Arbiter, April 26 Students of Boise State University
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Acoustic Sounds Catalog Update
WINTER 2013 You spoke … We listened For the last year, many of you have asked us numerous times for high-resolution audio downloads using Direct Stream Digital (DSD). Well, after countless hours of research and development, we’re thrilled to announce our new high-resolution service www.superhirez.com. Acoustic Sounds’ new music download service debuts with a selection of mainstream audiophile music using the most advanced audio technology available…DSD. It’s the same digital technology used to produce SACDs and to our ears, it most closely replicates the analog experience. They’re audio files for audiophiles. Of course, we’ll also offer audio downloads in other high-resolution PCM formats. We all like to listen to music. But when Acoustic Sounds’ customers speak, we really listen. Call The Professionals contact our experts for equipment and software guidance RECOMMENDED EQUIPMENT RECOMMENDED SOFTWARE Windows & Mac Mac Only Chord Electronics Limited Mytek Chordette QuteHD Stereo 192-DSD-DAC Preamp Version Ultra-High Res DAC Mac Only Windows Only Teac Playback Designs UD-501 PCM & DSD USB DAC Music Playback System MPS-5 superhirez.com | acousticsounds.com | 800.716.3553 ACOUSTIC SOUNDS FEATURED STORIES 02 Super HiRez: The Story More big news! 04 Supre HiRez: Featured Digital Audio Thanks to such support from so many great customers, we’ve been able to use this space in our cata- 08 RCA Living Stereo from logs to regularly announce exciting developments. We’re growing – in size and scope – all possible Analogue Productions because of your business. I told you not too long ago about our move from 6,000 square feet to 18,000 10 A Tribute To Clark Williams square feet. -
Finding Aid for the Robert Sobieszek Archive, 1836-2005
Center for Creative Photography The University of Arizona 1030 N. Olive Rd. P.O. Box 210103 Tucson, AZ 85721 Phone: 520-621-6273 Fax: 520-621-9444 Email: [email protected] URL: http://creativephotography.org Finding aid for the Robert Sobieszek Archive, 1836-2005 AG 232 Finding aid created by Lenox Wiese, October 2016 AG 232: Robert Sobieszek Archive - page 2 Robert Sobieszek Archive, bulk 1836-2005 AG 232 Creator Sobieszek, Robert A., 1943-2005 Abstract Papers and materials, 1836-2005, collected and created by Robert A. Sobieszek (1943- 2005) are associated with his career as curator of photography at George Eastman House and LACMA. The entire collection spans 76.6 linear feet, the bulk of which includes research materials, publications, and writings related to Sobieszek’s major book and exhibition projects, specifically focused on his work associated with William S. Burroughs, Ghost in the Shell: Photography and the Human Soul, 1850-2000, and 19th C. Photography. The collection also includes Sobieszek’s teaching and lecture files as well as minimal amounts of biographical material. Quantity/ Extent 76.6 linear feet Language of Materials English and French Biographical Note Robert Sobieszek (1943-2005) was a diligent scholar, an active writer and lecturer, and a revered curator of photography. He began his career in 1968, working as a curatorial assistant at George Eastman House in New York after receiving a bachelor’s degree in fine arts from the University of Illinois in 1965. Sobieszek went on to earn a master’s degree in art history from Stanford University in 1969 and later, a master’s degree in philosophy from Columbia University in 1981. -
Bill Laswell
Jazz Collection: Bill Laswell Samstag, 22. August 2015, 22.00 - 24.00 Uhr Nichts ist wahr, alles ist erlaubt: der Bassist Bill Laswell Offenheit, das ist der zweite Vorname von Bill Laswell. Kaum ein anderer Musiker hat so viel verschiedene Musik gespielt, produziert und publiziert wie er. «Manchmal entwickelt sich ein Fehler in den besten Teil, da muss man offen bleiben» sagte Bill Laswell kürzlich in einem Interview. Und Offenheit, das ist in der Tat das Credo von Bill Laswell. Auch unter den Bassisten, die ja oft in vielen verschiedenen Projekten mitmischen, gibt es nicht viele, die so breit arbeiten wie Laswell. Von experimenteller und elektronischer