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The Book Art in Croatia Exhibition Catalogue
Book Art in Croatia BOOK ART IN CROATIA National and University Library in Zagreb, Zagreb, 2018 Contents Foreword / 4 Centuries of Book Art in Croatia / 5 Catalogue / 21 Foreword The National and University Library in Croatia, with the aim to present and promote the Croatian cultural heritage has prepared the exhibition Book Art in Croatia. The exhibition gives a historical view of book preparation and design in Croatia from the Middle Ages to the present day. It includes manuscript and printed books on different topics and themes, from mediaeval evangelistaries and missals to contemporary illustrated editions, print portfolios and artists’ books. Featured are the items that represent the best samples of artistic book design in Croatia with regard to their graphic design and harmonious relationship between the visual and graphic layout and content. The author of the exhibition is art historian Milan Pelc, who selected 60 items for presentation on panels. In addition to the introductory essay, the publication contains the catalogue of items with short descriptions. 4 Milan Pelc CENTURIES OF BOOK ART IN CROATIA Introduction Book art, a constituent part of written culture and Croatian cultural heritage as a whole, is ex- ceptionally rich and diverse. This essay does not pretend to describe it in its entirety. Its goal is to shed light on some (key) moments in its complex historical development and point to its most important specificities. The essay does not pertain to entire Croatian literary heritage, but only to the part created on the historical Croatian territory and created by the Croats. Namely, with regard to its origins, the Croatian literary heritage can be divided into three big groups. -
KOLOMAN MOSER Ø KOLOMAN DESIGNING MODERN VIENNA Ø MOSER 1897–1907 Edited by Christian Witt-Dörring
5294-NG_MOSER_jacket_offset 19.03.13 13:47 Seite 1 MOSER KOLOMAN KOLOMAN MOSER ø KOLOMAN DESIGNING MODERN VIENNA ø MOSER 1897–1907 Edited by Christian Witt-Dörring With preface by Ronald S. Lauder, foreword by Renée Price, and contributions by Rainald Franz, Ernst Ploil, Elisabeth Schmuttermeier, Janis Staggs, Angela Völker, and Christian Witt-Dörring FRONT COVER: This catalogue accompanies an (TOP ROW) Armchair, ca. 1903, Neue Galerie DESIGNING New York; Easter egg, 1905, A.P. Collection, MODERN VIENNA exhibition at the Neue Galerie London; (MIDDLE ROW) Vase, 1905, New York and the Museum of A.P. Collection, London; Jewelry box, 1907, 1897–1907 Fine Arts, Houston, devoted to Private Collection; (BOTTOM ROW) Vase, 1903, Ernst Ploil, Vienna; Bread basket, 1910, Austrian artist and designer Asenbaum, London Koloman Moser (1868–1918). It BACK COVER: is the first museum retrospec- (TOP ROW) Centerpiece with handle, 1904, tive in the United States focused Private Collection; Coffer given by Gustav on Moser’s decorative arts. The Mahler to Alma Mahler, 1902, Private Collection; (MIDDLE ROW) Two napkin rings, exhibition is organized by Dr. 1904, Private Collection; Table, 1904, Private Christian Witt-Dörring, the Neue Collection; (BOTTOM ROW) Mustard pot, 1905, Private Collection; Display case for the Galerie Curator of Decorative Arts. Schwestern Flöge (Flöge Sisters) fashion salon, 1904, Private Collection The exhibition and catalogue survey the entirety of Moser’s decorative arts career. They ex- amine his early work as a graphic designer and his involvement with the Vienna Secession, with spe- cial focus given to his role as an PRESTEL PRESTEL artist for the journal Ver Sacrum (Sacred Spring). -
Vienna Guide
