The African Homeland of Ayuba Suleiman Diallo, by Thomas Bluett
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Initiative De Valorisation Des Capacités Africaines Endogènes Dans La Gouvernance Et La Prévention Des Conflits »
« Initiative de valorisation des capacités africaines endogènes dans la gouvernance et la prévention des conflits » Tome 2 Compilation des documents de travail présentés à l’atelier de lancement de l’initiative SAH/D(2005)554 Octobre 2005 1 2 «INITIATIVE DE VALORISATION DES CAPACITÉS AFRICAINES ENDOGÈNES DANS LA GOUVERNANCE ET LA PRÉVENTION DES CONFLITS» ATELIER DE LANCEMENT Hôtel Mariador Palace Conakry (Guinée) 9 – 11 mars 2005 Tome 2 Documents de travail Octobre 2005 La responsabilité des propos contenus dans ce document n’incombe qu’à son seul auteur et n’engage en aucune façon ni le Club du Sahel et de l'Afrique de l'Ouest, ni l’OCDE. " Les documents traduits ne remplacent pas les documents originaux. Ils ont été préparés dans le seul but de faciliter les échanges qui ont suivi entre les participants francophones et anglophones". 3 4 Table des matières SESSION 1. « UN MODE DE PRÉVENTION ET DE RÉGULATION EN AFRIQUE DE L’OUEST : LA PARENTÉ À PLAISANTERIE »........................................................................................................................................................ 7 1.1 « La parenté à plaisanterie : origine historique, fonction préventive et régulatrice dans l’espace ouest-africain » (Djibril Tamsir Niane)................................................................................................... 7 1.2. La parenté plaisante. « Maat » ou le règne de l'harmonie sociale originelle (Babacar Sedikh Diouf)........................................................................................................................................................ -
Texts Checklist, the Making of African American Identity
National Humanities Center Resource Toolbox The Making of African American Identity: Vol. I, 1500-1865 A collection of primary resources—historical documents, literary texts, and works of art—thematically organized with notes and discussion questions I. FREEDOM pages ____ 1 Senegal & Guinea 12 –Narrative of Ayuba Suleiman Diallo (Job ben Solomon) of Bondu, 1734, excerpts –Narrative of Abdul Rahman Ibrahima (“the Prince”), of Futa Jalon, 1828 ____ 2 Mali 4 –Narrative of Boyrereau Brinch (Jeffrey Brace) of Bow-woo, Niger River valley, 1810, excerpts ____ 3 Ghana 6 –Narrative of Broteer Furro (Venture Smith) of Dukandarra, 1798, excerpts ____ 4 Benin 11 –Narrative of Mahommah Gardo Baquaqua of Zoogoo, 1854, excerpts ____ 5 Nigeria 18 –Narrative of Olaudah Equiano of Essaka, Eboe, 1789, excerpts –Travel narrative of Robert Campbell to his “motherland,” 1859-1860, excerpts ____ 6 Capture 13 –Capture in west Africa: selections from the 18th-20th-century narratives of former slaves –Slave mutinies, early 1700s, account by slaveship captain William Snelgrave FREEDOM: Total Pages 64 II. ENSLAVEMENT pages ____ 1 An Enslaved Person’s Life 36 –Photographs of enslaved African Americans, 1847-1863 –Jacob Stroyer, narrative, 1885, excerpts –Narratives (WPA) of Jenny Proctor, W. L. Bost, and Mary Reynolds, 1936-1938 ____ 2 Sale 15 –New Orleans slave market, description in Solomon Northup narrative, 1853 –Slave auctions, descriptions in 19th-century narratives of former slaves, 1840s –On being sold: selections from the 20th-century WPA narratives of former slaves, 1936-1938 ____ 3 Plantation 29 –Green Hill plantation, Virginia: photographs, 1960s –McGee plantation, Mississippi: description, ca. 1844, in narrative of Louis Hughes, 1897 –Williams plantation, Louisiana: description, ca. -
African Studies Association 59Th Annual Meeting