Musik über Rock (Iggy Pop!) bis Jazz kennt Bill Laswell keine Berührungsängste – als Musiker nicht, nicht als Label-Chef und auch nicht als Produzent. Ob einer mit so breiten Interessen dennoch so etwas wie einen Personalstil entwickeln kann, diskutiert der Bassist Wolfgang Zwieauer in der Jazz Collection mit Jodok Hess. Redaktion: Jodok Hess Material: Red Tracks LP Performance Track 1: O.A.O. Herbie Hancock: Future Shock CD Columbia Track 1: Rockit Last Exit: Last Exit (Best of Live) CD Enemy Track 6: Discharge Material: Hallucination Engine CD Axiom Track 5: Words Of Advice Miles Davis / Bill Laswell: Panthalassa, the music of Miles Davis 1969- 1974 CD Columbia Track 2: Black Satin Material: Intonarumori CD Palm Pictures Track 2: Conspiracies Bill Laswell: Operazone CD Douglas Music Track 7: Tosca (E lucevan le stelle) The Process: The Process Audio Spotify Track 3: Timeline Bonustracks – nur in der Samstagsausgabe Lili Boniche: Boniche Dub II CD APC Track 3: Elle est partie Miles Davis: In a Silent Way CD CBS Track 2: In a Silent Way Miles Davis / Bill Laswell: Panthalassa, the music of Miles Davis 1969- 1974 CD Columbia Track 2: 1. -
Innerviews Book
INNERVIEWS: MUSIC WITHOUT BORDERS EXTRAORDINARY CONVERSATIONS WITH EXTRAORDINARY MUSICIANS Anil Prasad ABSTRACT LOGIX BOOKS CARY, NORTH CAROLIna Abstract Logix Books A division of Abstract Logix.com, Inc. 103 Sarabande Drive Cary, North Carolina 27513 USA 919.342.5700 [email protected] www.abstractlogix.com Copyright © 2010 by Anil Prasad ISBN 978-0-578-01518-7 Library of Congress Control Number: Pending Printed in India First Printing, 2010 All rights reserved. No part of this book may be reproduced in any form by any means without the written permission of the author. Short excerpts may be used without permission for the purpose of a book review. For Grace, Devin and Mimi CONTENTS Acknowledgements vii Foreword by Victor Wooten viii Introduction x Jon Anderson: Harmonic engagement 1 Björk: Channeling thunderstorms 27 Bill Bruford: Storytelling in real time 37 Martin Carthy: Traditional values 51 Stanley Clarke: Back to basics 65 Chuck D: Against the grain 77 Ani DiFranco: Dynamic contrasts 87 v Béla Fleck: Nomadic instincts 99 Michael Hedges: Finding flow 113 Jonas Hellborg: Iconoclastic expressions 125 Leo Kottke: Choice reflections 139 Bill Laswell: Endless infinity 151 John McLaughlin & Zakir Hussain: Remembering Shakti 169 Noa: Universal insights 185 David Sylvian: Leaping into the unknown 201 Tangerine Dream: Sculpting sound 215 David Torn: Mercurial mastery 229 Ralph Towner: Unfolding stories 243 McCoy Tyner: Communicating sensitivity 259 Eberhard Weber: Foreground music 271 Chris Whitley: Melancholic resonance 285 Victor Wooten: Persistence and equality 297 Joe Zawinul: Man of the people 311 Photo Credits 326 Artist Websites 327 About the Author 329 vi ACKNOWLEDGEMENTS Many people have contributed to Innerviews, both the website and the book, across the years. -
BB-1995-07-22.Pdf
$5.50 (U.S.), $6.50 (CAN.), £4.50 (U.K.) IN MUSIC NEWS *BXNCCVR ******** 3 -DIGIT 908 MCA Primes tGEE4EM740M099074$ 002 0663 000 BI MAR 2396 1 03 MONTY GREENLY Fans For 3740 ELM AVE APT A LONG BEACH, CA 90807 -3402 Buffett's `Barometer Soup' SEE PAGE 10 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT JULY 22, 1995 ADVERTISEMENTS TICKETMASTER RIVALS SEEK NEW BIZ Sony's `Spirit BY ERIC BOEHLERT competition. That's because a handful More than 20 years ago, while sitting of challengers covering a patchwork of in the stands at an Arizona State Uni- Of '73' Rocks NEW YORK -Ever since it pur- regions are bidding and occasionally versity football game, computer pro- chased assets from once -mighty com- winning contracts to provide the same grammer Dorothy McLaughlin joined petitor Ticketron in 1991, critics have types of services that Ticketmaster of- her sister and brother-in -law, Margie For Pro -Choice charged that Ticketmaster faces no ri- fers: box -office support, phone rooms, and Bill Bliss, in a brain teaser: Why val and has cornered itself a lucrative a network of satellite outlets, and pro- couldn't tickets be sold electronically BY CHRIS MORRIS market. motional dollars. from various remote outlets, allowing congratulates The accusation, with which the Jus- Despite Ticketmaster selling 55 mil- all customers the same seat selection? LOS ANGELES -Sony 550 Music will mate activist zeal with a sense of nostalgic fun on Aug. 8, when it Carl P. Mayfield, Tele- charge Systemsó SONY Loscalzo & PROTIX. Dil1an1's lion tickets last year and its regional the staffs of competitors moving just a fraction of tice Department's recent investigation that number, the seemingly mis- At the time, companies bicycled did not concur, stems not only from the matched duels continue to unfold. -