April 22—24, 2015, Vienna, Austria Hotel Park Royal Palace Vienna Guide SIGHTSEEING Vienna is old, Vienna is new… and the sights are so varied: from the magnificent Baroque buildings to “golden” Art Nouveau to the latest architecture. And over 100 museums beckon… ALBERTINA The Albertina has the largest and most valuable graphical collection in the world, including works such as Dürer’s “Hare” and Klimt‘s studies of women. Its latest exhibition presents masterpieces of the Modern era, spanning from Monet to Picasso and Baselitz. As the largest Hapsburg residential palace, the Albertina dominates the southern tip of the Imperial Palace on one of the last remaining fortress walls in Vienna. ANKER CLOCK This clock (built 1911–14) was created by the painter and sculptor Franz von Matsch and is a typical Art Nouveau design. It forms a bridge between the two parts of the Anker Insurance Company building. In the course of 12 hours, 12 historical figures (or pairs of figures) move across the bridge. Every day at noon, the figures parade, each accompanied by music from its era. AUGARTEN PORCELAIN MANUFacTORY Founded in 1718, the Vienna Porcelain Manufactory is the second-oldest in Europe. Now as then, porcelain continues to be made and painted by hand. Each piece is thus unique. A tour of the manufactory in the former imperial pleasure palace at Augarten gives visitors an idea of how much love for detail goes into the making of each individual piece. The designs of Augarten have been created in cooperation with notable artists since the manufactory was established. -
FEEFHS Journal Volume 15, 2007
FEEFHS Journal Volume 15, 2007 FEEFHS Journal Who, What and Why is FEEFHS? The Federation of East European Family History Societies Guest Editor: Kahlile B. Mehr. [email protected] (FEEFHS) was founded in June 1992 by a small dedicated group of Managing Editor: Thomas K. Edlund American and Canadian genealogists with diverse ethnic, religious, and national backgrounds. By the end of that year, eleven societies FEEFHS Executive Council had accepted its concept as founding members. Each year since then FEEFHS has grown in size. FEEFHS now represents nearly two 2006-2007 FEEFHS officers: hundred organizations as members from twenty-four states, five Ca- President: Dave Obee, 4687 Falaise Drive, Victoria, BC V8Y 1B4 nadian provinces, and fourteen countries. It continues to grow. Canada. [email protected] About half of these are genealogy societies, others are multi- 1st Vice-president: Brian J. Lenius. [email protected] purpose societies, surname associations, book or periodical publish- 2nd Vice-president: Lisa A. Alzo ers, archives, libraries, family history centers, online services, insti- 3rd Vice-president: Werner Zoglauer tutions, e-mail genealogy list-servers, heraldry societies, and other Secretary: Kahlile Mehr, 412 South 400 West, Centerville, UT. ethnic, religious, and national groups. FEEFHS includes organiza- [email protected] tions representing all East or Central European groups that have ex- Treasurer: Don Semon. [email protected] isting genealogy societies in North America and a growing group of worldwide organizations and individual members, from novices to Other members of the FEEFHS Executive Council: professionals. Founding Past President: Charles M. Hall, 4874 S. 1710 East, Salt Lake City, UT 84117-5928 Goals and Purposes: Immediate Past President: Irmgard Hein Ellingson, P.O. -
The Botanical Exploration of Angola by Germans During the 19Th and 20Th Centuries, with Biographical Sketches and Notes on Collections and Herbaria
Blumea 65, 2020: 126–161 www.ingentaconnect.com/content/nhn/blumea RESEARCH ARTICLE https://doi.org/10.3767/blumea.2020.65.02.06 The botanical exploration of Angola by Germans during the 19th and 20th centuries, with biographical sketches and notes on collections and herbaria E. Figueiredo1, *, G.F. Smith1, S. Dressler 2 Key words Abstract A catalogue of 29 German individuals who were active in the botanical exploration of Angola during the 19th and 20th centuries is presented. One of these is likely of Swiss nationality but with significant links to German Angola settlers in Angola. The catalogue includes information on the places of collecting activity, dates on which locations botanical exploration were visited, the whereabouts of preserved exsiccata, maps with itineraries, and biographical information on the German explorers collectors. Initial botanical exploration in Angola by Germans was linked to efforts to establish and expand Germany’s plant collections colonies in Africa. Later exploration followed after some Germans had settled in the country. However, Angola was never under German control. The most intense period of German collecting activity in this south-tropical African country took place from the early-1870s to 1900. Twenty-four Germans collected plant specimens in Angola for deposition in herbaria in continental Europe, mostly in Germany. Five other naturalists or explorers were active in Angola but collections have not been located under their names or were made by someone else. A further three col- lectors, who are sometimes cited as having collected material in Angola but did not do so, are also briefly discussed. Citation: Figueiredo E, Smith GF, Dressler S. -
