adult life, Mark saw it as barbaric, so he stepped out from her he spoke physically, but the words he little brother that just couldn’t break out, a betrayal, and honestly, it was a betrayal. It shadow in that way.” chose to express himself. Bennett would couldn’t figure out how to do it on his own, was just an impossible situation, as Dave sometimes have us improvise, so I tried to says Tatum. He always had to rely on Dave, had to get on with his life even though he Carell is reluctant to pass any easy judgment have some context for that.” Says Ruffalo: and this kept him from having his own life, knew that Mark didn’t have anything at all on du Pont. “I don’t see him as a monster, “When Steve first walked out as du Pont, it his own career, and the thing he wanted in his life aside from wrestling and their he says. I see him as someone who did gave me a shiver. In the thousands of hours most—his own respect from people.” relationship.” something terrible who was suffering from I watched videos to prepare, two hundred Mark’s confused vulnerability makes him mental illness. He was a very sad, damaged of them were with du Pont, so I was very turn his pent-up anger on himself as It’s at this time, when Mark is at his lowest human being.” intimate with that man physically, who he much as on his wrestling opponents—at ebb, that du Pont invites Mark for a life- was, how he sounded, how he moved. It times he literally hits himself in the face. changing meeting at Foxcatcher. There he Du Pont had previously tried numerous was creepy and uncanny, Steve’s ability to Says Tatum: “I don’t think anybody could showers him with the words of praise and ways to make his mark on the world: as a capture the physical qualities of that guy.” punish Mark more than he could himself respect that Mark had always wanted to ornithologist, conchologist, philatelist and Says Nancy Schultz, Dave’s widow: “It was and I think he hardens himself against the hear, albeit in an aloof and peculiar manner. philanthropist, a trainee for the Olympic very uncomfortable to be around Steve as world by punishing himself.” “I think Mark had a lot of trepidations, says pentathlon, and a benefactor to sports of John du Pont. He stayed in character most Tatum. I don’t think he really trusts anyone. all kinds. But ultimately he focused on of the time, and it was very unsettling to The intricate dynamic between the brothers But finally he is hearing somebody see him becoming the savior of USA wrestling, catch him out of the corner of my eye.” is vividly illustrated through the scene in and Dave the way he thinks they deserve. building the Foxcatcher facility and being which they practice wrestling with each Du Pont is saying that the brothers are the leading funder of the sport. “He was While waiting for financing for the film other: It begins like a dance, with Dave heroes. They literally fight for their country highly competitive, says Carell. He yearned to come through, Miller was able to cast effortlessly ushering Mark through some and no one supports them, no one cares for respect. I think he wanted people to his three primary actors long before the moves, lightly correcting and instructing. about them like he does. I don’t think look up to him in the way they naturally film began production, and they were all “There is real tenderness between them Mark knew completely but I think he looked up to Dave Schultz. But ultimately, given the voluminous amounts of research and so much unspoken communication, slowly started to see that this was the best he was unable to earn that same kind of materials he had collected for them. This says Ruffalo. It’s as intimate as two men opportunity he had ever been given. This esteem and admiration. Dupont wanted to allowed the actors an unusually lengthy can be without being lovers.” Gradually is the opportunity for him to finally get the be one of the guys, but at the same time, he period of time to immerse themselves in Mark’s complicated feelings about Dave attention, respect and accolades that he’s wanted to be held in a somewhat higher the lives of the real people they would spill out and compel him to amp up the always wanted, and to separate himself regard.” be playing before they arrived on the set, aggression and do real damage. Says from Dave.” something they took very seriously. “You Ruffalo: “Mark is so much bigger and more There’s no doubt that Steve Carell’s fans do have a responsibility playing a real aggressive and stronger, but Dave still has In telling Mark that he wasn’t getting will be surprised to see him in a role as dark person that is different than if you’re just the psychological edge on him. But you the appreciation he deserved, du Pont as John du Pont. “I knew that Steve could fictionalizing a part, says Ruffalo. I wanted can also see that Mark is exceptionally could just as well have been speaking play awkward and eccentric, says Miller, but to honor Dave to the best of my abilities. gifted.” Says Miller: “You see Dave’s about himself. He was burdened by a when I met him I realized how many layers The only way I knew how to do that was to steadfastness, his fairness, and his love, but family legacy that was nearly impossible there are, that he is one of these actors that go out in the world and find out as much you simultaneously see his status—he’s to uphold because it went back so many has a public self and a private self—and as I could about him. There’s a little bit of the Alpha. Not an uncaring, unsympathetic, generations. “While the expectations were you never see the private self ever. And I a reportage quality to the job at that point— unloving Alpha, but an Alpha.” high, the celebration of the successes thought those protected, guarded areas you’re out in the world as a detective in a seemed almost nonexistent, says Carell. of himself might relate to this character weird way. I became very close to Dave’s The brothers’ complicated relationship His mother, from all reports, was a rather in some way.” Miller continues: “Anyway, wife Nancy and other people who knew comes to a boil with Mark’s realization cold woman. He was close to her but really you can’t put an expected in this role him well. For example, John Giura, Dave’s that Dave was beginning to move on with didn’t experience much affection from her because the nature of this character is that coach and one of his best friends. John his life, to pursue his own family and at all—she reserved that for her prized he’s unexpected. Nobody believed what du not only coached me about the way Dave career. Says Ruffalo: “There’s a deep, deep horses. I think that wrestling became very Pont was capable of.” wrestled, but he also was my lodestone, somebody I could always ask if the way the first big audition, which included both and I asked, ‘are you okay just winging it about this story and her role, is that she I did a scene felt like Dave. Says Tatum: some of the leading wrestlers in the country, also? says Miller. And she said, ‘sure’ and and Dave play the part of the familial side “Knowing that this stuff is real gives it as well as some of Dave’s old friends. “I she just went out on a tear. I had this funny and they are kind of the antithesis of John another level of gravity. Even if the movie was just there to say hello, says Ruffalo, but moment wondering what was going inside du Pont and Mark Schultz.” is good, if you’re not honest to it, you’re Bennett said, ‘Mark, go suit up and I want of Steve Carell’s mind as he’s sitting there failing somehow. I think all of us would you to wrestle with these guys a little bit. I with Vanessa Redgrave