THE CHRONICLE All Day, All Night
All Day, all night Sophomore forward Alison Day scored a * career-high 21 points as records fell for |f THE CHRONICLE women's basketball- See Sports, page 11. AHHA THURSDAY. FEBRUARY 10. 1994 DUKE UNIVERSITY DURHAM, NORTH CAROLINA CIRCULATION: 15.000 VOL. 89. NO. 97; First lady invited to speak at graduation By MICHAEL SAUL ally announced in the fall. tion speaker by October or No ment address, the administra President Nan Keohane has Keohane decided last fall in vember." tion has dealt with its fair share agreed to give first lady Hillary consultation with the Univer If Clinton turns down the in of delays and cancellations. Clinton until about March 1 to sity commencement committee vitation, the president will Most recently, efforts to invite decide whether she will deliver to give Clinton until early likely resort to the short list of Vaclav Havel, now head of state the keynote address at the March to commit to the May 8 candidates on the commence ofthe Czech Republic, and Neil University's 142nd commence speech. The first lady's busy ment committee's list. The com Simon, the Pulitzer Prize-win ment. schedule prevents her from mittee finished its deliberations ning playwright, ended unfa University officials have been agreeing to engagements many in April. vorably. tight-lipped for months about months in advance. "We still have a viable short "When you play for big game, the speaker's identity, but a "My feeling is if we don't hear list to work from," said Trinity you have to be prepared to lose," spokesman in the Office ofthe anything by very early March, senior Rachel Brod, a com Wilder said. -
Beats and Friends: a Check-List of Audio-Visual Material in the British Library
BEATS AND FRIENDS: A CHECK-LIST OF AUDIO-VISUAL MATERIAL IN THE BRITISH LIBRARY http://www.bl.uk/reshelp/findhelprestype/sound/literature/literaturesound.html CONTENTS INTRODUCTION ................................................................................................... 3 WILLIAM S. BURROUGHS ..................................................................................... 5 ALLEN GINSBERG ................................................................................................ 16 JACK KEROUAC................................................................................................... 26 THE EAST COAST SCENE..................................................................................... 29 John Ashbery................................................................................................ 29 Amiri Baraka................................................................................................. 30 Ted Berrigan................................................................................................. 32 Kenward Elmslie ........................................................................................... 33 The Fugs....................................................................................................... 33 John Giorno.................................................................................................. 35 Ted Joans ..................................................................................................... 35 Leroi Jones................................................................................................... -
The Meta Collection Mp3, Flac, Wma