AFRICAN STUDIES ASSOCIATION 59TH ANNUAL MEETING IMAGINING AFRICA AT THE CENTER: BRIDGING SCHOLARSHIP, POLICY, AND REPRESENTATION IN AFRICAN STUDIES December 1 - 3, 2016 Marriott Wardman Park Hotel, Washington, D.C. PROGRAM COMMITTEE CHAIRS: Benjamin N. Lawrance, Rochester Institute of Technology William G. Moseley, Macalester College LOCAL ARRANGEMENTS COMMITTEE CHAIRS: Eve Ferguson, Library of Congress Alem Hailu, Howard University Carl LeVan, American University 1 ASA OFFICERS President: Dorothy Hodgson, Rutgers University Vice President: Anne Pitcher, University of Michigan Past President: Toyin Falola, University of Texas-Austin Treasurer: Kathleen Sheldon, University of California, Los Angeles BOARD OF DIRECTORS Aderonke Adesola Adesanya, James Madison University Ousseina Alidou, Rutgers University Souleymane Bachir Diagne, Columbia University Brenda Chalfin, University of Florida Mary Jane Deeb, Library of Congress Peter Lewis, Johns Hopkins University Peter Little, Emory University Timothy Longman, Boston University Jennifer Yanco, Boston University ASA SECRETARIAT Suzanne Baazet, Executive Director Kathryn Salucka, Program Manager Renée DeLancey, Program Manager Mark Fiala, Financial Manager Sonja Madison, Executive Assistant EDITORS OF ASA PUBLICATIONS African Studies Review: Elliot Fratkin, Smith College Sean Redding, Amherst College John Lemly, Mount Holyoke College Richard Waller, Bucknell University Kenneth Harrow, Michigan State University Cajetan Iheka, University of Alabama History in Africa: Jan Jansen, Institute of Cultural -
Image Credits, the Making of African
THE MAKING OF AFRICAN AMERICAN IDENTITY: VOL. I, 1500-1865 PRIMARY SOURCE COLLECTION The Making of African American Identity: Vol. I, 1500-1865 IMAGE CREDITS Items listed in chronological order within each repository. ALABAMA DEPT. of ARCHIVES AND HISTORY. Montgomery, Alabama. WEBSITE Reproduced by permission. —Physical and Political Map of the Southern Division of the United States, map, Boston: William C. Woodbridge, 1843; adapted to Woodbridges Geography, 1845; map database B-315, filename: se1845q.sid. Digital image courtesy of Alabama Maps, University of Alabama. ALLPORT LIBRARY AND MUSEUM OF FINE ARTS. State Library of Tasmania. Hobart, Tasmania (Australia). WEBSITE Reproduced by permission of the Tasmanian Archive & Heritage Office. —Mary Morton Allport, Comet of March 1843, Seen from Aldridge Lodge, V. D. Land [Tasmania], lithograph, ca. 1843. AUTAS001136168184. AMERICAN TEXTILE HISTORY MUSEUM. Lowell, Massachusetts. WEBSITE Reproduced by permission. —Wooden snap reel, 19th-century, unknown maker, color photograph. 1970.14.6. ARCHIVES OF ONTARIO. Toronto, Ontario, Canada. WEBSITE In the public domain; reproduced courtesy of Archives of Ontario. —Letter from S. Wickham in Oswego, NY, to D. B. Stevenson in Canada, 12 October 1850. —Park House, Colchester, South, Ontario, Canada, refuge for fugitive slaves, photograph ca. 1950. Alvin D. McCurdy fonds, F2076-16-6. —Voice of the Fugitive, front page image, masthead, 12 March 1854. F 2076-16-935. —Unidentified black family, tintype, n.d., possibly 1850s; Alvin D. McCurdy fonds, F 2076-16-4-8. ASBURY THEOLOGICAL SEMINARY. Wilmore, Kentucky. Permission requests submitted. –“Slaves being sold at public auction,” illustration in Thomas Lewis Johnson, Twenty-Eight Years a Slave, or The Story of My Life in Three Continents, 1909, p. -
Ayuba Suleiman Diallo
Black History Month: Ayuba Suleiman Diallo - The Enslaved African Muslim Whose Significance To British Muslim History Would Lead Centuries Later To a National Campaign To Stop His Portrait Being Sold Abroad By: Dr. Muhammed Al-Ahari In the third of our four-part series to mark this annual event, Dr. Muhammed Al-Ahari details the extraordinary life of Ayuba Suleiman Diallo, an African American Muslim who “wrote his way out of slavery.” Ayuba Suleiman Diallo was an enslaved trader and scholar who is mentioned in slavery literature as Job Ben Solomon. His 1734 biography makes his life the most accessible of these early Muslims and perhaps its the first biography of any African American. It was certainly the first slave narrative advertised for sale [2]. Bluett’s “The Narrative of Job Ben Solomon” [3] is an understudied text which is at the same time the start of British- African, African American and Muslim American literature. Though less than 60 pages it provides details of West African lives in the early 18th century and includes details about agriculture, trade, religious life, education, clothing, leadership and wildlife. Diallo’s painting by William Hoare of Bath in 1733 Bluett, an attorney and church minister, befriended Diallo and wrote that he was a highly literate Arab scholar who came from a wealthy and aristocratic family in Bundu, West Africa. Three copies of the Qur’an are attributed to him during his stay in England following his emancipation by James Oglethorpe, the British founder of the colony of Georgia. It is claimed he wrote the copies of the Qur’an from memory, drew a map of West Africa with names written in Arabic and wrote a dozen short letters. -