as she’s giving this After all the research the actors did, they just roll over and die if we felt like we had thought. ‘Oh, come on, man, don’t do this long monologue of stuff that isn’t written.” came to know their roles so well that failed.” to me—but I said okay. And I suddenly Says Carell: “She improvised a lot, but in incarnating them on the set was second realized that this was actually kind of an every take she embodied the formidable nature. “After a while the actor actually Tatum and Ruffalo not only had to portray audition for me to these guys, and I better strength of that character. Interestingly, the knows the character better than the their characters, they also had to learn to not blow it.” With all the pressure on, character of Jean du Pont is physically very director, says Ruffalo. They even know their wrestle, one of the world’s most arduously Ruffalo’s first opponent was an Olympic frail, but clearly has enormous strength character better than the writer.” Having demanding sports, and on top of this wrestler. “Dave used to start strong, so I and power in that relationship.” Says this foundation of knowledge allowed the to learn the Schultz brothers’ signature threw one of his signature moves, one of Redgrave: “Steve Carell was super to work actors to confidently depart from E. Max stances, moves, and styles. The two the more showy ones, says Ruffalo. And with, because his concentration is total. I Frye and ’s script and began training separately with wrestling I looked up and, Tadaaki Happa, one really enjoyed my scenes with him.” Says maintain the truth of who these people choreographer Jesse Jantzen in June of of the great Olympic wrestling coaches, Miller: “Working with Vanessa was more were. “It was our job to prepare, and to 2012, and then began regular workouts gave me a head nod, which for him kind about watching it happen. I really did not research as best we could, says Carell, but together when shooting began in the of amounted to jumping up and down.” do much.” it inevitably became something else when Pittsburgh area in October. To give them the Ruffalo’s “audition” was a turning point we were filming. There were scenes that maximum time to prepare, all tournament for the wrestling ’s support of , who plays Dave’s wife Nancy, had been rehearsed and discussed that scenes were shot in mid-December, and the movie. “After that, it was ‘whatever you has previously portrayed three real-life changed completely while we were doing the workout scenes from the beginning guys want, whatever you need, we’re here, characters: (FACTORY them.” Says Tatum: “Bennett would have of the film were shot in January. Even we believe in this project, says Ruffalo. And GIRL), (THE GIRL), and me in the set of Mark’s apartment and though Ruffalo had done some wrestling I feel like I got the blessing of the people I , ’ wife (THE he’d just say, ‘Do whatever you think Mark in high school, it actually proved a liability, needed to please. It meant a lot to me.” EDGE OF LOVE), but in this case, she does.’ It was fun but at the same time it as Dave Schultz was left-handed, and often had Nancy Schultz on the set. “I was hard work and you don’t know what’s Ruffalo had to unlearn everything he Tatum was the only one of the three lead met her for the first tie on the first day of going to be in the movie, so you have to knew, do everything backwards, and then, actors who had to act in front of the person filming, and it was incredible to be around stay in it, and stay extremely focused.” as a 45-year-old man, be convincing as a he was playing. “It was hard for Mark to her and to watch her. At the same time, it , who plays the role 33-year-old man considered by many to be watch and to have a real perspective on the was very surreal: I was dressed up as her, of du Pont’s assistant, Jack, says: “The way the greatest wrestler ever. The training was movie because he only has what happened and I’m playing a character who is a real I would describe what Bennett was doing grueling. Says Tatum: “I challenge anyone in real life to go from, says Tatum. Having woman—but she’s sitting right there! It is that he was molding the performances who thinks their sport is harder to come him there was unbelievably helpful at was a strange dynamic, but she was very of the actors: he was pushing them and at and try it. This has been the most painful times, in terms of the information that was open, and very willing to impart her ideas, the same time freeing them up. They had movie I have ever done. I never want to given, but then other times it was definitely and her thoughts, and her memories, and done their homework, and now, in a very wrestle again.” confusing trying to separate Mark’s real life be as supportive as she possibly could deliberate and understated way, he was emotions with what my job was to play him be. But, you know, it was nerve-wracking. getting them to bring these real people to In order to cast the Foxcatcher team and in the film.” (The real Mark Schultz has a When you’re playing someone who not life.” other wrestlers in the film, it was essential cameo in the film, in the scene where Mark only existed, but is still alive, it’s a huge for the production to secure the support weighs in for the World Championships responsibility.” Speaking of Nancy, Miller Miller was able to work in such a free of the U.S. wrestling community. It’s a after dropping weight.) says: “I admire her hugely. She’s a strong approach because he had the full backing very close-knit group and there was some woman—very bright, very warm, very of his producer, and trepidation among many about the tone Certainly one of the world’s greatest maternal, passionate and opinionated, and . While Annapurna the movie might have, considering the actors, Vanessa Redgrave joined the cast very sure of herself. She has obviously Pictures has since become known for such tabloid aspects of the story. And they had as John du Pont’s formidable mother experienced something traumatic, but you acclaimed films as THE MASTER, ZERO no compunctions about informing Mark Jean. Miller was impressed by Vanessa can see in her eyes that she’s been through DARK THIRTY, HER, and AMERICAN Ruffalo that he was hardly their ideal Redgrave’s willingness to improvise. “We things and come out the other side HUSTLE, FOXCATCHER was in fact casting for Dave Schultz. Ruffalo attended had different versions of the scene written stronger for them. I think what’s beautiful one of the first projects they took on. Says Miller: “Making a film like this, which is not THE DU PONT a predetermined, connect-the-dots, color- within-the-lines kind of thing, requires a leap of faith on the part of the producers FAMILY and the actors. It’s almost like going into a documentary, where you don’t know A vast dynasty of industrial enterprise and save the and after a decade of exactly what form it will take when it’s wealth, the du Pont family has one of the his management, DuPont was more than finished, but the only way for the film to oldest and most prestigious legacies in half a million dollars in debt. At this point, become what it needs to become is to go American history. Henry du Pont, Alfred’s younger brother into it with a question mark.” and Eleuthère Irénée’s youngest son, was The family traces its origins to France in asked to step in. Throughout the filming and later on in the the late eighteenth century. Pierre du editing, Miller tried to distill the meanings Pont, one of the family’s oldest known Henry was a West Point graduate and of scenes down to their essence—using relatives, was a confidante to