Various The Meta Collection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: The Meta Collection Country: US Released: 2002 Style: Dub, Downtempo, Ambient MP3 version RAR size: 1558 mb FLAC version RAR size: 1412 mb WMA version RAR size: 1278 mb Rating: 4.6 Votes: 413 Other Formats: AAC FLAC ASF RA MPC XM AUD Tracklist Hide Credits Mantra (Edit) Arranged By – Ghatam Nadhaswaram, Vikku VinayakramBass, Drum 1 –Material Programming [Beats] – Bill LaswellEngineer – Oz FritzRemix [Credited 7:13 To] – Dr. Alex Paterson*, Kris WestonRemix, Producer [Additional Production] – The OrbTabla – Zakir HussainViolin – L. Shankar* Beyond The Zero Bass, Sounds, Arranged By – Bill LaswellElectric Piano – Craig 2 –Bill Laswell 9:08 TabornGuitar – Nicky SkopelitisTabla, Drums – Karsh KaleTrumpet – Nils Petter Molvær Amorphous Bass Drum – Hamid DrakeBass, Keyboards, Arranged By – Bill 3 –Bill Laswell LaswellEngineer [Assistant] – James DellatacomaPercussion – Aiyb 8:18 Dieng, Bill BuchenSampler [Samples] – Abu AloufTabla – Zakir HussainVoice – Sussan Deyhim Waxing Moon –Jah Wobble's Bass – Jah WobbleDrums – Jaki LiebezeitEngineer – Cai 4 Invaders Of The 4:58 MurphyRecorder – Jean-Pierre RasleSitar, Tabla – Balugi Heart Shrivastav*Tambura, Shakuhachi – Clive Bell Samadhi State (Edit) –Bill Laswell / Bass, Sampler [Samples] – Bill LaswellElectric Guitar – Nicky 5 Laraaji / Pharoah 6:42 SkopelitisEngineer [Assistant] – James DellatacomaSaxophone [Tenor] Sanders – Pharoah SandersZither [Electric] – Laraaji Remember 6 –Buckethead 7:35 Concept By – Janet RienstraProducer, Recorded By – Buckethead Mun Pa (Edit) Bass – Bill LaswellConcept By – Petulia MattioliEngineer – Oz 7 –Somma FritzGuitar, Performer [Electric], Concept By – Eraldo 6:34 BernocchiVocals, Drums, Horns, Bells – Seven Tibetan Monks From Kalimpong Monastery Lost Roads (Orchestral Suite - Edit) Bass – Bill LaswellGuitar, Sitar [Electric] – Nicky SkopelitisKeyboards 8 –Bill Laswell 11:06 [Electronic] – Jeff BovaPercussion – Aiyb DiengTabla – Zakir HussainViolin – L. -
The History of Rock Music: 1976-1989
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Neo-progressive (These are excerpts from my book "A History of Rock and Dance Music") New York's progressive-rock 1981-85 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. It was inevitable that the experimental thrust of the new wave would eventually bring back progressive-rock. It is significant that members of the old Canterbury school residing in New York (notably Daevid Allen, Fred Frith, Chris Cutler) were drawn to the creative ferment of the new wave. The Henry Cow alumni were the most prolific, especially after the new wave rediscovered them. Gold Diggers (may 1983 - ? 1983) by Lindsay Cooper (1), Man Or Monkey? (aug 1982 - ? 1982) by Chris Cutler's Cassiber (1), Work Resumed On The Tower (oct/nov 1983 - jul 1984) by News from Babel (1), featuring Cutler, Cooper, and Dagmar Krause, and Slow Crimes (sep 1981/jan 1982 - ? 1982) by Tim Hodgkinson's Work (1) were among the most original releases of the time, experimenting with syncopated polyrhythms, guitar noise, found sounds and operatic vocals. Fred Frith (2) became one of the most original guitar soloists of his generation first with his revisionist take on "world dance" that yielded the demented vignettes of Gravity (aug 1979/jan 1980 - ? 1980) and Speechless (apr/aug 1980 - ? 1981), and then via a series of increasingly experimental works, starting with the three-movement dance score The Technology Of Tears (february 1987) that featured John Zorn on squealing alto saxophone and Christian Marclay on ridiculous samples, before heading into jazz and avantgarde. -
Teemu Mäki. List of Albums in My CD Collection, 28.8.2021
Sivu 1 / 261 Musiikki 65078 kappaletta, 257,5 päivää, 2,14 Tt Artisti Albumi Kappalemäärä Kesto A-Trak Vs. DJ Q-Bert Buck Tooth Wizards (1997, A-Trak Vs. DJ Q-Bert) 1 1:02:17 Aapo Häkkinen William Byrd: Music For The Virginals (rec.1999, Aapo Häkkinen) 15 1:10:51 Aaron Parks Invisible Cinema (20.–22.1.2008, Aaron Parks & Mike Moreno, Matt Penma… 10 55:01 Abbey Lincoln Abbey Lincoln Sings Billie Holiday, Vol. 1 (6.–7.11.1987) 10 57:07 Abbey Lincoln Abbey Lincoln Sings Billie Holiday, Vol. 2 (6.–7.11.1987) 7 40:19 Abbey Lincoln Abbey Sings Abbey (Lincoln, 25.–27.9 & 17.11.2006) 12 59:43 Abbey Lincoln Devil's Got Your Tongue (24.–25.2.1992, Abbey Lincoln) 11 1:10:00 Abbey Lincoln It's Magic (8/1958, Abbey Lincoln) 10 37:09 Abbey Lincoln It's Me (2002—2003, Abbey Lincoln) 11 52:49 Abbey Lincoln Over The Years (18.