Hrvatski Povijesni Muzej 1. Sakupljanje Graðe 1.1
HRVATSKI POVIJESNI MUZEJ 1. SAKUPLJANJE GRA ðE 1.1. Kupnja Muzejska gra ña Hrvatskog povijesnog muzeja u 2009. godini otkupom je pove ćana za 169 inventarnih jedinica. Zbirka slika, grafika i skulptura - Ignjat Gyulai, prema portretu kojeg je naslikao Johann Peter Krafft rezao Johann Pfeiffer, bakropis, Be č, 1830., inv. br. 84523 - Nikola Zrinski, crtao Jan van der Herde, rezao Frans van den Steen, bakrorez, Be č, 1670., inv. br. 84524 - Hrvatska seljanka, crtao Franz Skarbina, rezao A. Kunz, izdao Franz Lipperherde, čelikorez, Berlin, 1876., inv. br. 86325 - Hrvatska seljanka, crtao Franz Skarbina, rezao A. Kunz, izdao Franz Lipperherde, čelikorez, Berlin, 1876., inv. br. 86326 - Hrvatski seljak, crtao Franz Skarbina, rezao A. Kunz, izdao Franz Lipperherde, čelikorez, Berlin, 1876., inv. br. 86327 - Mornar Sekuli ć sa Hvara, 1917., Artur Oskar Alexander, ulje na platnu, inv. br. 87458 - Poljska kuhinja, Czeremoszno, 1916., Artur Oskar Alexander, ulje na platnu, inv. br. 87460 - Avijati čar (Gottfried Banfield ?), 1916., Artur Oskar Alexander, ulje na platnu, inv. br. 87463 - Neutvr ñeni časnik (portret zapovjednika zra čne obrane na So či, pukovnika Kuchtea), 1916., Artur Oskar Alexander, ulje na platnu, inv. br. 87459 - Pontonski most kod Zemuna, listopad 1915., Artur Oskar Alexander, ulje na ljepenci, inv. br. 87461 - Zra čna bitka kod So če, 1916., Artur Oskar Alexander, ulje na ljepenci, inv. br. 87464 - Zra čna bitka kod Pule, 1915., Artur Oskar Alexander, ulje na ljepenci, inv. br. 87456 - Konjani čka mornari čka patrola kod Trsta, 1916. (?),Artur Oskar Alexander, ulje na ljepenci, inv. br. 87457 Stranica 1 od 57 - Zapovjednik torpedne flotile linijski kapetan Massion, Trst, 1916., Artur Oskar Alexander, ulje na platnu, inv. -
Introducing Narratives in Europeana: a Case Study
Int. J. Appl. Math. Comput. Sci., 2019, Vol. 29, No. 1, 7–16 DOI: 10.2478/amcs-2019-0001 INTRODUCING NARRATIVES IN EUROPEANA: A CASE STUDY a,∗ a a a CARLO MEGHINI ,VALENTINA BARTALESI ,DANIELE METILLI ,FILIPPO BENEDETTI aNetworked Multimedia Information Systems Laboratory Institute of Information Science and Technologies “Alessandro Faedo”—CNR Via Giuseppe Moruzzi 1, 56124 Pisa, Italy e-mail: {carlo.meghini,valentina.bartalesi}@isti.cnr.it, {daniele.metilli,filippo.benedetti}@isti.cnr.it We present a preliminary study to introduce narratives as a first-class functionality in digital libraries. The general idea is to enrich those libraries with semantic networks of events providing a meaningful contextualisation of the digital libraries’ objects. More specific motivations are presented through a set of use cases by different actors who would benefit from using narratives for different purposes. Then, we consider a specific digital library, Europeana, the largest European digital library in the cultural heritage domain. We discuss how the Europeana Data Model could be extended for representing narratives, and we introduce an ontology for narratives. We also present a semi-automatic tool, which, on the basis of the ontology, supports the creation and visualisation of narratives, and we show how the tool has been employed to create a narrative of the life of the painter Gustav Klimt as a case study. In particular, we focus our attention on the functionality of the tool that allows extracting and proposing to the user specific digital objects for each event of the narrative. Keywords: digital libraries, narratives, Europeana, ontologies. 1. Introduction in the Europeana Data Model (EDM)2 the concept of event was introduced. -
A) Evoluția Instituției În Raport Cu Mediul În Care Își Desfășoară Activitatea