King Louis he immediately applied the discipline visuals whenever necessary. In fact, a XVI; his son, Eleuthère Irénée du Pont, and leadership skills he learned there to large portion of FOXCATCHER plays out was an apprentice to Antoine-Laurent provide fiscal stability for the company. As wordlessly. “Bennett believes that character de Lavoisier, a man considered to be the the DuPont Company stabilized under his and story are enough to carry us through father of modern chemistry. At a time when guidance, Henry’s nephew and Alfred’s long periods of silence, says Ruffalo. He the French were known for making the son Lammot du Pont emerged as a new isn’t afraid to let a movie breathe like best gunpowder in the world, Eleuthère force. Lammot was a gifted chemist with that.” Says Tatum: “He sees the little Irénée was able to learn the fine points an impressive knack for business who at things. He’s obsessed by the moments in of its manufacturing. Unfortunately, the the age of twenty-seven fashioned a new between. What most people will see when French Revolution cut short Eleuthère form of blasting powder. Working together, you wrestle is the big moves, the big huge Irénée’s apprenticeship, and he fled France Henry and Lammot were responsible for slams, the activity, but he really focuses on for America with Pierre and the rest of the the company’s great successes in the late those moments when it dies—where the DuPont family in October of 1799. 1800s, when they were able to capitalize person goes in their head when they are on the huge demand for their munitions not doing the big things.” Soon after Eleuthère Irénée’s arrival in resulting from the Civil War, as well as the the , he became aware of railroad expansion in the American West. Says Ruffalo: “Bennett used the metaphor the poor quality of the gunpowder being DuPont would go on to be the largest of a rock garden. You see a rock sticking out manufactured there. Seeing an opportunity, supplier of military explosives for the U.S. but it’s only a small percentage of what’s he opened his own black gunpowder mill in in the First World War and later become buried and out of sight. The meditative Wilmington, Delaware along Brandywine the creator of Nylon, Teflon, Mylar, Kevlar glimpse of the story you get in this film is Creek in 1802. Applying his sophisticated and Lycra. so profound, but at the same time you still knowledge of the manufacturing process, have this sense of a much deeper, denser Eleuthère Irénée du Pont created a product The du Pont family’s steadfast commitment story underneath. He doesn’t tie it all up that would impact the course of United to hard work has resulted in a dynasty and neatly for us. He leaves us very much in States history for nearly two hundred years. fortune unrivaled in American history. the same place that most of the people Today the du Pont name stands for a global who experienced this kind of tragedy have Eleuthère Irénée saw great success with company that has been on the leading been left. Which is wondering how this the DuPont Company (while the family edge of technological innovation for over happened, and why it came to pass?” name is du Pont, the company is now two centuries. The DuPont Company is referred to as DuPont) in his lifetime, currently valued at fifty billon dollars and but he also experienced tragedy when serves more than seventy countries around a series of explosions killed numerous the world. workers at the mill in 1818. When rapidly accumulating debts put DuPont’s future at John Eleuthère du Pont was the great- risk, Eleuthère Irénée’s son, Alfred Victor, great-grandson of Eleuthère Irénée du took over the leadership of the company. Pont. Unfortunately Alfred lacked the skills to A B OU T T H E CAST

STEVE CARELL Previously in 2010, Carell lent his vocal talents in the lead role of Gru in the (John du Pont) animated feature film, DESPICABLE ME, which opened at #1 in the box office and went on to make more than $500 million STEVE CARELL first gained recognition worldwide. In June of 2008, Carell starred for his contributions as a correspondent on as “Maxwell Smart” in GET SMART, Comedy Central’s Emmy Award-winning opposite and . “The Daily Show with Jon Stewart,” before He also lent his voice as The Mayor of successfully segued from the TV world Whoville in the animated film DR. SEUSS’ to above-the-title status in the film world. HORTON HEARS A WHO! Directed Proving that his talents extend beyond by Jimmy Hayward (FINDING NEMO, acting and writing, Carell also spearheads MONSTERS, INC.), Carell played opposite his own production company, Carousel , and helped launch the film as Productions. an international success. In 2006, as part of Carell opened his first lead feature, THE an ensemble, he starred in LITTLE MISS 40-YEAR-OLD VIRGIN, which he co- SUNSHINE, which earned an Academy wrote with director , at #1, Award nomination for Best Picture and a spot it remained in for two straight won the SAG Award® for Outstanding weekends. The surprise hit of 2005, the Performance by a Cast in a Motion Picture. film was honored with an AFI Award named one of 10 Most Outstanding Motion In 2012, Carell starred in SEEKING Pictures of the Year and took home Best A FRIEND FOR THE END OF THE Comedy Movie at the 11th annual Critics’ WORLD opposite . Later Choice Awards. The film also earned Carell that year Carell was seen in the hit comedic and Apatow a co-nomination for Best drama HOPE SPRINGS, opposite Meryl Original Screenplay by the Writers Guild Streep and . Association. Early 2013, Carell starred in Warner In the summer of 2011, Carell starred in the Brother’s THE INCREDIBLE BURT critically acclaimed box-office hit CRAZY, WONDERSTONE, where he portrays STUPID, LOVE opposite , a jaded magician trying to stay relevant , and . The opposite Jim Carrey and . film was produced by Carell’s production In July, Carell returned as the voice of Gru company, Carousel Productions. in the animated film DESPICABLE ME 2 which has grossed over $668 million worldwide and is most profitable film, ever. Carell was recently starred opposite Jenna Dewan, Rosario Tatum was born in Alabama and grew up seen in THE WAY, WAY BACK which Dawson, Lynn Collins, Kate Mara, Anna in . He currently resides in Los was written and directed by Academy Faris, Brian Geraghty, and Angeles with his wife, Jenna Dewan, and Award recipients and Jim CHANNING TATUM Chris Pratt. 10 YEARS screened at the was their daughter. Rash. In December 2013 he returned as shown at the Toronto Film Festival that Brick Tamland in ANCHORMAN 2: THE (Mark Schultz) year and was released by Anchor Bay. LEGEND CONTINUES, along with and , the sequel to the hit In 2011, Tatum starred in the crime thriller ANCHORMAN: THE LEGEND OF RON CHANNING TATUM has established THE SON OF NO ONE, opposite MARK RUFFALO BURGUNDY. himself as one of the most sought after and , and in the Roman epic leading men and producers. adventure THE EAGLE, opposite Jamie (Dave Schultz) Carell’s previous film credits include, Bell and Donald Sutherland. The previous BRUCE ALMIGHTY, BEWITCHED and In 2014, Tatum will star in three films: year he starred opposite Amanda Seyfried DAN IN REAL LIFE. In 2011, Carell also 22 , the sequel to the hit in Lasse Hallstrom’s DEAR JOHN, an Academy Award nominee MARK completed his Emmy-nominated turn , in which he reteams adaptation of the Nicolas Sparks (The RUFFALO is one of Hollywood’s most in the Americanized adaptation of Ricky with Jonah Hill and directors Phil Notebook) bestseller. sought-after actors, easily moving Gervais’ acclaimed British television series Lord and Christopher