–21.2.2000, Abbey Lincoln) 10 51:03 Abbey Lincoln Painted Lady (30.5.1987, Abbey Lincoln feat. Archie Shepp) 6 44:49 Abbey Lincoln Talking To The Sun (25.–26.11.1983, Abbey Lincoln & S.Coleman/J.Weidm… 5 30:14 Abbey Lincoln A Turtle's Dream (May-Nov.1994, Abbey Lincoln) 11 1:09:10 Abbey Lincoln Who Used To Dance (5.–7.4. & 19.5.1996, Abbey Lincoln) 9 1:01:29 Abbey Lincoln Wholly Earth (3.–5.6.1998, Abbey Lincoln) 10 1:07:32 Abbey Lincoln The World Is Falling Down (21.–27.2.1990, Abbey Lincoln & C.Terry/J.McLe… 8 49:23 Abbey Lincoln You Gotta Pay the Band (2/1991, Abbey Lincoln & S.Getz/H.Jones/C.Hade… 10 58:31 Abbey Lincoln & Hank Jones When There Is Love (4.–6.10.1992, Abbey Lincoln & Hank Jones) 14 1:03:58 Abdullah Ibrahim Abdullah -
Jupiter Coyote Bands, but These Don't Really In- Terest Me
Clemson's Guide to Entertainment & the Arts Volume I, No. 5 Clemson University, Clemson, South Carolina February 17, 1994 Athens comes to Clemson by Sean Cook editor TIME-OUT Some of the best new talent from Ath- ens, Ga. is heading our way this weekend. TD's will be hosting the local release party for Gallery: Athens, Ga., a compilation disc put out by Athens' Barfly records. Two ■> bands from the compilation, Shadowcaste and Greenhouse, will be featured at the * show. The disc, which is currently enjoying u airplay on more than 150 college radio stations in 27 states, features 16 tracks from six Athens bands: Shadowcaste, Green- house, Lime Credo, Dayroom, Grain and YAGGFU Front Trinket. It has big name production people as The Dentists well, including Michael Stipe and Mike Mills, (of REM), Peter V (who has worked Shrunken Head with Andy Summers of the Police and Herbie Hancock), Edd Miller (The Georgia Billy Pilgrim Satellites and 38 Special) and John Keane (REM, Indigo Girls, Drivin' 'n' Cryin' and Live at CBGB Widespread Panic). "The purpose of the record was to put Athens back into the spotlight," says Gal- Material lery Project Manager David Mulkey. "There are over 200 active bands in Athens and we page 2. want to make people listen." "The Athens music scene is as alive as Gallery: Athens, Ga. features six Athens bands, including it ever was," Mills says. "Don't miss it." Keane points out the variety of sounds Shadowcaste and Greenhouse, who will play TD's tomorrow. now heard in Athens. "There isn't really a features some of Athens' more accessible is also available from Barfly Records. -
A Selectively Annotated Bibliography of William S. Burroughs V. 4.0
i ANYTHING BUT ROUTINE: A Selectively Annotated Bibliography of William S. Burroughs v. 4.0 by Brian E. C. Schottlaender The Audrey Geisel University Librarian The Library, UC San Diego 2016 ii PREFACE to v. 4.0 This fourth edition of Anything but Routine is extensively revised from its predecessor, 2012’s v. 3.0. Section B (ART BOOKS, EXHIBITION CATALOGUES, AND RELATED ITEMS) has been rearranged by date, to bring it into line with Sections A and C. I am grateful to Rob Melton for the suggestion. Promotional materials (press kits, press releases, promotional postcards, promotional posters, prospectuses) have been brought together with the items they promote, when they do indeed promote a single item. Otherwise, they remain in Section G (MISCELLANEOUS). Section I (BIBLIOGRAPHY AND CRITICISM) has been sub-divided into, well, “Bibliography” and “Criticism” due to the proliferation of titles in the latter category. Again, I am grateful to Rob Melton for the suggestion. Quantitatively, v. 4.0 includes 1,271 numbered entries, as compared to the 1,152 numbered entries in v 3.0., an increase of more than 10%. iii INTRODUCTION The bibliography of William S. Burroughs is as challenging as the man was himself. He wrote voluminously and kaleidoscopically. He rearranged, recycled, and reiterated obsessively. He produced across five decades and four continents. He was a novelist, a poet, an essayist, and a correspondent at home in all media. He never met a “little magazine” or an interviewer he wouldn’t share with. There have been a few attempts at documenting the range of Burroughs’ prodigious output over the years—some better than others.