A) Evoluția instituției în raport cu mediul în care își desfășoară activitatea 1. Colaborarea cu instituții, organizații, grupuri informale care se adresează aceleiași comunități Muzeul Național Peleș este cea mai importantă și reprezentativă instituție muzeală de rang național, nu numai din Sinaia, ci și de pe Valea Prahovei. Ca monument istoric, complexul arhitectonic Peleș este un reper național, dar și european. Ca instituție muzeală, în orașul Sinaia mai funcționează, ca secție a Muzeului Național ,,George Enescu” din București, Casa memorială ,,Vila Luminiș”, locul vacanțelor marelui compozitor George Enescu. Un alt monument istoric de maximă importanță este Mănăstirea Sinaia, care adăpostește și un mic, dar foarte valoros, muzeu de artă veche românească. Un rol cultural activ în viața orașului îl are și Centrul Cultural ,,Carmen Sylva”, aflat în subordinea Primăriei Sinaia, care găzduiește Biblioteca orășenească Sinaia și unde se desfășoară numeroase conferințe și acțiuni culturale. În luna decembrie 2015, a fost inaugurat Muzeul Orașului Sinaia, instituție muzeală aflată în subordinea Centrului Internațional de Conferințe „Cazino Sinaia” și care are un rol deosebit în recuperarea și valorificarea memoriei istorice și culturale a stațiunii. Pe Valea Prahovei, publicul larg are acces la Casa Memorială ,,Cezar Petrescu” din Bușteni, la Muzeul Cinegetic al Carpaților de la Posada, dar și la Palatul Cantacuzino din Bușteni, aflat în proprietate privată și deschis spre vizitare. Fără a minimaliza importanța celorlalte instituții muzeale din zonă, trebuie remarcată unicitatea, amploarea și valoarea excepțională a patrimoniului cultural gestionat de Muzeul Național Peleș, din punct de vedere artistic, istoric și arhitectonic, aceste atribute conducând la un mare aflux de vizitatori, care îi și conferă, anual, calitatea de cel mai vizitat muzeu din România. -
GECAN 1929 Vilko GECAN (Kuželj 1894 - Zagreb 1973)
Vilko GECAN 1929 Vilko GECAN (Kuželj 1894 - Zagreb 1973) Galerija Adris Obala Vladimira Nazora 1 Rovinj • Rovigno 30 kolovoza / agosto / august 28 listopada / ottobre / october 2012 1 2 VILKO GECAN: ZAMRŠENI PUTI SVIJETOM I NUTRINOM Igor Zidić U trenutku kad se osipa najslavniji naraštaj naših münchenskih studenata – Račić umire 1908, Kraljević 1913, Becić napušta bavarsku metropolu 1909. i prelazi u Pariz, a Herman od 1911. zaranja u hebrejsku mitologiju i njemačku romantiku – u Zagrebu se i Pragu spontano formira generacija nasljednika: to su mladići desetak godina mlađi od velike četvorice neposrednih prethodnika; ne spominjemo ovdje Bukovca ni Medovića, Crnčića ni Vidovića – svi su oni znatno stariji pa je problematika njihovih opusa ostala s onu stranu interesa Kraljevićevih potomaka. To je trebalo reći da ne ostane ništa sporno: oni ne slijede Račića ni Becića, još manje Hermana; oni su fascinirani Kraljevićem i, da budemo precizni, onim dijelom Kraljevićeva opusa – naročito crtačkog i grafičkog – iz kojega se otvara put prema ekspresionizmu. Neke determinirane i mnogo slučajnih okolnosti pospješuju homogenizaciju te falange mladih i borbenih ljudi: svi su rođeni u razmaku od tri godine – Vilko Gecan 1894, Vladimir Varlaj 1895, Milivoj Uzelac i Marijan Trepše 1897. Varlaj polazi 1911/1913. privatnu slikarsku školu Tomislava Krizmana, a Gecan i Uzelac mu se pridružuju ujesen 1912. Godine 1913. Varlaj i Uzelac zajedno prelaze na Privremenu školu za umjetnost i umjetni obrt (buduća Akademija), a Gecan položi prijamni ispit na Akademie der Bildender Kunste u Münchenu. Već sljedeće 1914, zbog objave rata i mobilizacije, on mora prekinuti školovanje, a Varlaja i Uzelca – opet zajedno! – izbacuju iz Privremene. -
Serbian Music: Yugoslav Contexts