Miller; JUPITER between stage and screen and working “The Office.” In 2006, Carell earned a ASCENDING, written and directed by In August 2009, Tatum was seen in the with directors including , Martin Golden Globe Award for Best Performance Andy and Lana Wachowski, and co- box office hit G.I. JOE, directed by Scorsese, , , by an Actor in a Television Series— starring Mila Kunis; and the animated film Stephen Sommers. and was toplined by , Fernando Meirelles and Musical or Comedy, followed by two more BOOK OF LIFE, produced by Guillermo his FOXCATCHER co-star Sienna Miller, . nominations, for his portrayal of “Michael del Toro, and costars Zoe Saldana, Diego plus Marlon Wayans and . Scott,” the pompous and deluded boss of a Luna, Christina Applegate, and . He also appeared in the sequel, G.I JOE This summer, Ruffalo appears in the HBO Pennsylvania paper company. He was also He will also begin filming MAGIC MIKE 2: RETALIATION, in 2013. Also in 2009, film “,” based on the play nominated for six for Best XXL, the sequel to MAGIC MIKE. Tatum starred opposite of the same name written by . Lead Actor in a Comedy Series. In the past in FIGHTING, directed by , Directed by , the film also years, the show has won the Screen Actors Recently, Tatum starred in Roland who had previously directed him in the stars and . “The Guild Award for Outstanding Performance Emmerich’s WHITE HOUSE DOWN, acclaimed A GUIDE TO RECOGNIZING Normal Heart” tells the story of a gay activist by an Ensemble in a Comedy Series. with , , James YOUR SAINTS. In 2008, Tatum starred attempting to raise HIV/AIDS awareness Woods and , and in Steven in the drama, STOP/ during the onset of the HIV-AIDS crisis Born in , Carell now resides Soderbergh’s SIDE EFFECTS, with LOSS, Kimberly Peirce’s first film after her in City in the . The telefilm in with his wife, actress Nancy , and Catherine award-winning BOYS DON’T CRY. will air on May on HBO. He will also be Carell (“”), whom Zeta-Jones. seen this year in BEGIN AGAIN, which co- he met while at the Second City Theater In 2006, Tatum received an Independent stars Keira Knightley and . Group in , when they both were Tatum starred in four films in 2012: Spirit nomination and a Gotham Award The film is about an aspiring female singer members. He is the proud father of a Soderbergh’s HAYWIRE, with Gina Carano, nomination for his performance in A in (Knightley) whose world daughter and a son. Ewan McGregor, GUIDE TO RECOGNIZING YOUR takes a turn for the better when a down- and ; Michael Sucsy’s SAINTS. The film was written and directed on-his-luck record producer (Ruffalo) Carell will be seen in October of 2014 THE VOW, opposite Rachel McAdams; 21 by Dito Montiel, based on his 2003 memoir discovers her. This film premiered at the in Disney’s ALEXANDER AND THE JUMP STREET with Jonah Hill (Tatum of the same title, and co-starred Shia 2013 Toronto International Film Festival TERRIBLE, HORRIBLE, NO GOOD, and Hill were also executive producers); LaBeouf, Robert Downey Jr., and Chazz and was the closing night picture at the VERY BAD DAY, playing the father of and Soderbergh’s blockbuster MAGIC Palminteri. The film won the Special Jury 2014 Tribeca Film Festival. 11-year-old Alexander (Ed Oxenbould) MIKE, with Matthew McConaughey and Prize for Best Ensemble Performance as who wakes up one morning with gum in his Joe Manganiello. MAGIC MIKE was well as the Dramatic Directing Award for 2015 promises Ruffalo in the criticall hair, followed by one calamity after another. independently financed and produced by Montiel at the 2006 . acclaimed 2014 Sundance Film Festival Based on the best-selling children’s book Tatum and his production partner, Reid That year, Tatum also starred opposite hit INFINITELY POLAR BEAR opposite by Judith Viorst, the film is directed by Carolin, who also wrote the script. Tatum Amanda Bynes in Andy Fickman’s SHE’S Zoe Saldana, directed by Maya Forbes. Miguel Arteta and costars had first teamed up with Carolin to produce THE MAN, and in the box office hit, STEP The film is about a bipolar husband and as Alexander’s mother. Jamie Linden’s 10 YEARS, in which Tatum UP, directed by Anne Fletcher. father, played by Ruffalo, who goes off his medication and then proceeds to lose both His other film credits include THANKS Fish Award. He was named one of Time Lumet’s adaptation of ’s his job and sanity, while struggling to hold FOR SHARING, NOW YOU SEE ME, Magazine’s “People Who Mattered” in 2012. THE SEA GULL and as dancer Isadora onto his marriage. SHUTTER ISLAND, WE DON’T LIVE Ruffalo resides with his family in New York. Duncan in ISADORA, for which she won HERE ANYMORE, ZODIAC, THE a National Society of Film Critics Award Upcoming films include the sequel to , COLLATERAL, 13 for Best Actress, a second Prize for the AVENGERS, titled THE AVENGERS: AGE GOING ON 30, ETERNAL SUNSHINE Best Female Performance at the Cannes OF ULTRON, where he will reprise his role OF THE SPOTLESS MIND, IN THE CUT, film festival, as well as a Golden Globe as Bruce Banner/The . Directed by MARGARET, BLINDNESS, JUST LIKE and Oscar® nomination. In 1971 Redgrave Joss Whedon, the film brings back costars HEAVEN, RESERVATION ROAD, ALL VANESSA REDGRAVE took on the role of Andromache in THE , , THE KING’S MEN, WHAT DOESN’T (Jean du Pont) TROJAN WOMAN and received her and Robert Downey Jr. KILL YOU, MY LIFE WITHOUT ME, THE third Oscar® nomination for her work as LAST CASTLE, WINDTALKERS, XX/XY, the title character in MARY, QUEEN OF Ruffalo earned nominations for an COMMITTED, RIDE WITH THE DEVIL, Called “the greatest actress of our SCOTS. In 1977 she won an Oscar for Best Academy Award, Screen Actors Guild , SAFE MEN, THE LAST BIG time” by , VANESSA Supporting Actress for her performance Award, BAFTA Award and Independent in JULIA (1977). During the following THING, FISH IN THE BATHTUB, and REDGRAVE comes from a legendary Spirit Award for his performance in Lisa LIFE/DRAWING. two decades, Redgrave eschewed popular, theatrical family. Her father, Sir Michael Cholodenko’s THE KIDS ARE ALL commercial films, for smaller films. In 1980 Redgrave, was one of Britain’s most RIGHT. He was also honored with the Best Ruffalo’s acting roots lie in the theater, her controversial performance as a Nazi popular and respected actors. Her mother, Supporting Actor Award by the New York where he first gained attention starring concentration camp victim in the television , was a noted stage actress. Film Critics Circle. The film premiered at in the off-Broadway production of ¬“This adaptation of ’s “Playing for Her sister, Lynn Redgrave, was also a film the Sundance Film Festival in 2010 and is Our Youth,” written and directed by Time” won her an Emmy. and stage actress and her brother, Corin opened to rave reviews later that year. , for which he won Redgrave, was a successful stage director a Lucillel Ortel Award for Best Actor. Redgrave received a fifth Oscar® and actor. She made her professional In 2011, Ruffalo made his directorial debut Ruffalo has won several awards for other nomination in 1985 for ’s THE debut in the play “A Touch of ” with SYMPATHY FOR DELICIOUS, performances, including a Dramalogue BOSTONIONS and her sixth in 1992 for her which premiered at the Sundance Film Award and the Theater World Award. In (1957), in which she co-starred with her work as Mrs. Wilcox in . Festival on January 23, 2010 and went on 2000, Ruffalo was seen in the Off-Broadway father. Although she appeared in her Redgrave continued to garner accolades to win the Special Jury Prize for dramatic production of “The Moment When,” a play first film, BEHIND THE MASK, in 