Trans Atlantic Slave Trade Online Database Exercises
Trans Atlantic Slave Trade Online Database Exercises Go to www.slavevoyages.org. The new web site combines searchable new data on 35,000 voyages with new estimates of the slave trade which can be manipulated and presented by any combination of time, region of embarkation, region of disembarkation and national carrier. Please complete each exercise. Thank you. For exercises 1 to 3, click on “Assessing the Slave Trade” along the top of the home page, then choose “Estimates.” Exercise 1: Generate a time profile of the slave trade from its beginning in the 16th C to 1866 -the year in which the last slave voyage in the database reached the Americas. (There are three new options on the “Estimates” page, just below the normal menu options. Click on “Timeline,” if it does not initially come up when you travel to the site.) At the bottom of the page is the button to “Download” the information onto your computer, to make it available for printing. Exercise 2: What were the African coastal origins of the slave trade in each century that the slave trade was carried on? (Instead of “Timeline,” now select “Tables.” For Rows select “1OO- year periods” and for Columns select “embarkation regions.” Then click on “show” button). Exercise 3: What were American destinations for the slave trade in each century that the slave trade was carried on? (Click on the Columns box and select “broad disembarkation regions” then on the Cells box above display area on the right and select “only disembarked.” Then click on “show” button). For the remaining exercises, choose “Voyages Database” from the top menu and then choose “Search the database.” The left of the screen allows you to select the data. -
Senegal River Basin Health Master Plan Study
SENEGAL RIVER BASIN HEALTH MAETER PLAN STUDY WASH Field Report No. 453 December 1994 SANITATION fbr --- ~.rea+r.rr~fi PROJECT -- Sponsored by the U.S. Agency for International Development Operated by CDM and Associates WASH Field Report No. 453 Senegal River Basin Health Master Plan Study Prepared for the USAlD Mission to Senegal U. S. Agency for International Development under WASH Task No. 5 12 Mbarack Diop William R. Jobin with Nicolas G. Adrien Fereydoun Arfaa Judith Auk1 Sax& Bertoli-Minor Ralph W~~PP Jan Rozendaal December 1994 Water and Slnimtion for Hdth Project C-t No. DPJi-5973-Z4WO81-00, Project No. 936-5973 is sponsod by Me Bumu for Glow Programs, Field Suppoh and Resurch Offh of Hdth rad Nuaitibn U.S. Agency for IntennW Development Wdingmn, DC 20523 Senegal River Basin Health Master Plan Shady ERRATA P. xix, paragraph 6, line 1 : "The Senegal River rises in Guinea.." P. 21, paragraph 4, lines 4-5: "Giventhe decrease in midalls in the Lawer€.,c~..." P. 35, Current Findings/Epiderniological Survey, paragraph 2, line 1: "Inthe Delta, three schools on the Mauritanian bank of the river (Finuresand 14)..." - P. 57, Figure 20: Green line = St. Louis, red line = Dagana P. 68, fourth full paragraph, line 3: "...toallow fanners to harvest a normal crop and Figure 25)." !~ENEGALRIVHIBASMHEALTHMASLPZPLANST~Y CONTENTS ... Acknowledgements ............................................... xu1 Acronyms ...................................................... xv Preface ........................................................ xix ExecutiveSummary -
Akalawu Title: West African Performing Arts Course Date: 12 July - 12 August 2008 Place: Gambia Timescale: 4 Weeks