Serbian Music: Yugoslav Contexts SERBIAN MUSIC: YUGOSLAV CONTEXTS Edited by Melita Milin and Jim Samson Published by Institute of Musicology SASA Technical editor Goran Janjić Cover design Aleksandra Dolović Number of copies 300 Printed by Colorgrafx ISBN 978-86-80639-19-2 SERBIAN MUSIC: YUGOSLAV CONTEXTS EDITED BY MELITA MILIN JIM SAMSON INSTITUTE OF MUSICOLOGY OF THE SERBIAN ACADEMY OF SCIENCES AND ARTS BELGRADE 2014 This book has been published thanks to the financial support of the Ministry of edu- cation, science and technological development of the Republic of Serbia. Cover illustration: Vera Božičković Popović, Abstract Landscape, 1966. Courtesy of Zepter Museum, Belgrade. CONTENTS PREFACE............................................................................................................7 Melita Milin INTRODUCTION.............................................................................................9 Jim Samson 1. SERBIAN MUSIC IN WESTERN HISTORIOGRAPHY......................17 Katy Romanou 2. WRITING NATIONAL HISTORIES IN A MULTINATIONAL STATE..........................................................................................................29 Melita Milin 3. DISCIPLINING THE NATION: MUSIC IN SERBIA UNTIL 1914 ................................................................................................47 Biljana Milanović 4. IMAGINING THE HOMELAND: THE SHIFTING BORDERS OF PETAR KONJOVIĆ’S YUGOSLAVISMS........................................73 Katarina Tomašević 5. THE INTER-WAR CORRESPONDENCE BETWEEN MILOJE -
Klimt and the Ringstrasse
— 1 — Klimt and the Ringstrasse Herausgegeben von Agnes Husslein-Arco und Alexander Klee Edited by Agnes Husslein-Arco and Alexander Klee Inhalt Agnes Husslein-Arco 9 Klimt und die Ringstraße Klimt and the Ringstrasse Cornelia Reiter 13 Die Schule von Carl Rahl. Eduard Bitterlichs Kartonzyklus für das Palais Epstein The Viennese School of Carl Rahl. Eduard Bitterlich’s series of cartoons for Palais Epstein Eric Anderson 23 Jakob von Falke und der Geschmack Jakob von Falke and Ringstrasse-era taste Markus Fellinger 35 Klimt, die Künstler-Compagnie und das Theater Klimt, the Künstler Compagnie, and the Theater Walter Krause 49 Europa und die Skulpturen der Wiener Ringstraße Europe and the Sculptures of the Ringstrasse Karlheinz Rossbacher 61 Salons und Salonièren der Ringstraßenzeit Salons and Salonnières of the Ringstrasse-era Gert Selle 77 Thonet Nr. 14 Thonet No. 14 Wiener Zeitung, 28. April 1867 84 Die Möbelexposition aus massiv gebogenem Längenholze der Herren Gebrüder Thonet The exhibition of solid bentwood furniture by Gebrüder Thonet Alexander Klee 87 Kunst begreifen. Die Funktion des Sammelns am Ende des 19. Jahrhunderts in Wien Feeling Art. The role of collecting in the late nineteenth century in Vienna Alexander Klee 93 Anton Oelzelt. Baumagnat und Sammler Anton Oelzelt. Construction magnate and collector Alexander Klee 103 Friedrich Franz Josef Freiherr von Leitenberger. Das kosmopolitische Großbürgertum Baron Friedrich Franz Josef von Leitenberger. The cosmopolitan grande bourgeoisie Alexander Klee 111 Nicolaus Dumba. Philanthrop, -
International Directory of Hospitals
healthcare international directory of hospitals membership information what you need to know your international directory of hospitals Welcome Welcome to your international directory of hospitals listing those hospitals worldwide with which we have a direct settlement agreement for in-patient care. This directory forms part of the terms of your policy. Wherever you are in the world, your directory will help you and your medical practitioner to select a hospital should you need in-patient treatment. Please keep it in a convenient place in case you need it. contents section page number this section explains: 1 introduction 3 • what your directory tells you • how to use your directory • how to arrange direct settlement 5 • what happens with out-patient-treatment • third party local knowledge 2 international directory • where you can receive treatment in the of hospitals following parts of world 7 • Caribbean 8 • Central America 9 • South America 10 • India 11 • Canada 12 • Africa 13 • Asia 50 • Australasia 66 • North America 459 • Europe 524 • Middle East Information is correct as at October 2014 2 1 introduction What your directory tells you Your international directory of hospitals lists all the hospitals worldwide with which AXA has what is known as a direct settlement agreement for in-patient care. This means that, if you receive in-patient treatment at any of the named hospitals, we will pay your eligible bills direct to them, providing that we have agreed your treatment in advance. It means you won’t have the worry of having to pay in advance for your in-patient care and then claiming reimbursement from us.