1958. throughout the 1990’s and 2000’s. In 2000 film. The film stared , by Pulitzer Prize and Tony Award winner she concentrated mostly on stage work her performance as a lesbian grieving the , and Ruffalo in . He made his theater debut throughout the 1950’s and early 1960’s. loss of her longtime partner in the HBO a story about a Los Angeles DJ who finds in “Avenue A” at The Cast Theater. A writer, During the 1959-1960 season, she was a series “If These Walls Could Talk 2” earned that he has the power to heal. director and producer, Ruffalo co-wrote member of the Royal Shakespeare Theatre her Golden Globe® Award and Emmy® the for film in Stratford-upon-Avon. Her film career Awards for Best Supporting Actress, as In 2006, Ruffalo made his Tony Award- THE DESTINY OF MARTY FINE. In began in earnest in 1966 and within the well as the Excellence in Media Award nominated Broadway debut in the Lincoln 2000, he directed Timothy McNeil’s original space of two years she appeared in four by the Gay & Lesbian Alliance Against Center Theater’s revival of ’ play “Margaret” at the Hudson Backstage films that established her reputation as Defamation. In 2005, Redgrave joined the “Awake and Sing!” The original cast Theatre in Los Angeles. an intelligent actress with a commanding cast of the FX series “Nip/Tuck,” in which included Ben Gazzara, Zoe Wanamaker presence: Karel Reisz’s MORGAN! (1966, she portrays Dr. Erica Noughton, the and Lauren Ambrose. Ruffalo is also an advocate of addressing Academy Award® nomination); Fred mother of Julia McNamara played by Joely climate change and renewable energy. Zinneman’s A MAN FOR ALL SEASONS, Richardson, her real life daughter. In 2006, Ruffalo earned critical recognition in In March 2011, Mark co-founded Water ’s BLOW-UP Redgrave starred opposite Peter O’Toole in 2000 for his role in Kenneth Lonergan’s Defense to raise awareness about energy (1966); and Joshua Logan’s CAMELOT Roger Michell’s VENUS and a year later in , opposite extraction impact on water and public (1967). Her performance as Guinevere in the acclaimed films EVENING, directed by Laura Linney and . The health. A regular contributor to the CAMELOT further secured her status as Lajos Koltai, and ATONEMENT, directed -produced film won and Huffington Post, Mark is one of the most popular and respected by Joe Wright, for which she garnered a coveted Grand Jury Prize for Best Film in a recent recipient of the Global Green actresses of the era. In the late 1960’s and Broadcast Film Critics Association award Dramatic Competition and the Millennium Award for Environmental early 1970’s Redgrave showed her mastery nomination for her performance despite Award at the 2000 Sundance Leadership, the Meera Gandhi Giving Back of both classical and commercial fare. In it being only seven minutes. In 2010, Film Festival. Foundation Award, and Riverkeeper’s Big 1968 she appeared as Nina in Sidney Redgrave starred in ’s MIRAL and Gary Winick’s LETTERS TO BIRDS. It received outstanding reviews, ANTHONY MICHAEL HALL include ’s “61*” (as Whitey . especially for the performances of Miller Ford), “Hitched,” “Hysteria: The Def and Jones. It was also shown on the BBC (Jack) Leppard Story,” “LA Blues,” and “Final She then starred in ’ in December 2012. For her performance in Approach.” His numerous TV credits CORIOLANUS, ’s “The Girl,” Miller was nominated Golden include recurring roles in “Community,” ANONYMOUS, UNFINISHED SONG, Globe in the Best Actress category and for ANTHONY MICHAEL HALL is an actor, “,” “Awkward,” and “.” THE LAST WILL AND TESTAMENT a TV BAFTA in the same category. , and director who came to the OF ROSALIND LEE (title role), and LEE world’s attention starring in a series of films DANIELS’ THE BUTLER. Her more recent films include the with director- , Nick Cassavetes film YELLOW, which including NATIONAL LAMPOON’S premiered at the SXSW film festival, and VACATION (1983), JUST LIKE A WOMAN, directed by the (1983) (1985) internationally celebrated director Rachid and WEIRD SCIENCE (1985). SIENNA MILLER Bouchareb (DAYS OF GLORY), A CASE OF YOU, and upcoming, HIPPIE HIPPIE Hall diversified his roles to avoid (Nancy Schultz) SHAKE, BUSINESS OR PLEASURE, becoming typecast as his early persona, and MISSISSIPI GRIND. joining the cast of “Saturday Night Live” in the 1985-1986 season and starring in SIENNA MILLER was born in New York, On stage, Sienna made her West End films such as Richard Tuggle’s OUT OF educated in England and studied drama debut in 2005 playing “Celia” in the Young BOUNDS, JOHNNY BE GOOD, Tim at the Lee Strasberg Institute in New Vic’s production of ’s Burton’s York. She made her film debut as the “” at the Wyndham’s Theatre and ’ SIX DEGREES OF love interest of in Matthew in , appearing with Helen McCrory SEPARATION. He starred as ’s Vaughn’s LAYER CAKE. Following that and Dominic West. Miller has since in the 1999 television film “Pirates she appeared in such films as FACTORY appeared on Broadway in ’s of ” and had the leading role GIRL, CASANOVA, THE EDGE OF “After ,” based on Strindberg’s in the USA Network series “’s LOVE, INTERVIEW and GI JOE: RISE OF “Miss Julie,” directed by Mark Brokaw. More Dead Zone” from 2002 to 2007. During its COBRA, which was a huge international recently she starred in Terrence Rattigan’s run, the show was one of the highest-rated box office hit in 2009. Sienna played the “” at the , cable television series. Hall served as co- role of ‘The Baroness,’ for which she was directed by . It was a box office producer (Seasons One-Three), producer awarded ‘Best Supporting Actress’ at the hit and received rave reviews across the (Season Five) and co-executive producer ShoWest Awards in Las Vegas. board. (Season Six) of the show, and direced an episode from season three, “The Cold Hard Miller has received a number of accolades Miller also has a firm commitment and Truth,” featuring . He also for her work in film including a British passion for for charity work. Among the directed and starred in the 1994 comedy Award nomination for organizations she has worked with are: the “Hail Caesar” for Showtime, which featured Best Supporting Actress for her role in Global Cool Foundation, a not-for-profit songs written and performed by Hall. The . In the same year that specializes in raising green issues; the film’s cast included Samuel l. Jackson, she was also nominated for the BAFTA Starlight Foundation, which has a mission Robert Downey, Jr. and . Orange Rising Star Award and in 2006 to improve the life and health of kids and was nominated for an Independent families worldwide; and the world relief In 2008, Hall played TV Spirit Award for her role as “Katya” in organization International Medical Corps. reporter/anchor “Mike Engel” in INTERVIEW. ’s THE DARK KNIGHT. His other films include HAPPY In 2012, Miller appeared as Tippi Hedren ACCIDENTS, THE CAVEMAN’S in HBO’s “The Girl,” directed by Julian VALENTINE, ALL ABOUT THE Jarold. The film explores the relationship BENJAMINS, FUNNY VALENTINE (also between Hedren and producer), AFTERMATH, and upcoming, (Toby Jones) during the making of THE SOMETHING ABOUT HER. His TV films A B OU T T H E FILMMAKERS

BENNETT MILLER garnered considerable critical praise and notable awards, including the top prize (Producer/Director) of the International Forum at the Berlin Film Festival. Miller is also an acclaimed director of television commercials, music BENNETT MILLER is an Academy Award® videos, and, most recently, he directed nominated best known for short films for The ® and his two narrative features, MONEYBALL for the Democratic National Convention. (2011) and CAPOTE (2005).