Covering letter from Ukachhi Akalawu Title: West African Performing Arts course Date: 12 July - 12 August 2008 Place: Gambia Timescale: 4 weeks The purpose of my project was to travel to the Gambia and study West African Performing Arts (dance, music, storytelling, circus, masquerade, and cultural and historical context). I undertook an intensive course featuring all these disciplines. The tutors were lecturers from the University of the Gambia (UTG), and local and international artists. How far the purpose of my project was achieved My aim was to gain an understanding of the integral nature of African arts and incorporate that into my work within education. Having been a professional dancer for a number of years, my career and further professional development have tended to be dance centred. However, I have been involved in enough African dance and African theatre to be aware that all artistic disciplines are incorporated into a performance piece, and that an artist is expected to be skillful in a variety of expressions. Thus, through the study and subsequent crystallisation of many aspects of West African performing arts, the purpose of my project was fully achieved. Particular highlights Performing with Mbeurody I have observed Simba performances for many years, and never imagined being a part of it – for a start, it is a spectacle only performed by men. It is true street theatre and has the power to engage people of all ages, so it was a privilege to be a part of it. Observing the Kumpo festival in Casamance (Senegal) I find watching masquerade a very spiritual experience; one is able to see the beliefs of a people in action, and the importance of a festival in terms of their existence and worldview. -
Ethnic and Religious Intergenerational Mobility in Africa∗
Ethnic and Religious Intergenerational Mobility in Africa∗ Alberto Alesina Sebastian Hohmann Harvard University, CEPR and NBER London Business School Stelios Michalopoulos Elias Papaioannou Brown University, CEPR and NBER London Business School and CEPR September 27, 2018 Abstract We investigate the evolution of inequality and intergenerational mobility in educational attainment across ethnic and religious lines in Africa. Using census data covering more than 70 million people in 19 countries we document the following regularities. (1) There are large differences in intergenerational mobility both across and within countries across cultural groups. Most broadly, Christians are more mobile than Muslims who are more mobile than people following traditional religions. (2) The average country-wide education level of the group in the generation of individuals' parents is a strong predictor of group- level mobility in that more mobile groups also were previously more educated. This holds both across religions and ethnicities, within ethnicities controlling for religion and vice versa, as well as for two individuals from different groups growing up in the same region within a country. (3) Considering a range of variables, we find some evidence that mobility correlates negatively with discrimination in the political arena post indepdence, and that mobility is higher for groups that historically derived most of their subsistence from agriculture as opposed to pastoralism. Keywords: Africa, Development, Education, Inequality, Intergenerational Mobility. JEL Numbers. N00, N9, O10, O43, O55 ∗Alberto Alesina Harvard Univerity and IGIER Bocconi, Sebatian Hohmnn , London Busienss Schoiol, Stelios Michalopoulos. Brown University, Elias Papaioannou. London Business School. We thank Remi Jedwab and Adam Storeygard for sharing their data on colonial roads and railroads in Africa, Julia Cag´eand Valeria Rueda for sharing their data on protestant missions, and Nathan Nunn for sharing his data on Catholic and Protestant missions. -
Migration in Britain
MIGRATION IN BRITAIN: WhAT ARe OuR CulTuRAl IdeNTITIes? This learning resource for teachers and students of Secondary Art and A Level Art focuses on a selection of portraits from the Collection of the National Portrait Gallery, London. The resource could also be relevant for those studying Art History, History and Citizenship. Camila Batmanghelidjh by Dean Marsh oil on plywood panel, 2008 NPG 6845 2/32 MIGRATION IN BRITAIN ABOuT ThIs ResOuRCe This resource tackles the question of what British cultural identities can mean and how people who constitute that sector of our society have and do contribute to it in a variety of different ways. This resource relates to another resource in on our website entitled Image and Identity. See: www. npg.org.uk/learning Each portrait is viewed and