MONEYBALL chronicles the story of the 2002 Oakland Athletics team and its general manager Billy Beane. The film received substantial critical praise, and E. MAX FRYE went on to receive six Academy Award® (Screenplay) nominations including Best Picture, four Golden Globe® nominations, and two Screen Actors Guild Awards® nominations, E. MAX FRYE was born and raised in in addition to nominations from AFI, Eugene, Oregon. He won an Edgar Award BAFTA, PGA and WGA. from the Mystery Writers of America for his first screenplay, SOMETHING WILD, Miller earned an Academy Award® directed by . As a writer nomination for Best Director for CAPOTE, on HBO’s “Band of Brothers,” he received starring in a Christopher Award, a Peabody Award his Oscar®-winning performance as and was nominated for an Emmy. during the research of his groundbreaking true crime novel, . For CAPOTE, Miller also earned a nomination for BAFTA’s Award for Direction, a Best First Film Award from the New York Film Critics DAN FUTTERMAN Circle and a Directors Guild of America (Screenplay) nomination for Outstanding Feature Directorial Achievement. DAN FUTTERMAN was nominated for Miller made his feature debut in 1998 a 2005 Academy Award®, a BAFTA Film with the documentary THE CRUISE, a Award, as well as a Writers Guild of America portrait of New York City tour guide Award for his screenplay for the film Timothy “Speed” Levitch. The film CAPOTE. He won Best Sceenplay awards for CAPOTE from the Society of projects appeal to a growing and diverse Franco, broke records earning the biggest In 1988, Kilik began a partnership with Film Critics, the Los Angeles Film Critics audience, making films of all genres and box office opening weekend of 2013 for a on the groundbreaking DO Association, and the Washington DC Area budgets while preserving their originality. film playing in limited release; and Wong THE RIGHT THING, and has gone on Film Critics. He also won an Independent This innate enthusiasm and original style Kar Wai’s THE GRANDMASTER, the to produce thirteen more of Lee’s films: Spirit Award and shared the USC Scripter of filmmaking is quickly turning Ellison story of martial arts master and Bruce MO’ BETTER BLUES, JUNGLE FEVER, Award with Capote’s biographer Gerald into one of Hollywood’s top producers Lee trainer Ip Man, which was released in MALCOLM X, CROOKLYN, CLOCKERS, Clarke. amongst the new wave of industry auteurs August 2013 by GIRL 6, HE GOT GAME, SUMMER OF and elite storytellers. and was nominated for two Academy SAM, BAMBOOZLED, 25TH FLOOR, Dan and his wife and frequent writing Awards. INSIDE MAN, MIRACLE AT ST. ANNA, partner, Anya Epstein, were show runners Annapurna’s most recent projects and the telefilm “Mike Tyson: Undisputed for the third season of the HBO series include David O. Russell’s AMERICAN Additionally, the company has partnered Truth.” “” and are currently writing HUSTLE starring , Bradley with Nina Jacobson’s Color Force on the and producing a new series for Fox TV, Cooper, , and best-selling comedic novel WHERE’D He has produced all five of Julian “Gracepoint.” They’re also developing which was released by YOU GO, BERNADETTE?, written by Schnabel’s films: BASQUIAT, BEFORE a series, “T,” with and “This Sony in December. The film won three Maria Semple and has partnered with NIGHT FALLS, THE DIVING BELL AND American Life.” Golden Globe Awards including Best Denver & Delilah and CJ Entertainment THE BUTTERFLY (Golden Globe® for Motion Picture, Musical or Comedy and on the SYMPATHY FOR LADY Best Feature Film Drama, four Academy As an actor, Dan has appeared on Broadway was nominated for 10 Academy Awards VENGEANCE remake written by William Award® nominations), MIRAL, and the (“”) and Off-Broadway, at including Best Picture. In addition, Monahan and starring . documentary LOU REED’S BERLIN. and Theatre Annapurna produced Spike Jonze’s HER Annapurna recently announced they Club (“The Lights”, “A Fair Country”, starring , Amy Adams and will produce a currently untitled Garbo/ Kilik’s other film credits as a producer “Dealer’s Choice”). His film acting credits Rooney Mara, also released in December Dietrich Television Project from writers include ’s A BRONX include A MIGHTY HEART, THE through Warner Bros. HER won multiple Angela Robinson and Alex Kondracke TALE; Tim Robbins’ DEAD MAN BIRDCAGE, URBANIA, and the upcoming critical awards including a Golden Globe focusing on the intersecting lives of Greta WALKING (Academy Award® for Best Garbo and Marlene Dietrich. KILL THE MESSENGER. for Best Screenplay and the Academy Actress); ’ PLEASANTVILLE; Award for Best Original Screenplay. Later Ed Harris’ POLLOCK (Academy Award®

this year, Bennett Miller’s FOXCATCHER for Best Actress); Chris Eyre’s SKINS; starring Channing Tatum, Steve Carell, ’s ALEXANDER and W.; and Mark Ruffalo based on the true story ’s BROKEN FLOWERS MEGAN ELLISON of convicted millionaire murderer John JON KILIK and THE LIMITS OF CONTROL; and DuPont will be released by . (Producer) Alejandro González Iñárritu’s BABEL (Producer) (Best Director, Cannes; Golden Globe® for Under Ellison’s guidance, Annapurna has Best Feature Film Drama, seven Academy provided the industry with a critical boost JON KILIK’s films have won numerous Award® nominations, including Best MEGAN ELLISON is the founder and of mature, adult dramas in recent years. prizes, including Best Picture Golden Picture) and . principal of Annapurna Pictures, a film Annapurna’s past releases include Kathryn Globes® for Alejandro González Iñárritu’s production and finance company that Bigelow’s multiple Golden Globe and BABEL and Julian Schnabel’s THE Kilik was born in Newark, New Jersey focuses on creating sophisticated, high- Academy Award nominated film ZERO DIVING BELL AND THE BUTTERFLY, and grew up in Millburn. He graduated quality films which stand out amongst DARK THIRTY; ’s and numerous Academy Award® from the University of and those produced by traditional Hollywood multiple Golden Globe and Academy nominations. moved to New York in 1979 to pursue a studios. Award nominated masterpiece THE career in filmmaking. He returned to his MASTER; ’s KILLING Kilik produced the blockbuster THE Vermont alma mater to receive an honorary As the head of Annapurna Pictures, Ellison THEM SOFTLY starring and HUNGER GAMES, and its sequel, THE doctorate and deliver the commencement successfully upholds the company’s vision John Hillcoat’s LAWLESS. Annapurna’s HUNGER GAMES: CATCHING FIRE. He address to the class of 2003. to produce critically and commercially , directed by is currently working on THE HUNGER conscious films. With her passion for and starring Selena GAMES: MOCKINGJAY, which will be creating first-rate pictures, Ellison’s Gomez, Vanessa Hudgens and James released in two parts. ANTHONY BREGMAN association for independent filmmakers, Palme d’Or award at Cannes 2003 and an PRESIDENT. Mr. Gonchor worked as an which also sponsors the annual Gotham Australian Film Institute award for Best assistant art director on ’s (Producer) Awards. Cinematography 2003. He also shot the , and was later an art director short “The Water Diary,” on the filmmaker’s , Bregman’s movies have won numerous which was part of the 2008 omnibus movie sharing in the design team’s Art Directors ANTHONY BREGMAN’s film credits awards at the Oscars®, Golden Globes®, “8”, which also included shorts by Wim Guild Award nomination. include the Academy Award®-winning BAFTAs, Gothams, Indie Spirits, and Wenders, Gasper Noe, , and ETERNAL SUNSHINE OF THE Cannes, Berlin and Sundance Film other well-known filmmakers. SPOTLESS MIND, FRIENDS WITH Festivals, among others. In 2010 Roger MONEY, OUR IDIOT BROTHER, Ebert named SYNECDOCHE, NEW SYNECDOCHE, NEW YORK, PLEASE YORK the Best Film of the Decade. GIVE, THE TAO OF STEVE, LOVELY STUART LEVY & AMAZING, HUMAN NATURE, THE (Editor) EXTRA MAN, THUMBSUCKER, THE JESS GONCHOR SAVAGES, THE ICE STORM, THE (Production Designer) BROTHERS McMULLEN, TRICK, STUART LEVY recently cut Oliver Stone’s DARLING COMPANION, LAY THE crime thriller SAVAGES. He previously FAVORITE, THE ORANGES, and (Director of Photography) JESS GONCHOR has previously collaborated with Stone on WALL . collaborated with director Bennett Miller STREET: MONEY NEVER SLEEPS and on CAPOTE and MONEYBALL. ANY GIVEN SUNDAY. Upcoming films for Bregman include: John GREIG FRASER was born in , Carney’s BEGIN AGAIN (starring Keira Australia and graduated from the Royal His other credits include the blockbuster Levy’s other notable credits include: Knightley and Mark Ruffalo), and Amy Melbourne Institute of Technology in 1996, THE DEVIL WEARS PRADA, the Coen Tarsem’s ancient Grecian action film Berg’s EVERY SECRET THING (starring majoring in Photography. Brothers’ Academy Award®-winning NO IMMORTALS; THE RESIDENT, starring , Elizabeth Banks, Dakota COUNTRY FOR OLD MEN, for which he ; the fantasy-adventure film Fanning, and Danielle Macdonald), Nima Fraser’s most recent feature credits was an Art Directors Guild Award winner, NIM’S ISLAND; Catherine Hardwicke’s Nourizadeh’s AMERICAN ULTRA (starring including , directed and and A family drama THE NATIVITY STORY; Jesse Eisenberg and ), and by , KILLING THEM SERIOUS MAN, which each earned him and Wes Craven’s thriller RED EYE. ’s SING STREET. SOFTLY, directed by Andrew Dominik, a nomination from the Art Directors Guild SNOW WHITE AND THE HUNTSMAN, for Excellence in Production Design. For In addition to features, Levy has edited In the Fall of 2006, Bregman founded the directed by Rupert Sanders, LET ME IN, the Coens’ TRUE GRIT he received an critically acclaimed documentaries, New York City-based production company directed by and BRIGHT Academy Award nomination, Art Directors including CROSSFIRE HURRICANE, , which he currently runs with STAR, directed by Jane Campion. Guild nomination, Critics’ Choice for which he received an Emmy Award Stefanie Azpiazu. Prior to Likely Story, Awards nomination, and a BAFTA award nomination, and CHICAGO 10, for Bregman was a partner at This is That for For BRIGHT STAR, Fraser was awarded nomination. He recently worked with which he received an A.C.E. Eddie Award four years, and spent ten years as head an Australian Film Institute Award for Best the Coens on . nomination in 2008. of production at Good Machine, where Cinematography 2010, British Independent Gonchor was alsoproduction designer on he supervised the production and post- Film Award for Best Technical Achievement ’ AWAY WE GO and on Doug production of over thirty feature films, 2009, IF Award for Best Cinematography Liman’s FAIR GAME. including SENSE AND SENSIBILITY, 2009 and the most importantly, was EAT DRINK, MAN WOMAN, WALKING awarded the prestigious Milli Award for The native New Yorker first honed his craft & TALKING, WHAT HAPPENED WAS…, Australian Cinematographer of the Year in in off-off- productions. CONOR O’ NEILL THE WEDDING BANQUET, and SAFE. 2011. Segueing into films, he worked in the (Editor) Bregman teaches producing at Columbia art departments of such features as University’s Graduate Film School and Other feature credits include OUT OF Nicholas Hytner’s THE CRUCIBLE, is Chairman of the Board of the IFP, THE BLUE, LAST RIDE, BOYS ARE ’s A PERFECT WORLD, CONOR O’ NEILL worked with the nation’s oldest and largest industry BACK, and CRACKER BAG, which won a and Rob Reiner’s THE AMERICAN Bennett Miller on MONEYBALL before reteaming with him on FOXCATCHER. KASIA MAIMONE WALICKA also worked on the stagings of “Book of Like Bennett, Conor got his start in Longing,” in which Mr. Glass interpreted documentary films, editing such acclaimed () Leonard Cohen in poetry, music, and image. documentaries as WORD WARS, Michael Upcoming for Walicka Maimone is Maya WEST DYLAN THORDSON Moore’s CAPITALISM: A LOVE STORY, KASIA MAIMONE WALICKA previously Forbes’ INFINITELY POLAR BEAR, and the Academy Award nominated collaborated with director Bennett Miller with Mark Ruffalo and Zoe Saldana, and (Additional Music) MURDERBALL, for which he also received on the multi-award-winning MONEYBALL Theodore Melfi’s ST. VINCENT DE VAN and CAPOTE. She received a Costume a Sundance Film Festival Special Jury NUYS, with , , WEST DYLAN THORDSON is a composer Designers Guild Award nomination for Prize for Editing. He recently received an Melissa McCarthy, and Terrence Howard. located in the Red Hook neighborhood of her work on CAPOTE and a second Emmy nomination for his work on HBO’s Brooklyn. Originating from the remote nomination for her acclaimed costumes Rolling Stones documentary CROSSFIRE Minnesota town of Hanska, he developed for ’s hit MOONRISE HURRICANE. his music techniques prominently KINGDOM. in isolation. Notably, he resided and worked for some years within his former