examined in a number of different ways with discussion questions and factual information relating directly to the works. The material in this resource can be used in the classroom or in conjunction with a visit to the Gallery. Students will learn about British culture through the ideas, methods and approaches used by portrait artists and their sitters over the last four hundred years. The contextual information provides background material that can be fed into the students' work as required. The guided discussion gives questions for the teacher to ask a group or class, it may be necessary to pose further questions around what culture can mean today to help explore and develop ideas more fully. Students should have the opportunity to pose their own questions, too. Each section contains the following: an introduction to each portrait, definitions, key words, questions and two art projects. -
REPUBLIC of SENEGAL by Clifford J
<g^Yh 9Vijbh REPUBLIC OF SENEGAL by Clifford J. Mugnier, C.P., C.M.S. Senegal was part of the Ghana Empire in the 8th century and the (Mission Hydrographique de L’Afrique Occidentale) by Capitaine Djolof kingdom in the area between the Senegal River and modern- de Frégate M. Lebail. A survey of the Casamance River estuary near day Dakar. The Toucouleur people, among the early inhabitants of the southern border with Guinea-Bisseau was controlled by a short Senegal, converted to Islam in the 11th century, although their reli- triangulation base line of 323.003 meters measured from 23 February gious beliefs retained strong elements of animism. The Portuguese to 27 May of 1909. The origin of the Hatt Azimuthal Equidistant Grid had some stations on the banks of the Senegal River in the 15th was o = 12º 35’ 05.10” N, o = 16º 42’ 47.45” West of Greenwich, century, and the first French settlement was made at Saint-Louis no False Origin was used (Jacob M. Wolkau, AMS memo 27 Oct. in 1659. Gorée Island became a major center for the Atlantic slave 1947). In Dakar, an astronomic observation pillar was constructed trade through the 1700s, and millions of Africans were shipped from near the Armory, and from astrolabe observations over four months, there to the New World. The British took parts of Senegal at various the latitude was determined to be: o = 14º 40’ 40.6” N. An updated times, but the French gained possession in 1840 and made it part position for the 1903-1904 latitude of the old jetty was determined of French West Africa in 1895. -
Thecolorpurple2015.Pdf
Acknowledgements Members of the STUDY GUIDE STAFF Park Square Theatre Teacher Advisory Board EDITOR Marcia Aubineau Jill Tammen* University of St. Thomas, retired PROOFREADING Sam DiVita Marcia Aubineau* LEAP High School Liz Erickson CONTRIBUTORS Rosemount High School Liz Erickson*, Craig Farmer*, Kirsten Pardun- Theodore Fabel Johannsen*, and Jill Tammen* Broadway Alternative at Longfellow Craig Farmer COVER DESIGN AND LAYOUT Perpich Center for Arts Education Emilie Moravec (Education Sales and Amy Hewett-Olatunde Services Manager) LEAP High School Cheryl Hornstein *Past or Present Members of Park Square’s Teacher Advisory Freelance Theatre and Music Educator Board Alexandra Howes Twin Cities Academy Dr. Virginia McFerran Perpich Center for Arts Education Kristin Nelson Brooklyn Center High School Mari O’Meara If you have questions or comments about Eden Prairie High School this guide or any of Park Square’s education programs, please contact Dr. Kirsten Pardun-Johannsen Performing Arts Specialist, Orono School Mary Finnerty, Director of Education Jennifer Parker PHONE 651.767.8494 Falcon Ridge Middle School EMAIL [email protected] Maggie Quam Hmong College Prep Academy Jack Schlukebier ABOUT US Central High School, retired Tanya Sponholz PARK SQUARE THEATRE Prescott High School 408 Saint Peter Street, Suite 110 Saint Paul, MN 55102 Jill Tammen EDUCATION: 651.291.9196 Hudson High School, retired TOLL FREE: 877.291.7001 Craig Zimanske Forest Lake Area High School www.parksquaretheatre.org | page 2 By MARSHA NORMAN CONTENTS The Play 4. A Letter from Oprah Winfrey 5. Plot Summary 7. Meet the Characters 8. The Epistolary Novel Historical and Social Context 10. Celie’s Home 12. A Timeline of Race Relations in America 16.