Dressing characters throughout a variety ROB SIMONSEN elementary school. Through his band of different decades on-screen, her (Music) project, A Whisper in the Noise, Thordson film credits as costume designer also has released multiple recordings and JAY CASSIDY, A.C.E include George Nolfi’s hit thriller THE toured extensively internationally. In (Editor) ADJUSTMENT BUREAU, starring Matt ROB SIMONSEN is an American film recent years, he has began creating music Damon and ; Josh Gordon composer, musician and music producer. for feature films and documentaries such and Will Speck’s THE SWITCH, starring A long-time collaborator of , as THE ART OF THE STEAL and THE and ; they co-scored numerous films, including JAY CASSIDY began his career as a ATOMIC STATES OF AMERICA. Joachim Back’s Academy Award-winning the indie hit (500) DAYS OF SUMMER. He film editor in the 1970’s working on short THE NEW TENANTS; Ang Lee’s also provided additional music for many documentaries and political advertisements. short CHOSEN, starring ; of Danna’s other films, including Bennett Over the course of his professional career, Alison Maclean’s JESUS’ SON, starring Miller’s MONEYBALL and Ang Lee’s Cassidy has edited more than thirty films. ; Jill and Karen Sprecher’s LIFE OF PI, which won the Academy He has collaborated with on all THIRTEEN CONVERSATIONS ABOUT Award® for Best Score in 2013. MYCHAEL DANNA the films Penn has directed, most notably ONE THING; Patrick Stettner’s THE (Valley Forge Theme) INTO THE WILD (2007), for which BUSINESS OF STRANGERS, starring Working independently, Simonsen won Cassidy was nominated for an Academy and Julia Stiles; Mira two 2013 World Soundtrack Award MYCHAEL DANNA previously teamed Award® for Film Editing. He was again Nair’s AMELIA, “Hysterical Blindness,” nominations for James Ponsoldt’s THE with Bennett Miller on CAPOTE and nominated for the Oscar®for his work and the “India” segment of the omnibus SPECTACULAR NOW and Nat Fax and MONEYBALL. Danna is an Academy on David O. Russell’s SILVER LININGS feature 11’09”01; and ’s ’s THE WAY, WAY BACK. That Award-winning film composer recognized PLAYBOOK (2012) and AMERICAN , starring Janet McTeer same year, he scored the global ad launch for his evocative blending of non- HUSTLE (2013). His other credits include and for Apple’s iPhone 5 and provided the traditions with orchestral and electronic (2006), piano music for their memorable “Everyday” music. He composed the 2013 Oscar® which won the Academy Award® for Best In designing for the stage, Ms. Walicka campaign. In addition to FOXCATCHER, and Golden Globe®-winning score for Documentary in 2007, BROTHERS (2009), Maimone has contributed to elaborate this year Simonsen composed the music Ang Lee’s LIFE OF PI, as well as many CONVICTION (2010) and WAITING FOR experimental pieces by Robert Woodruff for Zach Braff’s second feature, WISH I award-winning scores for his longtime SUPERMAN (2010). (“Oedipus Rex”) and Richard Foreman WAS HERE. collaborator, Atom Egoyan. Danna has (“Maria del Bosco” and “King Cowboy composed for all of Egoyan’s films since Cassidy is a member of the Academy of Rufus Rules the Universe”). She has Simonsen recently co-founded The Echo 1987’s Family viewing, winning the Genie Motion Picture Arts and Sciences and collaborated with choreographers Susan Society, a collective that is presenting an for their films EXOTICA, FELICIA’S . Marshall, Twyla Tharp, Donald Byrd, and ongoing concert series in Los Angeles, JOURNEY, ARARAT and THE SWEET David Dorfman. Her opera projects have bringing together composers, musicians HEREAFTER. His other notable credits included Philip Glass’ “Les Enfants and artists to create and perform new and include such Oscar®-winning and Oscar®- Terribles” and “The Sound of a Voice.” She progressive musical works. nominated films as: THE IMAGINARIUM OF DOCTOR PARNASSUS, MONSOON BILL CORSO WEDDING, SHATTERED GLASS, LITTLE MISS SUNSHINE, (500) DAYS (Makeup Designer) THE CAST OF SUMMER, SURF’S UP, WATER, BILL CORSO began his career working ANTWONE FISHER, BEING JULIA and John du Pont STEVE CARELL with such legends as Rick Baker (on GIRL, INTERRUPTED. Mark Schultz CHANNING TATUM GREMLINS 2, LIFE, HOW THE GRINCH Dave Schultz MARK RUFFALO STOLE CHRISTMAS, and others) and Ve Jean du Pont VANESSA REDGRAVE Neill (on BATMAN and ROBIN, GALAXY Nancy Schultz SIENNA MILLER QUEST and others). He then began an Jack ANTHONY MICHAEL HALL eight-year collaboration with FX Designer Henry Beck GUY BOYD JEANNE McCARTHY Steve Johnson on projects that included Documentary maker DAVE “DOC” BENNETT (Casting Director) SPECIES, and two Stephen King-based TV mini-series, “The Stand” and “The JEANNE McCARTHY has been working Shining” both of which garnered Emmys in film and television for over 20 years. She for Corso and Johnson for Outstanding began her career as a New York actress Makeup for a Miniseries or a Special. under the tutelage of renowned Broadway THE FILMMAKERS performer, Sandy Dennis, and went on to After that, Corso left Johnson’s studio work with acclaimed actors such as Horton to devote his energies exclusively to on- Foote and Matthew Broderick. Eventually, set makeup work. He has since lent his Director BENNETT MILLER Ms. McCarthy’s career transitioned to Los talents to (AMISTAD, Written by E. MAX FRYE Angeles and the casting industry. Since A.I. ARTIFICIAL INTELLIGENCE, DAN FUTTERMAN the mid-90’s she has been responsible for MUNICH), (OUT OF Producers MEGAN ELLISON casting many notable series and features SIGHT), (PLANET OF THE BENNETT MILLER such as: THE LEAGUE, “The Mindy APES), and Milos Forman (MAN ON THE JON KILIK Project,” ETERNAL SUNSHINE OF MOON). He’s since won his third Emmy ANTHONY BREGMAN THE SPOTLESS MIND, ZOOLANDER, for Outstanding Achievement in Makeup Executive producers CHELSEA BARNARD ANCHORMAN, , for HBO’s “Grey Gardens.” RON SCHMIDT THE SAVAGES, FORGETTING SARAH MARK BAKSHI MARSHALL and 21 JUMP STREET. After meeting Jim Carrey on MAN ON MICHAEL COLEMAN THE MOON, Corso began a creative TOM HELLER McCarthy received an Emmy nomination partnership with him that spanned eight Co-producer SCOTT ROBERTSON for the TNT movie, “Door to Door”; a films, including THE MAJESTIC, BRUCE Director of photography GREIG FRASER Gotham and Independent Spirit (The ALMIGHTY, FUN WITH DICK AND Production designer JESS GONCHOR ) Award for Charlie JANE, and LEMONY SNICKET’S A Editor STUART LEVY Kaufman’s SYNECHDOCHE, NEW SERIES OF UNFORTUNATE EVENTS, CONOR O’NEILL YORK; and again won The Robert Altman for which Corso won the Academy Award® JAY CASSIDY award in 2011 for PLEASE GIVE. In the for Outstanding Achievement in Makeup. Costume designer KASIA MAIMONE WALICKA coming year, her work can be seen in Corso was also Oscar® nominated for Music ROB SIMONSEN ENOUGH SAID, BIG EYES, CAN A SONG CLICK, starring . He began Additional music WEST DYLAN THORDSON SAVE YOUR LIFE?, and BAD WORDS, a partnership with after Valley Forge theme MYCHAEL DANNA Jason Bateman’s directorial debut. INDIANA JONES AND THE KINGDOM Casting director JEANNE McCARTHY OF THE CRYSTAL SKULL, which Makeup designer BILL CORSO included “42,” the story of baseball legend Hair department KATHRINE GORDON Jackie Robinson. Corso’s other credits Wrestling coordinator JOHN GUIRA include X-MEN: THE LAST STAND, Wrestling choreographer JESSE JANTZEN ENCHANTED, and THE AMAZING SPIDER-MAN.